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Antonio Maria Lucchini
Antonio Maria Lucchini or Luchini (Venice, c. 1690 – Venice, before 1730) was an Italian librettist. His texts were set to music by Antonio Vivaldi, Baldassare Galuppi, Leonardo Vinci, and Rinaldo di Capua, among others. Libretti *''Foca superbo'' (set to music by Antonio Lotti, 1716) *''Tieteberga'' (set to music by Antonio Vivaldi, 1717) *''Giove in Argo'' (set to music by Antonio Lotti, 1717; set to music by Georg Friedrich Händel, 1739; set to music by Carl Heinrich Graun, 1747) *''Ascanio ovvero Gli odi delusi dal sangue'' (set to music by Antonio Lotti, 1718) *''L'inganno tradito dall'amore'' (set to music by Antonio Caldara, 1720) *''Ermengarda'' (set to music by Tomaso Albinoni, 1723) *''Gli sforzi d'ambizione e d'amore'' (set to music by Giovanni Porta, 1724) *''Farnace'' (set to music by Leonardo Vinci, 1724; set to music by Antonio Vivaldi, 1727; set to music by Francesco Corselli, 1739; set to music by Rinaldo di Capua, 1739; set to music by Giuseppe Arena, 1742; set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Porta
Giovanni Porta (c. 1677 – 21 June 1755) was an Italian opera composer. His opera '' Argippo'', to a libretto by Domenico Lalli, was premiered in Venice in 1717.Freeman, Daniel E. (1992)''The Opera Theater of Count Franz Anton Von Sporck in Prague''Stuyvesant, N.Y.: Pendragon Press. p. 166/ref> Porta is believed to have been born in Venice. One of the masters of early 18th-century opera and one of the leading Venetian musicians, Porta made his way from Rome, to Vicenza, to Verona, then London where his opera '' Numitore'' was performed in 1720 by the Royal Academy of Music (1719), and eventually back to Venice and Verona, and finally Munich, where he spent the last 18 years of his life. Selected recordings * Aria ''Madre diletta'' (from Ifigenia in Aulide) on Drama Queens Joyce DiDonato Alan Curtis (conductor) Virgin Classics 2012 * Aria ''Mormorando quelle fronde'' (from La costanza combattuta in amore) on Venezia recital Max Cencic Virgin Classics 2013 * Sinfon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1690s Births
Year 169 ( CLXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Senecio and Apollinaris (or, less frequently, year 922 ''Ab urbe condita''). The denomination 169 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcomannic Wars: Germanic tribes invade the frontiers of the Roman Empire, specifically the provinces of Raetia and Moesia. * Northern African Moors invade what is now Spain. * Marcus Aurelius becomes sole Roman Emperor upon the death of Lucius Verus. * Marcus Aurelius forces his daughter Lucilla into marriage with Claudius Pompeianus. * Galen moves back to Rome for good. China * Confucian scholars who had denounced the court eunuchs are arrested, killed or banished from the capital of Luoyang and official life dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera Librettists
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian film by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Bartolomeo Conti
Francesco Bartolomeo Conti (20 January 1681 or 168219 July 1732) was an Italian composer and player of the mandolin and theorbo. He also wrote the oldest mandolin method book that has survived. Little is known about the biography of Conti. He was born in Florence, Italy. By 1700 he was already known as a theorbist not only in his native Florence, but also in other cities such as Ferrara and Milan. The fame he enjoyed by 1701 enabled him to obtain appointment as an auxiliary theorbist at the Habsburg court in Vienna with the same salary as the main theorbist, Orazio Clementi. At the 1706 carnival he made his debut as an opera composer with ''Cleotide'', and in 1713 was appointed as a court composer. In 1708, with the death of Clementi, Conti was promoted senior theorbist, a position he held until 1726. In the same year he was elected a member of the Accademia Filarmonica of Bologna and in 1711 he was appointed ''vice-Kapellmeister'' (''vice-maestro di cappella'') in Vienna. In A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Pescetti
Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pescetti "stylistically stands as a bridge between Alberti and Domenico Scarlatti". Life Born in Venice, Pescetti was the son of organ builder Giacinto Pescetti. His mother, Giulia Pescetti (née Pollarolo), was the daughter of opera composer and organist Carlo Francesco Pollarolo and the sister of composer and organist Antonio Pollarolo. He studied in his native city under the organist and opera composer Antonio Lotti. He developed a friendship with Baldassare Galuppi, a fellow pupil of Lotti's, with whom he collaborated in creating and revising operas. From 1725 to 1732 he wrote operas for various theatres in Venice, sometimes in collaboration with Galuppi. Pescetti left Italy for London in 1736, where he initially worked as a harpsicho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Alessandro Guglielmi
Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer of the classical period. Biography Guglielmi was born into the Guglielmi family of musicians in Massa. His father, Jacopo Guglielmi, was a composer and conductor of the orchestra in the court of the Duke of Massa. Pietro received his first musical education from his father who taught him to play bassoon and the viola; eventually becoming a musician under his father at court while still a boy. Pietro's brother, Abate Domenico, was the maestro di cappella at the Massa Cathedral, and Pietro studied the organ under him. A child prodigy, Guglielmi's talent as a musician earned him the favor of the Duke of Massa who took an interest in supporting his musical development. The Duke initially paid for Guglielmi to have formal musical training with Jacopo Puccini in Massa, and afterwards paid his tuition for his education at the Conservatorio di Santa Maria di Loreto in Naples which he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Arena
Giuseppe Arena (1707 or 1713 -1784) was an Italian composer and organist, best known for his operas. Giuseppe Arena was born in Malta in 1707 or 1713. From 1725 on he studied at the Poveri di Gesù music conservatory, where his teachers included Gaetano Greco and his successor Francesco Durante. Giovanni Battista Pergolesi started studying at the same conservatory in 1725 as well. He may have worked for the prince of Bisignano, and is also said to have been the organist at the San Filippo Neri church in Naples. In 1738, his first opera, ''Achille in Sciro ''Achille in Sciro'' is an opera and libretto by Pietro Metastasio telling the story of Achilles on Skyros. It was first set to music by Antonio Caldara in 1736, and premiered at the wedding of Maria Theresa and Francis of Lorraine in Vienna.Ita ...'', premiered in Rome, as did ''Il vello d'oro'' in 1740 and ''Farnace'' in 1742. Other works premiered in Turin, including ''La clemenza di Tito'' in December 1738 and ''Artaser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Corselli
Francesco Corselli (Piacenza, 19 April 1705 - 3 April 1778 in Madrid) was an Italian composer of the pre-classical period. Biography Francesco Corselli (Courcelle) was born on 19 April 1705 in Piacenza, Italy from French parents. He was the director of music for the funerals of Francesco Farnese in Parma in 1724, and Antonio Farnese in 1731, and Kapellmeister at the Church of Santa Maria della Steccata, 1727-1731, and simultaneously at the court of Parma, 1727-33. From this period date his first works: the operas ''La Venere placata'' (1731, at the Teatro San Samuele in Venice) and ''Nino'' (1732, at the Reggio Theatre ) and various compositions of religious music, Including the oratorio ''Santa Clotilde'' (1733 in Parma). In 1734 he decided to move to Madrid, Spain where he was active as a tenor, harpsichordist and violinist and music teacher of the Royal Infants. In 1737/38 he joined the "Colegio de cantorcillos" until his death. In 1747, he was appointed director of the The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomaso Albinoni
Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is best remembered today for a work called "Adagio in G minor", attributed to him but largely written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni. Biography Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant, he studied violin and singing. Relatively little is known about his life, which is surprising, considering his contemporary stature as a composer and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII). His first opera, '' Zenobia, regina d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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