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Siegfried (opera)
''Siegfried'' (), Wagner-Werk-Verzeichnis, WWV 86C, is the third of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. The autograph manuscript of the work is preserved in the Richard Wagner Foundation. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Drama
A ''Gesamtkunstwerk'' (, 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so. The term is a German loanword accepted in English as a term in aesthetics. Background The term was developed by the German writer and philosopher K. F. E. Trahndorff in his 1827 essay ''Ästhetik oder Lehre von Weltanschauung und Kunst'' (or 'Aesthetics, or Doctrine of Worldview and Art'). The German opera composer Richard Wagner used the term in two 1849 essays, and the word has become particularly associated with his aesthetic ideals. It is unclear whether Wagner knew of Trahndorff's essay. In France in the 1850s, Viollet-le-Duc was a proponent of integrating major arts (architecture) and minor arts (decorative arts), ''un art total''. This led to a fierce combat with the Beaux Arts academy in Paris who refused Viollet le Duc's edu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fáfnir
In Germanic heroic legend and Germanic folklore, folklore, Fáfnir is a Germanic dragon, worm or dragon slain by a member of the Völsung family, typically Sigurð. In Nordic mythology, he is the son of Hreiðmarr, and brother of Regin and Ótr and is attested throughout the Völsung Cycle, where, Fáfnir slays his father out of greed, taking the Andvaranaut, ring and hoard of the Dwarf (folklore), dwarf Andvari and becoming a worm or dragon. Fáfnir's brother Regin later assisted Sigurð in obtaining the sword Gram (mythology), Gram, by which Fáfnir is killed. He has been identified with an unnamed dragon killed by a Völsung in other Germanic works including Beowulf, the Nibelunglied and a number of skaldic poems. Fáfnir and his killing by Sigurð are further represented in numerous medieval carvings from the British Isles and Scandinavia, and a single axe head in a Scandinavian style found in Russia. The story of Fáfnir has continued to have influence in the modern period, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Hill
Karl Hill (9 May 1831 – 12 January 1893) was a German baritone opera singer. Life Hill was born in Idstein im Taunus, near mountains north of Wiesbaden, but he lived and worked for most of his life in Schwerin, where he died. He studied in Frankfurt, and made his debut at Schwerin in 1868 as Jacob in Étienne Méhul's ''Joseph''. He sang the role of Alberich in the first performance of Richard Wagner's ''Der Ring des Nibelungen'' at Bayreuth in 1876. Also at Bayreuth, he sang the role of Klingsor in the premiere of ''Parsifal'' in 1882. In 1890, mental illness caused him to retire from the stage. Other roles His Wagnerian roles also included The Dutchman in '' Der fliegende Holländer'', and Hans Sachs in ''Die Meistersinger von Nürnberg''. Non-Wagnerian roles included Mozart's Count Almaviva in ''The Marriage of Figaro'', and Don Giovanni and Leporello in ''Don Giovanni ''Don Giovanni'' (; K. 527; full title: , literally ''The Rake Punished, or Don Giovanni'') is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberich
In German heroic legend, Alberich () is a dwarf. He features most prominently in the poems ''Nibelungenlied'' and '' Ortnit''. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name consists of the elements ''alb'' ("elf") and ''ric'' "power" or "ruler". It is equivalent to the Old French ''Alberon'' or ''Auberon'', from which the English Oberon is derived, and is the source of the Norman language, Norman French derivation ''Aubry''. The name was later used for a character in Richard Wagner's opera cycle ''Der Ring des Nibelungen''. Mythology Alberich plays a prominent role in the ''Nibelungenlied'', where he is the guardian of the Nibelung's treasure and has the strength of twelve men. Sigurd, Siegfried overpowers him using his cloak of invisibility (Tarnkappe), after which the dwarf serves the hero. Siegfried later pulls his beard in mock combat when he arrives unannounced to claim the treasure. Ortnit seeks to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Betz
