The
BWV
The (, ; BWV) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in ...
Anh. () is a list of lost, doubtful, and spurious compositions by, or once attributed to,
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, ïżœjoËhan zeËbastiÌŻan baÏ ( â 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
.
History
First edition of the ''Bach-Werke-Verzeichnis'' (1950)
In 1950 the ''Bach-Werke-Verzeichnis'' was published, allocating a unique number to every known composition by Bach.
Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata):
#
Kantaten (Cantatas), BWV 1â224
#
Motetten (Motets), BWV 225â231
#
Messen, MessensĂ€tze, Magnificat (Masses, Mass movements, Magnificat), BWV 232â243
#
Passionen, Oratorien (Passions, Oratorios), BWV 244â249
#
Vierstimmige ChorĂ€le (Four-part chorales), BWV 250â438
#
Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439â524
#
Werke fĂŒr Orgel (Works for organ), BWV 525â771
#
Werke fĂŒr Klavier (Keyboard compositions), BWV 772â994
#
Werke fĂŒr Laute (Lute compositions), BWV 995â1000
#
Kammermusik (Chamber music), BWV 1001â1040
#
Orchesterwerke (Works for orchestra), BWV 1041â1071, originally in two separate chapters: Concertos (BWV 1041â1065) and Overtures (BWV 1066â1071)
#
Kanons (Canons), BWV 1072â1078
#
Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079â1080
The of the BWV listed works that were not suitable for the main catalogue, in three sections:
*
I â lost works, or works of which only a tiny fraction had survived (BWV Anh. 1â23)
*
II â works of dubious authenticity (BWV Anh. 24â155)
*
III â works that were once attributed to Bach, but for which it had been established they were not composed by him (BWV Anh. 156â189)
Within each section of the the works are sorted by genre, following the same sequence of genres as the main catalogue.
Second edition of the ''Bach-Werke-Verzeichnis'' (1990 and 1998)
Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the . A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. Authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "" became "" indicating it was now considered a spurious work.
In 1998
Alfred DĂŒrr
Alfred DĂŒrr (3 March 1918 â 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach.
Professional career
DĂŒrr studied musicology and Clas ...
and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV
2a, contained a few further updates and collation rearrangements.
New additions (NachtrÀge) to BWV
2/BWV
2a included:
*
BWV 1081â1126
*
BWV Anh. 190â213
A few exceptions to the principle that compositions weren't renumbered were when a composition from the could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV
2) â BWV 1121 (BWV
2a, where it is in section 7 as a work for organ).
Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. For example, was renumbered to
BWV 149/1a (earlier abandoned version of the opening movement of Cantata
BWV 149)
Slashes indicate movements: e.g.
BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the
Agnus Dei
is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism. It is the name given to a spec ...
of the
Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232
IV/4 (BWV 232, fourth movement of Part IV).
''Bachs Notenbibliothek'' (1992)
published ''
Bachs Notenbibliothek'' (BNB) in 1992. As a compendium of works in Bach's musical library, it listed as well Bach's own compositions, as works by other composers of which Bach owned a copy. Several compositions of this latter group are listed in the BWV Anh. (mostly Anh. III). For example, the
KyrieâGloria Mass for double choir, BWV Anh. 167, is listed as BNB I/An/3 in BeiĂwenger's catalogue.
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...
Work
21st century
As of mid-2018 the
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...
website started to implement the new numbers of the next edition of the ''Bach-Werke-Verzeichnis''. The editors of this third edition of the ''Bach-Werke-Verzeichnis'' (BWVÂł: officially presented to the public on June 13, 2022, during the Leipzig Bachfest) recognised that the BWV Anh. had become largely unworkable, calling for a new approach.
List
Legend
Table
, - id="BWV Anhang" style="background: #D8D8D8;"
, data-sort-value="A000.001" , Anh. I
, data-sort-value="449.020" colspan="8" , Fragments â lost works
, data-sort-value="1307a" , Up â
, - id="BWV Anh. 1"
, data-sort-value="A001.000" , I 1
, data-sort-value="449.051" , I
, data-sort-value="1725-07-15" , 1725-07-15?
, Cantata ''Gesegnet ist die Zuversicht'' (Trinity VII)
,
, SATB 2Fl Str Bc
,
,
, data-sort-value="by Telemann (TWV 1:0617)" , by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 1:617)?; text by Neumeister?
,
, - id="BWV Anh. 2"
, data-sort-value="A002.000" , I 2
, data-sort-value="449.052" , I
, data-sort-value="1729-10-23" ,
----
, data-sort-value="Cantata (sketch: ''Gott, du Richter der Gedanken'' for Trinity XIX?)" ,
----
,
----
, data-sort-value="SATB Vl Str Bc" ,
----
,
----
, data-sort-value="III/01" ,
----
, see BWV 1137
,
, -
, data-sort-value="A003.000" , I 3
, data-sort-value="449.053" , I
, data-sort-value="1730-08-25" ,
----
, data-sort-value="Cantata Gott, gib dein Gerichte dem Könige (council election)" ,
----
,
----
,
----
,
----
, data-sort-value="I/32.2" ,
----
, see BWV 1140
,
, - id="BWV Anh. 4"
, data-sort-value="A004.000" , I 4
, data-sort-value="450.001" , I
, data-sort-value="1725-08-27" ,
----
, data-sort-value="Cantata WĂŒnschet Jerusalem GlĂŒck (council election)" ,
----
,
----
,
----
,
----
,
----
, see BWV 1139.1
,
, - id="BWV Anh. 4a"
, data-sort-value="A004.a00" , I 4a
, data-sort-value="450.002" , I
, data-sort-value="1730-06-27" ,
----
, data-sort-value="Cantata WĂŒnschet Jerusalem GlĂŒck (200th anniversary of the Augsburg Confession)" ,
----
,
----
,
----
,
----
,
----
, see BWV 1139.2
,
, -
, data-sort-value="A005.000" , I 5
, data-sort-value="450.003" , I
, data-sort-value="1718-12-10" ,
----
, data-sort-value="Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of Anhalt-Köthen)" ,
----
,
----
,
----
,
----
, data-sort-value="I/34" ,
----
, see BWV 1147
,
, - id="BWV Anh. 6"
, data-sort-value="A006.000" , I 6
, data-sort-value="450.004" , I
, data-sort-value="1720-01-01" ,
----
, data-sort-value="Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year)" ,
----
,
----
,
----
,
----
, data-sort-value="I/35" ,
----
, see BWV 1151
,
, - id="BWV Anh. 7"
, data-sort-value="A007.000" , I 7
, data-sort-value="450.005" , I
, data-sort-value="1720-12-10" ,
----
, data-sort-value="Secular cantata Heut ist gewià ein guter Tag (birthday of Leopold of Anhalt-Köthen)" ,
----
,
----
,
----
,
----
, data-sort-value="I/35" ,
----
, see BWV 1153
,
, - id="BWV Anh. 8"
, data-sort-value="A008.000" , I 8
, data-sort-value="451.001" , I
, data-sort-value="1723-01-01" ,
----
, data-sort-value="Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette)" ,
----
,
----
,
----
,
----
, data-sort-value="I/35" ,
----
, see BWV 1152
,
, -
, data-sort-value="A009.000" , I 9
, data-sort-value="451.002" , I
, data-sort-value="1727-05-12" ,
----
, data-sort-value="Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II)" ,
----
,
----
,
----
,
----
, data-sort-value="I/36" ,
----
, see BWV 1156
,
, - id="BWV Anh. 10"
, data-sort-value="A010.000" , I 10
, data-sort-value="451.003" , I
, data-sort-value="1731-08-25" ,
----
, data-sort-value="Secular cantata So kampfet nur, ihr muntern Tone (birthday of Joachim Friedrich von Flemming)" ,
----
,
----
,
----
,
----
, data-sort-value="I/39" ,
----
, see BWV 1160
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, ...
,
, -
, data-sort-value="A011.000" , I 11
, data-sort-value="451.004" , I
, data-sort-value="1732-08-03" ,
----
, data-sort-value="Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II)" ,
----
,
----
,
----
,
----
, data-sort-value="I/36" ,
----
, see BWV 1157
,
, - id="BWV Anh. 12"
, data-sort-value="A012.000" , I 12
, data-sort-value="451.005" , I
, data-sort-value="1733-08-03" ,
----
, data-sort-value="Secular cantata Frohes Volk, vergnĂŒgte Sachsen (name day of Augustus III)" ,
----
,
----
,
----
,
----
, data-sort-value="I/36" ,
----
, see BWV 1158
,
, - id="BWV Anh. 13"
, data-sort-value="A013.000" , I 13
, data-sort-value="452.001" , I
, data-sort-value="1738-04-28" ,
----
, data-sort-value="Secular cantata Willkommen! Ihr herrschenden Götter der Erden" ,
----
,
----
,
----
,
----
, data-sort-value="I/37" ,
----
, see BWV 1161
,
, - id="BWV Anh. 14"
, data-sort-value="A014.000" , I 14
, data-sort-value="452.002" , I
, data-sort-value="1725-02-12" ,
----
, data-sort-value="Cantata Sein Segen flieĂt daher wie ein Strom (wedding)" ,
----
,
----
,
----
,
----
,
----
, see BWV 1144
,
, - id="BWV Anh. 15"
, data-sort-value="A015.000" , I 15
, data-sort-value="452.003" , I
, data-sort-value="1724-04-27" ,
----
, data-sort-value="Cantata Siehe, der HĂŒter Israel (doctorate)" ,
----
,
----
, data-sort-value="SATB 3Tr Tmp 2Ob 3Vl Va Bc" ,
----
,
----
, data-sort-value="I/34" ,
----
, see BWV 1148
,
, - id="BWV Anh. 16"
, data-sort-value="A016.000" , I 16
, data-sort-value="452.004" , I
, 1735-11-09
, Cantata ''SchlieĂt die Gruft! ihr Trauerglocken'' (mourning of Hedwig of Merseburg)
,
,
,
,
, by Roemhildt; text by Hoffmann, B.
,
, - id="BWV Anh. 17"
, data-sort-value="A017.000" , I 17
, data-sort-value="453.001" , I
,
, Cantata ''Mein Gott, nimm die gerechte Seele'' (funeral)
,
, SATB 2Oba Str Bas Bc
,
, I/33
,
,
, -
, data-sort-value="A018.000" , I 18
, data-sort-value="453.002" , I
, data-sort-value="1732-06-05" ,
----
, data-sort-value="Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation)" ,
----
,
----
,
----
,
----
, data-sort-value="I/39" ,
----
, see BWV 1162
,
, - id="BWV Anh. 19"
, data-sort-value="A019.000" , I 19
, data-sort-value="453.003" , I
, 1734-11-21
, Secular cantata ''Thomana saĂ annoch betrĂŒbt'' (welcome to Johann August Ernesti as new rector of St. Thomas school)
,
,
,
, I/39
, text by ?
,
, - id="BWV Anh. 20"
, data-sort-value="A020.000" , I 20
, data-sort-value="453.004" , I
, data-sort-value="1723-08-09" ,
----
, data-sort-value="Ode in Latin (birthday of Frederick II of Saxe-Gotha)" ,
----
,
----
,
----
,
----
, data-sort-value="I/38" ,
----
, see BWV 1155
,
, - id="BWV Anh. 190" style="background: #F5F6CE;"
, data-sort-value="A190.000" , N 190
, data-sort-value="454.003" , I
, 1729-04-18
, Cantata ''Ich bin ein Pilgrim auf der Welt'' (Easter 2)
,
, b Bc ...
,
, I/33
, by Bach, C. P. E.?; text by Picander
Christian Friedrich Henrici (January 14, 1700 â May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many works by Johann Sebastian Bach, notably the St Matthew Passion of 1727.
Life and career
Henrici was ...
,
, - id="BWV Anh. 191"
, data-sort-value="A191.000" , N 191
, data-sort-value="454.004" , I
, 1715-05-19
, Cantata ''Leb ich oder leb ich nicht'' ( Cantate)
,
,
,
,
, text by Franck, S.
