Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of

crime In ordinary language, a crime is an unlawful act punishable by a state or other authority. The term ''crime'' does not, in modern criminal law, have any simple and universally accepted definition,Farmer, Lindsay: "Crime, definitions of", in Ca ...

and its detection. Stylistically, the genre may overlap and combine with many other genres, such as

drama Drama is the specific Mode (literature), mode of fiction Mimesis, represented in performance: a Play (theatre), play, opera, mime, ballet, etc., performed in a theatre, or on Radio drama, radio or television.Elam (1980, 98). Considered as a g ...

or gangster film, but also include

comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term ori ...

, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir. Screenwriter and scholar

Eric R. Williams Eric R. Williams is an American screenwriter, professor, Cinematic virtual reality (cine-VR), cinematic virtual reality director, and new media storyteller. He is known for developing alternative narrative and documentary techniques that take adv ...

identified crime film as one of eleven super-genres in his

Screenwriters Taxonomy Inspired by the biological classification system of the Linnaean taxonomy, screenwriter Eric R. Williams developed the Screenwriters Taxonomy in 2017 to create a common language of creative collaboration for filmmakers. Williams’ central thes ...

, claiming that all feature-length narrative films can be classified by these super-genres. The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. '' Chinatown'' would be an example of a film that is a drama (film type) crime film (super-genre) that is also a noir (pathway) mystery (macro-genre).

Source of plots

Crime films are often based on real events or are adaptations of plays or novels, or a remake or adoption of a previous film. Some plots are original and entirely fictional. For example, the 1957 film version of ''

Witness for the Prosecution In law, a witness is someone who has knowledge about a matter, whether they have sensed it or are testifying on another witnesses' behalf. In law a witness is someone who, either voluntarily or under compulsion, provides testimonial evidence, e ...

'' is an adaptation of a 1953 stage play of that name, which is in turn based on

Agatha Christie Dame Agatha Mary Clarissa Christie, Lady Mallowan, (; 15 September 1890 – 12 January 1976) was an English writer known for her 66 detective novels and 14 short story collections, particularly those revolving around fictiona ...

short story A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the oldest t ...

, originally published in 1933. The film version was remade in 1982, and there have been other adaptations. However, each of these media has its own advantages and limitations, which in the case of cinema is the time constraint.

Plays and films

Humphrey Bogart in The Petrified Forest film trailer

''Witness for the Prosecution'' is a classic example of a courtroom drama. In a courtroom drama, a charge is brought against one of the main characters, who claims to be innocent. Another major part is played by the lawyer (in England a barrister) representing the defendant in court and battling with the public prosecutor. They may enlist the services of a private investigator to find out what really happened and who the real perpetrator is. However, in most cases it is not clear at all whether the accused is guilty of the crime or not—this is how suspense is created. Often, the private investigator storms into the courtroom at the last minute in order to bring a new and crucial piece of information to the attention of the court. This type of literature lends itself to the literary genre of drama focused more on dialogue (the opening and closing statements, the witnesses' testimonies, etc.) and little or no necessity for a shift in scenery. The auditorium of the theatre becomes an extension of the courtroom. When a courtroom drama is filmed, the traditional device employed by screenwriters and directors is the frequent use of flashbacks, in which the crime and everything that led up to it is narrated and reconstructed from different angles. A classic courtroom drama is U.S. playwright Reginald Rose's '' Twelve Angry Men'' (1954), which is set in the jury deliberation room of a New York court. Eleven members of the jury, aiming at a unanimous verdict of " guilty", try to get it over with as quickly as possible. And they would really succeed in achieving their common aim if it were not for the eighth juror (played by Henry Fonda in the 1957 movie adaptation), who, on second thoughts, considers it his duty to convince his colleagues that the defendant may be innocent after all, and who, by doing so, triggers much discussion, confusion, and anger.

Subgenres

Crime action

Crime action films are those that favor violence. According to Jule Selbo, the crime and action genres are intertwined: "the films could not exist in their popular form without the other on equal footing—therefore they are working in ''tandem''". Examples include the '' Fast & Furious'' film series.

