Exótico

In lucha libre, an ''exótico'' () is a male wrestler, known as a ''luchador'', who fights and performs while incorporating feminine aspects in to their wrestling personas, known as "gimmicks". They are characterized by a camp style, feminine costumes, and humor.Levi, Heather. The World of Lucha Libre: Secrets, Revelations, and Mexican National Identity. Durham: Duke UP, 2008. Print. Though not all ''exóticos'' are gay, some are and some incorporate sexual ambiguity into their performance. Wearing feather boas, headdresses, sequins or stockings, they are often seen as defying traditional macho Latino culture.Berry, Mark. "Lucha Libre." Gay Times (09506101) 359 (2008): 56-59. LGBT Life. Web. 29 May 2012.

Meaning

Lucha libre (Mexican-style professional wrestling) is a blend of art and sport that involves various fighting techniques such as judo, jujitsu, grappling and kickboxing. It is a world of masked ''luchadores'' (enmascarados), flying little people and flamboyant costuming, one filled with acrobatics and athleticism, all mixed with drama, pageantry and a physical comedy that is uniquely Latino origin. Everything that a ''luchador'' says, does, and wears is essential to their character and their performance. There are different kind of ''luchadores'' who represent good and evil, '' técnico'' or ''rudo''/heel, and queers. ''Lucha libre'' is a space in which the macho- maricón (heterosexual-homosexual continuum) is represented not only in the relative positioning of men competing over who is "more" macho but also by men who have abdicated their masculinity.

Many gay wrestlers show in their performances that they may identify as a female, but can be just as strong as a male, and can deliver a great performance just like any other male wrestler. ''Lucha libre'' is a performance that is open to multiple readings on axis of representation by two men. Many ''lucha libre'' matches cannot be described as a struggle between two men, because not all wrestlers are male, and not all male wrestlers are unambiguously men. A ''lucha libre'' match between two men represents a rudo and a técnico (evil and good), in which most ''exóticos'' end up being rudos. This does not apply to all ''exóticos'', but the audience usually responds to them being a rudo.

History

In the 1940s, the first ''exóticos'' were seen in the history of lucha libre. Initially, the category of ''exóticos'' was formed as simply an act for entertainment; it did not reflect the life of any luchador. One of the earliest acknowledged ''exótico'' was Sterling Davis, also known as Gardenia Davis (ring name). Gardenia would enter the ring by throwing gardenias at the crowd. But up until the late 1980s, ''exóticos'' claimed that the act was just an act and that it did not reflect any personal lifestyles. In the mid-1980s, two luchadores trained by Reynosa began wrestling as ''exóticos'' but unlike previous ''exóticos'', they did not deny their homosexual identity publicly. "The ''exóticos'' changed the ''exótico'' style from a representation of a tendency to a representation of a social category and celebrated lucha libre as a means of upward mobility for themselves specifically as homosexuals".

"I love it. I come from a 'machismo' family in which many are homophobic. I've had many doors slammed in my face, but I am who I am. What you see is what you get. I'm gay, and I've had no problem saying it." Many Lucha libre fanatics would argue that ''exóticos'' are "not quite men", but ''exóticos'' defend themselves, the thing that maricones are thought to, by definition, not be capable of doing.

Interpretation

Exóticos have been seen as figures of "contesting the dramatic representation of machismo" and compete with their opponents in the ring while also "rejecting the outward signs of manhood".Cervantes, Susana Vargas. "Performing Mexicanidad: Criminality and Lucha Libre." Crime Media Culture An International Journal (2010): 187-203. SAGE Journals. Web. 6 June 2012.

As the connotation behind the meaning of being an ''exótico'' began to change and shifted from simply being an act to actually forming a category for female and gay representation in the ring, gender roles started to change. Not only were women's gender roles challenged, but they were also seen as a threat by machistas. For example, Juana Barraza was a known ''exótico'' wrestler and serial killer who challenged gender norms.

Barraza's wrestling body transgresses the normative gender and sex roles socially defined for women, thus challenging normative productions of mexicanidad. The physical strength that Barraza presents in the photograph as the la Dama del Silencio resists the "historical notions of the properly feminine body constituted as 'weak and pathological' and the culturally dominant codes of femininity that render women outside 'sports as cults of masculinity', especially in a Mexican cultural context where sports like lucha libre and physical strength are only celebrated for men; female bodies are culturally accepted if 'naturally' feminine, that is, if they do not threaten the dominant codes of the idealized Mexican, that is the mestizo and macho. As Balsamo (1996) explains, to be female and strong implicitly violates traditional codes of feminine identity".

By having a female presence in the ring, Mexican women were empowered because they were now having a part in something that was seen as manly. The female presence in the sport showed that women and gay men could do the same things as men without a doubt. This threatened social norms because the traditional Machismo does not like strong women.

Significance

Heather Levi has argued that lucha libre's theatricality challenges mainstream machismo in Mexico in the performance of certain wrestlers, like ''exóticos''. ''Exóticos'' challenge the traditional norms of what a man should and should not do, and challenge that idea that a maricon can not defend himself. Foremost, they also allow women to empower themselves by bringing a female presence to the ring. Although there are audience members that do not take ''exóticos'' seriously, their act has helped challenge traditional machismo and has been effective enough to even be considered a threat by "ideal" machismo.

"''Exóticos'' then contest the production of mexicanidad as they challenge the ideal mestizo-macho heterosexual) wrestler. As such, female wrestlers also challenge ''lucha libre''s traditional performances and, while women wrestlers only fight other women and cannot literally unman male opponents in the ring, they do so culturally, since female wrestlers transgress the codes of normative femininity inside and outside the ring." Although women do not actually fight with men in the ring, they are represented by ''exóticos'' since they are openly homosexual. This allows women to empower themselves even more and have a type of vision that gives them equal rights. The biggest reason why this is seen as a threat by traditional machismo is because once these women are empowered, they realize that they have the same rights as men do, therefore disempowering machismo completely. The fact that ''exóticos'' can physically challenge a man in the ring and physically challenge male masculinity is what makes the role of ''exóticos'' so crucial to the transformation of social norms.

The outfit of an ''exótico'' is known to be different regarding its style and colors. The outfit represents different aspects of their identity and their stance against machismo, while empowering women. "Her face is covered with a silver and bright pink butterfly mask. Barraza's wrestling photograph thus juxtaposes markers of her physical strength with those of femininity, codified through butterflies and the bright pink color of her suit. In doing so, the photo creates what Anne Balsamo calls a 'gender hybrid' that invokes corporeal codes of femininity as well as of masculinity. The outfit that these men in drag sport help define their category of an ''exótico''. They create a gender hybrid in which the masculinity of a man is blended with the femininity of a woman but in an empowered form where they can compete with social norms and be accepted in an arena.

See also

* List of drag queens
* List of ''exóticos''

References

{{DEFAULTSORT:Exotico
Lucha libre
Drag (entertainment)
Professional wrestling gimmicks
LGBTQ characters in professional wrestling
LGBTQ culture in Mexico