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was a Japanese actress. Though best known for her performances in
Yasujirō Ozu was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most pr ...
's films '' Late Spring'' (1949) and ''
Tokyo Story is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama, about an aging couple who travel to Tokyo to visit their grown children. Upon release, it did not immediately gain international reco ...
'' (1953), she had already appeared in 67 films before working with Ozu. :ja:原節子 She is widely considered to be one of the greatest Japanese actresses of all time.


Early career

Setsuko Hara was born in what is now
Hodogaya-ku, Yokohama is one of the 18 Wards of Japan, wards of the city of Yokohama in Kanagawa Prefecture, Japan. As of 2010, Hodogaya Ward had an estimated population of 205,887 and a population density, density of . The total area was . Geography Hodogaya Ward is ...
in a family with three sons and five daughters. Her elder sister was married to film director Hisatora Kumagai, which gave her an entry into the world of the cinema: he encouraged her to drop out of school, which she did, and then she went to work for Nikkatsu Studios in Tamagawa, outside Tokyo, in 1935. She debuted at the age of 15 with a stage name that the studio gave her in . She came to prominence as an actress in the 1937 German-Japanese co-production ''Die Tochter des Samurai'' ('' The Daughter of the Samurai''), known in Japan as ''Atarashiki Tsuchi'' (''The New Earth''), directed by
Arnold Fanck Arnold Fanck (6 March 1889 – 28 September 1974) was a German film director and pioneer of the mountain film genre. He is best known for the extraordinary alpine footage he captured in such films as '' The Holy Mountain'' (1926), '' The White H ...
and Mansaku Itami. In the film, Hara plays a woman who unsuccessfully attempts to immolate herself in a
volcano A volcano is commonly defined as a vent or fissure in the crust of a planetary-mass object, such as Earth, that allows hot lava, volcanic ash, and gases to escape from a magma chamber below the surface. On Earth, volcanoes are most oft ...
. She continued to portray tragic heroines in many of her films until the end of
World War II World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the wo ...
, like ''The Suicide Troops of the Watchtower'' (1942) and ''The Green Mountains'' (1949), directed by
Tadashi Imai was a Japanese film director known for social realist filmmaking informed by a left-wing perspective. His most noted films include '' An Inlet of Muddy Water'' (1953) and '' Bushido, Samurai Saga'' (1963). Life Although leaning towards left-win ...
, and ''Toward the Decisive Battle in the Sky'', directed by Kunio Watanabe.


Postwar career

Hara remained in Japan after 1945 and continued making films. She starred in
Akira Kurosawa was a Japanese filmmaker who List of works by Akira Kurosawa, directed 30 feature films in a career spanning six decades. He is widely regarded as one of the greatest and most influential filmmakers in the History of film, history of cinema ...
’s first postwar film, '' No Regrets for Our Youth'' (1946). She also worked with director Kimisaburo Yoshimura in '' A Ball at the Anjo House'' (1947) and
Keisuke Kinoshita was a Japanese film director and screenwriter. Ronald Berganbr>"A satirical eye on Japan: Keisuke Kinoshita" ''The Guardian'', 5 January 1999. While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and ...
in ''Here’s to the Girls'' (1949). In all of these films, she was portrayed as the “new” Japanese woman, looking forward to a bright future. However, in most of her movies, especially those directed by
Yasujirō Ozu was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most pr ...
and
Mikio Naruse was a Japanese filmmaker who directed 89 films spanning the period 1930 to 1967. Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily Shoshimin-eiga, shōshimin-eiga ("common people drama") films with f ...
she plays the typical Japanese woman, as either daughter, wife, or mother. Hara’s first film of six with
Yasujirō Ozu was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most pr ...
was '' Late Spring'' (1949), and their collaboration would last for the next twelve years. In ''Late Spring'', she plays Noriko, a devoted daughter who prefers to stay at home and take care of her father than to marry, despite the urgings of her family members. In ''
Early Summer is a 1951 Japanese drama by Yasujirō Ozu. Like most of Ozu's post-war films, ''Early Summer'' deals with issues ranging from communication problems between generations to the rising role of women in post-war Japan. The plot concerns Noriko, who ...
'' (1951), she played an unrelated character also called Noriko, who wanted to get married, and finds the courage to do so without her family’s approval. This was followed by ''
Tokyo Story is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama, about an aging couple who travel to Tokyo to visit their grown children. Upon release, it did not immediately gain international reco ...
'' (1953), perhaps her and Ozu's best-known film, in which she played a
widow A widow (female) or widower (male) is a person whose spouse has Death, died and has usually not remarried. The male form, "widower", is first attested in the 14th century, by the 19th century supplanting "widow" with reference to men. The adjecti ...
, also called Noriko whose husband was killed in the war. Her devotion to her deceased husband worries her
in-law In law and in cultural anthropology, affinity is the kinship relationship created or that exists between two people as a result of someone's marriage. It is the relationship each party in the marriage has to the family of the other party in th ...
s, who insist that she should move on and remarry. Hara's last major role was Riku, the wife of
Ōishi Yoshio 24 April 1659 – 20 March 1703 was the chamberlain ('' karō'') of the Akō Domain in Harima Province (now Hyōgo Prefecture), Japan (1679 - 1701). He is known as the leader of the Forty-seven Rōnin in their 1703 vendetta and thus the he ...
, in the film '' Chushingura'' (1962).


