Túpac Amaru II

Tupac Amaru II (born José Gabriel Condorcanqui Noguera, – 18 May 1781) was an Indigenous ''cacique'' who led a large Andean rebellion against the Spanish in Peru as self-proclaimed Sapa Inca of the new Inca Empire. He was later elevated to a mythical status in the Peruvian struggle for independence and indigenous rights movement, as well as an inspiration to myriad causes in Spanish America and beyond.

Early life

Tupac Amaru II was born José Gabriel Condorcanqui Noguera in around 1742 in Surimana, Tungasuca , in the province of Cusco, to Miguel Condorcanqui Usquionsa Tupac Amaru, ''kuraka'' of three towns in the Tinta district, and María Rosa Noguera. On 1 May 1742, Tupac Amaru II was baptized by Santiago José Lopez in a church in Tungasuca. Prior to his father's death, Amaru II spent his childhood in the Vilcamayu Valley; he accompanied his father to community functions, such as the temple, the market, and processions. Tupac's parents died when he was twelve years old and he was raised by his aunt and uncle. When he was 16, he received a Jesuit education at the ''San Francisco de Borja'' School, founded to educate the sons of ''kurakas''. The Jesuits "impressed upon him his social standing as future ''kuraka'' and someone of royal Inca blood." When he was 22, Amaru II married Micaela Bastidas. Shortly after his marriage, Amaru II succeeded his father as ''kuraka'', giving him rights to land. Like his father, he was both the head of several Quechua communities and a regional merchant and muleteer , inheriting 350 mules from his father's estate. His regional trading gave him contacts in many other indigenous communities and access to information about economic conditions. His personal contacts and knowledge of the region were useful in the rebellion of 1780–1781.

He was recognised as an elite Quechua from a ''kuraka'' family and was educated at a school in Cuzco for sons of indigenous leaders. He spoke Quechua and Spanish and learned Latin from the Jesuits. He was upwardly socially mobile, and in Cuzco he had connections with distinguished Spanish and Spanish American ( creole) residents. "The upper classes in Lima saw him as a well-educated Indian".

Between 1776 and 1780 Condorcanqui went into litigation with the Betancur family over the right of succession of the Marquisate of Oropesa and lost the case. In 1760, he married Micaela Bastidas Puyucahua of Afro-Peruvian and indigenous descent. Amaru II inherited the caciqueship, or hereditary chiefdom of Tungasuca and Pampamarca from his older brother, governing on behalf of the Spanish governor.

At the end of the 1770s, the trade relations between Buenos Aires and the Upper Peru ended with the commercial monopoly of Lima, which caused greater competition for the manufacturers of Cuzco. They needed to sell their merchandise in Potosí, but had to compete with producers of Buenos Aires and Spain. On the other hand, the widespread overproduction throughout the Andes pushed prices down. Furthermore, in the years 1778 and 1779, extremely cold weather damaged crops and made travel difficult. In 1780, Amaru, who also experienced this crisis, had considerable resources but also numerous debts. He also witnessed the economic discomforts the others were going through, from merchants who were on the brink of bankruptcy to communities that could not afford the growing tribute.

Condorcanqui lived the typical situation of the ''kurakas'' (tribal chiefs): he had to mediate between the local commander and the indigenous people in his charge. However, he was affected, like the rest of the population, due to the establishment of customs and the rise of the '' alcabalas'' (taxes). He voiced his objection against these issues. He also demanded that the indigenous people be freed from compulsory work in the mines. claims directed through the regular channels to the colonial authorities in Tinta, Cusco and later in Lima, obtaining negatives or indifference.

In addition, he adopted the name Tupac Amaru II, in honor of his ancestor Tupac Amaru I, the last Sapa Inca of the Neo-Inca State, seeking to be recognized for his royal Inca lineage.

The ''Corregidores'' and the exploitation of the natives

Although the Spanish trusteeship labor system, or , had been abolished in 1720, a seventh of the population living in native communities () as well as permanent indigenous workers at the time living in the Andean region of what is now Ecuador and Bolivia, who made up nine tenths of the population, were still pushed into forced labor for what were legally labeled as public work projects. This shift from the to the state sponsored and controlled draft labor system consolidated the indigenous labor force in the hands of the local government and not in the individual . Most natives worked under the supervision of a master either tilling soil, mining or working in textile mills. What little wage that was acquired by workers was heavily taxed and cemented Native American indebtedness to Spanish masters. The Roman Catholic Church also had a hand in extorting these natives through collections for saints, masses for the dead, domestic and parochial work on certain days, forced gifts, etc.John Crow, ''The Epic of Latin America'', p. 405 Those not employed in forced labor were still subject to the Spanish provincial governors, or who also heavily taxed and overpriced commodities to any free natives, similarly ensuring their financial instability.

