''Orlando'' ( RV 728), usually known in modern times as ' (), is an

opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...

in three acts by

Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lif ...

to an Italian

libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...

by Grazio Braccioli, based on

Ludovico Ariosto Ludovico Ariosto (, ; ; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic '' Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describ ...

's epic poem ''

Orlando Furioso ''Orlando furioso'' (; ''The Frenzy of Orlando'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form ...

'' (''The Frenzy of Orlando''). The first performance of the opera was at the

Teatro San Angelo The Teatro San Angelo (in Venetian) or Teatro Sant'Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi G ...

, Venice, in November 1727. It is to be distinguished from an earlier Vivaldi opera of 1714, ''

Orlando furioso ''Orlando furioso'' (; ''The Frenzy of Orlando'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form ...

'', set to much the same libretto, once thought to be a revival of a 1713 opera by

Giovanni Alberto Ristori Giovanni Alberto Ristori (1692 – 7 February 1753) was an Italian opera composer and conductor. He was the son of Tommaso Ristori, the leader of an opera troupe belonging to the King of Poland and Elector of Saxony August II the Strong (based ...

but now considered by Vivaldian musicologists to be a fully-fledged opera by Vivaldi himself. The opera – more formally, the ''

dramma per musica The phrase ''dramma per musica'' (also spelled ''drama per musica''; Italian language, Italian, literally: 'play (or drama) for music', plural: ''drammi per musica'') is commonly found after the title in Italian opera librettos beginning in the ...

'' – alternates

aria In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...

s with

recitative Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines ...

, and is set on an island at an unspecified time. The story line combines several plot lines from Ariosto: the exploits of the hero

Orlando Orlando commonly refers to: * Orlando, Florida, a city in the United States Orlando may also refer to: People * Orlando (given name), a masculine name, includes a list of people with the name * Orlando (surname), includes a list of people wit ...

are detailed, as well as the tale of the sorceress Alcina.

Roles

Synopsis

Act 1

In a delightful garden in which two springs are seen, Medoro escapes from a shipwreck into the arms of his beloved Angelica. Alcina magically helps Medoro and he recounts how he was first captured, then shipwrecked. Orlando is jealous of Medoro, but Angelica lies and says Medoro is her brother. Alcina is attracted to the knight Ruggiero. She uses her magic to make him forget Bradamante and love her instead. Bradamante discovers Ruggiero's "betrayal." She shows him the ring he gave her therefore breaking Alcina's spell. Ruggiero feels guilty for his actions.

Act 2

In a grove with green secluded spots, Astolfo reflects how he loves Alcina, but is tormented by her unfaithfulness. Meanwhile, in a mountainous alpine region with a high, precipitous cliff, Angelica and Medoro swear their love and part ways. To rid herself of Orlando, Angelica sends him to fight a monster who guards —she claims— a vase containing an elixir of youth: the potion by which

Medea In Greek mythology, Medea (; ; ) is the daughter of Aeëtes, King Aeëtes of Colchis. Medea is known in most stories as a sorceress, an accomplished "wiktionary:φαρμακεία, pharmakeía" (medicinal magic), and is often depicted as a high- ...

revived the dying

Aeson In Greek mythology, Aeson (; Ancient Greek: Αἴσων ''Aísōn'') was a king of Iolcus in Thessaly. He was the father of the hero Jason. According to one version of the story, he was imprisoned by his half-brother Pelias, and when Pelias int ...

.Quotation from the libretto (act 2, scene 5), drawn from the booklet accompanying the Erato 1978 LP, (translation by Edward Houghton).
Angelica: "Above that cliff which you see//A silver vessel preserves the fateful liquid//By which Medea restored youth//To feeble Esone. I would have it". In fact, she is just trying to lure him into an enchanted cavern from which Alcina's spell makes escape impossible. Orlando enters defying the monster and is trapped. Realizing Angelica's faithlessness, however, he digs his way out despite the spell. Angelica and Medoro marry in a countryside at the foot of a hill. They carve their vows on a nearby tree. Orlando finds the tree, and on reading the inscription, becomes so furious that he starts destroying the trees.

Act 3

The place is at the entrance hall before the temple of

Hecate Hecate ( ; ) is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches, a key, or snakes, or accompanied by dogs, and in later periods depicted as three-formed or triple-bodied. She is variously associat ...

. Astolfo believes Orlando dead. With Ruggiero and Bradamante, he plots revenge against Alcina. The secret of Alcina's power lies in an urn with

Merlin The Multi-Element Radio Linked Interferometer Network (MERLIN) is an interferometer array of radio telescopes spread across England. The array is run from Jodrell Bank Observatory in Cheshire by the University of Manchester on behalf of UK Re ...