,
, -
, data-sort-value="A192.000" , N 192
, data-sort-value="454.005" , I
, data-sort-value="1709-02-04 ,
----
, data-sort-value="Cantata for Ratswahl in MĂŒhlhausen No. 2 ,
----
,
----
,
----
,
----
,
----
, see BWV 1138.1
,
, - id="BWV Anh. 193"
, data-sort-value="A193.000" , N 193
, data-sort-value="454.006" , I
, data-sort-value="1740-08-29" ,
----
, data-sort-value="Cantata ''Herrscher des Himmels, König der Ehren'' (council election)" ,
----
,
----
,
----
,
----
, data-sort-value="I/32.2" ,
----
, see BWV 1141
,
, - id="BWV Anh. 194"
, data-sort-value="A194.000" , N 194
, data-sort-value="455.001" , I
, data-sort-value="1722-07-29" ,
----
, data-sort-value="Cantata O vergnĂŒgte Stunden (birthday of John Augustus of Anhalt-Zerbst)" ,
----
,
----
,
----
,
----
,
----
, see BWV 1154
,
, - id="BWV Anh. 195"
, data-sort-value="A195.000" , N 195
, data-sort-value="455.002" , I
, 1723-06-09
, Secular cantata ''Murmelt nur, ihr heitern BĂ€che'' (celebration of )
,
,
,
,
, text in
,
, - id="BWV Anh. 196"
, data-sort-value="A196.000" , N 196
, data-sort-value="455.003" , I
, data-sort-value="1725-11-27" ,
----
, data-sort-value="Secular cantata Auf, sĂŒĂ entzĂŒckende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke)" ,
----
,
----
,
----
,
----
, data-sort-value="I/40" ,
----
, see BWV 1163
,
, - id="BWV Anh. 197"
, data-sort-value="A197.000" , N 197
, data-sort-value="455.004" , I
, data-sort-value="1721-07-01" ,
----
, data-sort-value="Cantata Ihr wallenden Wolken (New Year)" ,
----
,
----
, data-sort-value="b Flx2 Str Vc Hc Bc" ,
----
,
----
, data-sort-value="I/04" ,
----
, see BWV 1150
,
, -
, data-sort-value="A198.000" , N 198
, data-sort-value="455.005" , I
, data-sort-value="1729-09-28" ,
----
, data-sort-value="Cantata Man..." ,
----
,
----
, data-sort-value="SATB 3Tr Tmp 2Ob Str Bc" ,
----
,
----
, data-sort-value="I/40" ,
----
, see BWV 149/1a
,
, - id="BWV Anh. 199"
, data-sort-value="A199.000" , N 199
, data-sort-value="455.006" , I
, data-sort-value="1724-03-25" ,
----
, data-sort-value="Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation)" ,
----
,
----
,
----
,
----
,
----
, see BWV 1135
,
, - style="background: #E3F6CE;"
, data-sort-value="A200.000" , N 200
, data-sort-value="456.002" , I
, data-sort-value="1740-07-01" , 1740
, chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for '' OrgelbĂŒchlein'')
,
, Organ
,
, data-sort-value="IV/01: 046" , IV/1: 46
, after Z 1915; in SBB ''P 283''
,
, - id="BWV Anh. 209"
, data-sort-value="A209.000" , N 209
, data-sort-value="456.003" , I
, data-sort-value="1712-12-31" ,
----
, data-sort-value="Cantata Liebster Gott, vergiĂt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727: funeral in PomĂen)" ,
----
,
----
,
----
,
----
,
----
, see BWV 1136
,
, - id="BWV Anh. 210"
, data-sort-value="A210.000" , N 210
, data-sort-value="456.004" , I
, 1734-10-04
, (leave-taking of Johann Matthias Gesner
Johann Matthias Gesner (9 April 1691 â 3 August 1761) was a German classical scholar and schoolmaster.
Life
He was born at Roth an der Rednitz near Ansbach. His father, Johann Samuel Gesner, a pastor in Auhausen, died in 1704, leaving the fam ...
)
,
,
,
,
, text in ''2° Poet. Germ. I, 6425: 4 Rara''; /1 â BWV 193a/7, 193/3?
,
, - id="BWV Anh. 211"
, data-sort-value="A211.000" , N 211
, data-sort-value="456.005" , I
, data-sort-value="1729-01-18" ,
----
, data-sort-value="Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding)" ,
----
,
----
,
----
,
----
,
----
, see BWV 1145
,
, - id="BWV Anh. 212"
, data-sort-value="A212.000" , N 212
, data-sort-value="457.001" , I
, data-sort-value="1729-07-26" ,
----
, data-sort-value="Cantata VergnĂŒgende Flammen, verdoppelt die Macht (wedding)" ,
----
,
----
,
----
,
----
,
----
, see BWV 1146
,
, -
, data-sort-value="A213.000" , N 213
, data-sort-value="457.002" , I
,
, Concerto
, F maj.
, Org
,
,
, by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
; arr. by Bach
,
, -
, data-sort-value="0223.000" , 223
, data-sort-value="457.003" , I
, data-sort-value="1717-07-01" , 1717â1718?
, Cantata ''Meine Seele soll Gott loben''
, Bâ maj.
,
,
, I/34
, by Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 â 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti.
Born in Halle, Germany, H ...
?
,
, -
, data-sort-value="0224.000" , 224
, data-sort-value="457.004" , I
, data-sort-value="1732-07-01" , 1732
, Aria "ReiĂt euch los, bekrĂ€nkte Sinnen" (fragment)
,
, S
,
, I/41
, by Bach, C. P. E.?; in SBB ''P 491''
,
, - id="BWV Anhang II" style="background: #D8D8D8;"
, data-sort-value="A023.999" , Anh. II
, data-sort-value="459.000" colspan="8" , Works of doubtful authenticity
, data-sort-value="1331a" , Up â
, -
, data-sort-value="0053.000" , 53
, data-sort-value="459.001" , II
,
, Aria "Schlage doch, gewĂŒnschte Stunde" (Funeral)
, E maj.
, a Bel Str Bc
, data-sort-value="000.12 2: 053" , 122: 53
, I/41
, by Hoffmann, M.?
,
, -
, data-sort-value="0142.000" , 142
, data-sort-value="459.002" , II
,
, Cantata ''Uns ist ein Kind geboren'' (Christmas)
, A min.
, data-sort-value="atbSATB Flx2 Obx2 Str Bc" , atbSATB 2Fl 2Ob Str Bc
, data-sort-value="000.30: 019" , 30: 19
, I/41
, text by Neumeister (reworked)
,
, -
, data-sort-value="0189.000" , 189
, data-sort-value="459.003" , II
,
, Cantata ''Meine Seele rĂŒhmt und preist'' (German Magnificat, Visitation)
, Bâ maj.
, t Fl Ob Vl Bc
, data-sort-value="000.37: 213" , 37: 213
, I/41
, by Hoffmann, M.
,
, -
, data-sort-value="0217.000" , 217
, data-sort-value="459.004" , II
,
, Cantata ''Gedenke, Herr, wie es uns gehet'' (Epiphany I)
,
, satbSATB Fl Str Bc
, data-sort-value="000.41: 207" , 41: 207
, I/41
, by Altnickol?
,
, -
, data-sort-value="0220.000" , 220
, data-sort-value="459.005" , II
,
, Cantata ''Lobt ihn mit Herz und Munde'' (24 June: feast of John the Baptist)
,
, atbSATB Fl 2Ob Str Bc
, data-sort-value="000.41: 259" , 41: 259
, I/41
,
,
, -
, data-sort-value="0221.000" , 221
, data-sort-value="459.006" , II
,
, Cantata ''Wer sucht die Pracht, wer wĂŒnscht den Glanz''
,
, tb 2Vl Bas Vc Org
,
, I/41
, data-sort-value="in SBB P 0191" , in SBB ''P 191'': 83â113
,
, -
, data-sort-value="A159.000" , III 159
, data-sort-value="459.007" , II
, data-sort-value="1712-07-01" ,
----
,
----
,
----
, data-sort-value="SATBx2" ,
----
, data-sort-value="000.39: 157" ,
----
, data-sort-value="III/03" ,
----
, see BWV 1164
,
, - style="background: #E3F6CE;"
, data-sort-value="A025.000" , II 25
, data-sort-value="459.008" , II
, data-sort-value="1741-07-01" , 1740â1742
(JSB)
, KyrieâGloria Mass
; plural: Missae breves) usually refers to a Mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full Mass is left out, or because its execution time is relatively short.
Full mass wi ...
, C maj.
, SATB 2Tr 2Vl Org
, data-sort-value="000.11 1: XVI" , 111: XVI
, II/9
, by Bach, J. L.?
,
, - style="background: #E3F6CE;"
, data-sort-value="0239.000" , 239
, data-sort-value="460.002" , II
, data-sort-value="1739-12-31" , 1738â1741
(JSB)
, Sanctus
The ''Sanctus'' (, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' (, "Hymn of Victory") when referring to the Greek rendition and parts of it are sometimes called "Benedictus". ''Tersanctus'' (Latin: "Thr ...
, D min.
, SATB Str Bc
, data-sort-value="000.11 1: 089" , 111: 89
, data-sort-value="II/09" , II/9
, after Caldara, Missa Providentiae/4
,
, -
, data-sort-value="A028.000" , II 28
, data-sort-value="460.004" , II
,
, Sanctus
The ''Sanctus'' (, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' (, "Hymn of Victory") when referring to the Greek rendition and parts of it are sometimes called "Benedictus". ''Tersanctus'' (Latin: "Thr ...
, Bâ maj.
, SATB 2Ob 2Cor Str Bc
, data-sort-value="000.11 1: XVII" , 111: XVII
, II/9
,
,
, - style="background: #E3F6CE;"
, data-sort-value="A029.000" , II 29
, data-sort-value="460.005" , II
, data-sort-value="1716-01-01" , 1714â17
, KyrieâGloria Mass
; plural: Missae breves) usually refers to a Mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full Mass is left out, or because its execution time is relatively short.
Full mass wi ...
(only cello part extant)
, C min.
,
,
, II/9
, in BKrakĂłw ''St 547''
,
, - style="background: #E3F6CE;"
, data-sort-value="A167.000" , III 167
, data-sort-value="460.006" , II
, data-sort-value="1739-01-01" , 1738â1739 (JSB)
, KyrieâGloria Mass for two choirs
, G maj.
, data-sort-value="SATBx3 Obx3 Tai Vlx2 Vax2 Vnex2 Bc Org" , 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org
,
, II/9
, by Bernhard
Bernhard is both a given name and a surname. Notable people with the name include:
Given name
*Bernhard of Saxe-Weimar (1604â1639), Duke of Saxe-Weimar
*Bernhard, Prince of Saxe-Meiningen (1901â1984), head of the House of Saxe-Meiningen 1946 ...
, Krieger or Pohle?; in SBB ''P 659''
,
, - style="background: #E3F6CE;"
, data-sort-value="A030.000" , II 30
, data-sort-value="460.007" , II
, data-sort-value="1742-07-01" , 1690s (Tor.)
1742 (JSB)
, Magnificat for double choir
, C maj.
, data-sort-value="SATBx2 Trx3 Tmp 2Vl 2Vla Bc" , 2SATB 3Tr Tmp 2Vl 2Vla Bc
, data-sort-value="000.11 1: XV" , 111: XV
, II/9
, after Torri, Magnificat
The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This ...
; Tr3, Tmp by Bach
,
, - style="background: #E3F6CE;"
, data-sort-value="0246.000" , 246
, data-sort-value="460.008" , II
, 1732-04-11 (JSB)
, Passion '' St Luke Passion''
,
, data-sort-value="ssatbSATB Flx2 Obx2 Tai Bas Str Bc" , ssatbSATB 2Fl 2Ob Tai Bas Str Bc
, data-sort-value="000.45 2: 000" , 452
, data-sort-value="II/09: 065" , II/9: 65
, data-sort-value="â BWB 246/40a" , â BWV 246/40a; in SBB ''P 1017''
,
, - id="BWV Anh. 31"
, data-sort-value="A031.000" , II 31
, data-sort-value="460.009" , II
,
, chorale setting "Herr Gott, dich loben alle wir"
,
, SATB 2Tr 3Ob Str Bc
,
,
, data-sort-value="in SBB P 0101" , in SBB ''P 101''
,
, - id="BWV Anh. 201"
, data-sort-value="A201.000" , N 201
, data-sort-value="460.010" , II
,
, chorale setting "Du FriedefĂŒrst, Herr Jesu Christ"
,
, SATB
,
,
, by Vetter, D.
,
, - id="BWV Anh. 202"
, data-sort-value="A202.000" , N 202
, data-sort-value="460.011" , II
,
, chorale setting "Gott hat das Evangelium"
,
, SATB
,
,
, by Vetter, D.
,
, - id="BWV Anh. 203"
, data-sort-value="A203.000" , N 203
, data-sort-value="460.012" , II
,
, chorale setting "Ich hebe meine Augen auf"
,
, SATB
,
,
, by Vetter, D.
,
, - id="BWV Anh. 204"
, data-sort-value="A204.000" , N 204
, data-sort-value="460.013" , II
,
, chorale setting "O Traurigkeit, o Herzeleid"
,
, SATB
,
,
, by Vetter, D.