In addition, the middle of the 18th century mining production intensified, putting more and more of a burden on the , or draft labor, system. While Potosi's mining ''mita'' had already been dangerous and labor-intensive work as well as forcing a migration by both the native worker and sometimes their families to Potosi to work, the labor became more extractive during this time, even though no new veins of ore had been discovered. Indeed, many future rebellious areas centered around Potosi and the mining district.

Condorcanqui's interest in the Native American cause had been spurred by the re-reading of one of the ''Royal Commentaries of the Incas'', a romantic and heroic account of the history and culture of the ancient Incas. The book was outlawed at the time by the Lima viceroy for fear of it inspiring renewed interest in the lost Inca culture and inciting rebellion.John Crow, ''The Epic of Latin America'' (University of California Press Berkeley), p. 406 The marquis's native pride coupled with his hate for the Spanish colonial system, caused him to sympathize and frequently petition for the improvement of native labor in the mills, farms and mines; even using his own wealth to help alleviate the taxes and burdens of the natives. After many of his requests for the alleviation of the native conditions fell on deaf ears, Condorcanqui decided to organize a rebellion. He began to stall on collecting reparto debts and tribute payments, for which the Tinta ''corregidor'' and governor Antonio de Arriaga threatened him with death. Condorcanqui changed his name to Tupac Amaru II and claimed he was descended from the last Inca ruler, Túpac Amaru.Native Insurgencies and the Genocidal Impulse in the Americas, Nicholas A. Robins

Rebellion

The Rebellion of Túpac Amaru II was an Inca revival movement that sought to improve the rights of indigenous Peruvians suffering under the Spanish Bourbon Reforms. The rebellion was one of many indigenous Peruvian uprisings in the latter half of the 18th century. It began with the capture and killing of the Tinta Corregidor and Governor Antonio de Arriaga on 4 November 1780, after a banquet attended by both Tupac Amaru II and Governor Arriaga. The immediate cause of the rebellion lay in grievances caused by a series of modernising reforms of the colonial administration implemented by the Bourbon monarchy in Spain under Charles III of Spain (1759–1788), centralising administrative and economic control and placing heavier tax and labour burdens on both the Indian and Creole populations. The focus of discontent was the main representative of the crown in Peru, the visitador general José Antonio Areche. Ideologically, the rebellion was complex. At one level, it expressed simply a demand on the Spanish authorities for changes and reforms within the structure of colonial rule, often speaking in the name of the king himself, for example. At another, it envisioned an overthrow of European rule and something like a restoration of the pre-conquest Inca empire, the Tahuantinsuyo. Tupac Amaru's claim to be the legitimate descendant of the Inca suggested the possibility of an aristocratic state similar to the one envisioned in the sixteenth century by the mestizo writer, Inca Garcilaso de la Vega, who saw the Incas as sharing rule with the Spanish aristocracy. But there were also strong millenarian, proto-Jacobin and even proto-communist elements in the rebellion. In the main, the soldiers of the Tupamarista armies were poor Indian peasants, artisans and women, who saw the rebellion not so much as a question of reforms or power sharing but as an opportunity to "turn the world upside down". The restoration of the Inca Empire meant for them the possibility of an egalitarian society, based economically on the Inca communal agricultural system, the ayllu, and one without castas (racial divisions), rich and poor, or forced labour in haciendas, mines and factories, particularly the dreaded textile mills".

When Arriaga left the party drunk, Tupac Amaru II and several of his allies captured him and forced him to write letters to a large number of Spaniards and kurakas. When about 200 of them gathered within the next few days, Tupac Amaru II surrounded them with approximately 4,000 natives. Claiming that he was acting under direct orders from the Spanish Crown, Amaru II gave Arriaga's slave Antonio Oblitas the privilege of executing his master. A platform in the middle of a local town plaza was erected, and the initial attempt at hanging the failed when the noose snapped. Arriaga then ran for his life to try to reach a nearby church, but was not quick enough to escape, and was successfully hanged on the second attempt.

