Tropicália (), also known as tropicalismo (), was a Brazilian
art movement
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined ...
that arose in the late 1960s. It was characterized by the amalgamation of Brazilian genres—notably the union of the
popular and the
avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable ...
, as well as the melding of Brazilian tradition and foreign traditions and styles.
Today, tropicália is chiefly associated with the musical faction of the movement, which merged
Brazilian and
African rhythms with British and American
psychedelia
Psychedelia usually refers to a Aesthetics, style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic ...
and
pop rock
Pop rock (also typeset as pop/rock) is a fusion genre and form of rock music characterized by a strong commercial appeal, with more emphasis on professional songwriting and recording craft, and less emphasis on attitude than standard rock musi ...
. The movement also included works of film, theatre, and poetry.
The term tropicália (tropicalismo) has multiple connotations in that it played on images of Brazil being that of a "tropical paradise".
[Veloso, Caetano, Barbara Einzig, and Isabel de Sena. 2003. Tropical truth: a story of music and revolution in Brazil.] Tropicalia was presented as a "field for reflection on social history".
The movement was begun by a group of musicians from
Bahia
Bahia () is one of the 26 Federative units of Brazil, states of Brazil, located in the Northeast Region, Brazil, Northeast Region of the country. It is the fourth-largest Brazilian state by population (after São Paulo (state), São Paulo, Mina ...
notably
Caetano Veloso
Caetano Emanuel Viana Teles Veloso (; born 7 August 1942) is a Brazilian composer, singer, guitarist, writer, and political activist. Veloso first became known for his participation in the Brazilian musical movement Tropicália, which encompas ...
,
Gilberto Gil
Gilberto Passos Gil Moreira (; born 26 June 1942), is a Brazilian singer-songwriter and politician, known for both his musical innovation and political activism. From 2003 to 2008, he served as Brazil's Ministry of Culture (Brazil), Minister of ...
,
Gal Costa
Gal Maria da Graça Costa Penna Burgos (born Maria da Graça Costa Penna Burgos; 26 September 1945 – 9 November 2022), known professionally as Gal Costa (), was a Brazilian singer of Música popular brasileira, popular music. Twelve-times Bra ...
,
Tom Zé
Antônio José Santana Martins (born 11 October 1936), known professionally as Tom Zé (), Born in Irará, Bahia, is a Brazilian singer-songwriter, multi-instrumentalist, and composer who was influential in the Tropicália movement of 1960s Br ...
, and the poet-lyricist
Torquato Neto. Later the group moved from
Salvador (the capital of Bahia) to
São Paulo
São Paulo (; ; Portuguese for 'Paul the Apostle, Saint Paul') is the capital of the São Paulo (state), state of São Paulo, as well as the List of cities in Brazil by population, most populous city in Brazil, the List of largest cities in the ...
where they met with collaborators
Os Mutantes
Os Mutantes (, ''The Mutants'') are an influential Brazilian rock band that were linked with the Tropicália movement, a dissident musical movement during the Brazilian dictatorship of the late 1960s. The band is considered to be one of the m ...
and
Rogério Duprat among others. They went on to produce the 1968 album ''
Tropicália: ou Panis et Circencis'', which served as the movement's manifesto.
Tropicália was not only an expression in analyzing and manipulating culture but also a mode of political expression. The tropicália movement came to fruition at a time when Brazil's
military dictatorship
A military dictatorship, or a military regime, is a type of dictatorship in which Power (social and political), power is held by one or more military officers. Military dictatorships are led by either a single military dictator, known as a Polit ...
and left-wing ideas held distinct but prominent amounts of power simultaneously. The tropicalists' rejection of both sides' version of nationalism (the military's conservative patriotism and the ineffectual bourgeois anti-imperialism) was met with criticism and harassment.
The dissolution of the movement by the early 1970s gave rise to a new wave of soloists and groups identifying as “post-tropicalist”. The movement has inspired many artists nationally and internationally. Additionally, tropicalia continues to be a main feature in the original Bahian group and their fellows’ work.