,
, -
, data-sort-value="A032.000" , II 32
, data-sort-value="460.014" , II
, data-sort-value="1704-07-01" , 1704
, data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 1" , No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen"
,
, Voice Bc
,
,
, in ''Deutsche Ăbersetzungen und Gedichte''
,
, -
, data-sort-value="A033.000" , II 33
, data-sort-value="460.015" , II
, data-sort-value="1704-07-01" , 1704
, data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 2" , No. 2 "Mein Jesus, spare nicht"
,
, Voice Bc
,
,
, in ''Deutsche Ăbersetzungen und Gedichte''
,
, -
, data-sort-value="A034.000" , II 34
, data-sort-value="460.016" , II
, data-sort-value="1704-07-01" , 1704
, data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 3" , No. 3 "Kann ich mit einem Tone"
,
, Voice Bc
,
,
, in ''Deutsche Ăbersetzungen und Gedichte''
,
, -
, data-sort-value="A035.000" , II 35
, data-sort-value="460.017" , II
, data-sort-value="1704-07-01" , 1704
, data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 4" , No. 4 "Meine Seele lass die FlĂŒgel"
,
, Voice Bc
,
,
, in ''Deutsche Ăbersetzungen und Gedichte''
,
, -
, data-sort-value="A036.000" , II 36
, data-sort-value="460.018" , II
, data-sort-value="1704-07-01" , 1704
, data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 5" , No. 5 "Ich stimm' itzund ein Straff-Lied an"
,
, Voice Bc
,
,
, in ''Deutsche Ăbersetzungen und Gedichte''
,
, -
, data-sort-value="A037.000" , II 37
, data-sort-value="460.019" , II
, data-sort-value="1704-07-01" , 1704
, data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 6" , No. 6 "Der schwarze FlĂŒgel trĂŒber Nacht"
,
, Voice Bc
,
,
, in ''Deutsche Ăbersetzungen und Gedichte''
,
, -
, data-sort-value="A038.000" , II 38
, data-sort-value="460.020" , II
, data-sort-value="1704-07-01" , 1704
, data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 7" , No. 7 "Das FinsterniĂ tritt ein"
,
, Voice Bc
,
,
, in ''Deutsche Ăbersetzungen und Gedichte''
,
, -
, data-sort-value="A039.000" , II 39
, data-sort-value="460.021" , II
, data-sort-value="1704-07-01" , 1704
, data-sort-value="Geistliche Oden, Sieben und ein Gedicht No. 8" , No. 8 "Ach was wollt ihr trĂŒben Sinnen"
,
, Voice Bc
,
,
, in ''Deutsche Ăbersetzungen und Gedichte''
,
, -
, data-sort-value="A040.000" , II 40
, data-sort-value="460.022" , II
, data-sort-value="1736-07-01" , 1736
,
,
, Voice Kb
,
,
, in
,
, -
, data-sort-value="A041.000" , II 41
, data-sort-value="460.023" , II
, data-sort-value="1732-07-01" , 1736
,
,
, Voice Kb
,
,
, in
,
, -
, data-sort-value="0571.000" , 571
, data-sort-value="461.001" , II
, data-sort-value="1704-07-01" ,
, Fantasia, a.k.a. Concerto
, G maj.
, Organ
, data-sort-value="000.38: 067" , 38: 67
, data-sort-value="IV/11: 035" , IV/11: 35
,
,
, -
, data-sort-value="0580.000" , 580
, data-sort-value="461.002" , II
,
, Fugue
, D maj.
, Organ
, data-sort-value="000.38: 213" , 38: 215
,
,
,
, -
, data-sort-value="A042.000" , II 42
, data-sort-value="461.003" , II
,
,
, F maj.
, Organ
,
,
, data-sort-value="in SBB P 0817" , in SBB ''P 817'': 1â3
,
, -
, data-sort-value="0576.000" , 576
, data-sort-value="461.004" , II
,
, Fugue
, G maj.
, Organ
, data-sort-value="000.38: 106" , 38: 106
, IV/11
,
,
, -
, data-sort-value="0577.000" , 577
, data-sort-value="461.005" , II
,
, Fugue
, G maj.
, Organ
, data-sort-value="000.38: 111" , 38: 111
, data-sort-value="IV/11: 044" , IV/11: 44
,
,
, -
, data-sort-value="0581.000" , 581
, data-sort-value="461.006" , II
,
,
, G maj.
, Organ
,
, IV/11
, by Homilius?
,
, -
, data-sort-value="0131.a00" , 131a
, data-sort-value="461.007" , II
,
, Fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford Universit ...
, G min.
, Organ
, data-sort-value="000.38: 217" , 38: 217
, data-sort-value="IV/11: 003" , IV/11: 3
, data-sort-value="after BWV 0131/5" , after BWV 131/5
,
, -
, data-sort-value="0534.000" , 534
, data-sort-value="461.008" , II
,
, Prelude and Fugue
, F min.
, Organ
, data-sort-value="000.15: 104" , 15: 104
, data-sort-value="IV/05: 130" , IV/5: 130
, by Bach, W. F.?
,
, - style="background: #E3F6CE;"
, data-sort-value="0536.A00" , 536a
, data-sort-value="461.012" , II
, data-sort-value="1774-12-31" , 1760â1789?
, Prelude and Fugue
, A maj.
, Organ
,
, data-sort-value="IV/06: 114" , IV/6: 114
, data-sort-value="after BWV 0536" , after BWV 536, 152/1; arr. by Scholz?
,
, - id="BWV 545b"
, data-sort-value="0545.b00" , 545b
, data-sort-value="461.013" , II
, data-sort-value="1712-12-31" , 1708â1717
, Prelude, Trio and Fugue
, Bâ maj.
, Organ
,
, data-sort-value="IV/11: 006" , IV/11: 6
, data-sort-value="after BWV 0545a" , after BWV 545a; â 545, 1029/3
,
, -
, data-sort-value="0553.000" , 553
, data-sort-value="461.014" , II
,
, data-sort-value="Short Prelude and Fuguex8 No. 1" , '' Eight Short Preludes and Fugues'' No. 1
, C maj.
, Organ
, data-sort-value="000.38: 023" , 38: 23
, IV/11
, by Krebs, J. T. or J. L.?
,
, -
, data-sort-value="0554.000" , 554
, data-sort-value="461.015" , II
,
, data-sort-value="Short Prelude and Fuguex8 No. 2" , '' Eight Short Preludes and Fugues'' No. 2
, D min.
, Organ
, data-sort-value="000.38: 027" , 38: 27
, IV/11
, by Krebs, J. T. or J. L.?
,
, -
, data-sort-value="0555.000" , 555
, data-sort-value="461.016" , II
,
, data-sort-value="Short Prelude and Fuguex8 No. 3" , '' Eight Short Preludes and Fugues'' No. 3
, E min.
, Organ
, data-sort-value="000.38: 030" , 38: 30
, IV/11
, by Krebs, J. T. or J. L.?
,
, -
, data-sort-value="0556.000" , 556
, data-sort-value="461.017" , II
,
, data-sort-value="Short Prelude and Fuguex8 No. 4" , '' Eight Short Preludes and Fugues'' No. 4
, F maj.
, Organ
, data-sort-value="000.38: 033" , 38: 33
, IV/11
, by Krebs, J. T. or J. L.?
,
, -
, data-sort-value="0557.000" , 557
, data-sort-value="461.018" , II
,
, data-sort-value="Short Prelude and Fuguex8 No. 5" , '' Eight Short Preludes and Fugues'' No. 5
, G maj.
, Organ
, data-sort-value="000.38: 036" , 38: 36
, IV/11
, by Krebs, J. T. or J. L.?
,
, -
, data-sort-value="0558.000" , 558
, data-sort-value="461.019" , II
,
, data-sort-value="Short Prelude and Fuguex8 No. 6" , '' Eight Short Preludes and Fugues'' No. 6
, G min.
, Organ
, data-sort-value="000.38: 039" , 38: 39
, IV/11
, by Krebs, J. T. or J. L.?
,
, -
, data-sort-value="0559.000" , 559
, data-sort-value="461.020" , II
,
, data-sort-value="Short Prelude and Fuguex8 No. 7" , '' Eight Short Preludes and Fugues'' No. 7
, A min.
, Organ
, data-sort-value="000.38: 042" , 38: 42
, IV/11
, by Krebs, J. T. or J. L.?
,
, -
, data-sort-value="0560.000" , 560
, data-sort-value="461.021" , II
,
, data-sort-value="Short Prelude and Fuguex8 No. 8" , '' Eight Short Preludes and Fugues'' No. 8
, Bâ maj.
, Organ
, data-sort-value="000.38: 045" , 38: 45
, IV/11
, by Krebs, J. T. or J. L.?
,
, -
, data-sort-value="0561.000" , 561
, data-sort-value="461.022" , II
,
, Fantasia and Fugue
, A min.
, Organ
, data-sort-value="000.38: 048" , 38: 48
,
,
,
, -
, data-sort-value="0568.000" , 568
, data-sort-value="461.023" , II
,
, Prelude
, G maj.
, Organ
, data-sort-value="000.38: 85" , 38: 85
, data-sort-value="IV/06: 051" , IV/6: 51
,
,
, -
, data-sort-value="0584.000" , 584
, data-sort-value="462.002" , II
,
,
, G min.
, Organ
,
, data-sort-value="I/12: 023" , I/12: 23
IV/11
, data-sort-value="after BWV 0166/2" , after BWV 166/2
,
, - id="BWV 1027/1a /2a /4a"
, data-sort-value="1027.a00" , 1027 /1a /2a /4a
, data-sort-value="462.003" , II
,
,
, G maj.
, Organ
,
, IV/11
, after BWV 1027/1â2 /4, 1039/1â2 /4; arr. by Kellner, J. P.?
,
, -
, data-sort-value="0591.000" , 591
, data-sort-value="462.004" , II
,
, ''Kleines harmonisches Labyrinth''
,
, Organ
, data-sort-value="000.38: 225" , 38: 225
, data-sort-value="IV/11: 050" , IV/11: 50
, by Heinichen?
,
, -
, data-sort-value="0597.000" , 597
, data-sort-value="462.005" , II
,
, Concerto for solo organ
, Eâ maj.
, Organ
,
, IV/11
, after lost model?
,
, -
, data-sort-value="0598.000" , 598
, data-sort-value="462.006" , II
,
, Pedal-Exercitium (fragment)
,
, Organ
, data-sort-value="000.38: 210" , 38: 210
,
, by Bach, C. P. E.?
,
, -
, data-sort-value="0676.a00" , 676a
, data-sort-value="462.007" , II
, data-sort-value="1763-07-01" , 1739â1789
, chorale setting "Allein Gott in der Höh sei Ehr" (later variant)
,
, Organ
, data-sort-value="000.40: 208" , 40: 208
, data-sort-value="IV/04: KB 048" , IV/4: KB 48
, data-sort-value="after BWV 0676" , after BWV 676
,
, -
, data-sort-value="0683.a00" , 683a
, data-sort-value="462.008" , II
, data-sort-value="1763-07-01" , 1739â1789
, chorale setting "Vater unser im Himmelreich" (later variant)
,
, Organ
,
, data-sort-value="IV/04: KB 051" , IV/4: KB 51
, data-sort-value="after BWV 0683" , after BWV 683
,
, -
, data-sort-value="A205.000" , N 205
, data-sort-value="462.009" , II
,
----
, data-sort-value="Fantasia" ,
----
, data-sort-value="C min." ,
----
, data-sort-value="Organ" ,
----
,
----
,
----
, see BWV 1121
,
, -
, data-sort-value="A048.000" , II 48
, data-sort-value="462.010" , II
,
, chorale setting "Allein Gott in der Höh sei Ehr"
,
, Organ
,
,
, by Walther
Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior".
The name was ...
(& Scholz?)
,
, -
, data-sort-value="A049.000" , II 49
, data-sort-value="462.011" , II
,
, chorale setting "Ein feste Burg ist unser Gott"
,
, Organ
,
,
, by Walther
Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior".
The name was ...
?
,
, -
, data-sort-value="A050.000" , II 50
, data-sort-value="462.012" , II
,
, chorale setting "Erhalt uns, Herr, hei deinem Wort"
,
, Organ
,
,
,
,
, -
, data-sort-value="A051.000" , II 51
, data-sort-value="462.013" , II
,
, chorale setting "Erstanden ist der heilge Christ"
,
, Organ
,
,
,
,
, -
, data-sort-value="A052.000" , II 52
, data-sort-value="462.014" , II
,
, chorale setting "Freu dich sehr, o meine Seele"
,
, Organ
,
,
,
,
, -
, data-sort-value="A053.000" , II 53
, data-sort-value="462.015" , II
,
, chorale setting "Freu dich sehr, o meine Seele"
,
, Organ
,
,
,
,
, -
, rowspan="2" data-sort-value="A054.000" , II 54
, rowspan="2" data-sort-value="462.016" , II
, rowspan="2" ,
, chorale setting "Helft mir Gotts GĂŒte preisen"
, rowspan="2" ,
, rowspan="2" , Organ
, rowspan="2" ,
, rowspan="2" ,
, rowspan="2" ,
, rowspan="2" ,
, -
, chorale setting "Von Gott will ich nicht lassen"
, - style="background: #F6E3CE;"
, data-sort-value="A055.000" , II 55
, data-sort-value="462.017" , II
, data-sort-value="1715-12-31" , 1714-1717
or earlier
,
,
, Organ
,
,
,
,
, -
, data-sort-value="A058.000" , II 58
, data-sort-value="462.020" , II
,
, chorale setting "Jesu, meine Freude"
,
, Organ
,
,
,
,
, -
, data-sort-value="A059.000" , II 59
, data-sort-value="462.021" , II
,
, chorale setting "Jesu, meine Freude"
,
, Organ
,
,
,
,
, -
, data-sort-value="A060.000" , II 60
, data-sort-value="462.022" , II
,
,
,
, Organ
,
,
, by Walther
Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior".
The name was ...
?