After the execution of de Arriaga, Amaru II continued his insurrection. Releasing his first proclamation, Tupac Amaru II announced, "that there have been repeated outcries directed to me by the indigenous peoples of this and surrounding provinces, outcries against the abuses committed by European-born crown officials... Justified outcries that have produced no remedy from the royal courts" to all the inhabitants of the Spanish provinces. He went on in the same proclamation to state, "I have acted ... only against the mentioned abuses and to preserve the peace and well-being of Indians, mestizos, mambos, as well as native-born whites and blacks. I must now prepare for the consequences of these actions." Tupac Amaru II then went on to quickly assemble an army of 6,000 natives who had abandoned their work to join the revolt. As they marched towards Cuzco, the rebels occupied the provinces of Quispicanchis, Tinta, Cotabambas, Calca, and Chumbivilcas. The rebels looted the Spaniards' houses and killed their occupants. The movement was supremely anti-royalist since, upon arriving at a town, the rebels would upturn Spanish authority.

"Women, as much as men, were affected by these injustices."Sonya Lipsett-Rivera, "Gender from 1750 to World War I - Latin America and the Caribbean", in Teresa Meade and M. Wiesner-Hanks (Eds.) ''A Companion to Gender History'', (Oxford, Blackwell, 2006), p. 481 In fact, Tupac Amaru II's wife, Micaela Bastidas, commanded a battalion of insurgents and was responsible for the uprising in the San Felipe de Tungasuca region. She is also often credited to being more daring and a superior strategist, compared to Tupac Amaru II. It is told that she scolded her husband for his weakness and refusal to set up a surprise attack against the Spaniards in Cusco to catch the weakened city defenders off guard. Instead of listening to his wife, Tupac Amaru II lost precious time by encircling the country in hopes that he could gather more recruits for his army. So, by the time the insurgents had attacked the city, the Spaniards had already brought in reinforcements and were able to control and stop the uprising. This led to Tupac Amaru II, Micaela Bastidas, and several others to be captured while the rebels scattered. Teresa Meade, ''A History of Modern South America - 1800 to the Present'', John Wiley & Sons, 2016.

During a stage of his rebellion, Tupac Amaru II was able to convince the Quechua speakers to join him. Therefore, under his command, the Quechua speakers fought alongside him with Aymara-speaking rebels from Puno on Lake Titicaca and on the Bolivian side of the lake. Unfortunately, the alliance did not last that long and this led the Aymara leader, Túpac Katari, to lead his army alone which ultimately led to his capture in October 1781. His partner and female commander, Bartola Sisa, took control after his capture and lead an astonishing number of 2,000 soldiers for several months. Soon after that in early 1782, the Spanish military defeated the rebels in Peru and Bolivia. According to modern sources, out of the 73 leaders, 32 were women, who were all executed privately.

On 18 November 1780, Cusco dispatched over 1,300 Spanish and Native loyalist troops. The two opposing forces clashed in the town of Sangarará. It was an absolute victory for Amaru II and his Native rebels; all 578 Spanish soldiers were killed and the rebels took possession of their weapons and supplies. The victory however, also came with a price. The battle revealed that Amaru II was unable to fully control his rebel followers, as they viciously slaughtered without direct orders. Reports of such violence and the rebels' insistence on the death of Spaniards eliminated any chances for support by the class. The victory achieved at Sangarará would be followed by a string of defeats. The gravest defeat came in Amaru II's failure to capture Cuzco, where his 40,000–60,000 indigenous followers were repelled by the fortified town consisting of a combined force of loyalist Native troops and reinforcements from Lima. "After being repelled from the capital of the ancient Inca empire and intellectual hub of colonial Peru" Amaru and his men marched through the countryside attempting to recruit any native to his cause, in doing so bolstering his forces. Amaru II's army was surrounded between Tinta and Sangarara and he was betrayed by two of his officers, Colonel Ventura Landaeta and Captain Francisco Cruz, which led to his capture. When his captors attempted to procure the names of his rebel accomplices from him in exchange for promises, Amaru II scornfully replied "There are no accomplices here other than you and I. You as oppressor, I as liberator, deserve to die."

Death

Amaru II was sentenced to be executed. He was forced to watch the deaths of his wife Micaela Bastidas, his eldest son Hipólito, his uncle Francisco Tupa Amaro, his brother-in-law Antonio Bastidas, and some of his captains before his own death.

On 18 May 1781, they were taken to the Plaza de Armas in Cuzco to be executed one by one. His son Hipólito first had his tongue cut out for having spoken against the Spanish, and then he was hanged. Micaela and José Gabriel were forced to witness the death of their son; Micaela was then made to climb to the platform. In front of her husband and her son Fernando, Micaela fought against her executioners until they finally subdued her and cut off her tongue. Her thin neck could not reach the winch, so they threw ties around her neck that pulled it from side to side to strangle her. They hit her with a club and finally killed her with kicks in the stomach and breasts.

