František Vláčil (19 February 1924 – 27 January 1999)
was a
Czech film director, painter, and graphic artist.
From 1945 to 1950, he studied
aesthetics
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste (sociology), taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Ph ...
and art history at
Masaryk University in Brno. Later, he worked in various groups and
ateliers (e.g. on animated films), but his main focus became played film. His films are well known for high art quality. Vláčil was awarded many film prizes like the Prize of the International Film Festival 1998 in
Karlovy Vary
Karlovy Vary (; , formerly also spelled ''Carlsbad'' in English) is a spa town, spa city in the Karlovy Vary Region of the Czech Republic. It has about 49,000 inhabitants. It is located at the confluence of the Ohře and Teplá (river), Teplá ri ...
or the Czech Lion Prize for his longstanding contribution to world film culture. In 1998 Vláčil was voted the greatest Czech director of all time by a poll of Czech film critics.
His film ''
Marketa Lazarová'' is considered by some
critics to be the best Czech film ever made.
Biography
Early life
He spent childhood in north Moravia. He shortly studied
Academy of Arts, Architecture and Design in Prague but switched to the faculty of Arts at
Masaryk University.
He finished his studies in 1951. He was interested in
filmmaking
Filmmaking or film production is the process by which a Film, motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screen ...
during his studies and worked as a screenwriter in Brno Cartoon and puppet film studio. He later went to newly formed Studio of Popular Scientific and Educational Films. He made 4 short documentary films in the studio.
Military film
Vláčil worked in a studio of Czechoslovak military film during his compulsory military service. He was in the military from 1951 to 1958. He met with
cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera ...
Jan Čuřík with whom he frequently collaborated during his career. He also met another director
Karel Kachyňa.
Vláčil's short films made in the military studio were mostly instructory and propagandist. His first film was a 1953 short ''Vzpomínka'' that commemorated deceased communist president
Klement Gottwald
Klement Gottwald (; 23 November 1896 – 14 March 1953) was a Czech communist politician, who was the leader of the Communist Party of Czechoslovakia from 1929 until his death in 1953 – titled as general secretary until 1945 and as chairman f ...
. Another of his film shorts is a documentary ''Posádka na štítě'' that is about meteorologists working on
Lomnický štít. The film shows contrast between a man and mountains. Vláčil also participated in the filmmaking of other directors.
In 1955, Vláčil participated as an adviser in the making of the war film, Tank Brigade, coordinating battle scenes. His last military short was an instructory and motivational film ''Sebeobrana''.
He also made a short film ''
Clouds of Glass'' which is considered his finest creation while in the army. It is the only film that Vláčil made in the military and was not determined by politics or genre.
''Clouds of Glass'' won an award at the Documentary and Short Film Festival in Venice.
Vláčil left the army in 1958.
Barrandov
Vláčil was employed at
Barrandov Studios. He debuted with a short film "The Chase" (segment of ''No Entrance''). The film is about two members of the border-guard who chase an enemy agent. The film not a regular story about the border-guard but features a strong focus on the beauties of nature.
He made his first full-length film ''
The White Dove'' in 1960. The film received positive reviews and some awards. He made a historical film ''
The Devil's Trap'' that was also a success. His next film was a historical drama ''
Marketa Lazarová''. He worked six years on the film. He collaborated with significant designers of costumes and decorations,
Theodor Pištěk,
Jan Koblasa and others. The film was highly acclaimed and was voted the
all-time best Czech movie in a prestigious 1998 poll of Czech film critics and publicists.
The film was also very expensive and Vláčil was forced to make ''
The Valley of the Bees'', another historical film. ''The Valley of the Bees'' used the same decorations so the expenditures of ''Markéta Lazarová'' could partially be repaid. The film starred
Petr Čepek. Vláčil then worked with Čepek on his next film
Adelheid.
During the
Normalization
Normalization or normalisation refers to a process that makes something more normal or regular. Science
* Normalization process theory, a sociological theory of the implementation of new technologies or innovations
* Normalization model, used in ...
era, Vláčil was not allowed to make feature films and had to leave Barrandov Studio. He made some shorts films such as
Art Nouveau's Prague.
He was allowed to make another full-length film in 1976, it was a drama ''
Smoke on the Potato Fields''. His next film, thriller ''
Shadows of a Hot Summer'', won a
Crystal Globe.
Vláčil started to work with screenwriter
Zdeněk Mahler and together they worked on some films. They made a biographical film ''
Concert at the End of Summer''. It was followed by other significant films ''
Snake's Venom'', ''
Shades of Fern'' and ''
Magician''. These were his last films before he retired.
After
Velvet Revolution, Vláčil received a number of awards. He won Czech Lion for Lifetime Work and Extraordinary Contribution to Czech Cinema and became the President of Czech Film and Television Academy. In 1997, Vláčil broke his left leg and was hospitalized. He was operated on but his operation was unsuccessful and had to be re-operated. The second operation was successful and he was allowed to leave hospital. He was only one day home when he fell into unconsciousness due to heart arrhythmia. He never recovered and died on 27 January 1999.
Problems with alcohol
When Vláčil started to make his own projects in the 1960s, he started heavily drinking. He believed that alcohol helped him in his work, helping him to reach his visions. His problems with alcohol worsened after he made ''Markéta Lazarová''. After he finished the film, he looked "like a living skeleton". When he finished ''Adelheid'', he collapsed. He underwent
therapy
A therapy or medical treatment is the attempted remediation of a health problem, usually following a medical diagnosis. Both words, ''treatment'' and ''therapy'', are often abbreviated tx, Tx, or Tx.
As a rule, each therapy has indications a ...
and made ''Smoke on the Potato Field'' during a period of sobriety. Owing to the omission of his favourite scene from the film, because it was destroyed, Vláčil starts drinking again. His alcoholism was not helping his work anymore. He tried to fight his alcoholism by making ''Snake's Venom''. Vláčil's alcoholism led him to lose his family and friends.
Filmography
Short films
Acting
Accolades
References
External links
*
František Vláčilat Kinoblog (web archive)
*
Out of the past: Frantisek Vlácil at
Sight & Sound (web archive)
New book of Petr Gajdošík: František Vláčil. Život a dílo /František Vláčil. Life and Work/ (Camera obscura, 2018) 875 pagesNew book of Petr Gajdošík: František Vláčil. Život a dílo /František Vláčil. Life and Work/ Web Kosmas
{{DEFAULTSORT:Vlacil, Frantisek
1924 births
1999 deaths
People from Český Těšín
Czech film directors
Czechoslovak film directors
Czech graphic designers
Masaryk University alumni