Bamboula, Op. 2 (Gottschalk)
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''Bamboula'', Op. 2, is a
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composition Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include ...
for
piano A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a c ...
written by American
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and def ...
Louis Moreau Gottschalk during a delirium of
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in the French town of Clermont-sur-l'Oise in the summer of 1848. Dedicated "à sa Majesté Isabelle II, Reine des Espagnes", it is the first of the so-called set of four "
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pieces" that Gottschalk composed between 1848 and 1851.


Musical analysis

According to the ''Dictionary of the English/Creole of Trinidad & Tobago'', the term "bamboula" refers to "a kind of vigorous African-based dance with singing and drumming", possibly from the Southern Kikongo ( Congo) language, in which it means "a word which transfers the force of external things into oneself"; and in the Jola languages "", "war dance" (Eastern Kikongo: "ignite"). An early 1950
Haitian Vodou Haitian Vodou () is an African diasporic religions, African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West Africa, West and ...
ritual recording by Harold Courlander, "Baboule Dance (three drums)", shows a traditional rhythmic drum pattern very similar to the specific rhythm found in Gottschalk's ''Bamboula''. This is evidence that the bamboula was an old dance based on a particular rhythm that Gottschalk heard in his youth; many
African Americans African Americans, also known as Black Americans and formerly also called Afro-Americans, are an American racial and ethnic group that consists of Americans who have total or partial ancestry from any of the Black racial groups of Africa ...
in
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had come from Haiti and reference the term "bamboula"; this rhythm can also be found in various
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islands. A 1954
biguine Biguine ( , ; ) is a rhythmic dance and music style that originated from Saint-Pierre, Martinique in the 19th century. It fuses West African traditional music genres, such as Bélé, with 19th-century French ballroom dance steps. History Two ...
-style recording, "Bamboula", made in April 1954 (with added lyrics in creole French) by Abel Beauregard Et l'Orchestre Créole Matou from Guadeloupe, is a cover version based on Gottschalk's ''Bamboula''. Being based on two Creole melodies ('' Musieu Bainjo'' and ''Quan' patate la cuite''), ''Bamboula'' was published with the subtitle ''Danse des nègres'' at the Bureau Central de la Musique on 22 April 1849 by Escudier (a Paris publisher); many unauthorized copies were issued in
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shortly thereafter. Its first concert performance occurred on the evening of 17 April 1849 at the
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during Gottschalk's second appearance as a professional pianist. The composition—written in the key of D-flat major, with a strongly rhythmically marked melody—is organized into three sections (AAB). The introduction begins with a concluding gesture in the bass range, mimicking a drum beat. The second is a transposition of the first theme, while the third is underlined by a heavily syncopated melody in the relative minor (B-flat minor). With a duple
time signature A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates th ...
and an ''Allegro'' tempo marking, the composition features many shifting moods and virtuosic passages.


References


External links

* * {{Portal bar, Classical music, Music Solo piano compositions by Louis Moreau Gottschalk 1845 compositions Piano compositions in the Romantic era Compositions in D-flat major