,
, -
, data-sort-value="A062.a00" , II 62a
, data-sort-value="462.023" , II
,
, chorale setting "Sei Lob und Ehr mit hohem Preis"
,
, Organ
,
,
,
,
, -
, data-sort-value="A062.b00" , II 62b
, data-sort-value="462.024" , II
,
, chorale setting "Sei Lob und Ehr mit hohem Preis"
,
, Organ
,
,
,
,
, -
, data-sort-value="A063.000" , II 63
, data-sort-value="462.025" , II
,
, chorale setting "Vom Himmel hoch"
,
, Organ
,
,
,
,
, -
, data-sort-value="A064.000" , II 64
, data-sort-value="462.026" , II
,
, chorale setting "Vom Himmel hoch"
,
, Organ
,
,
,
,
, - style="background: #F6E3CE;"
, data-sort-value="A065.000" , II 65
, data-sort-value="462.027" , II
,
, chorale setting "Vom Himmel hoch"
,
, Organ
,
,
,
,
, -
, data-sort-value="A066.000" , II 66
, data-sort-value="462.028" , II
,
, chorale setting "Wachet auf, ruft uns"
,
, Organ Tr
,
,
, by Krebs, J. L.?
,
, -
, data-sort-value="A067.000" , II 67
, data-sort-value="462.029" , II
,
, chorale setting "Was Gott tut, das ist wohlgetan"
,
, Organ
,
,
,
,
, -
, data-sort-value="A068.000" , II 68
, data-sort-value="462.030" , II
,
, chorale setting "Wer nur den lieben Gott lĂ€Ăt walten"
,
, Organ
,
,
,
,
, -
, data-sort-value="A069.000" , II 69
, data-sort-value="462.031" , II
,
, chorale setting "Wir glauben all an einen Gott"
,
, Organ
,
,
,
,
, -
, data-sort-value="A070.000" , II 70
, data-sort-value="462.032" , II
,
,
,
, Organ
,
,
,
,
, -
, data-sort-value="A071.000" , II 71
, data-sort-value="462.033" , II
,
----
, data-sort-value="chorale setting Wo Gott der Herr nicht bei uns hÀlt" ,
----
,
----
, data-sort-value="Organ" ,
----
,
----
,
----
, see BWV 1128
,
, -
, data-sort-value="A072.000" , II 72
, data-sort-value="462.034" , II
,
, chorale setting "Christus der uns selig macht" (Canon)
,
, Organ
,
,
,
,
, -
, data-sort-value="A074.000" , II 74
, data-sort-value="462.036" , II
,
,
,
, Organ
,
,
,
,
, -
, data-sort-value="A075.000" , II 75
, data-sort-value="462.037" , II
,
,
,
, Organ
,
,
,
,
, -
, data-sort-value="A076.000" , II 76
, data-sort-value="462.038" , II
,
,
,
, Organ
,
,
,
,
, - style="background: #F6E3CE;"
, data-sort-value="A077.000" , II 77
, data-sort-value="462.039" , II
,
,
,
, Organ
,
,
,
,
, -
, data-sort-value="A078.000" , II 78
, data-sort-value="463.001" , II
,
,
,
, Organ
,
,
,
,
, -
, data-sort-value="A079.000" , II 79
, data-sort-value="463.002" , II
,
, chorale setting "Befiehl du deine Wege"
,
, Organ
,
,
,
,
, -
, data-sort-value="0691.a00" , 691a
, data-sort-value="463.003" , II
, data-sort-value="1754-12-31" , 1720â1789
, chorale setting "Wer nur den lieben Gott lĂ€Ăt walten" (variant)
,
, Organ
, data-sort-value="000.40: 151" , 40: 151
,
, data-sort-value="after BWV 0691" , after BWV 691
,
, -
, data-sort-value="0705.000" , 705
, data-sort-value="463.004" , II
,
, chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16)
,
, Organ
, data-sort-value="000.40: 023" , 40: 23
, data-sort-value="IV/10: 047" , IV/10: 47
, after Z 7549
,
, -
, data-sort-value="0708.000" , 708
, data-sort-value="344.008" , II
, data-sort-value="1744-12-31" , 1700â1789
, chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19)
,
, Organ
, data-sort-value="000.40: 030" , 40: 30
, data-sort-value="IV/10: 086" , IV/10: 86
, after Z 1679
,
, -
, data-sort-value="0708.A00" , 708a
, data-sort-value="344.009" , II
, data-sort-value="1744-12-31" , 1700â1789
, chorale setting "Ich hab mein Sach Gott heimgestellt"
,
, Organ
, data-sort-value="000.40: 152" , 40: 152
, data-sort-value="IV/10: 086" , IV/10: 86
, after Z 1679
,
, -
, data-sort-value="0716.000" , 716
, data-sort-value="345.004" , II
,
, chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia)
,
, Organ
, data-sort-value="000.40: 045" , 40: 45
, data-sort-value="IV/10: 014" , IV/10: 14
, after Z 4457
,
, - style="background: #F6E3CE;"
, data-sort-value="0726.000" , 726
, data-sort-value="345.015" , II
, data-sort-value="1712-12-31" , bef. 1727
, chorale setting "Herr Jesu Christ, dich zu uns wend"
,
, Organ
, data-sort-value="000.40: 072" , 40: 72
, data-sort-value="IV/03: 045" , IV/3: 45
, data-sort-value="after Z 0624" , after Z 624
,
, -
, data-sort-value="0743.000" , 743
, data-sort-value="347.004" , II
, data-sort-value="1708-12-31" , bef. 1740
,
,
, Organ
,
, data-sort-value="IV/10: 011" , IV/10: 11
, after Z 1208b; by Buttstett, J. H.?
,
, -
, data-sort-value="0745.000" , 745
, data-sort-value="347.006" , II
, data-sort-value="1743-07-01" , 1700â1788
, chorale setting "Aus der Tiefe rufe ich"
,
, Organ
, data-sort-value="000.40: 171" , 40: 171
, data-sort-value="IV/10: 022" , IV/10: 22
, after Z 1217; by Bach, C. P. E.?
,
, -
, data-sort-value="0749.000" , 749
, data-sort-value="347.011" , II
, data-sort-value="1708-12-31" , 1700â1717
,
,
, Organ
,
, data-sort-value="IV/10: 080" , IV/10: 80
, data-sort-value="after Z 0624" , after Z 624; by Bach, J. Christoph or Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
?
,
, -
, data-sort-value="0750.000" , 750
, data-sort-value="347.012" , II
, data-sort-value="1701-12-31" , 1700â1703
,
,
, Organ
,
, data-sort-value="IV/10: 081" , IV/10: 81
,
,
, -
, data-sort-value="0752.000" , 752
, data-sort-value="347.014" , II
, data-sort-value="1708-12-31" , 1700â1717
,
,
, Organ
,
,
, after Z 6779a
,
, -
, data-sort-value="0754.000" , 754
, data-sort-value="347.016" , II
, data-sort-value="1708-12-31" , bef. 1740
,
,
, Organ
,
,
, after Z 3498b
,
, -
, data-sort-value="0755.000" , 755
, data-sort-value="347.017" , II
,
,
,
, Organ
,
,
, after Z 4429a
,
, -
, data-sort-value="0756.000" , 756
, data-sort-value="347.018" , II
,
,
,
, Organ
,
,
, after Z 2293b
,
, -
, data-sort-value="0757.000" , 757
, data-sort-value="347.019" , II
,
,
,
, Organ
,
,
, after Z 5690
,
, -
, data-sort-value="0758.000" , 758
, data-sort-value="347.020" , II
,
, chorale setting "O Vater, allmÀchtiger Gott"
,
, Organ
, data-sort-value="000.40: 179" , 40: 179
, data-sort-value="IV/11: 069" , IV/11: 69
, after Z 8603b
,
, - style="background: #F6E3CE;"
, data-sort-value="0762.000" , 762
, data-sort-value="348.002" , II
, data-sort-value="1708-12-31" , bef. 1717
,
,
, Organ
,
, IV/10: 142
, after Z 2561
,
, -
, data-sort-value="0763.000" , 763
, data-sort-value="348.003" , II
,
,
,
, Organ
,
,
, after Z 8359
,
, - style="background: #F6E3CE;"
, data-sort-value="0765.000" , 765
, data-sort-value="348.005" , II
, data-sort-value="1705-07-01" , bef. 1717
, chorale setting "Wir glauben all an einen Gott"
,
, Organ
, data-sort-value="000.40: 187" , 40: 187
,
, after Z 7971
,
, - style="background: #F6E3CE;"
, rowspan= "2" data-sort-value="A206.000" , N 206
, rowspan= "2" data-sort-value="463.004" , II
, rowspan= "2" ,
,
, rowspan= "2" ,
, rowspan= "2" , Organ
, rowspan= "2" ,
, rowspan= "2" ,
, rowspan= "2" , by Pachelbel ( P 376)
, rowspan= "2" ,
, - style="background: #F6E3CE;"
,
, -
, data-sort-value="A080.000" , II 80
, data-sort-value="463.005" , II
, data-sort-value="1707-12-31" , 1707â1708
or earlier
,
, F maj.
, Keyboard
,
, V/12
,
,
, -
, data-sort-value="0821.000" , 821
, data-sort-value="463.006" , II
,
, Suite
, Bâ maj.
, Keyboard
, data-sort-value="000.42: 213" , 42: 213
, data-sort-value="V/12: 003" , V/12: 3
,
,
, -
, data-sort-value="0834.000" , 834
, data-sort-value="463.007" , II
,
, Allemande
, C min.
, Keyboard
, data-sort-value="000.42: 259" , 42: 259
, V/12
,
,
, -
, data-sort-value="0839.000" , 839
, data-sort-value="463.008" , II
, data-sort-value="1735-03-07" , 1735-03-07
or earlier
,
, G min.
, Keyboard
,
, V/12
, in ''Notenbuch der Zeumerin''
,
, -
, data-sort-value="0844.000" , 844
, data-sort-value="463.009" , II
,
, '' Toccatina'' No. 4 Scherzo
, D min.
, Keyboard
, data-sort-value="000.42: 220" , 42: 220
, data-sort-value="V/12: 016" , V/12: 16
, by Bach, W. F.? â BWV 844a
,
, -
, data-sort-value="0844.a00" , 844a
, data-sort-value="463.010" , II
,
, Scherzo
, E min.
, Keyboard
, data-sort-value="000.42: 281" , 42: 281
, data-sort-value="V/12: 022" , V/12: 22
, by Bach, W. F.? ( BR A55); â BWV 844
,
, -
, data-sort-value="0845.000" , 845
, data-sort-value="463.011" , II
,
, Gigue
, F min.
, Keyboard
, data-sort-value="000.42: 263" , 42: 263
, V/12
,
,
, -
, data-sort-value="A081.000" , II 81
, data-sort-value="463.012" , II
,
, (incomplete)
, D min.
, Keyboard
,
, V/12
, by Kellner, J. P.?
,
, -
, data-sort-value="A082.000" , II 82
, data-sort-value="463.013" , II
,
,
, Bâ maj.
, Keyboard
,
, V/12
, by Bach, J. B.?
,
, -
, data-sort-value="A083.000" , II 83
, data-sort-value="463.014" , II
,
,
, A maj.
, Keyboard
,
, V/12
, by Bach, J. B. or H.?
,
, -
, data-sort-value="A084.000" , II 84
, data-sort-value="463.015" , II
,
,
, G maj.
, Keyboard
,
, V/12
, by Bach, J. B.?
,
, -
, data-sort-value="A085.000" , II 85
, data-sort-value="463.016" , II
,
,
, F min.
, Keyboard
, data-sort-value="000.42: XXXV" , 42: XXXV
, V/12: 114, 122
, by Dobenecker?
,
, -
, data-sort-value="0898.000" , 898
, data-sort-value="463.017" , II
,
, on B-A-C-H
, Bâ maj.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
,
,
, -
, data-sort-value="A086.000" , II 86
, data-sort-value="463.018" , II
,
, Fantasia
, C min.
, Keyboard
, data-sort-value="000.42: 243" , 42: 243
, V/12
, by Gronau?
,
, -
, data-sort-value="A087.000" , II 87
, data-sort-value="464.001" , II
,
,
, C maj.
, Keyboard
,
, V/12
, by Benda?
,
, -
, data-sort-value="0905.000" , 905
, data-sort-value="464.002" , II
,
, Fantasia and Fugue
, D min.
, Keyboard
, data-sort-value="000.42: 179" , 42: 179
, data-sort-value="V/12: 024" , V/12: 24
,
,
, -
, data-sort-value="0907.000" , 907
, data-sort-value="464.003" , II
,
, Fantasia and Fughetta
, Bâ maj.
, Keyboard
, data-sort-value="000.42: 268" , 42: 268
, data-sort-value="V/12: 028" , V/12: 28
, by ?
,
, -
, data-sort-value="0908.000" , 908
, data-sort-value="464.004" , II
,
, Fantasia and Fughetta
, D maj.
, Keyboard
, data-sort-value="000.42: 272" , 42: 272
, data-sort-value="V/12: 034" , V/12: 34
, by ?
,
, -
, data-sort-value="0909.000" , 909
, data-sort-value="464.005" , II
,
, Concerto e Fuga
, C min.
, Keyboard
, data-sort-value="000.42: 190" , 42: 190
, data-sort-value="V/12: 038" , V/12: 38
,
,
, -
, data-sort-value="0919.000" , 919
, data-sort-value="464.006" , II
,
, Fantasia
, C min.
, Keyboard
, data-sort-value="000.36: 152" , 36: 152
, data-sort-value="V/12: 048" , V/12: 48
, by Bach, J. B. or J. B. the Younger?
,
, -
, data-sort-value="0920.000" , 920
, data-sort-value="464.007" , II
,
, Fantasia
, G min.
