The English Patient (film)

''The English Patient'' is a 1996 epic romantic war drama film directed by Anthony Minghella from his own script based on the 1992 novel by Michael Ondaatje, and produced by Saul Zaentz. The film stars Ralph Fiennes and Kristin Scott Thomas alongside Juliette Binoche, Willem Dafoe and Colin Firth in supporting roles.

The eponymous protagonist, a man burned beyond recognition who speaks with an English accent, recalls his history in a series of flashbacks, revealing to the audience his true identity and the love affair in which he was involved before the war. The film ends with a definitive onscreen statement that it is a highly fictionalized account of László Almásy (died 1951) and other historical figures and events. The film received widespread critical acclaim and emerged as a major commercial success at the box-office.

The film received twelve nominations at the 69th Academy Awards, winning nine, including Best Picture, Best Director for Minghella, and Best Supporting Actress for Binoche. It was also the first to receive a Best Editing Oscar for a digitally edited film. Ralph Fiennes, playing the titular character, and Kristin Scott Thomas were Oscar-nominated for their performances. The film also won five BAFTA Awards and two Golden Globes. The British Film Institute ranked ''The English Patient'' the 55th-greatest British film of the 20th century. The American Film Institute ranked it the 56th-greatest love story of all time.

As of August 2021, another adaptation of the novel was in early development for a new BBC television series, co-produced by Miramax Television and Paramount Television Studios.

Plot

German gunners shoot down a British biplane flying across a desert. A group of Bedouin pulls the badly burned pilot from the wreckage, rescuing him.

Hana, a French-Canadian WWII Royal Canadian Army Medical Corps combat nurse, discovers from a wounded soldier that her boyfriend has been killed. In October 1944 Italy, she is caring for a dying, severely burned English-accented patient who says that he cannot remember his name. His only possession is a copy of Herodotus's ''Histories'', with personal notes, pictures, and mementos stored inside.

When a nurse friend is killed in front of her, Hana decides that she is a curse to her loved ones. She gains permission to settle in a bombed-out monastery with her patient, as he is suffering during their hospital unit's relocation.

Lieutenant Kip, a Sikh sapper in the British Indian Army posted with Sergeant Hardy to clear German mines and booby traps, joins them. David Caravaggio, a Canadian Intelligence Corps operative who was tortured during a German interrogation, also arrives there. He questions the patient, who gradually reveals his past. Over the days of the patient relating his story, Hana and Kip begin a love affair.

In the late 1930s, Hungarian cartographer László Almásy is exploring a region of the Sahara as part of a Royal Geographical Society archeological and surveying expedition group, which includes his good friend Englishman Peter Madox, and British couple Geoffrey and Katharine Clifton, who provide aerial surveys using their plane.

Almásy discovers through a Bedouin the location of the ancient Cave of Swimmers, containing cave paintings. As the group documents their findings, Almásy and Katharine fall in love. He writes about her in notes folded into his book, which she discovers when he awkwardly accepts two watercolours of the cave walls and asks her to paste them into the book.

Upon returning to Cairo, they begin an affair, while the group arranges for more detailed archaeological surveys of the cave and the surrounding area. Almásy buys her a silver thimble as a gift. Geoffrey secretly watches her from his car and realizes that she is cheating. Months later, Katharine breaks things off, fearing the repercussions from Geoffrey. The archaeological projects are then halted due to the onset of the war. Madox leaves his Tiger Moth airplane at Kufra Oasis before his return to Britain.

Caravaggio now seeks revenge for his injuries, so far killing the German interrogator who had his thumbs cut off and the spy who identified him but now seeks whoever provided maps to the Germans, allowing them to infiltrate Cairo. He suspects Almásy, asking "Did you kill the Cliftons?", to which Almásy concedes "Maybe ... I did".

Almásy tells Caravaggio, with Hana listening nearby, about packing camp in 1941 when Geoffrey arrives in the biplane. He aims at Almásy, who jumps out of the way, and crashes. Almásy finds Geoffrey dead at the controls and Katharine badly injured in the front seat. It was an attempted double murder-suicide, as he uncovered their affair. Almásy carries Katharine to the Cave of Swimmers and observes that she is still wearing the thimble that he had given her as a gift on a chain. She declares that she has always loved him.

Leaving her there with provisions and his book, Almásy walks three days across the desert. At British-held El Tag, he explains her desperate situation and asks for help, but a young officer detains him on suspicion of being a spy. Transported away by train, Almásy escapes and eventually comes across a German army unit. They take him to the Kufra Oasis, where Madox has hidden his plane. Exchanging maps for fuel, Almásy flies to the cave and finds Katharine dead. Taking her on the plane, they are burned when shot down. After hearing the story, Caravaggio gives up his quest for revenge.

Kip is reposted once he has cleared the explosives; he and Hana agree that they will meet again. Later, Almásy tells her that he has had enough by pushing vials of morphine towards her. Though distraught, Hana grants his wish, administering the lethal dose. As he drifts to sleep, she reads him Katharine's final letter, written while alone in the cave. The next morning, Hana goes with Caravaggio to Florence, holding Almásy's book tightly as they ride away.

Cast

In addition, Torri Higginson plays Mary and Liisa Repo-Martell plays Jan, appearing briefly as Hana's nursing corps colleagues.

