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''Farnace'' is an 18th-century Italian
opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
in 3 acts by the Czech composer
Josef Mysliveček Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant com ...
. It was composed to a
libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...
by the Italian poet
Antonio Maria Lucchini Antonio Maria Lucchini or Luchini (Venice, c. 1690 – Venice, before 1730) was an Italian librettist. His texts were set to music by Antonio Vivaldi, Baldassare Galuppi, Leonardo Vinci, and Rinaldo di Capua, among others. Libretti *''Foca sup ...
that is best known from a setting by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lif ...
first produced at the
Teatro Sant'Angelo The Teatro San Angelo (in Venetian) or Teatro Sant'Angelo (in Italian) was once a theatre in Venice which ran from 1677 until 1803. It was the last of the major Venetian theatres to be built in the 1650s–60s opera craze following Teatro Santi ...
in
Venice Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are li ...
for the carnival operatic season of 1727. For a performance in the 1760s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste; this libretto was unusually old, even older than all but one of the librettos by
Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Met ...
that continued by be set in the 1760s. The cuts and changes in the text made for the 1767 performance of Mysliveček's opera are not attributable.Freeman, where detailed documentation can be found Indeed, they are quite extensive; not a single one of Lucchini's original aria texts was re-set by Mysliveček. However, it is the same cut libretto of ''Farnace'', with small variants, used by the Neapolitan Davide Perez in his opera for the Regio Teatro of Turin in the 1751 Carnival, and repeated in Rome at the Torre Argentina Theater the following year, and in Messina (Regio Teatro della Munizione) and Naples (Teatro di San Carlo) in 1753 and again in 1757.


Performance history

The opera was first performed at the
Teatro San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is a historic opera house in Naples, Italy, connected to the Royal Palace and a ...
in
Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of N ...
on 4 November 1767, the
nameday In Christianity, a name day is a tradition in many countries of Europe and the Americas, as well as Christian communities elsewhere. It consists of celebrating a day of the year that is associated with one's baptismal name, which is normatively t ...
of King
Charles III of Spain Charles III (; 20 January 1716 – 14 December 1788) was King of Spain in the years 1759 to 1788. He was also Duke of Parma and Piacenza, as Charles I (1731–1735); King of Naples, as Charles VII; and King of Sicily, as Charles III (or V) (1735� ...
, the former ruler of the
Kingdom of Naples The Kingdom of Naples (; ; ), officially the Kingdom of Sicily, was a state that ruled the part of the Italian Peninsula south of the Papal States between 1282 and 1816. It was established by the War of the Sicilian Vespers (1282–1302). Until ...
whose birthday and nameday were still celebrated with operatic productions under the rule of his son
Ferdinand Ferdinand is a Germanic name composed of the elements "journey, travel", Proto-Germanic , abstract noun from root "to fare, travel" (PIE , "to lead, pass over"), and "courage" or "ready, prepared" related to Old High German "to risk, ventu ...
. It was commissioned in the wake of the success of the composer's opera Il Bellerofonte, which had been given earlier the same year, and is known to have been successful, in spite of a less distinguished cast. It was repeated in
Prague Prague ( ; ) is the capital and List of cities and towns in the Czech Republic, largest city of the Czech Republic and the historical capital of Bohemia. Prague, located on the Vltava River, has a population of about 1.4 million, while its P ...
in December 1768 after the composer's triumphant return to his native city.


Roles


Synopsis

18th-century Italian operas in the serious style are almost always set in a distant or legendary past and are built around historical, pseudo-historical, or mythological characters. :Time: 1st Century, BC :Place: Asia Minor The main character of Lucchini's ''Farnace'' is based on the life of King
Pharnaces II of Pontus Pharnaces II of Pontus (; about 97–47 BC) was the king of the Bosporan Kingdom and Kingdom of Pontus until his death. He was a monarch of Persian and Greek ancestry. He was the youngest child born to King Mithridates VI of Pontus from hi ...
, whose conflicts with the
Roman Republic The Roman Republic ( ) was the era of Ancient Rome, classical Roman civilisation beginning with Overthrow of the Roman monarchy, the overthrow of the Roman Kingdom (traditionally dated to 509 BC) and ending in 27 BC with the establis ...
eventually led to his death. Farnace has been defeated in battle by Pompeo. In order to avoid seeing his entire family falling into the hands of the enemy, Farnace commands his wife Tamiri to kill their son and then herself, although this never happens. Selinda, Farnace's sister, is taken captive by the Roman Atridate, who falls in love with her, as does the army captain Gilades. Selinda plays them off one another in an attempt to save her brother. Her efforts succeed and everyone is spared.


Vocal set pieces


Act 1

Scene 2 – Aria of Pompeo, "Accendi il tuo furore"
Scene 3 – Aria of Atridate, "Non rammentarmi al core"
Scene 4 – Aria of Farnace, "Ti parli in seno amore"
Scene 5 – Aria of Tamiri, "Figlio, sposo, ah già nel petto"
Scene 9 – Aria of Selinda, "Dai rai d'un bel sembiante"
Scene 14 – Aria of Farnace, "Se parto, ben mio"
Scene 15 – Accompanied recitative for Tamiri, "Sarete paghi, o Dei!"
Scene 15 – Aria of Tamiri, "Non sdegnarti, o sposo amato"


Act 2

Scene 2 – Aria of Selinda, "Non mi spaventa quel tuo furore"
Scene 3 – Aria of Atridate, "Del mio paterno affetto"
Scene 4 – Aria of Gilade, "Nel suo leggiadro viso"
Scene 5 – Aria of Farnace, "Figlio, mi sento, o Dio"
Scene 8 – Aria of Tamiri, "Se delirar mi fate"
Scene 9 – Aria of Pompeo, "Sol pugnando in mezzo all'armi"
Scene 11 – Aria of Farnace, "Se asperso il suol rimira"


Act 3

Scene 2 – Aria of Selinda, "Non vi fidate"
Scene 3 – Aria of Pompeo, "Parti dagli occhi miei"
Scene 4 – Aria of Atribate, "Tu mi bramasti oppresso"
Scene 5 – Duet for Tamiri and Farnace, "Tergi quel cara ciglio"
Scene 7 – Chorus, "Chi serba con alma forte"


Score

The complete score of ''Farnace'' is available for study online on the Italian website Internet Culturale in the form of a reproduction of a manuscript once in the possession of the Teatro San Carlo of Naples.


References

Notes Cited sources * Freeman, Daniel E., ''Josef Mysliveček, "Il Boemo": The Man and His Music''. Sterling Heights, Michigan: Harmonie Park Press, 2009


External links


Complete score in manuscript available for viewing and downloading
{{DEFAULTSORT:Farnace Italian-language operas Operas by Josef Mysliveček 1767 operas Opera seria Operas Opera world premieres at the Teatro San Carlo Charles III of Spain