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Orlando Furioso (Vivaldi, 1714)
''Orlando furioso'' RV 819 (, Teatro San Angelo, Venice 1714) is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso (RV 728) of 1727. It is a recomposition of an ''Orlando furioso'' written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's ''impresa'' in 1713, and whose music survives in a few fragments retained in the score of RV 819. Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84. The libretto was by Grazio Braccioli. Authorship Federico Maria Sardelli, according to the studies of Reinhard Strohm, argues that Orlando RV 819 was entirely recomposed by Vivaldi, starting from the original Ristori's opera that Vivaldi himself had already changed during the numerous representations of the season 1713. He assigned to it the catalogue number RV 819.Alberge, Dalya (15 July 2012)"Viv ...
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as '' the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale della Pietà'', a home for abandoned children. Vivaldi had worked as a Catholic p ...
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Naïve
Naivety (also spelled naïvety), naiveness, or naïveté is the state of being naive. It refers to an apparent or actual lack of experience and sophistication, often describing a neglect of pragmatism in favor of moral idealism. A ''naïve'' may be called a ''naïf''. Etymology In its early use, the word ''naïve'' meant "natural or innocent", and did not connote ineptitude. As a French adjective, it is spelled ''naïve'', for feminine nouns, and ''naïf'', for masculine nouns. As a French noun, it is spelled ''naïveté''. It is sometimes spelled "naïve" with a diaeresis, but as an unitalicized English word, "naive" is now the more usual spelling. "naïf" often represents the French masculine, but has a secondary meaning as an artistic style. “Naïve” is pronounced as two syllables, in the French manner, and with the stress on the second one. Culture The naïf appears as a cultural type in two main forms. On the one hand, there is 'the satirical naïf, such as Candid ...
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Operas By Antonio Vivaldi
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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1714 Operas
Events January–March * January 21 – After being tricked into deserting a battle against India's Mughal Empire by the rebel Sayyid brothers, Prince Azz-ud-din Mirza is blinded on orders of the Emperor Farrukhsiyar as punishment. * February 7 – The Siege of Tönning (a fortress of the Swedish Empire and now located in Germany in the state of Schleswig-Holstein) ends after almost a year, as Danish forces force the surrender of the remaining 1,600 defenders. The fortress is then leveled by the Danes. * February 28 – (February 17 old style) Russia's Tsar Peter the Great issues a decree requiring compulsory education in mathematics for children of government officials and nobility, applying to children between the ages of 10 and 15 years old. * March 2 – (February 19 old style) The Battle of Storkyro is fought between troops of the Swedish Empire and the Russian Empire, near what is now the village of Napue in Finland. The outnumbered Swedish forces, under the co ...
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List Of Operas By Antonio Vivaldi
This is a complete list of operas by Antonio Vivaldi (1678–1741). He claimed to have composed 94 operas, but fewer than 50 titles have been identified, of which the scores of only 20 or so survive, wholly or in part. Moreover, the practice of reviving works under a different title and of creating ''pasticci'' has confused musicologists. All of Vivaldi's operatic works are described as '' dramma per musica'', roughly equivalent to opera seria. Key: ''music completely lost''; ''music preserved'' (at least in part) 51 items are listed. List of operas References Further reading *Cross, Eric (1992), "Vivaldi, Antonio", in '' The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicology, musicologist, music critic, and editor. He was editor of the sixth edition of the ''Grove Dictionary of Music and Musicians'' (1980), whi ... (London) External links * * {{DEFAULTSORT:Viv ...
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Teodora Gheorghiu
Teodora Gheorghiu (born 8 May 1978 in Brașov) is a Romanian soprano who has performed in opera, concert and recital across Europe. Early life and training Gheorghiu was born in Brașov, where she studied the flute before focussing on singing. She pursued vocal studies at the Academia de Muzică Gheorghe Dima in Cluj-NapocaTeodora Gheorghiu: There's no magic to opera singing
and went on to participate in several competitions, including the



Gaëlle Arquez
Gaëlle Arquez (born 1983) is a French operatic mezzo-soprano. Life and career Arquez was born in Saintes from a father with Spanish origins and a Malagasy mother. After spending her early childhood in Ivory Coast, she returned to Saintes, where at the age of 10 she took piano lessons at the town's conservatory. She graduated in musicology and studied singing at the Conservatoire de Paris. Her teachers included Malcolm Walker, Kenneth Weiss, Jeff Cohen and Susan McCulloch. In 2007 and 2008, she toured France singing the title role in Ravel's '' L'enfant et les sortilèges''. In 2009, she took on the title role in Janáček's '' The Cunning Little Vixen'' in a conservatoire production in Paris, which was subsequently also shown at the Théâtre Royal de Wallonie in Liège and the Reims Opera House. She won a number of prizes and scholarships, including the ''Prix de Chant du Conservatoire national supérieur de musique de Paris'' in 2009. Opera The focus of her repertoire is ...