Later years

Hara, who never married, is nicknamed "the Eternal Virgin" in Japan and is a symbol of the golden era of Japanese cinema of the 1950s. She quit acting in 1963 (the year Ozu died), and subsequently led a secluded life in
Kamakura , officially , is a city of Kanagawa Prefecture in Japan. It is located in the Kanto region on the island of Honshu. The city has an estimated population of 172,929 (1 September 2020) and a population density of 4,359 people per km2 over the tota ...
, where many of her films with Ozu were made, refusing to be interviewed or photographed. For years, people would speculate about her reasons for leaving the public eye. Hara herself confessed during her final press conference that she never really enjoyed acting and was only using it as a means to support her family; however, many people continued to speculate over her possible romantic involvement with Ozu, or the possibility of failing eyesight. Hara was an avid smoker and drinker. After seeing a Setsuko Hara film, the novelist Shūsaku Endō wrote: "We would sigh or let out a great breath from the depths of our hearts, for what we felt was precisely this: Can it be possible that there is such a woman in this world?" After more than half a century of seclusion, Hara died of
pneumonia Pneumonia is an Inflammation, inflammatory condition of the lung primarily affecting the small air sacs known as Pulmonary alveolus, alveoli. Symptoms typically include some combination of Cough#Classification, productive or dry cough, ches ...
at a hospital in Kanagawa Prefecture, on 5 September 2015, at the age of 95. Her death was not reported by the media until 25 November of that year due to her family only approaching them later (presumably for privacy).原節子さん死去、日本映画黄金期を代表する女優
日刊スポーツ 2015年11月25日
The
anime is a Traditional animation, hand-drawn and computer animation, computer-generated animation originating from Japan. Outside Japan and in English, ''anime'' refers specifically to animation produced in Japan. However, , in Japan and in Ja ...
film ''
Millennium Actress is a 2001 Japanese animated drama film co-written and directed by Satoshi Kon and produced by Madhouse. Loosely based on the lives of actresses Setsuko Hara and Hideko Takamine, it tells the story of two documentary filmmakers investigating ...
'' (2001), directed by
Satoshi Kon was a Japanese film director, animator, screenwriter and manga artist from Sapporo, Hokkaido, and a member of the Japanese Animation Creators Association (JAniCA). He was a graduate of the Graphic Design department of the Musashino Art Univer ...
, is partly based on her life, although it was produced and released more than a decade prior to her death.


Legacy

Hara is considered by many critics and filmmakers to be the greatest Japanese actress of all time. Yasujiro Ozu, with whom she worked six times, said of her in 1951: "It is rare for an actress to perform as well as Setsuko Hara. She's a radish, without rather than revealing his own ignorance of the director not noticing the radish. In fact, without flattery, I think she's the best Japanese film actress." In his 1991 autobiography, Chishu Ryu described Hara as "not just beautiful, but also a skilled actress. She didn't make mistakes. Ozu rarely praised actors, ever. But he did say, "She's good", which meant she was truly something." Actors and crew members who worked with Hara described her as shy but also friendly to work with. In 2000, Hara was selected by celebrities as the greatest Japanese actress in Kinema Jumpo's list of the greatest 20th-century movie actors and actresses.