Background
A dominant principle of tropicália was
antropofagia, a type of cultural "cannibalism" that encouraged the consumption of disparate influences, both temporal and geographic, as well as categorical, out of which could be created something uniquely Brazilian. It was a blurring of lines and preexisting conceptions of high and low art forms, as well as prestigious and marginalized artistic and political expressions. The idea was originally put forth by poet
Oswald de Andrade
José Oswald de Souza Andrade (January 11, 1890 – October 22, 1954) was a Brazilian poet, novelist and cultural critic. He was born in, spent most of his life in, and died in São Paulo.
Andrade was one of the founders of Brazilian modernism ...
in his ''
Manifesto Antropófago
The Anthropophagic Manifesto (Portuguese language, Portuguese: '), also variously translated as the Cannibal Manifesto or the Cannibalist Manifesto, is an essay published in 1928 by the Brazilian poet and polemicist Oswald de Andrade, a key fi ...
'', published in 1928, and was developed further by the tropicalistas in the 1960s.
[
While concrete poets were not an initial influence upon the group's works, the two groups, particularly Veloso, Gil, and Augusto de Campos, would go on to share an intellectual partnership in São Paulo. This partnership would help the tropicalistas to form connections with other artists around the city, most notably Rogério Duprat.][
Helio Oiticica’s 1967 work “Tropicalia” shares its name and aesthetic with the movement. The movement also utilized ]Carmen Miranda
Maria do Carmo Miranda da Cunha (9 February 1909 – 5 August 1955), known professionally as Carmen Miranda (), was a Portuguese-born Brazilian singer, dancer, and actress. Nicknamed "The Brazilian Bombshell", she was known for her signature ...
, a Brazilian/Portuguese international star, who in Brazil had come to be viewed as inauthentic. The use of Carmen Miranda's image and motifs became synonymous with the movement. Veloso in particular would imitate the icons gestures and mannerisms during performances. This usage was intentionally done as a means to address the concept of "authenticity". Miranda was seen as presenting a caricature of what true Brazilian-ness was by Brazilians while international audiences saw her as a representative of Brazil and its culture. This dichotomy provided the means by which the tropicalistas could address the concept of authenticity in such a fashion that it was striking to their audiences.[
]
Musical movement
The 1968 album '' Tropicália: ou Panis et Circencis'' is regarded as the musical manifesto of the tropicália movement. Although it was a collaborative project, the main creative forces behind the album were Caetano Veloso
Caetano Emanuel Viana Teles Veloso (; born 7 August 1942) is a Brazilian composer, singer, guitarist, writer, and political activist. Veloso first became known for his participation in the Brazilian musical movement Tropicália, which encompas ...
and Gilberto Gil
Gilberto Passos Gil Moreira (; born 26 June 1942), is a Brazilian singer-songwriter and politician, known for both his musical innovation and political activism. From 2003 to 2008, he served as Brazil's Ministry of Culture (Brazil), Minister of ...
. The album experimented with unusual time signatures and unorthodox song structures, and also mixed tradition with innovation. Politically, the album expressed criticism of the coup d'état of 1964. Key artists of the movement include Os Mutantes
Os Mutantes (, ''The Mutants'') are an influential Brazilian rock band that were linked with the Tropicália movement, a dissident musical movement during the Brazilian dictatorship of the late 1960s. The band is considered to be one of the m ...
, Gilberto Gil
Gilberto Passos Gil Moreira (; born 26 June 1942), is a Brazilian singer-songwriter and politician, known for both his musical innovation and political activism. From 2003 to 2008, he served as Brazil's Ministry of Culture (Brazil), Minister of ...
, Gal Costa
Gal Maria da Graça Costa Penna Burgos (born Maria da Graça Costa Penna Burgos; 26 September 1945 – 9 November 2022), known professionally as Gal Costa (), was a Brazilian singer of Música popular brasileira, popular music. Twelve-times Bra ...
and Caetano Veloso
Caetano Emanuel Viana Teles Veloso (; born 7 August 1942) is a Brazilian composer, singer, guitarist, writer, and political activist. Veloso first became known for his participation in the Brazilian musical movement Tropicália, which encompas ...
