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(also known as ) is the conventional title given to a section of the ''
Poetic Edda The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems in alliterative verse. It is distinct from the closely related ''Prose Edda'', although both works are seminal to the study of Old Norse ...
'' text in . It follows without interruption, and it relates the meeting of Sigurðr with the
valkyrie In Norse mythology, a valkyrie ( or ; from ) is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become ('single fighters' or 'once fighters').Orchard (1997:36) and Li ...
Brynhildr, here identified as ("driver to victory"). Its content consists mostly of verses concerned with runic magic and general wisdom literature, presented as advice given by Sigrdrífa to Sigurd. The
metre The metre (or meter in US spelling; symbol: m) is the base unit of length in the International System of Units (SI). Since 2019, the metre has been defined as the length of the path travelled by light in vacuum during a time interval of of ...
is differing throughout the poem. Most staves are wrote in ljóðaháttr, but there are also some in and a few in galdralag. The end is in the lost part of the manuscript but it has been substituted from younger paper manuscripts. The describes the scene and contains some of the poem.


Name

The compound means "driver to victory" occurs both as a common noun, a synonym of , and as a proper name of the valkyrie named Hild or Brynhild in the Prose Edda. H. Reichert, "Sigrdrifa (Brynhildr)" in: McConnell et al. (eds.), ''The Nibelungen Tradition: An Encyclopedia'', Routledge (2013)
p. 119
H. Reichert, "Zum Sigrdrífa-Brünhild-Problem" in: Mayrhofer et al. (eds.), ''Antiquitates Indogermanicae'' (FS Güntert), Innsbruck (1974), 251–265.
(or "victory-urger", "inciter to victory"Orchard (1997:194). Simek (2007:284).) It occurs only in (stanza 44) and in stanza 4 of the . In , it could be a common noun, a synonym of ''
valkyrie In Norse mythology, a valkyrie ( or ; from ) is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become ('single fighters' or 'once fighters').Orchard (1997:36) and Li ...
'', while in it is explicitly used as the name of the valkyrie whose name is given as or in the Prose Edda. Bellows (1936) emphasizes that is an epithet of Brynhildr (and not a "second Valkyrie").


Contents

The follows the without break, and editors are not unanimous in where they set the title. Its state of preservation is the most chaotic in the Eddaic collection. Its end has been lost in the Great Lacuna of the . The text is cut off after the first line of stanza 29, but this stanza has been completed, and eight others have been added, on the evidence of the much later testimony of paper manuscripts. The poem appears to be a compilation of originally unrelated poems. However, this state of the poem appears to have been available to the author of the , which cites from eighteen of its stanzas. The basis of the text appears to be a poem dealing with Sigurd's finding of Brynhild, but only five stanzas (2-4, 20-21) deal with this narrative directly. Stanza 1 is probably taken from another poem about Sigurd and Brynhild. Many critics have argued that it is taken from the same original poem as stanzas 6-10 of . In stanzas 6-12, Brynhild teaches Sigurd the magic use of the runes. To this has been added similar passages on rune-lore from unrelated sources, stanzas 5 and 13-19. This passage is the most prolific source about historical runic magic which has been preserved. Finally, beginning with stanza 22 and running until the end of the preserved text is a set of counsels comparable to those in . This passage is probably an accretion unrelated to the Brynhild fragment, and it contains in turn a number of what are likely interpolations to the original text.