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Modo Antiquo
Modo Antiquo is an Italian instrumental ensemble dedicated to the performance of Baroque, Renaissance, and Medieval music. It was founded in 1984 by Federico Maria Sardelli. Twice nominated for a Grammy award, the ensemble has an extensive discography, primarily on the Naïve, Brilliant Classics, and Tactus labels and have given the first performances in modern times of several works by Vivaldi. Modo Antiquo's larger ensemble is its Baroque orchestra led by Sardelli. It also has a smaller ensemble devoted to Medieval and Renaissance music led by Bettina Hoffmann. History and repertoire Modo Antiquo was founded in 1984 by the musicologist and flautist Federico Maria Sardelli and initially focused on Medieval and Renaissance music. The Baroque orchestra began in 1987, the 300th anniversary of Jean-Baptiste Lully's death, when Sardelli organised a concert in Livorno which gave the first Italian performance in modern times of Lully's ''Ballet des Saisons''. The 25-piece orchestr ...
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Festival De Beaune
The Festival de Beaune: ''Festival international d’opéra baroque'' is a month-long annual summer festival of baroque opera in Beaune, France. It is notable for revivals of many baroque operas and performances of Mozart on original instruments. More recently the town has also become host, in a different week, to the ''Festival international du film policier de Beaune'' - a festival of detective films. Founded in 1982, the Baroque Music Festival of Beaune has presented over 80 operas, over 30 of them significant revivals and world, European or French premières; over 100 oratorio and sacred music concerts, including 5 revivals or premières. In addition to recitals by individual performers. The festival also runs classes and voice workshops, the ''Académie de Chant baroque''. Venue The concerts take place in the Hospices de Beaune, 15th century, and in the Collégiale Notre-Dame de Beaune, 12th century, over four weekends in July. Notable opera revivals The following inclu ...
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Orlando Finto Pazzo
''Orlando finto pazzo'' (; ''Orlando, the Fake Madman'') is an opera (''dramma per musica'') in three acts composed by Antonio Vivaldi to a libretto by Grazio Braccioli. The plot is based on an episode in Matteo Boiardo's unfinished epic poem ''Orlando Innamorato'' (). The second of Vivaldi's known operas, ''Orlando finto pazzo'' premiered in November 1714 (dedication 10 November) at the Teatro Sant'Angelo in Venice. Vivaldi acted as impresario (in partnership with his father Giovanni Battista) as well as composer. Apparently the opera did not meet much approval from the audience and was billed only on few dates, just to be replaced, on 1 December, by a reworking of Giovanni Alberto Ristori’s ''Orlando furioso'' (), an opera that the Vivaldi "''impresa''" had very successfully staged in 1713.A good deal of the music of ''Orlando finto pazzo'' (as well as further music by Vivaldi) was interpolated into the revived work, so that it should be considered a fully-fledged new opera ...
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The Guardian
''The Guardian'' is a British daily newspaper A newspaper is a periodical publication containing written information about current events and is often typed in black ink with a white or gray background. Newspapers can cover a wide variety of fields such as politics, business, sport .... It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited, Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the ...
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Grazio Braccioli
Grazio Braccioli (1682–1752) was an Italian jurist, poet and librettist. Born in Ferrara, he wrote 9 libretti for operas produced at the Teatro Sant'Angelo in Venice between 1711 and 1715. Among them were the libretti for Vivaldi's ''Orlando furioso'' and '' Orlando finto pazzo''.Talbot, Michael (2011)''The Vivaldi Compendium'' pp. 35–36. Boydell Press. A Doctor of civil and canon law, he lectured in both at the University of Ferrara. He was also a member of the Accademia degli Arcadi The Accademia degli Arcadi or Accademia dell'Arcadia, "Academy of Arcadia" or "Academy of the Arcadians", was an Italian literary academy founded in Rome in 1690. The full Italian official name was Pontificia Accademia degli Arcadi. History F ..., for whom he wrote under the pseudonym "Nigello Preteo".Talbot, Michael (2008)''The Business of Music'' p. 28. Liverpool University Press References 1682 births 1752 deaths Italian opera librettists Italian poets Italian male poets I ...
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