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Euthymides (; ) was an ancient
Athenian Athens ( ) is the Capital city, capital and List of cities and towns in Greece, largest city of Greece. A significant coastal urban area in the Mediterranean, Athens is also the capital of the Attica (region), Attica region and is the southe ...
potter and painter of vases. He was a member of the art movement later known as the Pioneer Group for their exploration of the new decorative style known as
red-figure pottery Red-figure pottery () is a style of Pottery of ancient Greece, ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in A ...
. His works are known for their innovative use of
foreshortening Linear or point-projection perspective () is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a fla ...
, and include the Revellers Vase, inscribed with a taunting message addressed to his fellow painter and rival
Euphronios Euphronios (; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called " Pioneer Group," (a modern name given to a group of vase painters who we ...
. Euthymides's father was named Pollias, and may have been a noted Athenian sculptor by the same name. He was closely connected to the other artists of the Pioneer Group, including Euphronios and Phintias, whose work was characterised by a detailed study of anatomy and the use of dynamic poses for human figures. He signed eight vessels which survive, identifying himself both as a potter and as a painter, and painted vases in a variety of shapes. He may have taught or influenced other vase painters, such as his fellow Pioneer Smikros, the Berlin Painter, and the Kleophrades Painter.


Background

Euthymides was active as an artist between around 515 and 500 BCE. He signed three of his vases with his
patronymic A patronymic, or patronym, is a component of a personal name based on the given name of one's father, grandfather (more specifically an avonymic), or an earlier male ancestor. It is the male equivalent of a matronymic. Patronymics are used, b ...
, showing that his father was named Pollias. Many of the fathers whose names were signed by Athenian vase painters were themselves artists, and it is sometimes argued that signing a patronymic implied that the father was also an artist or the signing artist's teacher. Jenifer Neils identifies Euthymides's father with the sculptor named Pollias, who was a noted artist in the late sixth century, dedicated several sculptures on the
Acropolis An acropolis was the settlement of an upper part of an ancient Greek city, especially a citadel, and frequently a hill with precipitous sides, mainly chosen for purposes of defense. The term is typically used to refer to the Acropolis of Athens ...
, and may have been the author of an artistic treatise. This would have made Euthymides of a higher social standing than most Athenian potters. Nigel Spivey has conjectured that Euthymides may have been the elder brother of
Euphronios Euphronios (; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called " Pioneer Group," (a modern name given to a group of vase painters who we ...
, also a vase painter. Martin Robertson, in contrast, suggests that Euthymides may have been a younger apprentice of Euphronios.


Artistic career

Euthymides, along with other painters like
Euphronios Euphronios (; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called " Pioneer Group," (a modern name given to a group of vase painters who we ...
and Phintias, is known as a member of the Pioneer Group. One , painted by Phintias, shows a courtesan () trying to hit a beardless Euthymides with the dregs of a cup of wine, with the caption "this one's for you, beautiful Euthymides!" (; ). The Pioneer Group are so named for their experimentation within the newly invented
red-figure Red-figure pottery () is a style of Pottery of ancient Greece, ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in A ...
style. In red-figure, the dark slip painted onto the vase was applied to the background, leaving the foreground rendered by the
negative space In art and design, negative space or negative volume is the empty space around and between the subject(s) of an image. In graphic design this is known as white space. Negative space may be most evident when the space around a subject, not th ...
in the natural colour of the clay. This contrasted with the earlier
black-figure Black-figure pottery painting (also known as black-figure style or black-figure ceramic; ) is one of the styles of Ancient Greek vase painting, painting on pottery of ancient Greece, antique Greek vases. It was especially common between the 7th a ...
technique, where the slip was used to paint the figures, and small details picked out by scratching it away. The work of the Pioneer Group was characterised by its interest in human anatomy and the use of dynamic, space-filling poses. Stylistically, Euphronios favoured simple compositions, bold figures, and the innovative use of
foreshortening Linear or point-projection perspective () is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a fla ...
, while his painting technique used washes and variations in line weight to suggest the action of gravity upon clothing. Euthymides was a rival of his fellow Athenian Euphronios, and one of his signed
amphora An amphora (; ; English ) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land ...
e (the Revellers Vase) is inscribed with "As never Euphronios" (; ). Both painters were familiar with each other's work, and the inscription is generally interpreted as a taunt or challenge to Euphronios.
Gisela Richter Gisela Marie Augusta Richter (14 or 15 August 1882 – 24 December 1972) was a British-American classical archaeologist and art historian. She was a prominent figure and an authority in her field. Early life Gisela Richter was born in London, ...
specifically interpreted it as a reference to Euthymides's use of three-quarter views, in contrast with the front-on or side-on perspective universal in Euphronios's work. However, it has also been interpreted as claiming that Euphronios had never taken part in a (a drunken ritual dance depicted on the vase), perhaps because this was an aristocratic activity and Euphronios was of comparatively low social origin. Eight vessels signed by Euthymides survive: seven that he painted, and one which he made but did not paint. Of these, he identifies himself as the painter on five, as the potter on two, and as both of these on one. He was the painter of the Revelers Vase, an amphora depicting three men partying. They are presumably drunk; one of them is holding a , a large drinking vessel. He may also have painted a terracotta plaque, found on the Acropolis, showing a running warrior. Most of his works are on Type A amphorae and , though he also painted three neck amphorae (including one with innovative twisted handles), a , a volute krater, a cylindrical stand, a plate and two cups. An unsigned
two-handled amphora (Boston 63.1515) This two-sided, red figure belly amphora is housed in the Classics wing of the Museum of Fine Arts, Boston. It was bought during Art Basel from Münzen und Medaillen, A.G., October 17, 1963. With flat handles decorated with depictions of ivy, and a ...
is attributed to the "circle of Euthymides". Eva C. Keuls names Smikros, another painter of the Pioneer Group, as a disciple or apprentice of his. He is also believed to have been the teacher of another Athenian red-figure vase painter, the Kleophrades Painter, and possibly that of the Berlin Painter.


Works


Footnotes


Explanatory notes


References


Works cited

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Further reading

* {{Authority control 6th-century BC deaths 6th-century BC Athenians Ancient Greek vase painters Ancient Greek potters Year of birth unknown