. According to Maya Jaggi, "Gil was partly inspired by Jorge Ben Jor
Jorge Duílio Lima Menezes (born March 22, 1939) is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben (). Performing in a samba style that also ...
, a Rio musician on the fringes of the movement, who mixed urban samba and bossa nova with rhythm and blues, soul and funk."
The anarchistic, anti-authoritarian musical and lyrical expressions of the ''tropicalistas'' soon made them a target of censorship
Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governmen ...
and repression by the military junta that ruled Brazil in this period, as did the fact some of the collective, including Veloso and Gil, also actively participated in anti-government demonstrations. The tropicalistas' passionate interest in the new wave of American and British psychedelic music of the period - most notably the work of the Beatles
The Beatles were an English Rock music, rock band formed in Liverpool in 1960. The core lineup of the band comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are widely regarded as the Cultural impact of the Beatle ...
- also put them at odds with Marxist-influenced students on Brazil's left, whose aesthetic agenda was strongly nationalistic, and oriented towards 'traditional' Brazilian musical forms. This leftist faction vigorously rejected anything - especially tropicalismo - which they perceived as being tainted by the corrupting influences of Western capitalist popular culture. The politico-artistic tensions between leftist students and the tropicalistas reached a climax in September 1968, with Caetano Veloso's watershed performances at the third International Song Festival, held in the auditorium of Rio's Catholic University, where the audience not surprisingly included a large contingent of left-wing students.
Veloso had won a major song prize at the previous year's festival, when he was backed by an Argentinian rock band, and although his unconventional performance caused some initial consternation, he managed to win over the crowd and was feted as a new star of Brazilian popular music. By late 1968, however, Veloso was fully immersed in the tropicalia experiment, and his performances, which were expressly intended as provocative art "happenings", caused a near-riot. In the first round of the competition on 12 September, Veloso was initially greeted by enthusiastic applause, but the mood quickly changed when the music started. Veloso came on dressed in a bright green plastic tunic, festooned with electrical wires and necklaces strung with animal teeth, and his backing band Os Mutantes were also dressed in similarly outlandish attire. The ensemble launched into a barrage of psychedelic music, played at high volume, and Veloso further outraged the students with his overtly sexual stage movements. The crowd reacted angrily, shouting abuse at the performers and booing loudly, and their fury was only exacerbated by the surprise appearance of an American pop singer, John Dandurand, who joined Veloso on stage and grunted incoherently into the microphone.
After such a powerful negative reaction, Veloso was unsure whether to appear in the second round on 15 September, but his manager convinced him to go on, and this chaotic performance was recorded live and later released as a single. The students in the audience began hissing as soon as Veloso's name was announced, even before he had even taken the stage. Wearing the same green costume (minus the wires and necklaces), Veloso came on with Os Mutantes amid a storm of catcalls, and the group launched into a provocative new song Veloso had written for the occasion, "É Proibido Proibir" (" It is Forbidden to Forbid"), the title of which he had taken from a photo of a Parisian protest poster, which he had seen reproduced in a local magazine. The booing and jeering was soon so loud that Veloso struggled to be heard over the din, and he again deliberately taunted the leftists with his sexualised stage actions. Within a short time the performers were being pelted with fruit, vegetables, eggs and a rain of paper balls, and a section of the audience expressed their disapproval by standing up and turning their backs to the performers, prompting Os Mutantes to respond in kind by turning their backs on the audience. Infuriated by the students' reaction, Veloso stopped singing and launched into a furious improvised monologue, haranguing the students for their behaviour and denouncing what he saw as their cultural conservatism. He was then joined by Gilberto Gil, who came on stage to show his support for Veloso, and as the tumult reached a crescendo, Veloso announced he was withdrawing from the competition, and after deliberately finishing the song out of tune, the tropicalistas defiantly walked offstage, arm-in-arm.
On December 27, 1968, Veloso and Gil were arrested and imprisoned by the military government over the political content of their work. After two months, the two were released and subsequently forced to seek exile in London
London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Wester ...
, where they lived and resumed their musical careers until they were able to return to Brazil in 1972.
In 1993, Veloso and Gil released the album '' Tropicália 2'', celebrating 25 years of the movement and commemorating their earlier musical experiments.