Selected filmography

*''Tamerau nakare wakodo yo'' (1935) – Osetsu *''Shînya no taiyô'' (1935) – Kimie Oda *''Midori no chiheisen zenpen'' (1935) *''Midori no chiheisen kohen'' (1935) *''Hakui no kajin'' (1936) – Yukiko *'' Kōchiyama Sōshun'' (1936) – Onami *''Yomeiri mae no musume tachi'' (1936) *''Seimei no kanmuri'' (1936) – Ayako Arimura *''Tange sazen: Nikko no maki'' (1936) *''Kenji to sono imôto'' (1937) *'' The Daughter of the Samurai'' (1937) – Misuko Yamato *''Tôkai Bijoden'' (1937) *''Haha no kyoku I'' (1937) – Keiko *''Haha no kyoku II'' (1937) – Keiko *'' The Giant'' (1938) – Chiyo *''Den'en kôkyôgaku'' (1938) – Yukiko *''Shogun no magô'' (1938) – Kireii Nae Sasano *''Fuyu no yado'' (1938) *''Uruwashiki shuppatsu'' (1939) – Tomiko Hôjô *''Chushingura'' (1939, part 1, 2) – Oteru *''The Naval Brigade at Shanghai'' (1939) – young Chinese woman *''Machi'' (1939) – Sonomi Kihara *''Onna no kyôshitsu'' (1939, part 1, 2) – Chen Feng-ying *''Tokyo no josei'' (1939) – Setsuko Kimizuka *''Hikari to kage'' (1940, part 1, 2) – Sahoko Katsura *''Toyuki'' (1940) – Showa Kinema actress *'' Totsugu hi made'' (1940) – Yoshiko *''Hebihimesama'' (1940) – Koto Hime *''Onna no machi'' (1940) – Ine *''Futari no sekai'' (1940) *''Shimai no Yakusoku'' (1940) – Sachiko *''Anî no hânayomê'' (1941) – Akiko *''Ôinaru kanô'' (1941) *''Kêkkon no seitaî'' (1941) – Haruko Sanno *''A Story of Leadership'' (1941) – eldest daughter *''Kibô no aozora'' (1942) – Chizuko *''Seishun no kiryû'' (1942) – Makiko, his sister *''Wakai sensei'' (1942) – Tomiko Hirayama *''Midori no daichi'' (1942) – Wife Hatsue *''Haha no chizu'' (1942) – Kirie *''Hawai Mare Oki Kaisen'' (''The War at Sea from Hawaii to Malay'') (1942) – Kikuko *''Hawai • Maree oki kaisen'' (1942) – Kikuko *'' Ahen senso'' (aka ''The Opium War'') (1943) – Airan i Lan*''Bôrô no kesshitai'' (1943) – Yoshiko *''Toward the Decisive Battle in the Sky'' (1943) – older sister *''Searing Wind'' (1943) – Kumiko *''Suicide Troops of the Watchtower'' (1943) – Commander Takazu's wife *''Ikari no umi'' (1944) – Mitsuko Hiraga *''Young Eagles'' (1944) *''Shôri no hi made'' (1945) *''Kita no san-nin'' (1945) – Sumiko Ueno *''Koi no fuunjî'' (1945) – Yukiko Hasebe *''Midori no kokkyô'' (1946) – Maki Kuriyama *''Reijin'' (1946) – Keiko *'' No Regrets for Our Youth'' (1946) – Yukie Yagihara *''Kakedashi jidai'' (1947) – Miyako Tomoda *'' A Ball at the Anjo House'' (1947) – Atsuko Anjô *''Onnadake no yoru'' (1947) *''Sanbon yubi no otoko'' (1947) – Shizuko *''Yuwaku'' (1948) – Takako *''Toki no teizo: zengohen'' (1948) *''Fujisancho'' (1948) *''Taifuken no onna'' (1948) – Kuriko Sato *''Kofuku no genkai'' (1948) *''President and a female clerk'' (1948) – Shop girl *''Tonosama Hotel'' (1949) – Aki Nagaoka *''Ojôsan kanpai'' (''Here's to the Young Lady'') (1949) – Yasuko Ikeda *'' Aoi sanmyaku'' (1949) – Yukiko Shimazaki *''Zoku aoi sanmyaku'' (1949) – Yukiko Shimazaki *'' Late Spring'' (1949, directed by Ozu) – Noriko Somiya *'' Shirayuki-sensei to kodomo-tachi'' (1950) – Kayoko Amamiya *''Arupisu monogatari: Yasei'' (1950) *''Nanairo no hana'' (1950) – Teruko Kashiwagi *''Joi no Shinsatsushitsu'' (1950) – Dr. Tajima *''
