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Revellers Vase
The Revellers Vase is a Greek vase originating from the Archaic period. Painted around 510 BCE in the red-figure pottery style, the vase was found in an Etruscan tomb in Vulci, Italy. The painting is attributed to Euthymides. The vase is an amphora (a type of vessel normally used for storage), painted with two scenes: one depicts three nude partygoers, and the other the Trojan hero Hector arming for battle. The work represents an early use of foreshortening and three-quarter views of figures in Greek vase-painting, breaking with earlier conventions of employing profile and frontal views. It was excavated in 1829 by Lucien Bonaparte from the Etruscan at Vulci in Italy, and is currently held in the Staatliche Antikensammlungen in Münich, Germany. History The Revellers Vase was painted by Euthymides, an Athenian vase-painter active during the Archaic period from . It is approximately in height, and is considered to have been executed around 510 BCE. Euthymides, along wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Art
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in Ancient Greek sculpture, sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament (art), ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Negative Space
In art and design, negative space or negative volume is the empty space around and between the subject(s) of an image. In graphic design this is known as white space. Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and such space occasionally is used to artistic effect as the "real" subject of an image. Overview The use of negative space is a key element of artistic composition. The Japanese word " ma" is sometimes used for this concept, for example in garden design. In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space. In a two-tone, black-and-white image, a subject is normally depicted in black and the space around it is left blank (white), thereby forming a silhouette of the subject. Reversing the tones so that the space around the subject is printed black and the subject it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hecuba
Hecuba (; also Hecabe; , ) was a queen in Greek mythology, the wife of King Priam of Troy during the Trojan War. Description Hecuba was described by the chronicler John Malalas, Malalas in his account of the ''Chronography'' as "dark, good eyes, full grown, long nose, beautiful, generous, talkative, calm". Meanwhile, in the account of Dares Phrygius, Dares the Phrygian, she was illustrated as "... beautiful, her figure large, her complexion dark. She thought like a man and was pious and just." Family Parentage Ancient sources vary as to the parentage of Hecuba. According to Homer, Hecuba was the daughter of King Dymas (king of Phrygia), Dymas of Phrygia, but Euripides and Virgil write of her as the daughter of the Thrace, Thracian king Cisseus. The mythographers Pseudo-Apollodorus and Gaius Julius Hyginus, Hyginus leave open the question which of the two was her father, with Pseudo-Apollodorus adding a third alternative option: Hecuba's parents could as well be the river go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priam
In Greek mythology, Priam (; , ) was the legendary and last king of Troy during the Trojan War. He was the son of Laomedon. His many children included notable characters such as Hector, Paris, and Cassandra. Etymology Most scholars take the etymology of the name from the Luwian 𒉺𒊑𒀀𒈬𒀀 (Pa-ri-a-mu-a-, or “exceptionally courageous”), attested as the name of a man from Zazlippa, in Kizzuwatna. A similar form is attested transcribed in Greek as ''Paramoas'' near Kaisareia in Cappadocia. Some have identified Priam with the historical figure of Piyama-Radu, a warlord active in the vicinity of Wilusa. However, this identification is disputed, and is highly unlikely, given that he was known in Hittite records as being an ally of the Ahhiyawa against Wilusa. A popular folk etymology derives the name from the Greek verb , meaning 'to buy'. This in turn gives rise to a story of Priam's sister Hesione ransoming his freedom with a veil, from Heracles, thereby 'buying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kantharos
A kantharos (; ) or cantharus () is a type of ancient Greek cup used for drinking. Although almost all surviving examples are in Greek pottery, the shape, like many Greek vessel types, probably originates in metalwork. In its iconic "Type A" form, it is characterized by its deep bowl, tall pedestal foot, and pair of high-swung handles which extend above the lip of the pot. The Greek words ''kotylos'' (κότῦλος, masculine) and ''kotyle'' (κοτύλη, feminine) are other ancient names for this same shape.. The kantharos is a cup used to hold wine, probably both for drinking and for ritual use in libations and offerings. The kantharos seems to be an attribute of Dionysus, the god of wine, who was associated with vegetation and fertility. As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection, the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man to the rank of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium
In Ancient Greece, the symposium (, ''sympósion'', from συμπίνειν, ''sympínein'', 'to drink together') was the part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's '' Symposium'' and Xenophon's '' Symposium'', as well as a number of Greek poems, such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting, such as a scientific conference. The Latin equivalent of a Greek symposium in Roman s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komos
The ''kōmos'' (; : ''kōmoi'') was a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as ''kōmasts'' (κωμασταί, ''kōmastaí''). Its precise nature has been difficult to reconstruct from the diverse literary sources and evidence derived from vase painting. The earliest reference to the ''kōmos'' is in Hesiod's '' Shield of Herakles'', which indicates it took place as part of wedding festivities (line 281). And famously Alcibiades gate-crashes the '' Symposium'' while carousing in a ''kōmos''. However, no one kind of event is associated with the ''kōmos'': Pindar describes them taking place at the city festivals (Pythian 5.21, 8.20, Olympian 4.9), while Demosthenes mentions them taking place after the '' ''pompe'''' and '' choregoi'' on the first day of the Greater Dionysia (Speeches 21.10), which may indicate the ''kōmos'' might have been a competitive event. The ''kōmos'' must be distinguished from the pompe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type A Amphora
An amphora (; ; English ) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple small loops or lugs for fastening a rope harness, the amphora has two expa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beazley Archive
Sir John Davidson Beazley (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was professor of classical archaeology and art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He won the Gaisford Prize in Greek composition for "Herodotus at the Zoo", a parody of Herodotus in which the historian visits London Zoo. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford, Beazley became a close friend of the poet James Elroy Flecker. They were perhaps lovers, as A. L. Rowse suggested in an ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was professor of classical archaeology and art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He won the Gaisford Prize in Greek composition for "Herodotus at the Zoo", a parody of Herodotus in which the historian visits London Zoo. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford, Beazley became a close friend of the poet James Elroy Flecker. They were perhaps lovers, as A. L. Rowse suggested in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscans
The Etruscan civilization ( ) was an ancient civilization created by the Etruscans, a people who inhabited Etruria in List of ancient peoples of Italy, ancient Italy, with a common language and culture, and formed a federation of city-states. After adjacent lands had been conquered its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto and western Campania. A large body of literature has flourished on the origins of the Etruscans, but the consensus among modern scholars is that the Etruscans were an indigenous population. The earliest evidence of a culture that is identifiably Etruscan dates from about 900 BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