Critiques
Tropicália's controversy can be traced to the uncertain and unfriendly relationship the members of the movement had with the mass media. The movement's emphasis on art clashed with the media's need for mass appeal and marketability. Tropicália additionally had an image of sensuality and flamboyance. This was a protest to the reinstated oppression of Brazil's military rule in the 1960s, and an additional cause for media pushback. In 1968, tropicália events at clubs, music festivals, and television shows attracted media attention and aroused tension between Caetano Veloso and Gilberto Gil and their critics. This widespread interest attracted the attention and suspicion of the military, who feared tropicália's influence of protest in the cultural realm.
Near the end of 1968, tropicália experienced a shift to a more overt association with international countercultures and movements, most notably that of African-American Black Power
Black power is a list of political slogans, political slogan and a name which is given to various associated ideologies which aim to achieve self-determination for black people. It is primarily, but not exclusively, used in the United States b ...
in the United States. The movement was becoming increasingly leftist, and pushed for artistic output. At a later tropicália concert in the same year, during a performance by Caetano Veloso, a riot erupted in the auditorium between tropicalists and supporters of nationalist-participant music. The nationalists
Nationalism is an idea or movement that holds that the nation should be congruent with the state. As a movement, it presupposes the existence and tends to promote the interests of a particular nation, Smith, Anthony. ''Nationalism: Theory, Id ...
were primarily college students, and the uproar culminated with screams and hurling garbage at Veloso. The nationalist-participant group's resistance of the movement was nothing new, but this incident was the tipping point of their opposition. At the nightclub Sucata, tropicália shows became increasingly resistant to Brazil's military-run society. Due to Veloso's refusal to censor the shows to government wishes, the military began to monitor tropicália events. On December 27, 1968, at the peak of government repression, Caetano Veloso and Gilberto Gil were arrested, detained, and exiled to London for two and a half years.
Modern critic Roberto Schwarz addresses tropicália's hand in solidifying the idea of the absurd as a permanent evil of Brazil, and its issues with an ideological mentality. However, the approaches of the movement were ever-shifting and did not stick to one central idea.
Influence
Throughout the 1940s until her death in 1955, the singer and actress Carmen Miranda
Maria do Carmo Miranda da Cunha (9 February 1909 – 5 August 1955), known professionally as Carmen Miranda (), was a Portuguese-born Brazilian singer, dancer, and actress. Nicknamed "The Brazilian Bombshell", she was known for her signature ...
made Hollywood musicals and performed live. Before first appearing on Broadway in 1939, she had a successful career in Brazil throughout the 1930s and was known as the "Queen of Samba". Yet after she gained international success in the United States, many Brazilians regarded her elaborate costume and performance as a caricature of Brazilian culture. In Caetano Veloso's 1968 song "Tropicália", the musician references Carmen Miranda whose vulgar iconography were an inspiration. Caetano Veloso has said Carmen Miranda was a "culturally repulsive object" for his generation. Scholar Christopher Dunn says that by embracing Carmen, Veloso treats her as "an allegory of Brazilian culture and its reception abroad".[
Many tropicalistas have maintained a presence in Brazilian popular culture, specifically through MPB (Brazilian pop music). Gilberto Gil and Caetano Veloso are both respectively popular nationally and around the globe. Tom Zé, a tropicalista who had largely faded into obscurity at the end of the movement, saw a resurgence of critical and commercial interest in the 1990s.][
Tropicalismo has been cited as an influence by rock musicians such as ]David Byrne
David Byrne (; born May 14, 1952) is an American musician, writer, visual artist, and filmmaker. He was a founding member, principal songwriter, lead singer, and guitarist of the American New wave music, new wave band Talking Heads.
Byrne has ...
, Beck
Beck David Hansen (born Bek David Campbell; July 8, 1970), known mononymously as Beck, is an American musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his Experimental music, experimental and Lo-fi mus ...
, the Bird and the Bee, Arto Lindsay
Arthur Morgan "Arto" Lindsay (born May 28, 1953) is an American guitarist, singer, record producer and experimental composer. He was a member of the pioneering 1970s no wave group DNA, which featured on the 1978 compilation '' No New York''. In ...