's ashes, which is locked in the temple of Hecate. They await Alcina's return. Inside the temple of Hecate, Bradamante disguises herself as a man. Alcina falls in love with her. Orlando, still raving mad about the marriage of Angelica and Medoro, fights with the temple statues, inadvertently destroying Alcina's power. On a deserted island. Alcina tries to attack the sleeping Orlando, but is prevented by Ruggiero and Bradamante. Astolfo returns to arrest Alcina. Orlando regains his reason and forgives Angelica and Medoro.

Recordings

* 1978:

Marilyn Horne Marilyn Berneice Horne (born January 16, 1934) is an American mezzo-soprano opera singer. She specialized in roles requiring beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. She is a recipient ...

Victoria de los Ángeles Victoria de los Ángeles López García (1 November 192315 January 2005) was a Spanish operatic lyric soprano and recitalist whose career began after the Second World War and reached its height in the years from the mid-1950s to the mid-1960s. ...

, Lucia Valentini Terrani, Carmen Gonzales,

Sesto Bruscantini Sesto Bruscantini (10 December 1919 – 4 May 2003) was an Italian baritone, one of the greatest buffo singers of the post-war era, especially renowned in Mozart and Rossini. Biography and career Bruscantini was born in Civitanova Marche, M ...

Nicola Zaccaria Nicola Zaccaria (9 March 1923 – 24 July 2007), born Nicholas Angelos Zachariou was a Greek bass. Career Born in Piraeus, Zaccaria studied at the Athens Conservatory where he enjoyed his debut in 1949, aged 26. He sang at La Scala in 1953 and h ...

; I Solisti Veneti,

Claudio Scimone Claudio Scimone (23 December 1934 – 6 September 2018) was an Italian conductor. He was born in Padua, Italy and studied conducting with Dimitri Mitropoulos and Franco Ferrara. He established an international reputation as a conductor, as wel ...

; Erato * 1990 (video recording): Marilyn Horne, Susan Patterson, Kathleen Kuhlmann, Sandra Walker, William Matteuzzi, Jeffrey Gall, Kevin Langan; Orchestra and Chorus of the

San Francisco Opera The San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 wh ...

, Randall Behr, production by Pier Luigi Pizzi; Pioneer Artists/ArtHaus/Vision Video * 2004: Marie-Nicole Lemieux, Jennifer Larmore, Veronica Cangemi,

Ann Hallenberg Ann Hallenberg (born 17 March 1967) is a Swedish mezzo-soprano. She has an Opera, operatic career on the stage and concert platform around Europe. She regularly appears in major opera houses and festivals: embracing roles by Rossini, Mozart, Gluc ...

, Philippe Jaroussky, Blandine Staskiewicz, Romina Basso,

Lorenzo Regazzo Lorenzo Regazzo, (born in Venice) is an opera singer. His voice can be categorised as bass, bass-baritone or ''basso cantante''. He is especially well known for interpreting Baroque, Classical, and bel canto repertoire. Among the qualities f ...

; Ensemble Matheus; Jean-Christophe Spinosi; Naïve OP30393 * 2008: Anne Desler, Nicki Kennedy, Marianna De Liso, Luca Dordolo; Coro da Camera Italiano; Modo Antiquo, Federico Maria Sardelli. CPO * 2011: Marie-Nicole Lemieux, Verónica Cangemi, Romina Basso, Jennifer Larmore, Philippe Jaroussky, Kristina Hammarström, Christian Senn; Chorus of the

Théâtre des Champs-Élysées The Théâtre des Champs-Élysées () is an entertainment venue standing at 15 avenue Montaigne in Paris. It is situated near Avenue des Champs-Élysées, from which it takes its name. Its eponymous main hall may seat up to 1,905 people, while th ...

and Ensemble Matheus; Jean-Christophe Spinosi; Pierre Audi (director); DVD Naïve

References

Notes

External links

Libretto
*
"Legacy Of An Epic: Vivaldi's ''Orlando Furioso''
by Bruce Scott,

NPR National Public Radio (NPR) is an American public broadcasting organization headquartered in Washington, D.C., with its NPR West headquarters in Culver City, California. It serves as a national Radio syndication, syndicator to a network of more ...

, 22 July 2011 {{Authority control Italian-language operas Matter of France Operas by Antonio Vivaldi 1727 operas Operas Operas based on works by Ludovico Ariosto Cross-dressing-related music