Gilbert Py

Gilbert Py (9 December 1933 – 9 October 2021) was a French tenor. The power of his voice ranks him among the heroic tenors, the fullest and most powerful of the tenors (Samson), also called tenore robusto (Verdi's ''Otello'') and whose German equivalent is the Wagnerian (''Tristan'', ''Siegfried'') Heldentenor. It is characterized by fullness, roundness and equal timbre, even in the treble.

Biography: the saltimbanque at the Opera

Py was born on 9 December 1933 in Sète in the department of Hérault'' and the Polovtsian Dances from ''Prince Igor''. He asked the ballet mistress to regulate the dances of gypsy, Russian and Spanish styles. Together, they prepared extracts from Brahms' '' Hungarian Danses'', and '' l’Arlésienne''. She taught him how to use castanets.

The lyrical career

Debuts

He entered the Cannes contest (which was previously won by tenors Tony Poncet, Alain Vanzo, Guy Chauvet, Gustave Botiaux. The winner was given the chance to sing a great role, Miss Janine Arcangoli, First Prize, chose Butterfly. Master Fichefet, organizer of the competition, confided Pinkerton to young tenor Gilbert Py who had won only a second prize. The concert took place on La Croisette.

He made his debut on 14 November 1964 at Verviers (Belgium), as Pinkerton in ''Madame Butterfly'', with Janine Arcangioli (once she married him, she gave up her own career to devote herself exclusively to her husband's one).

On 14 March 1965, he sang his first grand role: Mario Cavaradossi in ''Tosca'' at Tourcoing.

His career began on that day. He sang John the Baptist in '' Herodiade'' at Tourcoing and in ''Carmen'' in Rennes. ''Aida'' at Liège (Belgium), the same season, ''Otello'' at Tourcoing, in 1966, Samson in Ghent (Belgium) with Rita Gorr as Delilah… Otello, Radamés, Fidelio, Samson, Don José, '' Mathis der Mahler'', Nemrod in ''la Tour de Babel'',''la Tour de Babel''
on Partitions anciennes on the occasion of the reopening of the Opéra Royal de Wallonie in Liège (Belgium), in 1966.

''Fidelio'' at Bordeaux in 1968, Adoniram in ''La reine de Saba'' at Toulouse in 1969, debut at Nice, with Turridu, and Canio in ''Pagliacci'', then on the same year at the Théâtre de verdure de Cimiez: Samson, with Rita Gorr, Ernest Blanc. René Nicoli administrator of the Paris Opera and Jean Giraudeau director of the Opéra Comique, present at the show, decided that evening, to bring him into the troupe of the Opera Raskolnikoff of Sutermeister in Nice, in December 1969. On 16 January 1970, the audience in Nice discovered "an Otello who swept all at once, all those who since Luccioni had approached the role, including the famous Del Monaco I".

Debut in Paris

In 1969, he made his debut at the Paris Opera, with ''Carmen'', Berlioz's ''La Damnation de Faust'', production Maurice Béjart, then Mario Caravadossi with Hana Janků. Role of Manrico in ''Il trovatore'' on 13 June 1973.

At the Opéra Comique: ''Werther'', Hoffmann, ''Pagliacci'', ''Tosca''. The arrival of Rolf Liebermann as Administrator of the Opera was followed by the closure of the Opéra Comique and the dislocation of the troupe.

The United States and the World

Py made his debut in the United States with Berlioz's ''Damnation of Faust'' in Miami.

His career normally continued in France, Germany, Austria, Belgium and the world.

Discography

References

External links

Gilbert Py
on Discogs

Charles Gounod: ''La Reine de Saba''
on AllMusic

Gilbert Py-Samson et Dalila-Camille Saint Saëns-La Meule
on YouTube

{{DEFAULTSORT:Py, Gilbert
1933 births
2021 deaths
People from Sète
French operatic tenors
20th-century French male opera singers