, Devendra Banhart
Devendra Obi Banhart (born May 30, 1981) is an American singer-songwriter and visual artist. Banhart was born in Texas and raised in Venezuela and California. In 2000, he dropped out of the San Francisco Art Institute to pursue a musical career. ...
, El Guincho
Pablo Díaz-Reixa (born November 17, 1983), professionally known as el Guincho, is a Spanish musician, singer, and record producer.
Díaz-Reixa rose to prominence with his 2008 album, '' Alegranza''. His musical style relies heavily on the use ...
, Of Montreal
of Montreal is an American indie pop band from Athens, Georgia. It was founded by frontperson Kevin Barnes in 1996, named after a failed romance between Barnes and a woman "of Montreal". The band is identified as part of the Elephant 6 collec ...
, and Nelly Furtado
Nelly Kim Furtado ( , ; born December 2, 1978) is a Canadian singer and songwriter. She has sold over 45 million records, including 35 million in album sales worldwide, making her one of the most successful Canadian artists. Critics have noted ...
. In 1998, Beck
Beck David Hansen (born Bek David Campbell; July 8, 1970), known mononymously as Beck, is an American musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his Experimental music, experimental and Lo-fi mus ...
released ''Mutations
In biology, a mutation is an alteration in the nucleic acid sequence of the genome of an organism, virus, or extrachromosomal DNA. Viral genomes contain either DNA or RNA. Mutations result from errors during DNA or viral replication, mitosi ...
'', the title of which is a tribute to Os Mutantes. Its hit single, " Tropicalia", reached number 21 on the ''Billboard
A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertis ...
'' Modern Rock singles chart.
Tropicália has morphed not only the Brazilian music scene itself but, the way Brazilian music is viewed. Tropicália expanded what Brazilians view as properly “authentic” and since the '90s broadened the way international audiences experienced and understood Brazilian music. Tropicália created a new precedent for artistic hybridization allowing for a diversity of sounds and styles in those who were inspired by the movement.[
In 2021, scientists named a species of Brazilian ]tree frog
A tree frog (or treefrog) is any species of frog that spends a major portion of its lifespan in trees, known as an arboreal state. Several lineages of frogs among the Neobatrachia suborder have given rise to treefrogs, although they are not clos ...
, '' Scinax tropicalia'' after this movement.
Post Tropicália
Tropicalia introduced two very unusual movements to modern Brazil – antropofagia and . In addition to this was pop music from abroad that helped inaugurate postmodernism in Brazil. In spite of the falling-outs and violence, there is a permanence of tradition in Oswald's antropofagia, who at one point of time conflicted with the idea of Romantic Indianism of the nineteenth century. These ideas were and still are seen in theaters and people's notions that involved a relationship that tied back to a longer history of poetic creations.
Moreover, members of tropicalia who were not arrested or tortured, voluntarily escaped into exile in order to get away from the strict and repressing authorities. Many continuously went back and forth between different countries and cities. Some were never able to settle down. People like Caetano, Gil, and Torquato Neto, spent time in places like London, New York, or Paris. Some, but not all, were allowed to return to Brazil after years had passed. Others, still could only stay for short periods of time.
At the same time, underground magazines were expanding and this gave those who were overseas a chance to speak up about their experiences. Oiticica, for example, was one who moved to New York and published a magazine article titled, “Mario Montez, Tropicamp”. The names for the titles that were used related to the risky and systematic aims during the times of tropicalia. These magazines also told the stories of others who were in the United States and home in Brazil. By tropicalia going underground, there was a unity of the members within the group because people like Oiticica sent these writing to Brazil so that the articles could circulate locally.
In 2002, Caetano Veloso published an account of the tropicália movement, ''Tropical Truth: A Story of Music and Revolution in Brazil''. The 1999 compilation ''Tropicália Essentials'', featuring songs by Gilberto Gil
Gilberto Passos Gil Moreira (; born 26 June 1942), is a Brazilian singer-songwriter and politician, known for both his musical innovation and political activism. From 2003 to 2008, he served as Brazil's Ministry of Culture (Brazil), Minister of ...