The valkyrie's drinking-speech

The first three stanzas are spoken by Sigrdrífa after she has been awoken by Sigurd (stanza 1 in Bellows 1936 corresponds to the final stanza 45 of Fáfnismál in the edition of Jonsson 1905). What is labelled as stanza 4 by Bellows (1936) is actually placed right after stanza 2, introduced only by ("she said"), marking it as the reply of the valkyrie to Sigmund's identification of himself in the second half of stanza 1. The following two stanzas are introduced as follows: : : "Sigurth sat beside her and asked her name. She took a horn full of mead and gave him a memory-draught." Henry Adams Bellows stated in his commentary that stanzas 2-4 are "as fine as anything in
Old Norse poetry Old Norse poetry encompasses a range of verse forms written in the Old Norse language, during the period from the 8th century to as late as the far end of the 13th century. Old Norse poetry is associated with the area now referred to as Scandinav ...
" and these three stanzas constituted the basis of much of the third act in
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
's opera '' Siegfried''. This fragment is one of the few direct invocations of the Norse gods which have been preserved, and it is sometimes dubbed a "pagan prayer".Steinsland & Meulengracht 1998:72 The first two stanzas are given below in close transcription (Bugge 1867), in normalized Old Norse (Finnur Jónsson 1932) and in the translations by Thorpe (1866) and of Bellows (1936):


Runic stanzas

Stanzas 5-18 concern runic magic, explaining the use of runes in various contexts. In stanza 5, Sigrdrífa brings Sigurd ale which she has charmed with runes: Stanza 6 advises to carve "victory runes" on the sword hilt, presumably referring to the ''t'' rune named for Tyr:Enoksen, Lars Magnar. ''Runor: Historia, tydning, tolkning'' (1998) The following stanzas address " Ale-runes" (7), "birth-runes" (8), "wave-runes" (9), "branch-runes" (10), "speech-runes" (11), "thought-runes" (12). Stanzas 13-14 appear to have been taken from a poem about the finding of the runes by
Odin Odin (; from ) is a widely revered god in Norse mythology and Germanic paganism. Most surviving information on Odin comes from Norse mythology, but he figures prominently in the recorded history of Northern Europe. This includes the Roman Em ...
. Stanzas 15-17 are again from an unrelated poem, but still about the topic of runes. The same holds for stanzas 18-19, which return to the mythological acquisition of the runes, and the passing of their knowledge to the æsir, elves, vanir and mortal men.


Gnomic stanzas

Stanzas 20-21 are again in the setting of the frame narrative, with Brynhild asking Sigurd to make a choice. They serve as introduction for the remaining part of the text, stanzas 22-37 (of which, however, only 22-28 and the first line of 29 are preserved in ), which are gnomic in nature. Like , the text consists of numbered counsels, running from one to eleven. The "unnumbered" stanzas 25, 27, 30, 34 and 36 are considered interpolations by Bellows (1936).


Editions and translations

* Benjamin Thorpe (trans.), ''The Edda Of Sæmund The Learned'', 186
online copy, at northvegr.org
* Sophus Bugge, ''Sæmundar Edda'', 1867 (edition of the manuscript text
online copy
* Henry Adams Bellows (1936) (translation and commentary
online copy, at sacred-texts.com
* Guðni Jónsson, ''Eddukvæði: Sæmundar-Edda'', 1949 (edition with normalized spellin
online copy
* W. H. Auden and P. B. Taylor (trans.), ''The Elder Edda: A Selection'', 1969


References

*Jansson, Sven B. F. ( Foote, Peter; transl.)(1987). ''Runes in Sweden''. * Steinsland, G. & Meulengracht Sørensen, P. (1998): ''Människor och makter i vikingarnas värld''. *Einar G. Pétursson, ''Hvenær týndist kverið úr Konungsbók Eddukvæða? '', Gripla 6 (1984), 265-29

*Einar G. Pétursson, ''Eddurit Jóns Guðmundssonar lærða: Samantektir um skilning á Eddu og Að fornu í þeirri gömlu norrænu kölluðust rúnir bæði ristingar og skrifelsi: Þættir úr fræðasögu 17. aldar'', Stofnun Árna Magnússonar á Íslandi, Rit 46 (1998), vol I, pp. 402–40: introduction to Jón's commentary on the poem Brynhildarljóð (Sígrdrífumál) in Völsunga saga; vol. II, 95-102: the text of the commentary. {{DEFAULTSORT:Sigrdrifumal Völsung cycle Eddic poetry Nibelung tradition Old Norse philosophy Valkyries Brunhild