, Keyboard
, data-sort-value="000.42: 183" , 42: 183
, V/12
,
,
, -
, data-sort-value="0923.a00" , 923a
, data-sort-value="464.008" , II
,
, '' Toccatina'' No. 3 Prelude
, A min.
, Keyboard
, data-sort-value="000.42: 279" , 42: 279
, data-sort-value="V/12: 014" , V/12: 14
, data-sort-value="after BWV 0923" , after BWV 923
,
, -
, data-sort-value="A089.000" , II 89
, data-sort-value="464.010" , II
,
,
, C maj.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
,
,
, -
, data-sort-value="A090.000" , II 90
, data-sort-value="464.011" , II
,
, Fugue
, C maj.
, Kb (with ped?)
, data-sort-value="000.38: 213" , 38: 213
, data-sort-value="IV/11: 058" , IV/11: 58, 61
, by Bach, C. P. E. ( H 388) or Pachelbel?
,
, -
, data-sort-value="A091.000" , II 91
, data-sort-value="464.012" , II
,
,
, G maj.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
,
,
, -
, data-sort-value="A092.000" , II 92
, data-sort-value="464.013" , II
,
,
, G maj.
, Keyboard
,
, V/12
,
,
, -
, data-sort-value="A093.000" , II 93
, data-sort-value="464.014" , II
,
,
, E min.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
,
,
, -
, data-sort-value="A095.000" , II 95
, data-sort-value="464.016" , II
,
,
, E min.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
,
,
, -
, data-sort-value="A096.000" , II 96
, data-sort-value="464.017" , II
,
,
, D maj.
, Keyboard
,
, V/12
, by Bach, C. P. E.? ( H 373.5)
,
, -
, data-sort-value="A098.000" , II 98
, data-sort-value="464.018" , II
,
,
, D min.
, Keyboard
,
, V/12
, by Bach, C. P. E.? ( H 373.5)
,
, -
, data-sort-value="A099.000" , II 99
, data-sort-value="464.019" , II
,
,
, D min.
, Keyboard
,
, V/12
,
,
, -
, data-sort-value="A100.000" , II 100
, data-sort-value="464.020" , II
,
,
, D min.
, Keyboard
,
, V/12
, by Bach, C. P. E.? ( H 373.5)
,
, -
, data-sort-value="A101.000" , II 101
, data-sort-value="464.021" , II
,
,
, G min.
, Keyboard
, data-sort-value="000.42: XXXV" , 42: XXXV
, data-sort-value="V/12: 130" , V/12: 130
, by Dobenecker?
,
, -
, data-sort-value="A102.000" , II 102
, data-sort-value="464.022" , II
,
,
, Eâ min.
, Keyboard
,
, V/12
,
,
, -
, data-sort-value="0897.002" , 897/2
, data-sort-value="464.023" , II
,
, Fugue
, A min.
, Keyboard
, data-sort-value="000.42: 175" , 42: 175
, V/12
, by Dretzel or Bach, W. F.?
,
, -
, data-sort-value="0945.000" , 945
, data-sort-value="464.024" , II
,
, Fugue
, E min.
, Keyboard
, data-sort-value="000.36: 155" , 36: 155
, V/12
, by Graupner?
,
, -
, data-sort-value="0956.000" , 956
, data-sort-value="464.025" , II
,
, Fugue
, E min.
, Keyboard
, data-sort-value="000.42: 200" , 42: 200
, data-sort-value="V/12: 070" , V/12: 70
,
,
, -
, data-sort-value="0958.000" , 958
, data-sort-value="465.001" , II
,
, Fugue
, A min.
, Keyboard
, data-sort-value="000.42: 205" , 42: 205
, data-sort-value="V/12: 074" , V/12: 74
,
,
, -
, data-sort-value="0960.000" , 960
, data-sort-value="465.002" , II
,
, Fugue (incomplete)
, E min.
, Keyboard
, data-sort-value="000.42: 276" , 42: 276
, V/12
,
,
, -
, data-sort-value="A207.000" , N 207
, data-sort-value="465.003" , II
,
, Fugue
, E min.
, Keyboard
,
, IV/11
, by Seger?
,
, -
, data-sort-value="A109.000" , II 109
, data-sort-value="465.011" , II
,
, on B-A-C-H
, G min.
, Keyboard
,
, V/12
,
,
, - style="background: #F5F6CE;"
, data-sort-value="0964.000" , 964
, data-sort-value="465.012" , II
,
, Sonata
, D min.
, Keyboard
, data-sort-value="000.42: 003" , 42: 3
, data-sort-value="V/12: 078" , V/12: 78
, after BWV 1003
,
, -
, data-sort-value="A111.000" , II 111
, data-sort-value="465.013" , II
,
,
, G maj.
, Keyboard
, data-sort-value="000.42: XXXV" , 42: XXXV
, V/12
,
,
, - style="background: #F5F6CE;"
, data-sort-value="0968.000" , 968
, data-sort-value="465.014" , II
,
, Adagio
, G maj.
, Keyboard
, data-sort-value="000.42: 027" , 42: 27
, data-sort-value="V/12: 094" , V/12: 94
, after BWV 1005/1
,
, -
, data-sort-value="0969.000" , 969
, data-sort-value="465.015" , II
,
, '' Toccatina'' No. 5 Andante
, G min.
, Keyboard
, data-sort-value="000.42: 218" , 42: 218
, data-sort-value="V/12: 018" , V/12: 18
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A113.000" , II 113
, data-sort-value="465.016" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 03" , ''Notebook A. M. Bach'' (1725) No. 3 Minuet
, F maj.
, Keyboard
, data-sort-value="000.43 2: 025" , 432: 25
, data-sort-value="V/04: 082" , V/4: 82
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A116.000" , II 116
, data-sort-value="465.017" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 07" , ''Notebook A. M. Bach'' (1725) No. 7 Minuet
, G maj.
, Keyboard
, data-sort-value="000.43 2: 028" , 432: 28
, data-sort-value="V/04: 087" , V/4: 87
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A117.000" , II 117
, data-sort-value="465.018" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 08" , ''Notebook A. M. Bach'' (1725) No. 8a and 8b two Polonaises
, F maj.
, Keyboard
, data-sort-value="000.43 2: 028" , 432: 28
, data-sort-value="V/04: 088" , V/4: 88
,
, data-sort-value="01427" ,
, - style="background: #F5F6CE;"
, data-sort-value="A118.000" , II 118
, data-sort-value="465.019" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 09" , ''Notebook A. M. Bach'' (1725) No. 9 Minuet
, Bâ maj.
, Keyboard
, data-sort-value="000.43 2: 029" , 432: 29
, data-sort-value="V/04: 089" , V/4: 89
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A119.000" , II 119
, data-sort-value="465.020" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 10 Polonaise
, G min.
, Keyboard
, data-sort-value="000.43 2: 030" , 432: 30
, data-sort-value="V/04: 090" , V/4: 90
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A120.000" , II 120
, data-sort-value="465.021" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 14 Minuet
, A min.
, Keyboard
, data-sort-value="000.43 2: 031" , 432: 31
, data-sort-value="V/04: 092" , V/4: 92
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A121.000" , II 121
, data-sort-value="465.022" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 15 Minuet
, C min.
, Keyboard
, data-sort-value="000.43 2: 032" , 432: 32
, data-sort-value="V/04: 092" , V/4: 92
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A126.000" , II 126
, data-sort-value="465.023" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 22 Musette
, D maj.
, Keyboard
, data-sort-value="000.43 2: 035" , 432: 35
, data-sort-value="V/04: 099" , V/4: 99
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A127.000" , II 127
, data-sort-value="465.024" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 23 March
, Eâ maj.
, Keyboard
, data-sort-value="000.43 2: 035" , 432: 35
, data-sort-value="V/04: 100" , V/4: 100
, by Bach, C. P. E.
,
, - style="background: #F5F6CE;"
, data-sort-value="A128.000" , II 128
, data-sort-value="465.025" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 24 (Polonaise)
, D min.
, Keyboard
, data-sort-value="000.43 2: 036" , 432: 36
, data-sort-value="V/04: 101" , V/4: 101
,
,
, - style="background: #F5F6CE;"
, data-sort-value="A132.000" , II 132
, data-sort-value="465.026" , II
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 36 Minuet
, D min.
, Keyboard
, data-sort-value="000.43 2: 048" , 432: 48
, data-sort-value="V/04: 125" , V/4: 125
,
,
, -
, data-sort-value="A151.000" , II 151
, data-sort-value="465.027" , II
,
, Concerto
, C maj.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
,
,
, -
, data-sort-value="A152.000" , II 152
, data-sort-value="465.028" , II
,
, Concerto
, G maj.
, Vl Hc
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, VI/5
,
,
, -
, data-sort-value="0990.000" , 990
, data-sort-value="465.029" , II
,
, Sarabanda con Partitis
, C maj.
, Keyboard
, data-sort-value="000.42: 221" , 42: 221
, data-sort-value="V/12: 097" , V/12: 97
,
,
, -
, data-sort-value="A153.000" , II 153
, data-sort-value="465.030" , II
,
, Sonata
, A maj.
, Vl Bc
,
, VI/5
,
,
, -
, data-sort-value="A154.000" , II 154
, data-sort-value="466.001" , II
,
, Sonata
, Eâ maj.
, Vl Hc
,
, VI/5
,
,
, -
, data-sort-value="1020.000" , 1020
, data-sort-value="466.002" , II
,
, Sonata
, G min.
, Vl Hc
, data-sort-value="000.09: 274" , 9: 274
, VI/5
, by Bach, C. P. E.? ( H 542.5)
,
, -
, data-sort-value="1022.000" , 1022
, data-sort-value="466.003" , II
,
,
, F maj.
, Vl Hc
,
, data-sort-value="VI/5: 027" , VI/5: 27
, by Bach, C. P. E.?; after BWV 1021; â BWV 1038
,
, -
, data-sort-value="1024.000" , 1024
, data-sort-value="466.004" , II
,
,
, C min.
, Vl Bc
,
, VI/5
,
,
, -
, data-sort-value="1031.000" , 1031
, data-sort-value="466.005" , II
,
, Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until th ...
, Eâ maj.
, Fl Hc
, data-sort-value="000.09: 022" , 9: 22
, data-sort-value="VI/5: 013" , VI/5: 13
, by Bach, C. P. E.? ( H 545)
,
, -
, data-sort-value="1033.000" , 1033
, data-sort-value="466.006" , II
,
, Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until th ...
, C maj.
, Fl Bc
, data-sort-value="000.43 1: 003" , 431: 3
, data-sort-value="VI/5: 003" , VI/5: 3
, by Bach, C. P. E.? ( H 564.5)
,
, - style="background: #E3F6CE;"
, data-sort-value="1038.000" , 1038
, data-sort-value="466.007" , II
, data-sort-value="1734-01-01" , 1732â1735
, Sonata
, G maj.
, Fl Vl Bc
, data-sort-value="000.09: 219" , 9: 219
, data-sort-value="VI/5: 045" , VI/5: 45
, by Bach, C. P. E.? ( H 590.5); after BWV 1021; â BWV 1022
,
, - id="BWV 525a"
, data-sort-value="0525.a00" , 525a
, data-sort-value="466.008" , II
,
, Concerto (Trio sonata)
, C maj.
, Vl Vc Bc
,
, VI/5
, data-sort-value="after BWV 0525, 1032" , after BWV 525
The organ sonatas, Bach-Werke-Verzeichnis, BWV 525â530 by Johann Sebastian Bach are a collection of six sonatas in Trio sonata, trio sonata form. Each of the sonatas has three movement (music), movements, with three independent parts in the two ...
/1, 1032/2, 525/3
,
, -
, data-sort-value="A155.000" , II 155
, data-sort-value="466.009" , II
,
, Concerto
, A maj.
, Kb Str Bc
,
, VI/5
,
,
, -
, data-sort-value="A022.000" , I 22
, data-sort-value="466.010" , II
,
,
, Bâ maj.
, Ob Vl Str Bc
,
, VI/5
, by Förster ( C.?)?
,
, -
, data-sort-value="1070.000" , 1070
, data-sort-value="466.011" , II
,
, data-sort-value="Orchestral Suite No. 5" , Orchestral Suite (No. 5)
, G min.
, Str Bc
, data-sort-value="000.45 1: 190" , 451: 190
, VI/5
, by Bach, W. F.?
