The Deal (2003 Film)

''The Deal'' is a 2003 British television film that depicts the Blair-Brown deal—a well-documented pact that Tony Blair and Gordon Brown made whereby Brown would not stand in the 1994 Labour leadership election, so that Blair could have a clear run at becoming leader of the party and later as Prime Minister. The film begins in 1983, as Blair and Brown are first elected to Parliament, and ended in 1994 at the Granita restaurant—the location of the supposed agreement—with a brief epilogue following the leadership contest.

The film was directed by Stephen Frears from a script by Peter Morgan, based in part upon ''The Rivals'' by James Naughtie. The film stars David Morrissey and Michael Sheen as Brown and Blair. It was first proposed by Morgan in late 2002 and was taken on by Granada Television for ITV. After Frears agreed to direct, and the cast were signed on, ITV pulled out of it over fears that the political sensitivity could affect its corporate merger. Channel 4 picked up the production and filming was carried out for five weeks in May 2003. The film was broadcast on 28 September 2003, the weekend prior to the Labour Party's annual party conference.

The film was critically praised. Morrissey received considerable praise, winning a Royal Television Society award for playing Brown, and Frears was nominated for Outstanding Directorial Achievement in Television Movie/Serial by the Directors Guild of Great Britain. The film also nominated for an International Emmy for Best TV Movie/Miniseries. In 2006, Sheen later reunited with Morgan, Frears, and producer Christine Langan to reprise his role as Blair in ''The Queen'', which depicts the death of Princess Diana on 31 August 1997. In 2010, Sheen reprised his role once again in '' The Special Relationship'', that chronicles the " special relationship" between Blair and US President Bill Clinton up until the inauguration of Clinton's successor George W. Bush, and was broadcast on BBC Two in the United Kingdom and HBO in North America.

Plot

In the prologue, opening ''in medias res'', shows Gordon Brown (David Morrissey) taking a telephone call from Tony Blair (Michael Sheen) to arrange a meeting at the Granita restaurant in Islington.

The narrative shifts to 1983; in the wake of the Falklands War, Prime Minister Margaret Thatcher and her Conservative government enjoy huge public popularity as the general election approaches, while Labour's left-wing election manifesto loses them key voters. Whilst the Conservatives win a landslide victory, building upon their existing majority, Brown is elected as the new Member of Parliament for Dunfermline East in Scotland. In London, he is shown to his office in the Houses of Parliament. John Smith (Frank Kelly), a senior Labour MP, introduces Brown to Blair, his new office-mate and the new MP for Sedgefield. Blair makes pleasantries with Brown and, though Brown is not initially impressed, the two become friends. Smith soon introduces the pair to Peter Mandelson (Paul Rhys), Neil Kinnock's director of communications. Shortly afterwards, Kinnock appoints Blair to be an assistant Treasury spokesman. Brown turns down a promotion to the Scottish Office, hoping a better position will come along. He and Blair discuss their political futures and both agree that, of the two, Brown would make a better leader of the party.

Labour is unable to make significant dents in the Conservative majority at the 1987 general election, with the Tories dropping by only 0.2% in the national share of the vote compared to 1983. Kinnock promotes Smith to Shadow Chancellor of the Exchequer, with Brown as his "number two". Three years later, Thatcher resigns as Prime Minister, having been toppled from within the Conservative Party, and Brown asserts his view that a Labour victory in the next election will be possible. Despite contrary predictions, the Conservatives led by John Major win the 1992 general election and secure the most votes ever recorded for a political party in British history. Blair tells Brown that a new approach is needed, and that Brown should stand for the party leadership. Brown refuses to stand against Smith, his friend and mentor. Mandelson privately suggests to Brown that Blair should stand as leader but Brown ridicules the idea. Smith is elected and, over the next two years, Labour gains support as scandals rock the government – but both Blair and Brown are concerned that Smith's "one more heave" strategy of allowing Conservative unpopularity to hand the next election victory to Labour is not radical enough. Blair, as Shadow Home Secretary, pledges to be "tough on crime, tough on the causes of crime" in the wake of the murder of James Bulger. During a late-night conversation about the future direction of the party, Smith tells a clearly irritated Brown that he sees Blair as his natural successor.

A year later, Smith suffers a fatal heart attack. Blair, encouraged by his wife Cherie (Elizabeth Berrington), decides to stand in the leadership contest. He later meets with Mandelson to tell him that he has received support from key Labour frontbenchers. Previously a supporter of Brown, Mandelson switches his allegiance to Blair. Brown is furious that Blair has gone back on what he perceives as having been an unwritten understanding between the two that Brown was the stronger candidate for the leadership, but Blair is incredulous – believing that the circumstances have changed enormously in the intervening years. Smith's funeral passes, and Blair's camp is sure that Brown will run. Charlie Whelan (Dexter Fletcher) and Ed Balls (Matt Blair) advise Brown that he will receive support from significant trade unions. Blair decides to arrange a meeting with Brown. At Granita, Blair tells Brown that he will run for the leadership, and in return offers Brown unprecedented power as his Chancellor should they win the next election, also offering Brown sweeping control of social policy. Brown asks what Blair's plan is should Labour win a second term in office, and Blair responds that he would not make the same mistake as Margaret Thatcher and "go on too long," agreeing to offer his support to Brown as his successor. Brown agrees and Mandelson prepares a statement from him, but discards Brown's alterations. The leadership contest is won by Blair.