Production

Saul Zaentz was interested in working with Anthony Minghella after he saw the director's film '' Truly, Madly, Deeply'' (1990); Minghella brought this project to the producer's attention. Michael Ondaatje, the Sri Lankan-born Canadian author of the novel, worked closely with the filmmakers. According to Minghella, during the development of the project with 20th Century Fox, the "studio wanted the insurance policy of so-called bigger" actors. Zaentz recalled, "they'd look at you and say, 'Could we cast Demi Moore in the role'?" After months of disputes with Fox, the studio pulled out just three weeks before production was to begin and Harvey Weinstein came in and acquired worldwide rights for Miramax Films for $27.5 million. After Miramax became involved, the director's preference for Scott Thomas in the role of Katharine was honored. To help the film get made, cast and crew agreed to salary deferrals totalling $10 million and Zaentz met the remainder of the production costs. Including the deferred costs, '' Variety'' reported the production costs at $43 million. The deferments were due to be paid after the film broke even, however, although the actors received a deferred payment of $5 million, after over three years after release, others were still waiting for their deferred salaries, subject to an audit of the figures. Zaentz sued Miramax Films in 2006 claiming $20 million but the case was still unresolved when Zaentz died in 2014.

The film was shot on location in Tunisia and Italy.

''The Conversations: Walter Murch and the Art of Editing Film'' by Michael Ondaatje is based on the conversations between the author and film editor. Murch, with a career that already included such complex works as the Godfather trilogy, ''The Conversation,'' and ''Apocalypse Now,'' dreaded the task of editing the film with multiple flashbacks and time frames. Once he began, the possibilities became apparent, some of which took him away from the order of the original script. A reel without sound was made so scene change visuals would be consistent with the quality of the aural aspect between the two. The final cut features over 40 temporal transitions. It was during this time that Murch met Ondaatje and they were able to exchange thoughts about editing the film.

In the film, two types of aircraft were used: a De Havilland D.H.82 Tiger Moth and a Boeing-Stearman Model 75. Both are biplanes. The camp crash scene was made with a -size scale model.

The Hungarian folk song "Szerelem, Szerelem", performed by Muzsikás featuring Márta Sebestyén, was featured in the film.

Music

Reception

''The English Patient'' received widespread critical acclaim, and emerged as a major commercial success at the box-office, and received nine Academy Awards, six BAFTA awards, and two Golden Globe Awards.

Janet Maslin of ''The New York Times'' called the movie "a stunning feat of literary adaptation as well as a purely cinematic triumph". In ''The New Yorker'', Anthony Lane argues that "the triumph of the film lies not just in the force and the range of the performances—the crisp sweetness of Scott Thomas, say, versus the raw volatility of Binoche—but in Minghella's creation of an intimate epic: vast landscapes mingle with the minute details of desire, and the combination is transfixing".

The film has a rating of 86% on Rotten Tomatoes based on 91 reviews, with an average of 7.90/10. The website's critical consensus states, "Though it suffers from excessive length and ambition, director Minghella's adaptation of the Michael Ondaatje novel is complex, powerful, and moving." The film also has a rating of 87/100 on Metacritic, based on 31 critical reviews. ''Chicago Sun Times'' critic Roger Ebert gave the film a four-star rating, saying "it's the kind of movie you can see twice – first for the questions, the second time for the answers". In his movie guide, Leonard Maltin rated the film out of 4, calling it "a mesmerizing adaptation" of Ondaatje's novel, saying "Fiennes and Scott Thomas are perfectly matched", and he concluded by calling the film "an exceptional achievement all around". In 2021, ''The Boston Globe'' called the movie a "masterpiece" in a 25-year anniversary review.

Audiences surveyed by CinemaScore gave the film a grade of "A−" on a scale of A+ to F.

It became the highest-grossing film in the history of Miramax with a worldwide gross of $232 million.

The film is referred to in the ''Seinfeld'' episode " The English Patient", where the character Elaine is shunned by her friends and co-workers for disliking the film.

Accolades

Lists

In 2009, ''The English Patient'' was included in ''The Guardian'''s 25 best British films of the last 25 years list.

See also

* BFI Top 100 British films

Notes

References

Bibliography

*
*
*
*
*

External links

Laszlo Almásy: the real English patient
*
*
*

{{DEFAULTSORT:English Patient (film)
1996 films
1996 romantic drama films
1990s American films
1990s Arabic-language films
1990s British films
1990s English-language films
1990s German-language films
1990s Italian-language films
1990s war drama films
American historical romance films
American romantic drama films
American war drama films
American World War II films
Arabic-language films
BAFTA winners (films)
Best Drama Picture Golden Globe winners
Best Film BAFTA Award winners
Best Picture Academy Award winners
British historical drama films
British romantic drama films
British World War II films
English-language historical drama films
English-language romantic drama films
English-language war drama films
Fiction about burn survivors
Films about nurses
Films about disability
Films based on Canadian novels
Films directed by Anthony Minghella
Films featuring a Best Supporting Actress Academy Award–winning performance
Films produced by Saul Zaentz
Films scored by Gabriel Yared
Films set in the British Empire
Films set in country houses
Films set in deserts
Films set in Egypt
Films set in Italy
Films set in Libya
Films set in the 1930s
Films set in the 1940s
Films shot in Rome
Films shot in Tunisia
Films that won the Best Costume Design Academy Award
Films that won the Best Original Score Academy Award
Films that won the Best Sound Mixing Academy Award
Films whose art director won the Best Art Direction Academy Award
Films whose cinematographer won the Best Cinematography Academy Award
Films whose director won the Best Directing Academy Award
Films whose editor won the Best Film Editing Academy Award
Films whose writer won the Best Adapted Screenplay BAFTA Award
Films with atheism-related themes
Italian Campaign of World War II films
Miramax films
North African campaign films
Satellite Award–winning films
War romance films
Arabic-language American films
Italian-language American films