,
, - id="BWV Anhang III" style="background: #D8D8D8;"
, data-sort-value="A155.999" , Anh. III
, data-sort-value="467.000" colspan="8" , Works of other composers, spuriously attributed to Bach
, data-sort-value="1466a" , Up â
, -
, data-sort-value="A156.000" , III 156
, data-sort-value="467.001" , III
,
, Cantata ''Herr Christ, der einge Gottes Sohn'' (Annunciation)
,
, SATB Str Bc
,
,
, data-sort-value="by Telemann (TWV 1:0732)" , by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 1:732)
,
, -
, data-sort-value="A157.000" , III 157
, data-sort-value="467.002" , III
,
, Cantata ''Ich habe Lust zu scheiden'' (Purification)
,
, data-sort-value="s Flx2 Str Bc" , s 2Fl Str Bc
,
,
, data-sort-value="by Telemann (TWV 1:0836)" , by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 1:836)
,
, - style="background: #E3F6CE;"
, data-sort-value="0015.000" , 15
, data-sort-value="467.003" , III
, 1726-04-21
(JSB)
, Cantata ''Denn du wirst meine Seele nicht in der Hölle lassen'' (Easter)
,
, data-sort-value="satbSATB Trx3 Tmp Str Bc" , satbSATB 3Tr Tmp Str Bc
, data-sort-value="000.02: 135" , 2: 135
, I/41
, by Bach, J. L. (JLB 21); text in
,
, -
, data-sort-value="0141.000" , 141
, data-sort-value="467.004" , III
,
, Cantata ''Das ist je gewiĂlich wahr'' (3rd Sunday of Advent)
,
, data-sort-value="atbSATB Obx2 Str Bc" , atbSATB 2Ob Str Bc
, data-sort-value="000.30: 003" , 30: 3
, I/41
, data-sort-value="by Telemann (TWV 1:0183)" , by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 1:183)
,
, -
, data-sort-value="0145.b00" , 145/b
, data-sort-value="467.005" , III
,
, Cantata movement ''So du mit deinem Munde bekennest Jesum'' (Easter)
, D maj.
, data-sort-value="SATB Tr Str Bc" , SATB Tr Str Bc
, data-sort-value="000.30: 096" , 30: 96
, I/10: 142
, data-sort-value="by Telemann (TWV 1:1350/1)" , by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 1:1350/1)
,
, -
, data-sort-value="0160.000" , 160
, data-sort-value="467.006" , III
, data-sort-value="1728-12-31" , 1725â1732?
, Cantata ''Ich weiĂ, daĂ mein Erlöser lebt'' (Easter)
, C maj.
, t Vl Bas Bc
, data-sort-value="000.32: 171" , 32: 171
, I/41
, data-sort-value="by Telemann (TWV 1:0877)" , by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 1:877)
,
, -
, data-sort-value="0218.000" , 218
, data-sort-value="467.007" , III
,
, Cantata ''Gott der Hoffnung erfĂŒlle euch'' (Pentecost)
,
, data-sort-value="satbSATB Hnx2 Str Bc" , satbSATB 2Hn Str Bc
, data-sort-value="000.41: 223" , 41: 223
,
, data-sort-value="by Telemann (TWV 1:0634)" , by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 1:634)
,
, -
, data-sort-value="0219.000" , 219
, data-sort-value="467.008" , III
,
, Cantata ''Siehe, es hat ĂŒberwunden der Löwe'' (Michaelmas)
,
, sabSATB Str Bc
, data-sort-value="000.41: 239" , 41: 239
,
, data-sort-value="by Telemann (TWV 1:1328)" , by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 1:1328)
,
, -
, data-sort-value="0222.000" , 222
, data-sort-value="467.009" , III
,
, Cantata ''Mein Odem ist schwach'' (Purification)
,
, sabSATB Str Bc
,
,
, by Bach, J. Ernst; â BWV Anh. 165
,
, -
, data-sort-value="A158.000" , III 158
, data-sort-value="467.010" , III
,
, Aria "AndrĂČ dall'colle al Prato"
,
, data-sort-value="s Flx2 (Hnx2) Str Bc" , s 2Fl (2Hn) Str Bc
,
,
, by Bach, J. C.
,
, -
, data-sort-value="A160.000" , III 160
, data-sort-value="467.012" , III
, data-sort-value="1752-12-31" , 1750â1755? ( Harrer?)
, Motet ''Jauchzet dem Herrn alle Welt'', TWV 8:10
, C maj.
, data-sort-value="SATBx2" , 2SATB
,
, data-sort-value="III/03: 015" , III/3: 15
, after Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
(/1; /3 after TWV 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100
Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. In English, it is translated as "Make a joyful noise unto the Lord, all ye lands" in the King James Version (KJV), and as "O be joyful in the Lord, all ye lands" in the Book of C ...
,
, -
, data-sort-value="A161.000" , III 161
, data-sort-value="467.013" , III
,
, Motet ''KĂŒndlich groĂ ist das gottselige Geheimnis''/1 (Christmas)
, D maj.
, SATB Str? Bc
,
, data-sort-value="III/03" , III/3
, by Graun ( C. H.?), precedes laudes A and B of BWV 243a
,
, -
, data-sort-value="A162.000" , III 162
, data-sort-value="467.014" , III
,
, Motet ''Lob und Ehre und Weisheit und Dank''
,
, data-sort-value="SATBx2" , 2SATB
,
, data-sort-value="III/03" , III/3
, by Wagner, G. G.
,
, -
, data-sort-value="A163.000" , III 163
, data-sort-value="467.015" , III
,
, Motet ''Merk auf, mein Herz, und sieh dorthin''
,
, data-sort-value="SATBx2" , 2SATB
,
, data-sort-value="III/03" , III/3
, by Bach, J. B. or J. Ernst
,
, -
, data-sort-value="A164.000" , III 164
, data-sort-value="467.016" , III
,
,
,
, SSATB
,
, data-sort-value="III/03: 052" , III/3: 52
, by Altnickol
,
, -
, data-sort-value="A165.000" , III 165
, data-sort-value="467.017" , III
,
, Motet ''Unser Wandel ist im Himmel''
,
, SATB
,
, data-sort-value="III/03" , III/3
, by Bach, J. Ernst; after BWV 222/3 /4 /6
,
, - style="background: #E3F6CE;"
, data-sort-value="A166.000" , III 166
, data-sort-value="467.018" , III
, data-sort-value="1729-07-01" ,
1729 (JSB)
, KyrieâGloria Mass ''Missa sopra cantilena'' "Allein Gott in der Höh' sei Ehr"
, E min.
, SSATB 2Vl 2Vla Vc Bc
, data-sort-value="000.11 1: XV" , 111: XV
41: 276
, II/9
, by Bach, J. L. (JLB 38), start of Gloria arr. by Bach
,
, - style="background: #E3F6CE;"
, data-sort-value="A024.000" , II 24
, data-sort-value="467.020" , III
, data-sort-value="1724-01-01" , 1715â1717, 1724 (JSB)
, KyrieâGloria Mass
; plural: Missae breves) usually refers to a Mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full Mass is left out, or because its execution time is relatively short.
Full mass wi ...
, A min.
, SATB Str Bc
, data-sort-value="000.11 1: XV" , 111: XV
, II/9
, after ''Missa Sancti Lamberti'' by Pez, J. C.
,
, - id="BWV Anh. 26" style="background: #E3F6CE;"
, data-sort-value="A026.000" , II 26
, data-sort-value="467.021" , III
, data-sort-value="1729-12-31" , 1727â1732 (JSB)
,
, C min.
, data-sort-value="satbSATB Tbnx3 Vlx2 Bc" , satbSATB 3Tbn 2Vl Bc
, data-sort-value="000.41: 193" , 41: 193
111: XVI
, data-sort-value="II/02: 295" , II/2: 295
, by Durante Durante is both an Italian masculine given name and a surname. Notable people with the name include:
Given name
* Durante Alberti (1538â1613), Italian painter
*Durante degli Alighieri (1265â1321), known as Dante Alighieri, Italian poet
* Durant ...
(alternative Christe: BWV 242)
,
, - style="background: #F6E3CE;"
, data-sort-value="A027.000" , II 27
, data-sort-value="467.022" , III
, data-sort-value="1745-07-01" , ? (JLK)
, Sanctus
, F maj.
, data-sort-value="SATB Hnx2 Obx2 Str Bc" , SATB 2Hn 2Ob Str Bc
, data-sort-value="000.11 1: XVII" , 111: XVII
, II/9
, by Krebs, J. L. ( KrebsâWV 104)
,
, - id="BWV Anh. 168" style="background: #F5F6CE;"
, data-sort-value="A168.000" , III 168
, data-sort-value="467.023" , III
, data-sort-value="1747-07-01" , ? (WFB)
, Kyrie and German Gloria
, G min.
, sSATB Str Bc
, data-sort-value="000.11 1: XVII" , 111: XVII
, II/9
, by Bach, W. F. ( BR E1 F 100)
,
, -
, data-sort-value="A021.000" , I 21
, data-sort-value="467.024" , III
, data-sort-value="1707-07-01" , (MH)
, Magnificat ''Meine Seel erhebt den Herren''
, A min.
, data-sort-value="s Fl Vlx2 Bc" , s Fl 2Vl Bc
, data-sort-value="000.11 1: XVIII" , 111: XVIII
, II/9
, by Hoffmann, M.
,
, -
, data-sort-value="A169.000" , III 169
, data-sort-value="468.001" , III
, data-sort-value="1724-01-01" , 1724â1725
, Passion '' Erbauliche Gedanken auf den GrĂŒnen Donnerstag und Charfreitag ĂŒber den Leidenden Jesum''
,
,
,
,
, text by Picander
Christian Friedrich Henrici (January 14, 1700 â May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many works by Johann Sebastian Bach, notably the St Matthew Passion of 1727.
Life and career
Henrici was ...
partly used in BWV 244 but no other known setting
,
, - id="BWV 8/6" style="background: #E3F6CE;"
, data-sort-value="0008.106" rowspan="3" , 8/6
, data-sort-value="468.002" rowspan="3" , III
, data-sort-value="1724-09-24" rowspan="3" , 1713 (Vet.)
1724-09-24
(JSB)
, rowspan="3" , chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5)
, rowspan="2" , E maj.
, rowspan="3" , SATB
, data-sort-value="000.01: 241" rowspan="2" , 1: 241
, data-sort-value="I/23: 161" , I/23: 161
, rowspan="3" , by Vetter, D. ( Z 6634); text by Neumann
Neumann () is a German language, German surname, with its origins in the pre-7th-century (Old English) word ''wikt:neowe, neowe'' meaning "new", with ''wikt:mann, mann'', meaning man. The English form of the name is Newman. Von Neumann is a varian ...
So how many Bach fourâpart chorales are there?
at Luke Dahn's (2018)
,
, - style="background: #E3F6CE;"
, data-sort-value="III/02 1: 088" , III/2.1: 63
III/2.2: 25
,
, - style="background: #E3F6CE;"
, D maj.
,
, data-sort-value="I/23: 219" , I/23: 219
,
, - id="BWV Anh. 170" style="background: #E3F6CE;"
, data-sort-value="0027.006" , 27/6
, data-sort-value="468.003" rowspan="2" , III
, data-sort-value="1726-10-06" rowspan="2" , 1652 (Ros.)
1726-10-06
(JSB)
, rowspan="2" , chorale setting "Welt, ade, ich bin dein mĂŒde" (s. 1)
, rowspan="2" , Bâ maj.
, rowspan="2" , SSATB
, data-sort-value="000.05 1: 244" rowspan="2" , 51: 244
, data-sort-value="I/23: 251" , I/23: 251
, rowspan="2" , by RosenmĂŒller ( Z 6531); text by Albinus
,
, - style="background: #E3F6CE;"
, data-sort-value="A170.000" , III 170
, data-sort-value="III/02 2: 086" , III/2.2: 86
,
, - style="background: #E3F6CE;"
, data-sort-value="0043.011" rowspan="2" , 43/11
, data-sort-value="468.004" rowspan="2" , III
, data-sort-value="1726-05-30" rowspan="2" , 1652 (Pet.)
1726-05-30 (JSB)
, (ss. 1, 13)
, rowspan="2" , G maj.
, rowspan="2" , SATB
, data-sort-value="000.10: 126" rowspan="2" , 10: 126
, data-sort-value="I/12: 164" , I/12: 164
, rowspan="2" , by after Z 5741b; text by Rist
, rowspan="2" ,
, - style="background: #E3F6CE;"
, chorale setting "Ermuntre dich, mein schwacher Geist"
, data-sort-value="III/02 1: 107" , III/2.1: 74
III/2.2: 57
, - style="background: #F6E3CE;"
, data-sort-value="0567.000" , 567
, data-sort-value="468.005" , III
,
, Prelude
, C maj.
, Organ
, data-sort-value="000.38: 084" , 38: 84
, IV/11
, by Krebs, J. L. ( KrebsâWV 401)
,
, -
, data-sort-value="A178.000" , III 178
, data-sort-value="468.006" , III
, data-sort-value="1685-01-01" , last third of 17th century
, Toccata quasi Fantasia con Fuge
, A maj.
, Organ
, data-sort-value="000.42: 250" , 42: 250
, V/12
, by Reincken?
,
, -
, data-sort-value="A043.000" , II 43
, data-sort-value="468.007" , III
, data-sort-value="1788-07-01" ,
,
, B min.
, Organ
,
, IV/11
, by ; after H 776/18
,
, -
, data-sort-value="A044.000" , II 44
, data-sort-value="468.008" , III
,
,
, G maj.
, Organ
,
, IV/11
, by Kellner, J. P. or J. C.
,
, -
, data-sort-value="A045.000" , II 45
, data-sort-value="468.009" , III
, data-sort-value="1799-07-01" ,
, on B-A-C-H
, Bâ maj.
, Organ
,
, IV/11
, by Knecht
Knecht, in German and Dutch, means a male servant, especially a farmhand. Etymologically, it is the cognate of English "knight
A knight is a person granted an honorary title of a knighthood by a head of state (including the pope) or represe ...
,
, -
, data-sort-value="A088.000" , II 88
, data-sort-value="468.010" , III
, data-sort-value="1765-07-01" , 1765
,
, C maj.