The following is an extract from the official judicial death issued by the Spanish authorities which condemns Tupac Amaru II to torture and death. It was ordered that Tupac Amaru II be condemned to have his tongue cut out after watching the executions of his family and to have his hands and feet tied:

After the failed dismemberment by the four horses, his body was quartered, and he was then beheaded on the main plaza in Cuzco, in the same place his ancestor Túpac Amaru had been beheaded.

His youngest son, 10-year-old Fernando, was not executed but was forced to witness the torture and death of his entire family and to pass under the gallows of those executed. He was later exiled to Africa for life imprisonment. However, the ship taking him there was capsized and he ended up in Cádiz to be imprisoned in the dungeons of the city. Viceroy Agustín de Jáuregui suggested that he should be kept in Spain, fearing that some enemy power might rescue him on the way to Africa.

Scientists who have studied this dismemberment attempt concluded that due to the physical build and resistance of Tupac Amaru II, it would not have been possible to dismember him in that way. However, his arms and legs were dislocated, as was his pelvis.

Despite the execution of Tupac Amaru II and his family, the vice regal government failed to quell the rebellion, which continued under the leadership of his cousin Diego Cristóbal Tupac Amaru at the same time that it extended through Upper Peru and the Jujuy region. Likewise, disaffection of the Spanish Crown towards the Creoles became evident, especially for the Oruro Case. The lawsuit were filed against Juan José Segovia, born in Lima, and Colonel Ignacio Flores, born in Quito, who had served as president of the Real Audiencia of Charcas and as the Governor Intendant of La Plata ( Chuquisaca or Charcas, currently Sucre).

Aftermath

When the revolt continued, the Spaniards executed the remainder of his family, except his 12-year-old son Fernando, who had been condemned to die with him but was instead imprisoned in Spain for the rest of his life. It is not known if any members of the Inca royal family survived this final purge. Amaru's body parts were strewn across the towns loyal to him as ordered, his houses were demolished, their sites strewn with salt, his goods confiscated, his relatives declared infamous, and all documents relating to his descent burnt.

At the same time, on 18 May 1781, Incan clothing and cultural traditions, and self-identification as "Inca" were outlawed, along with other measures to convert the population to Western European Spanish culture and government until Peru's independence as a republic. However, even after the death of Amaru, Native revolts still seized much of what is today southern Peru, Bolivia and Argentina, as Native revolutionaries captured Spanish towns and beheaded many inhabitants. In one instance, a Native-American army under rebel leader Túpac Katari besieged the city of La Paz for 109 days before troops sent from Buenos Aires stepped in to relieve the city.

Consequences

Although Tupac Amaru II's rebellion was not a success, it marked the first large-scale rebellion in the Spanish colonies and inspired the revolt of many Natives and Peruvians in the surrounding area. The rebellion took on important manifestations in "Upper Peru" or what is today modern Bolivia including the region South and East of Lake Titicaca. Indeed, Tupac Amaru II inspired the indigenous peoples to such an extent that even the official document wherein he is condemned to death, it is remarked that "the Indians stood firm in the place of our gunfire, despite their enormous fear of it" and that despite being captured, his followers remained steadfast in their beliefs in his immortality and heritage.

The rebellion gave indigenous Peruvians a new state of mind, a sort of indigenous nationalism that would re-emerge and change shape over the course of the country's future. They were now willing to join forces with anyone who opposed the Spanish. As well, few Peruvians had prosperous co-owned businesses and land with the Spaniards, and as such did not want to lose those interests in the event of a revolution. While Tupac Amaru II's revolt was spawned in the Vilcanota Valley and ended in the city of Cuzco, the legacy and ideology of his revolt had echoes throughout the Andean region.

Recognition

The fame of Tupac Amaru II spread to such an extent that for the indigenous rebels in the plains of Casanare in the New Granada region, he was recognized as "King of America".

Later movements invoked the name of Tupac Amaru II to obtain the support of the indigenous, among others, Felipe Velasco Tupac Amaru Inca or Felipe Velasco Túpac Inca Yupanqui, who wanted to rise up in Huarochirí (Lima) in 1783. The rebellion of Tupac Amaru II marked the beginning of the Peruvian War of Independence in the history of Peru.

This great rebellion produced a strong influence on the Conspiracy of the Tres Antonios which came up in Chile on 1 January 1781, at the height of the insurrection. They were encouraged to act hearing the news of the advances of Tupac Amaru II in the Viceroyalty of Peru.