Franz Betz (19 March 1835 – 11 August 1900) was a German bass-baritone opera singer who sang at the Berlin State Opera from 1859 to 1897. He was particularly known for his performances in operas by Richard Wagner and created the role of Hans Sachs in ''Die Meistersinger von Nürnberg''. Biography Franz Betz was born in Mainz and trained as a singer in Karlsruhe. He made his debut in 1856 at the Court Theater of Hanover as The Herald in Wagner's ''Lohengrin'', after which he sang as a guest performer in various other German opera houses. His 1859 success at the Berlin State Opera in the role of Don Carlo in Verdi's ''Ernani'', led to a permanent contract with the company. He became one of Wagner's most trusted singers, and sang the role of Hans Sachs in the world premiere of his ''Die Meistersinger von Nürnberg'' (National Theatre Munich, 1868). Betz sang the role more than a hundred times and was closely identified with the character. He also sang Wotan in ''Das Rheingold'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in '' Der fliegende Holländer'', Wotan/Der Wanderer in the '' Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in '' Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odin
Odin (; from ) is a widely revered god in Norse mythology and Germanic paganism. Most surviving information on Odin comes from Norse mythology, but he figures prominently in the recorded history of Northern Europe. This includes the Roman Empire's partial occupation of Germania ( BCE), the Migration Period (4th–6th centuries CE) and the Viking Age (8th–11th centuries CE). Consequently, Odin has hundreds of names and titles. Several of these stem from the reconstructed Proto-Germanic theonym ''Wōðanaz'', meaning "lord of frenzy" or "leader of the possessed", which may relate to the god's strong association with poetry. Most mythological stories about Odin survive from the 13th-century ''Prose Edda'' and an earlier collection of Old Norse poems, the ''Poetic Edda'', along with other Old Norse items like '' Ynglinga saga''. The ''Prose Edda'' and other sources depict Odin as the head of the pantheon, sometimes called the Æsir, and bearing a spear and a ring. Wid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Schlosser (tenor)
Max Karl Schlosser (17 October 18352 September 1916) was a German opera singer. A tenor for most of his career, he later sang as a baritone and is remembered today for his character roles in Wagner's operas. He created the roles of David in ''Die Meistersinger von Nürnberg'' (1868), Mime in ''Das Rheingold'' (1869), and The Messenger in the posthumous premiere of Wagner's early opera ''Die Feen'' (1888). Schlosser also sang Mime at Bayreuth in the first complete performance of ''The Ring Cycle'' (1876) and in the cycle's first complete performance in London (1882). Schlosser was born in Amberg, Bavaria. He initially sang in operettas in Zürich, St Gallen and Augsburg to little success, and retired briefly to become a baker.Warrack, John and West, Ewan (1996)"Schlosser, Max Karl" ''The Concise Oxford Dictionary of Opera''. Oxford University Press However, in 1868 he took up his singing career again and was engaged by the Munich Hofoper. He remained with the company until 1904 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regin
In Norse mythology, Reginn (; often anglicized as Regin or Regan) is a son of Hreiðmarr and the foster father of Sigurð. His brothers are Fáfnir and Ótr. Attestations Völsunga saga When Loki mistakenly kills Ótr, Hreiðmarr demands to be repaid with the amount of gold it takes to fill Ótr's skin and cover the outside. Loki takes this gold from the dwarf Andvari, who curses it and especially the ring Andvaranaut. Fáfnir kills his father for this gold, but eventually becomes a greedy Germanic dragon, worm or dragon. Reginn gets none of the gold, but he becomes smith to the king and foster father to Sigurð, teaching him many languages as well as sports, chess, and runes. Reginn had all wisdom and deftness of hand. Of his two brothers, he has the ability to work iron as well as silver and gold and he makes many beautiful and useful things. While Sigurð is living with Reginn, Reginn challenges Sigurð's respect in the kingdom. He tells Sigurð to ask for a horse. Sigurð ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Unger
Georg Unger (March 6, 1837 in Leipzig - February 2, 1887 in Leipzig) was a German operatic tenor most famous for playing Siegfried (opera), Siegfried in ''Der Ring des Nibelungen'' written by Richard Wagner. Unger was born in Leipzig (Germany), and as a student studied Theology and music. He made his singing debut aged 37, going on to make appearances at Kassel, Cassel, Zurich, Bremen, Neustrelitz, Brünn, Thuringia, Brunn, Elberfeld and Mannheim. He was recommended to Richard Wagner for the role of Siegfried (opera), Siegfried by Hans Richter (conductor), Hans Richter, and, after close supervision from a singing tutor, he performed the part in ''Siegfried (opera), Siegfried'' and ''Götterdämmerung'' with great success at Bayreuth in 1876 and at other venues in the premiere of the complete cycle of ''Der Ring des Nibelungen'', conducted by Richter.'The American History and Encyclopedia of Music: Musical Biographies' Part Two By W. L. Hubbard Published by Kessinger Publishing, ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