, Keyboard
,
, V/12
, by Kellner, J. C.
,
, -
, data-sort-value="A097.000" , II 97
, data-sort-value="468.011" , III
,
,
, F⯠maj.
, Keyboard
, data-sort-value="000.42: XXXV" , 42: XXXV
, data-sort-value="IV/11: 63" , IV/11: 63
, by Krebs, J. L. ( KrebsâWV 409/2)
,
, -
, data-sort-value="A103.000" , II 103
, data-sort-value="468.012" , III
, data-sort-value="1714-12-31" , (GFH)
,
, A min.
, Keyboard
,
, V/12
, by Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 â 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti.
Born in Halle, Germany, H ...
()
,
, -
, data-sort-value="A104.000" , II 104
, data-sort-value="468.013" , III
, data-sort-value="1714-12-31" , (GFH)
,
, C min.
, Keyboard
,
, V/12
, by Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 â 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti.
Born in Halle, Germany, H ...
()
,
, -
, data-sort-value="A105.000" , II 105
, data-sort-value="468.014" , III
, data-sort-value="1714-12-31" , (GFH)
,
, Bâ maj.
, Keyboard
,
, V/12
, by Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 â 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti.
Born in Halle, Germany, H ...
()
,
, -
, data-sort-value="A106.000" , II 106
, data-sort-value="468.015" , III
, data-sort-value="1714-12-31" , (GFH)
,
, G min.
, Keyboard
,
, V/12
, by Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 â 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti.
Born in Halle, Germany, H ...
()
,
, -
, data-sort-value="A208.000" , N 208
, data-sort-value="468.016" , III
, data-sort-value="1747-07-01" , 1747 (JEE)
, Fugue
, Eâ min.
, Keyboard
,
, IV/11
, After by Eberlin
,
, -
, data-sort-value="A046.000" , II 46
, data-sort-value="468.017" , III
,
,
, C min.
, Organ
,
, IV/11
, by Krebs, J. T.
,
, -
, data-sort-value="0692.000" , 692
, data-sort-value="468.018" , III
,
, chorale setting "Ach Gott und Herr" ( Kirnb. coll. No. 3)
, C maj.
, Organ
, data-sort-value="000.40: 004" , 40: 4
, IV/11
, by Walther
Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior".
The name was ...
; after BWV 692a
,
, - style="background: #F6E3CE;"
, data-sort-value="0692.a00" , 692a
, data-sort-value="468.019" , III
,
, chorale setting "Ach Gott und Herr" (early version)
, C maj.
, Organ
, data-sort-value="000.40: 152" , 40: 152
, IV/11
, by Walther
Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior".
The name was ...
; â BWV 692
,
, -
, data-sort-value="0693.000" , 693
, data-sort-value="468.020" , III
,
, chorale setting "Ach Gott und Herr" ( Kirnb. coll. No. 4)
, C maj.
, Organ
, data-sort-value="000.40: 005" , 40: 5
, IV/11
, by Walther
Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior".
The name was ...
,
, -
, data-sort-value="0723.000" , 723
, data-sort-value="345.012" , III
,
, chorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection)
,
, Organ
, data-sort-value="000.40: 063" , 40: 63
,
, after Z 1947; by Bach, J. Michael
,
, -
, data-sort-value="0740.000" , 740
, data-sort-value="347.001" , III
,
, chorale setting "Wir glauben all an einen Gott"
,
, Organ
, data-sort-value="000.40: 103" , 40: 103
,
, after Z 4000; by Krebs, J. L. ( KrebsâWV 554c)
,
, - style="background: #F6E3CE;"
, data-sort-value="0744.000" , 744
, data-sort-value="347.005" , III
,
, chorale setting "Auf meinen lieben Gott"
,
, Organ
, data-sort-value="000.40: 170" , 40: 170
, data-sort-value="IV/10: 020" , IV/10: 20
, after Z 2164; by Krebs, J. L. ( KrebsâWV 517)
,
, -
, data-sort-value="0746.000" , 746
, data-sort-value="468.021" , III
, data-sort-value="1715-07-01" , 1715 or earlier (JCFF)
, chorale setting "Christ ist erstanden"
, D min.
, Organ
, data-sort-value="000.40: 173" , 40: 173
, IV/10
, by Fischer
Fischer is a German occupational surname, meaning fisherman. The name Fischer is the fourth most common German surname. The English version is Fisher.
People with the surname A
* Abraham Fischer (1850â1913) South African public official
* ...
( No. 24)
,
, -
, data-sort-value="0748.000" , 748
, data-sort-value="468.022" , III
, data-sort-value="1719-12-31" , 1700â1739
, chorale setting "Gott der Vater wohn uns bei"
, D maj.
, Organ
, data-sort-value="000.40: 177" , 40: 177
, IV/10
, by Walther
Walther () is a masculine given name and a surname. It is a German form of Walter, which is derived from the Old High German '' Walthari'', containing the elements ''wald'' -"power", "brightness" or "forest" and ''hari'' -"warrior".
The name was ...
; â BWV 748a
,
, -
, data-sort-value="0748.A00" , 748a
, data-sort-value="468.023" , III
, data-sort-value="1744-12-31" , 1700â1789
, chorale setting "Gott der Vater wohn uns bei" (variant)
, D maj.
, Organ
,
, IV/10
, by Scholz (arr.)?; after BWV 748
,
, -
, data-sort-value="0751.000" , 751
, data-sort-value="468.024" , III
,
, (also in Neumeister Collection)
,
, Organ
,
, IV/10
, by Bach, J. Michael
,
, -
, data-sort-value="0759.000" , 759
, data-sort-value="468.025" , III
,
, chorale setting "SchmĂŒcke dich, o liebe Seele"
, F maj.
, Organ
, data-sort-value="000.40: 181" , 40: 181
, IV/10
, by Homilius ()
,
, - style="background: #E3F6CE;"
, data-sort-value="0760.000" , 760
, data-sort-value="468.026" , III
,
, chorale setting "Vater unser im Himmelreich"
,
, Organ
, data-sort-value="000.40: 183" , 40: 183
, IV/10
, by Böhm
,
, - style="background: #E3F6CE;"
, data-sort-value="0761.000" , 761
, data-sort-value="468.027" , III
,
, chorale setting "Vater unser im Himmelreich"
,
, Organ
, data-sort-value="000.40: 184" , 40: 184
, IV/10
, by Böhm
,
, - id="BWV 1096"
, rowspan="2" , 1096
, rowspan="2" data-sort-value="468.028" , III
, rowspan="2" ,
, (3 versions; '' Neumeister Chorales'' No. 8)
, rowspan="2" , A min.
, rowspan="2" , Organ
, rowspan="2" ,
, rowspan="2" data-sort-value="IV/09: 016" , IV/9: 16, 76
, rowspan="2" , by Pachelbel?
, rowspan="2" ,
, -
, (3 versions; '' Neumeister Chorales'' No. 8)
, -
, data-sort-value="0771.000" , 771
, data-sort-value="468.029" , III
,
, chorale setting "Allein Gott in der Höh sei Ehr"
, G maj.
, Organ
, data-sort-value="000.40: 195" , 40: 195
, IV/11
, by Vetter, A. N.
,
, -
, rowspan="2" data-sort-value="A047.000" , II 47
, rowspan="2" data-sort-value="468.030" , III
, rowspan="2" ,
,
, rowspan="2" , A min.
, rowspan="2" , Organ
, rowspan="2" ,
, rowspan="2" , IV/10
, rowspan="2" , by Kellner, J. P.
, rowspan="2" ,
, -
,
, -
, data-sort-value="A056.000" , II 56
, data-sort-value="468.031" , III
, data-sort-value="1735-07-01" , 1735 (Telem.)
,
,
, Organ
,
, IV/10
, by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 31:8)
,
, - style="background: #F6E3CE;"
, data-sort-value="A057.000" , II 57
, data-sort-value="468.032" , III
,
,
,
, Organ
,
, IV/10
, by Vogler
,
, -
, data-sort-value="A061.000" , II 61
, data-sort-value="468.033" , III
,
,
, F maj.
, Organ
,
, IV/10
, by Pachelbel ( P 396)
,
, -
, data-sort-value="A073.000" , II 73
, data-sort-value="468.034" , III
, data-sort-value="1753-07-01" , 1720â1788
,
, F min.
, Organ
,
, IV/10
, by Bach, C. P. E.; after BWV 639
,
, -
, data-sort-value="A171.000" , III 171
, data-sort-value="468.035" , III
,
,
,
, Organ
, data-sort-value="000.40: 174" , 40: 174
, IV/10
, by Pachelbel ( P 58)
,
, -
, data-sort-value="A172.000" , III 172
, data-sort-value="468.036" , III
,
,
, G maj.
, Organ
,
, IV/10
, by Krebs, J. L. ( KrebsâWV 524)
,
, - style="background: #F5F6CE;"
, data-sort-value="0824.000" , 824
, data-sort-value="468.037" , III
, data-sort-value="1720-07-01" , 1720 (WFB)
, data-sort-value="KlavierbĂŒchlein fĂŒr Wilhelm Friedemann Bach No. 47" , KlavierbĂŒchlein WFB No. 47: Suite
, A maj.
, Keyboard
, data-sort-value="000.36: 231" , 36: 231
, data-sort-value="V/05: 078" , V/5: 78
, by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 32:14)
,
, -
, data-sort-value="0835.000" , 835
, data-sort-value="468.038" , III
, data-sort-value="1761-07-01" , 1761 (Kirnb.)
, Allemande
, A min.
, Keyboard
, data-sort-value="000.42: 267" , 42: 267
, V/12
, by Kirnberger (EngK 74)
,
, -
, data-sort-value="0838.000" , 838
, data-sort-value="468.039" , III
,
, Allemande and Courante
, A maj.
, Keyboard
, data-sort-value="000.42: 265" , 42: 265
, V/12
, by Graupner ( GWV 849/2 /3)
,
, -
, data-sort-value="0840.000" , 840
, data-sort-value="469.001" , III
,
,
, G maj.
, Keyboard
,
, V/12
, by Telemann
Georg Philipp Telemann (; â 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to be ...
( TWV 32:13/2)
,
, -
, data-sort-value="0897.001" , 897/1
, data-sort-value="469.002" , III
, data-sort-value="1739-12-31" , (CHD)
, Prelude
, A min.
, Keyboard
, data-sort-value="000.42: 173" , 42: 173
, V/12
, by Dretzel ("Adagiosissimo")
,
, -
, data-sort-value="0962.000" , 962
, data-sort-value="469.003" , III
, data-sort-value="1783-07-01" , (JGA)
, Fugue
, E min.
, Keyboard
, data-sort-value="000.42: 198" , 42: 198
, V/12
, by Albrechtsberger (Op. 1/8)
,
, -
, data-sort-value="0970.000" , 970
, data-sort-value="469.004" , III
,
, '' Toccatina'' No. 6 Presto
, D min.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
, by Bach, W. F. ( BR A49 F 25/2)
,
, -
, data-sort-value="A094.000" , II 94
, data-sort-value="469.005" , III
, data-sort-value="1774-07-01" , 1774 (Kirnb.)
,
, E min.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
, by Kirnberger (EngK 35)
,
, -
, data-sort-value="A107.000" , II 107
, data-sort-value="469.006" , III
,
, on B-A-C-H
, C maj.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
, by Sorge?
,
, -
, data-sort-value="A108.000" , II 108
, data-sort-value="469.007" , III
,
, on B-A-C-H
, C maj.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
, by Bach, C. P. E. ( H 373) or Sorge?
,
, -
, data-sort-value="A110.000" , II 110
, data-sort-value="469.008" , III
,
, on B-A-C-H
, C min.
, Keyboard
, data-sort-value="000.42: XXXIV" , 42: XXXIV
, V/12
, by Sorge?
,
, -
, data-sort-value="A112.000" , II 112
, data-sort-value="469.009" , III
, data-sort-value="1780-07-01" , 1780 (Kirnb.)
,
, E min.
, Keyboard
,
, V/12
, by Kirnberger (EngK 16)
,
, - style="background: #F5F6CE;"
, data-sort-value="A114.000" , II 114
, data-sort-value="469.010" , III
, data-sort-value="1725-07-01" ,
, data-sort-value="Notebook A. M. Bach (1725) No. 04 Minuet" , ''Notebook A. M. Bach'' (1725) No. 4 Minuet
, G maj.
, Keyboard
, data-sort-value="000.43 2: 026" , 432: 26
, data-sort-value="V/04: 083" , V/4: 83
, by Petzold
,
, - style="background: #F5F6CE;"
, data-sort-value="A115.000" , II 115
, data-sort-value="469.011" , III
, data-sort-value="1725-07-01" , 1725 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 05 Minuet" , ''Notebook A. M. Bach'' (1725) No. 5 Minuet
, G min.
, Keyboard
, data-sort-value="000.43 2: 026" , 432: 26
, data-sort-value="V/04: 084" , V/4: 84
, by Petzold
,
, - style="background: #F5F6CE;"
, data-sort-value="A122.000" , II 122
, data-sort-value="469.012" , III
, data-sort-value="1725-07-01" ,
, ''Notebook A. M. Bach'' (1725) No. 16 March
, D maj.