Crime comedy

Crime comedy films are a hybrid of the crime film and the comedy that play with the conventions of the crime film and may introduce aspects of dark humor. Generally, they feature dim-witted criminals or crime sprees that are bumblingly executed or are presented in a lighthearted manner. The genre had a resurgence in popularity in the independent film scene of the 1990s, which combined the clichés of the crime thriller with comic appropriations.

Crime drama

Crime dramas are films that focus on the moral dilemmas of criminals. They differ from crime thrillers as the films generally focus on a grimmer and more realistic portrayal of the criminal world over violence and gunplay sequences. Occasionally these films begin with the flashier elements of the crime thriller such as in '' The Godfather'', '' Goodfellas'', and ''

Once Upon a Time in America ''Once Upon a Time in America'' ( it, C'era una volta in America) is a 1984 epic crime film co-written and directed by Italian filmmaker Sergio Leone and starring Robert De Niro and James Woods. The film is an Italian–American venture prod ...

'' to develop into more contemplative narratives.'

Crime thriller

Crime thrillers focus on the exciting elements of both successful and unsuccessful crimes. Unlike police procedurals, they focus on a criminal or a group of criminals rather than law enforcement. These films tend to focus on conspiracies and psychopathology of criminals, and are often violent and nihilistic. Examples include '' The Killers'', '' The Peacock'','' Joseph'' and '' Nayattu''.

Dacoit film

Dacoit films are a genre of Indian cinema revolving around dacoity. The genre was pioneered by Mehboob Khan's '' Aurat'' (1940) and '' Mother India'' (1957). Other examples include '' Gunga Jumna'' (1961), '' Sholay'' (1975) and ''

Bandit Queen ''Bandit Queen'' is a 1994 Indian Hindi-language biographical action-adventure film based on the life of Phoolan Devi as covered in the book ''India's Bandit Queen: The True Story of Phoolan Devi'' by the Indian author Mala Sen. It was written, ...

'' (1994).

Gangster film

Gangster films are films that tell the story from the perspective of gangsters, who are portrayed as idealistic antiheroes. The gangster film is among the oldest genres of films, with examples dating as early as '' Underworld'', ''

Little Caesar Little Caesar may refer to: People * Ptolemy XV Philopator Philometor Caesar, nicknamed Caesarion ("Little Caesar"), last pharaoh of Egypt, son of Julius Caesar and Cleopatra * Little Caesar (singer) (1928-1994; birth name Harry Caesar) U.S. sing ...

'' and '' Scarface''. After World War II, these films became increasingly violent and menacing with films like ''

Underworld USA ''Underworld U.S.A.'' (also known as ''Underworld USA'') is a 1961 American neo-noir crime film produced, written, and directed by Samuel Fuller. It tells the story of a 14-year-old boy who goes to enormous lengths to get revenge against the mo ...

''. These films also were made outside the United States in Hong Kong, Japan and France.

Heist film

This film deals with a group of criminals attempting to perform a theft or robbery, as well as the possible consequences that follow. Heist films that are lighter in tone are called caper films. Examples include '' The Killing'', '' Ocean's 11'', '' Dog Day Afternoon'', '' Reservoir Dogs'', and '' The Town''.

Mumbai underworld

Mumbai underworld is an Indian cinema crime film genre. The genre frequently draws inspiration from real Mumbai underworld gangsters, such as Haji Mastan, Dawood Ibrahim and D-Company. The genre was pioneered by Salim–Javed's '' Zanjeer'' (1973) and '' Deewaar'' (1975), starring Amitabh Bachchan. Other examples include the '' Don'' franchise (19782012), '' Nayakan'' (1986), '' Salaam Bombay!'' (1988), '' Parinda'' (1989), '' Satya'' (1998), '' Company'' (2002), '' Black Friday'' (2004), '' Slumdog Millionaire'' (2008) and '' Once Upon a Time in Mumbaai'' (2010).

Police procedural

Police procedurals focus on the police who investigate the actions of criminals, with examples such as '' He Walked by Night'', '' In the Heat of the Night'', '' Madigan'', and '' The French Connection''.

Prison film

The prison film is a type of crime film that focuses on the difficult living conditions in prisons, as well as occasionally focusing on inmates adjusting to life outside of prison.