, Caetano Veloso
Caetano Emanuel Viana Teles Veloso (; born 7 August 1942) is a Brazilian composer, singer, guitarist, writer, and political activist. Veloso first became known for his participation in the Brazilian musical movement Tropicália, which encompas ...
, Gal Costa
Gal Maria da Graça Costa Penna Burgos (born Maria da Graça Costa Penna Burgos; 26 September 1945 – 9 November 2022), known professionally as Gal Costa (), was a Brazilian singer of Música popular brasileira, popular music. Twelve-times Bra ...
, Tom Zé
Antônio José Santana Martins (born 11 October 1936), known professionally as Tom Zé (), Born in Irará, Bahia, is a Brazilian singer-songwriter, multi-instrumentalist, and composer who was influential in the Tropicália movement of 1960s Br ...
, and Os Mutantes
Os Mutantes (, ''The Mutants'') are an influential Brazilian rock band that were linked with the Tropicália movement, a dissident musical movement during the Brazilian dictatorship of the late 1960s. The band is considered to be one of the m ...
, is an introduction to the style. Other compilations include ''The Tropicalia Style'' (1996), ''Tropicália 30 Anos'' (1997), ''Tropicalia: Millennium'' (1999), ''Tropicalia: Gold'' (2002), and ''Novo Millennium: Tropicalia'' (2005). Yet another compilation, ''Tropicalia: A Brazilian Revolution in Sound'', was released to acclaim in 2006.
A 2012 documentary film, ''Tropicália'', was made on the subject and artists in general; directed by Brazilian filmmaker Marcelo Machado, where Fernando Meirelles
Fernando Ferreira Meirelles (; born 9 November 1955) is a Brazilian film director, producer, and screenwriter. He is best known for co-directing the film ''City of God (2002 film), City of God'', released in 2002 in Brazil and in 2003 in the Un ...
served as one of its executive producers.
Seminal albums
See also
*Lusotropicalism
Lusotropicalism () is a term and "quasi-theory" developed by Brazilian sociologist Gilberto Freyre to describe the distinctive character of Portuguese imperialism overseas, proposing that the Portuguese were better colonizers than other Europea ...
*Exoticism
Exoticism (from ''exotic'') is the style or traits considered characteristic of a distant foreign country. In art and design it is a trend where creators become fascinated with ideas and styles from distant regions and draw inspiration from them. ...
Further reading
*Paula, José Agrippino. "PanAmérica". 2001. Papagaio.
*McGowan, Chris and Pessanha, Ricardo. "The Brazilian Sound: Samba, Bossa Nova and the Popular Music of Brazil." Philadelphia: Temple University Press, 1998
*Dunn, Christopher. ''Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture.'' Chapel Hill: University of North Carolina Press, 2001.
* Mei, Giancarlo. ''Canto Latino: Origine, Evoluzione e Protagonisti della Musica Popolare del Brasile.'' 2004. Stampa Alternativa-Nuovi Equilibri. Preface by Sergio Bardotti and postface by Milton Nascimento.
*Leorne, Ana. ''Tropicália''. New York/London: Bloomsbury Publishing, 2025.
References
* Gildo De Stefano, ''Il popolo del samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or ...
. La vicenda e i protagonisti della storia della brazilian popular music'', Préface by Chico Buarque de Holanda, Introduction by Gianni Minà
Gianni Minà (; 17 May 1938 – 27 March 2023) was an Italian journalist, writer, magazine editor, and television host. He collaborated with both Italian and International newspapers and magazines; produced hundreds of reports for RAI (''Radio ...
, RAI Television Editions, Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2, ...
2005,
External links
The Best Tropicalia Albums
OBJETO SEMI-IDENTIFICADO NO PAIS DO FUTURO: Tropicália and post-tropicalismo in Brasil (1967–1976)
at Ràdio Web MACBA
Leila Miccolis Brazilian Alternative Press Collection
at th
Special Collections Division
at
{{DEFAULTSORT:Tropicalia
1960s establishments in Brazil
20th-century art movements
Brazilian art
Brazilian rock music
Psychedelic rock