The Idiot ''The Idiot'' (Reforms of Russian orthography, pre-reform Russian: ; post-reform ) is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal ''The Russian Messenger'' in 1868–1869. The titl ...
'' (1951) – Taeko Nasu *''
Early Summer is a 1951 Japanese drama by Yasujirō Ozu. Like most of Ozu's post-war films, ''Early Summer'' deals with issues ranging from communication problems between generations to the rising role of women in post-war Japan. The plot concerns Noriko, who ...
'' (1951, directed by Ozu) – Noriko Mamiya *'' Repast'' (1951) – Michiyo Okamoto *''Kaze futatabi'' (1952) *''Kin no tamago: Golden girl'' (1952) *''Tôkyô no koibito'' (1952) – Yuki *''Shirauo'' (1953) – Sachiko *''
Tokyo Story is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama, about an aging couple who travel to Tokyo to visit their grown children. Upon release, it did not immediately gain international reco ...
'' (1953, directed by Ozu) – Noriko Hirayama *'' Sound of the Mountain'' (1954) – Ogata Kikuko *'' Non-chan Kumo ni Noru'' (1955) – Nobuko's mother *''Uruwashiki haha'' (1955) – Mitsuyo Ôta *'' Shūu'' (1956) – Fumiko *''Aijô no kessan'' (1956) – Katsuko *''Kon'yaku sanbagarasu'' (1956) *''Jôshû to tomo ni'' (1956) – Sugiyama, manager *'' Ani to sono musume'' (1956) – Akiko Mamiya *'' Ōban'' (1957) – Kanako Mori *'' Tokyo Twilight'' (1957, directed by Ozu) – Takako Numata *''Chieko-sho'' (1957) – Chieko Takamura *''Zoku Ôban: Fûun hen'' (1957) – Kanako Arishima *''Saigo no dasso'' (1957) – Tomiko *''Zokuzoku Ôban: Dotô hen'' (1957) – Kanako Arishima *''Onna de aru koto'' (1958) – Ichiko *''
A Holiday in Tokyo A, or a, is the first letter and the first vowel letter of the Latin alphabet, used in the modern English alphabet, and others worldwide. Its name in English is '' a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient ...
'' (1958) – Chairman *''Oban kanketsu hen'' (1958) *''Onna gokoro'' (1959) – Isoko *''
The Three Treasures is a 1959 Japanese epic film, epic List of religious films, religious fantasy film directed by Hiroshi Inagaki, with special effects by Eiji Tsuburaya. Produced by Toho as their celebratory thousandth film, it was the most expensive Japanese fil ...
'' (1959) – Amaterasu, the Sun Goddess *''Robo no ishi'' (1960) – Oren Aikawa *'' Daughters, Wives and a Mother'' (1960) – Sanae Sakanoshi, the eldest daughter *''Fundoshi isha'' (1960) – Iku, Wife of Keisai *'' Late Autumn'' (1960, directed by Ozu) – Akiko Miwa *'' The End of Summer'' (1961, directed by Ozu) – Akiko *''Musume to watashi'' (1962) – Chizuko Iwatani *'' Chushingura'' (1962) – Riku (final film role)


References

*Karlsson, Mats. 'Setsuko Hara: Japan's Eternal Virgin and Reluctant Star of the Silver Screen.' In ''Stars in World Cinema: Screen Icons and Star Systems Across Cultures'', ed. Andrea Bandhauer and Michelle Royer, pp. 51–63. I.B. Tauris. (2015) *Weston, Mark. ''Giants of Japan: The Lives of Japan's Greatest Men and Women''. Kodansha International. (2002) *Yoshimoto, Mitsuhiro. ''Kurosawa: Film Studies and Japanese Cinema''. Duke University Press. (2000)


Notes


External links

*
JMDb Profile (in Japanese)
{{DEFAULTSORT:Hara, Setsuko 1920 births 2015 deaths 20th-century Japanese actresses Deaths from pneumonia in Japan Japanese film actresses Actresses from Yokohama People from Hodogaya, Yokohama