20th and 21st centuries

In Peru, the government of General Juan Velasco Alvarado (1968-1975) welcomed the formalized effigy of Tupac Amaru II as a symbol of the Gobierno Revolucionario de la Fuerza Armada (Revolutionary Government of the Armed Forces) that he headed, to date, the only government of leftist ideology in the history of Peru. He recognized him as a national hero. In 1968, which was a novelty since independence the symbol of Tupac Amaru II was carried by Peruvian education and official historiography. In his honor one of the main rooms of the Government Palace was named after him. That room until then was Francisco Pizarro room and that his picture was replaced by that of the indigenous rebel.

Legacy

In Peru

* During the Revolutionary Government of the Armed Forces (1968–1980), Túpac Amaru was selected by military leaders as the symbolic representation for the ideals behind the ''Peruvian Revolution''.
* The Túpac Amaru Revolutionary Movement (MRTA) was a Peruvian Marxist-Leninist insurgent group, which became known worldwide for their involvement in the Japanese embassy hostage crisis.

In music

* Tupac Amaru, symphonic poem by the Venezuelan composer Alfredo del Mónaco premiered in 1977, has been performed at numerous international festivals.
* Tupac Amaru, symphony No. 5 by the Peruvian composer Armando Guevara Ochoa.
* The song "Águila de thunder (part II)" from the album Kamikaze by Luis Alberto Spinetta is inspired by the figure of Tupac Amaru II.
* The French hip-hop group Canelason released a song called "Libre", which tells the story of this revolutionary and his tragic assassination.
* Polish reggae music band NDK in their song Mafija mentions Tupac Amaru II's death as an example of Catholicism's cruelty.
* Argentinian jazz musician Gato Barbieri's Fenix album begins with a song titled "Tupac Amaru".
* American rapper Tupac Amaru Shakur (born Lesane Parish Crooks) was named after him.
* This Is Not America (featuring Ibeyi) from Residente, mentions Tupac Amaru II stating that prior to modern rapper Tupac there was already a Tupac in America (in the context that there is not an "American country" but only an American continent).

In novels

* In the book, ''Inca Gold'', by Clive Cussler, one of the main villains named himself Tupac Amaru and claims to be a descendant of the real Tupac Amaru.
* In the beginning of the book, ''The Book of Human Skin'', Tupac Amaru II's death is described, and a book said to be a bound in his skin plays a major role in the plot.

Around the world

* The Tupamaros (also known as the National Liberation Movement) was the informal name of an urban guerilla that was active in the 1960s and early 1970s in Uruguay. The name was inspired by Tupac Amaru II and its ideals.
* The Venezuelan Marxist political party Tupamaro.
* Operation Tupac was launched by Pakistan against Indian-administered Kashmir.
* Chilean poet Pablo Neruda wrote a poem about Tupac Amaru II, titled "Tupac Amaru (1781)". The poem can be found in the Canto General.

See also

* Túpac Katari
* Mateo Pumacahua
* Micaela Bastidas

References

Further reading

* Brown, Kendall W.; "Tupac Amaru (José Gabriel Condorcanqui)" in ''Encyclopedia of Latin American History and Culture'', vol. 5, pp.279–280.
* Fisher, Lillian Estelle, ''The Last Inca Revolt, 1780-1783'', (1966).
* Robins, Nicholas A.; ''Native Insurgencies and the Genocidal Impulse in the Americas''.
* Charles F. Walker, ''The Tupac Amaru Rebellion'', The Belknap Press of Harvard University Press, 2014, (Print), (eBook).
* Pugh, Helen; "Andean Storm", (2020), ISBN 9781005701161.
* Means, Philip A.; "The Rebellion of Tupac-Amaru II, 1780-1781", The Hispanic American Historical Review, 2.1, (1919), 1–25.

External links

*

"BookRags Biography on José Gabriel Tupac Amaru", 1 January 2006.

Orders for execution of Tupac Amaru II, 1781, by magistrate José Antonio de Areche.

"The Political Force of Images", Vistas, Visual Culture in Spanish America, 1520-1820.

{{DEFAULTSORT:Tupac Amaru 2
1781 deaths
People from Canas province
Peruvian people of Quechua descent
People of colonial Peru
Executed revolutionaries
People executed by dismemberment
Peruvian revolutionaries
Executed Peruvian people
People executed by New Spain
18th-century executions by Spain
18th-century Peruvian people
Rebellions in South America
Rebellions against the Spanish Empire
1740s births