Production

Writing

The film was commissioned in 2002 by ITV's head of drama Nick Elliott, who encouraged Peter Morgan to put aside any other projects and start work on a script as soon as possible.Brooks, Richard (13 October 2002). "Blair and Brown to be TV double act". ''The Sunday Times'' (Times Newspapers): p. 5. Granada was initially sceptical of producing it; the company's executive chairman and chief executive— Charles Allen and Simon Shaps respectively—believed that Blair would be forced to resign as Prime Minister over the impending war in Iraq, consequently leaving the story outdated.Wells, Matt (2 April 2003).
ITV ditches Blair-Brown drama
". MediaGuardian (Guardian News and Media). Retrieved on 21 February 2008. The project was believed to be "too cerebral" and attempts were made to persuade Morgan to develop a television series to replace '' Cold Feet'', another Granada production.Gritten, David (20 September 2003).
The power, the glory—and the heartbreak
. ''The Daily Telegraph'' (Telegraph Media Group). John Whiston and Andy Harries convinced Allen and Shaps otherwise, citing Granada's history of producing ground-breaking drama and film as reasons for why ''The Deal'' should be made. ITV's director of channels, David Liddiment, who supported the production, resigned in December 2002 and was replaced by Nigel Pickard, who shared the concerns of Allen and Shaps. Peter Morgan wrote his first script draft in the three weeks preceding Christmas 2002. Recent events such as the 2001 foot and mouth outbreak and the contention surrounding the September Dossier made him believe that the perceived adversity between Brown and Blair was no longer in the public consciousness. His opinion was changed when he watched the 2002 Labour Party Conference and saw a "thunderous expression" on Brown's face as Bill Clinton praised Blair in his speech; Morgan realised that the rivalry was not over.Interview with writer Peter Morgan
. Channel4.com. Archived fro

on 12 December 2003. Retrieved on 19 November 2009. This draft was extremely sympathetic to Brown, focusing on what Morgan called "Gordon's heartbreak". Subsequent rewrites toned down this approach, though Brown still remained the "main character".

The relationship between Brown and Blair as depicted in the script was based on that between Aaron Altman and Tom Grunick, the characters portrayed by Albert Brooks and William Hurt in '' Broadcast News''. Morgan wanted to set the entire film in the 12 days following the death of John Smith, but the time frame was widened because the Labour Party's disastrous result at the 1992 general election was "absolutely crucial" to the relationship and motives of the main characters; Morgan had to show the moment Blair decided to aim to become leader of the party. Morgan and the producers engaged in a lengthy research process during script writing and editing, interviewing 40 to 50 of Brown and Blair's closest friends and advisors, as well as aides involved in the 1992 and 1997 elections. Significantly, many of the facts in the film are based on the first three chapters of James Naughtie's book ''The Rivals: The Intimate Portrait of a Political Marriage''. The film briefly adopted ''The Rivals'' as a working title, but soon reverted to ''The Deal''. Another title considered by Frears was ''Bambi and Stalin'', based on a line in a speech given by Blair in 1995.

Scenes set in the House of Commons chamber and committee rooms use the actual words as recorded in Hansard. In other scenes Morgan utilised dramatic licence, conceding that there was no evidence to suggest that any of the lines spoken elsewhere in the film were ever said in real life. The relationship between Brown and Blair received many thematic analogies; Morgan likened Brown's story to a "tragedy of an over-qualified Scot, who the Labour Party probably rightly felt at the time that it could not have as its leader." Despite the quote at the head of the film referring to Butch Cassidy and the Sundance Kid, Frears wryly likened Brown and Blair to Beavis and Butt-head. Producer Christine Langan alluded to both Shakespearean and Biblical themes, painting Brown and Blair as Cain and Abel.Rampton, James (28 September 2003). "The Deal undone". ''Daily Express'' (Express Newspapers): p. 55.

Casting

At the time of commissioning, Douglas Henshall and Daniel Craig were considered for the parts of Brown and Blair respectively, though David Morrissey and Michael Sheen were eventually announced as the leads in March 2003. Morrissey gained two stone for his role and had his hair permed and dyed. He researched Brown's background by travelling to Kirkcaldy—where Brown grew up—and reviewing numerous biographies and information about the Treasury.Naughtie, James (6 September 2003). "The real deal". ''The Times'' (Times Newspapers): p. 48. In comparison to his preparation for the BBC
...