, Keyboard
, data-sort-value="000.43 2: 032" , 432: 32
, data-sort-value="V/04: 094" , V/4: 94
, data-sort-value="by Bach, C. P. E. (H 001.1)" , by Bach, C. P. E. ( H 1/1)
,
, - style="background: #F5F6CE;"
, data-sort-value="A123.000" , II 123
, data-sort-value="469.013" , III
, data-sort-value="1725-07-01" , 1725 (CPE)
, ''Notebook A. M. Bach'' (1725) No. 17 Polonaise
, G min.
, Keyboard
, data-sort-value="000.43 2: 032" , 432: 32
, data-sort-value="V/04: 095" , V/4: 95
, data-sort-value="by Bach, C. P. E. (H 001.2)" , by Bach, C. P. E. ( H 1/2)
,
, - style="background: #F5F6CE;"
, data-sort-value="A124.000" , II 124
, data-sort-value="469.014" , III
, data-sort-value="1725-07-01" , 1725 (CPE)
, ''Notebook A. M. Bach'' (1725) No. 18 March
, G maj.
, Keyboard
, data-sort-value="000.43 2: 033" , 432: 33
, data-sort-value="V/04: 096" , V/4: 96
, data-sort-value="by Bach, C. P. E. (H 001.3)" , by Bach, C. P. E. ( H 1/3)
,
, - style="background: #F5F6CE;"
, data-sort-value="A125.000" , II 125
, data-sort-value="469.015" , III
, data-sort-value="1725-07-01" , 1725 (CPE)
, ''Notebook A. M. Bach'' (1725) No. 19 Polonaise
, G min.
, Keyboard
, data-sort-value="000.43 2: 033" , 432: 33
, data-sort-value="V/04: 097" , V/4: 97
, data-sort-value="by Bach, C. P. E. (H 001.4)" , by Bach, C. P. E. ( H 1/4)
,
, - style="background: #F5F6CE;"
, data-sort-value="A129.000" , II 129
, data-sort-value="469.016" , III
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 27 Solo per il cembalo
, E maj.
, Keyboard
, data-sort-value="000.43 2: 038" , 432: 38
, data-sort-value="V/04: 104" , V/4: 104
, data-sort-value="by Bach, C. P. E. (H 016.0" , by Bach, C. P. E. ( H 16)
,
, - style="background: #F5F6CE;"
, data-sort-value="A130.000" , II 130
, data-sort-value="469.017" , III
, data-sort-value="1725-07-01" , 1725 (AMB)
, ''Notebook A. M. Bach'' (1725) No. 28 Polonaise
, G maj.
, Keyboard
, data-sort-value="000.43 2: 039" , 432: 39
, data-sort-value="V/04: 106" , V/4: 106
, by Hasse
,
, - style="background: #F5F6CE;"
, data-sort-value="A131.000" , II 131
, data-sort-value="469.018" , III
, data-sort-value="1745-07-01" , 1745?
, ''Notebook A. M. Bach'' (1725) No. 32
, F maj.
, Keyboard
, data-sort-value="000.43 2: 046" , 432: 46
, data-sort-value="V/04: 121" , V/4: 121
, by Bach, J. C. ( W A22)
,
, -
, data-sort-value="A133.000" , II 133
, data-sort-value="469.019" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 01" , No. 1 Fantasia
, G maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A63 F 207)
,
, -
, data-sort-value="A134.000" , II 134
, data-sort-value="469.020" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 02" , No. 2 Scherzo
, G maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A64 F 207)
,
, -
, data-sort-value="A135.000" , II 135
, data-sort-value="469.021" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 03" , No. 3 Bourlesca
, A min.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A65 F 207)
,
, -
, data-sort-value="A136.000" , II 136
, data-sort-value="469.022" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 04" , No. 4 Trio
, A min.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A66 F 207)
,
, -
, data-sort-value="A137.000" , II 137
, data-sort-value="469.023" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 05" , No. 5 L'Intrada della Caccia
, Eâ maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A67 F 207)
,
, -
, data-sort-value="A138.000" , II 138
, data-sort-value="469.024" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 06" , No. 6 Continuazione della Caccia
, Eâ maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A68 F 207)
,
, -
, data-sort-value="A139.000" , II 139
, data-sort-value="469.025" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 07" , No. 7 Il Fine delle Caccia I
, D maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A69 F 207)
,
, -
, data-sort-value="A140.000" , II 140
, data-sort-value="469.026" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 08" , No. 8 Il Fine delle Caccia II
, D min.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A70 F 207)
,
, -
, data-sort-value="A141.000" , II 141
, data-sort-value="469.027" , III
, data-sort-value="1763-12-31" , 1763 or later
, data-sort-value="Musical clock, No. 09" , No. 9 Song "O Gott die Christenheit"
, F maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A71 F 207)
,
, -
, data-sort-value="A142.000" , II 142
, data-sort-value="469.028" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 10 Psalm 110
, A min.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A72 F 207)
,
, -
, data-sort-value="A143.000" , II 143
, data-sort-value="469.029" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 11 Polonaise
, E min.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A73 F 207)
,
, -
, data-sort-value="A144.000" , II 144
, data-sort-value="469.030" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 12 Polonaise Trio
, A min.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A74 F 207)
,
, -
, data-sort-value="A145.000" , II 145
, data-sort-value="469.031" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 13 March
, C maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A75 F 207)
,
, -
, data-sort-value="A146.000" , II 146
, data-sort-value="469.032" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 14 March
, F maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A76 F 207)
,
, -
, data-sort-value="A147.000" , II 147
, data-sort-value="469.033" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 15 La Combattuta
, G maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A77 F 207)
,
, -
, data-sort-value="A148.000" , II 148
, data-sort-value="469.034" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 16 Scherzo
, G min.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A78 F 207)
,
, -
, data-sort-value="A149.000" , II 149
, data-sort-value="469.035" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 17 Minuet
, G maj.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A79 F 207)
,
, -
, data-sort-value="A150.000" , II 150
, data-sort-value="469.036" , III
, data-sort-value="1763-12-31" , 1763 or later
, No. 18 Trio
, G min.
, Musical clock
,
, V/12
, by Bach, W. F. ( BR A80 F 207)
,
, -
, data-sort-value="A177.000" , III 177
, data-sort-value="469.037" , III
,
, Prelude and Fugue
, Eâ maj.
, Keyboard
, data-sort-value="000.36: 088" , 36: 88
, V/12: 134
, by Bach, J. Christoph?
,
, -
, data-sort-value="A179.000" , III 179
, data-sort-value="469.038" , III
, 1728 (JDH)
,
, A min.
, Keyboard
,
, V/12
, by Heinichen
,
, -
, data-sort-value="A180.000" , III 180
, data-sort-value="469.039" , III
,
, Fugue
, D min.
, Keyboard
, data-sort-value="000.36: 188" , 36: 188
, V/12
, by Kellner, J. P.
,
, -
, data-sort-value="A181.000" , III 181
, data-sort-value="469.040" , III
,
,
, A min.
, Keyboard
,
, V/12
, by Krebs, J. L. ( KrebsâWV 825/2)
,
, -
, data-sort-value="A182.000" , III 182
, data-sort-value="469.041" , III
,
, Passacaglia
, D min.
, Keyboard
, data-sort-value="000.42: 234" , 42: 234
, V/12
, by Witt
,
, - style="background: #F5F6CE;"
, data-sort-value="A183.000" , III 183
, data-sort-value="469.042" , III
, data-sort-value="1725-07-01" , 1725 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 06 Rondeau" , ''Notebook A. M. Bach'' (1725) No. 6 Rondeau
, Bâ maj.
, Keyboard
, data-sort-value="000.43 2: 027" , 432: 27
, data-sort-value="V/04: 085" , V/4: 85
, by Couperin ('' 6iĂšme Ordre'': Les Bergeries)
,
, -
, data-sort-value="1036.000" , 1036
, data-sort-value="469.043" , III
, data-sort-value="1731-07-01" , 1731 (CPE)
, Trio
, D min.
, data-sort-value="Vl Hc (Vlx2 Bc)" , Vl Hc (2Vl Bc)
,
, data-sort-value="VI/05" , VI/5
, by Bach, C. P. E. ( H 569; Wq 145)
,
, -
, data-sort-value="1037.000" , 1037
, data-sort-value="469.044" , III
, data-sort-value="1745-01-01" , (JGG)
, Sonata
, C maj.
, data-sort-value="Vlx2 Bc" , 2Vl Bc
, data-sort-value="000.09: 229" , 9: 229
, data-sort-value="VI/05" , VI/5
, by Goldberg
,
, - style="background: #E3F6CE;"
, data-sort-value="A173.000" , III 173
, data-sort-value="469.045" , III
, data-sort-value="1723-07-01" , 1712 (FAB)
(JSB)
, Invention
, B min.
, Vl Kb
, data-sort-value="000.45 1: 172" , 451: 172
, data-sort-value="VI/05" , VI/5
, by Bonporti (Op. 10 No. 2)
,
, - style="background: #E3F6CE;"
, data-sort-value="A174.000" , III 174
, data-sort-value="469.046" , III
, data-sort-value="1723-07-01" , 1712 (FAB)
(JSB)
, Invention
, Bâ maj.
, Vl Kb
, data-sort-value="000.45 1: 176" , 451: 176
, data-sort-value="VI/05" , VI/5
, by Bonporti (Op. 10 No. 5)
,
, - style="background: #E3F6CE;"
, data-sort-value="A175.000" , III 175
, data-sort-value="469.047" , III
, data-sort-value="1723-07-01" , 1712 (FAB)
(JSB)
, Invention
, C min.
, Vl Kb
, data-sort-value="000.45 1: 181" , 451: 181
, data-sort-value="VI/05" , VI/5
, by Bonporti (Op. 10 No. 6)
,
, - style="background: #E3F6CE;"
, data-sort-value="A176.000" , III 176
, data-sort-value="469.048" , III
, data-sort-value="1723-07-01" , 1712 (FAB)
(JSB)
, Invention
, D maj.
, Vl Kb
, data-sort-value="000.45 1: 185" , 451: 185
, data-sort-value="VI/05" , VI/5
, by Bonporti (Op. 10 No. 7)
,
, -
, data-sort-value="A184.000" , III 184
, data-sort-value="469.049" , III
, data-sort-value="1747-07-01" , (Zuc.)
, Sonata
, A min.
, Vl Bc
,
, data-sort-value="VI/05" , VI/5
, by Zuccari ( No. 10)
,
, -
, data-sort-value="A185.000" , III 185
, data-sort-value="469.050" , III
,
, Sonata
, D maj.
, data-sort-value="Vlx2 Bc" , 2Vl Bc
,
, data-sort-value="VI/05" , VI/5
, by Bach, C. P. E. ( H 585; âH 507; Wq 74)
,
, - id="BWV Anh. 186"
, data-sort-value="A186.000" , III 186
, data-sort-value="469.051" , III
,
,
, F maj.
, data-sort-value="Vlx2 Bc" , 2Vl Bc
,
, data-sort-value="VI/05" , VI/5
, by Bach, C. P. E. ( H 576; Wq 154)
,
, -
, data-sort-value="A187.000" , III 187
, data-sort-value="469.052" , III
,
,
, F maj.
, Bas Fl Vne
,
, data-sort-value="VI/05" , VI/5
, by Bach, C. P. E. ( H 589)
,
, -
, data-sort-value="A188.000" , III 188
, data-sort-value="469.053" , III
, data-sort-value="1740-07-01" , (WFB)
, Sonata (Concerto)
, F maj.
, data-sort-value="Hcx2" , 2Hc
, data-sort-value="000.43 1: 047" , 431: 47
, V/12
, by Bach, W. F. ( BR A12 F 10)
,
, - style="background: #E3F6CE;"
, data-sort-value="A023.000" , I 23
, data-sort-value="469.054" , III
, data-sort-value="1710-07-01" , 1710 (Alb.)
1710 (JSB)
,
, E min.
, data-sort-value="Vlx2 Va Vc Vne" , 2Vl Va Vc Vne
,
, data-sort-value="VI/05" , VI/5
, by Albinoni ( Op. 2 No. 4 = 2nd Concerto)
,
, - style="background: #E3F6CE;"
, data-sort-value="A189.000" , III 189
, data-sort-value="469.055" , III
, data-sort-value="1746-07-01" , 1745â1747 (JSB)
,
, A min.
, data-sort-value="Hc Str Bc" , Hc Str Bc
,
, data-sort-value="VI/05" , VI/5
, by Bach, C. P. E. ( H 403; Wq 1)
,
, - id="BWV Anhang New" style="background: #D8D8D8;"
, data-sort-value="A189.z99" , Anh. N
, data-sort-value="470.000" colspan="8" , New additions to the
, data-sort-value="1500a" , Up â
References
Sources
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* Not a Bach-
autograph
An autograph is a person's own handwriting or signature. The word ''autograph'' comes from Ancient Greek (, ''autĂłs'', "self" and , ''grĂĄphĆ'', "write"), and can mean more specifically: Gove, Philip B. (ed.), 1981. ''Webster's Third New Intern ...
: The manuscript Brussels,
Royal LibraryII 4093 (Fétis 2960)
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* Preface in English and German.
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* Meiningen 1704:
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* Unaltered up unto its eighth printing in 1986.
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Volume I*
Volume II*
Volume III*
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External links
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at
{{Johann Sebastian Bach