Hipòlit Lázaro (September 13, 1887 – May 14, 1974), better known as Hipólito Lázaro, was a Catalan-Spanish opera singer. He was active as an

opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...

tic

tenor A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below m ...

for four decades from 1910 through 1950.

Biography

Lázaro was born in

Barcelona Barcelona ( ; ; ) is a city on the northeastern coast of Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second-most populous municipality of Spain. With a population of 1.6 million within c ...

, Spain on September 13, 1887. He made his professional debut in 1910 at Teatre Novedades in

in ''

La favorite ''La favorite'' (''The Favourite'', frequently referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le com ...

''. His Italian debut occurred in late 1910 in ''

Rigoletto ''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had c ...

'' at the Teatro Tosi-Borghi in

Ferrara Ferrara (; ; ) is a city and ''comune'' (municipality) in Emilia-Romagna, Northern Italy, capital of the province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main ...

. During the summer of 1911, he appeared under the pseudonym Antonio Manuele in a series of concerts held in England. Lázaro built his career primarily on

verismo In opera, , from , meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic ge ...

roles, Verdi operas. He performed in ''Rigoletto'', ''

Aida ''Aida'' (or ''Aïda'', ) is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 De ...

'', and '' Il trovatore'', Bizet's ''

Carmen ''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the O ...

'', some

bel canto , )—with several similar constructions (, , , pronounced in English as )—is a term with several meanings that relate to Italian singing, and whose definitions have often been misunderstood. ''Bel canto'' was not only seen as a vocal technique ...

roles such as ''La favorite'', ''

I puritani ' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and changed to three acts before the premiere on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set ...

'', and ''

Les Huguenots () is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history '' ...

'' and Spanish

zarzuela () is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name o ...

(Arrieta's ''Marina'', in particular). He created the tenor roles in Mascagni's '' Parisina'' (1913,

La Scala La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performa ...

) and ''

Il piccolo Marat ''Il piccolo Marat'' is a ''dramma lirico'' or opera in three acts by the Italian composer Pietro Mascagni from a libretto by Giovacchino Forzano composed when Mascagni lived in Livorno, Italy (in the 1916-built villa shown at the right), wher ...

'' (1921, Costanzi), and Romani's ''Fedra'' (1915, Costanzi). While in

Philadelphia Philadelphia ( ), colloquially referred to as Philly, is the List of municipalities in Pennsylvania, most populous city in the U.S. state of Pennsylvania and the List of United States cities by population, sixth-most populous city in the Unit ...

in 1924, he received a letter from

Umberto Giordano Umberto Menotti Maria Giordano (28 August 186712 November 1948) was an Italian composer, mainly of operas. His best-known work in that genre was Andrea Chénier (1896). He was born in Foggia in Apulia, southern Italy, and studied under Paolo Se ...

, asking him to create the tenor role in his next opera, ''

La cena delle beffe ''La cena delle beffe'' (''The Jesters' Supper'') is an opera in four acts composed by Umberto Giordano to an Italian libretto by Sem Benelli adapted from his 1909 The Jester's Supper (play), play of the same name. The opera premiered on 20 Dece ...

''. The opera's premiere was held in December 1924 at La Scala under the baton of

Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orche ...

. The second part of Lázaro's career, stretching from the mid-1920s to his final appearances in 1950, consisted of concerts and performances in Spain, Paris, and Italy. He also made various trips to South America, where he was very popular, especially in Cuba. His repertoire became narrower and narrower from the 1930s onwards, and his voice showed clear signs of decline. Nonetheless, he conserved some of his glory and acclaim through his zarzuela performances. During the 1930s he starred in the zarzuelas, ''Curro Vargas'', '' Doña Francisquita'', ''La Tempestad'', and the Spanish operas, Bretón's '' La Dolores'' (1895), Vives' ''Euda d'Uriach'' (1934) and Gaig's ''El estudiante de Salamanca'' (1935). He officially retired from the stage in 1940, but continued to give occasional performances thereafter. Lázaro's last performance was in

Havana, Cuba Havana (; ) is the capital and largest city of Cuba. The heart of La Habana Province, Havana is the country's main port and commercial center.Metropolitan Opera House he was overshadowed by

Enrico Caruso Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyric tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles that r ...

, to whom he was compared. He also maintained a strong rivalry with Aragonese tenor

Miguel Fleta Miguel Burro Fleta (28 December 1897, in Albalate de Cinca, Province of Huesca, Aragon – 29 May 1938, in A Coruña) was a Spanish operatic lyric tenor. Despite his short stage career, lasting from 1919 to 1935, Fleta has been described as one ...

References

External links

Hipólito Lázaro biography
at Opera Vivrà
History of the Tenor / Hipólito Lázaro / Sound Clips and Narration

{{DEFAULTSORT:Lazaro, Hipolito 1887 births 1974 deaths Spanish operatic tenors Opera singers from Catalonia Singers from Barcelona 20th-century Spanish male opera singers

Biography

References

Further reading

External links