|
Christian Petzold (composer)
Christian Petzold (1677 – 1733) was a German composer and organist. He was active primarily in Dresden, and achieved a high reputation during his lifetime, but his surviving works are few. It was established in the 1970s that the famous Minuet in G major, previously attributed to Johann Sebastian Bach, was in fact the work of Petzold. The sprightly melody was used in the 1965 pop music hit " A Lover's Concerto" by the American group The Toys. Life He was born in Weißig near Königstein in 1677; the exact date of birth is unknown. From 1703 Petzold worked as an organist at St. Sophia (''Sophienkirche'') in Dresden, and in 1709 he became court chamber composer and organist. He led an active musical life, giving concert tours that took him as far as Paris (1714) and Venice (1716). In 1720 he wrote a piece for the consecration of the new Silbermann organ at St. Sophia, and he performed a similar task at Rötha, near Leipzig, where another Silbermann organ was built. Petzold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Classical music, Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, wikt:compono, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters [...] and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or 'singer-songwriter' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Ludwig Gerber
Ernst Ludwig Gerber (29 September 1746 in Sondershausen, Germany – 30 June 1819 in Sondershausen) was a German composer, organist, cellist, and author of a famous dictionary of musicians. His father, Heinrich Nikolaus Gerber (1702–1775), a pupil of J. S. Bach, was an organist and composer of some distinction, and under his direction Ernst Ludwig at an early age had made great progress in his musical studies. In 1765 he went to Leipzig to study law, but the claims of music, which had gained additional strength from his acquaintanceship with Johann Adam Hiller Johann Adam Hiller (25 December 1728, in Wendisch-Ossig, Saxony – 16 June 1804, in Leipzig) was a German composer, conductor and writer on music, regarded as the creator of the Singspiel, an early form of German opera. In many of these operas ... (of whom Gerber became the cellist of his orchestra ''Großes Concert Concert''), soon came to occupy almost his sole attention. On his return to Sondershausen he was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Königstein, Saxony
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1733 Deaths
Events January–March * January 13 – Borommarachathirat V becomes King of Siam (now Thailand) upon the death of King Sanphet IX. * January 27 – George Frideric Handel's classic opera, ''Orlando'' is performed for the first time, making its debut at the King's Theatre in London. * February 12 – British colonist James Oglethorpe founds Savannah, Georgia. * March 21 – The Molasses Act is passed by British House of Commons, which reinforces the negative opinions of the British by American colonists. The Act then goes to the House of Lords, which consents to it on May 4 and it receives royal assent on May 17. * March 25 – English replaces Latin and Law French as the official language of English and Scottish courts following the enforcement of the Proceedings in Courts of Justice Act 1730. April–June * April 6 – **After British Prime Minister Robert Walpole's proposed excise tax bill results in rioting over the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1677 Births
Events January–March * January 1 – Jean Racine's tragedy '' Phèdre'' is first performed, in Paris. * January 21 – The first medical publication in America (a pamphlet on smallpox) is produced in Boston. * February 15 – Four members of the English House of Lords embarrass King Charles II at the opening of the latest session of the " Cavalier Parliament" by proclaiming that the session is not legitimate because it hadn't met in more than a year. The Duke of Buckingham, backed by Lord Shaftesbury, Lord Salisbury and Baron Wharton, makes an unsuccessful motion to end the session. When the four Lords refuse to apologize, they are arrested and imprisoned in the Tower of London. * February 26 – ** The first arrests are made in the case that will develop into the " Affair of the Poisons" in France, as Magdelaine de La Grange and her accused accomplice, Father Nail, are detained on suspicion of poisoning her lover, a Messr. Faurie. While in pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), '' Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a '' fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola D'amore
The viola d'amore (; Italian for "viol of love") is a 7- or 6- stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and sound The viola d'amore shares many features of the viol family. It looks like a thinner treble viol without frets and sometimes with sympathetic strings added. The six-string viola d'amore and the treble viol also have approximately the same ambitus or range of playable notes. Like all viols, it has a flat back. An intricately carved head at the top of the peg box is common on both viols and viola d'amore, although some viols lack one. Unlike the carved heads on viols, the viola d'amore's head occurs most often as Cupid blindfolded to represent the blindness of love. Its sound-holes are commonly in the shape of a flaming sword known as "The Flaming Sword of Islam" (suggesting the instrument's development was influenced by the Islamic World). This was o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite. Johann Sebastian Bach wrote two sets of partitas for different instruments. Those for solo keyboard the composer published as his Opus 1 (known as the Klavierübung I). One additional suite in B minor, the '' Overture in the French Style'' (often simply called ''French Overture'') is sometimes also considered a partita. See ''Partitas'' for keyboard (825–830) and choral partitas for organ. The "Partita" in A minor for solo flute (BWV 1013) which takes the form of a suite of four dances, has been given the title "partita" by its modern editors; it is sometimes transposed for oboe. Bach also wrote three partitas for solo violin in 1720 which he paired wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minuets In G Major And G Minor
The Minuets in G major and G minor, BWV Anh. 114 and 115, are a pair of movements from a suite for harpsichord by Christian Petzold, which, through their appearance in the 1725 '' Notebook for Anna Magdalena Bach'', used to be attributed to Johann Sebastian Bach. These minuets, which are suitable for beginners on the piano, are among the best known pieces of music literature. The 1965 pop song " A Lover's Concerto", of which millions of copies were sold, is based on the first of these Minuets. History In the late 17th century Christian Petzold became organist at the () of Dresden. By the time Johann Sebastian Bach started to visit Dresden, Petzold was well acquainted with several of the city's musicians, including the violinist Johann Georg Pisendel, with whom Bach was also acquainted. In 1720, Petzold composed the music for the inauguration of the new Silbermann organ of the . Bach gave a concert on that organ when he visited Dresden in September 1725. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio Sonata
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically consisted of three parts, two violins and (basso) continuo. However, the two violins could be substituted with pairs of flutes, recorders, oboes, or violin and viola da gamba. The third part, the continuo, has two components. First, it includes the bass line, which commonly was played by a bass viol, violone, violoncello, or bassoon. Second, it includes a harmony-producing instrument, such as a small organ, a harpsichord, or a theorbo. The continuo could be performed by two or more performers; a cellist to play the bass line and a harpsichordist or organist to focus on the harmonies. Because there normally are two people playing the continuo part, there are usually four players in all. This accounts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Jahrbuch
The ''Bach-Jahrbuch'' ("Bach yearbook" or according to the publication's website "Bach Annals") is an annual publication related to the composer Bach. It is published in German by the Neue Bachgesellschaft in Leipzig. It is the most respected publication for international Bach research. The ''Bach-Jahrbuch'' contains contributions of notable Bach scholars related to recent research of Bach and his family. It also provides a Bach bibliography. Begun in 1904, it is the oldest periodical dedicated to one composer. The first editor was the musicologist Arnold Schering from 1904. The present editor is Peter Wollny. Editors * Arnold Schering (1904–1939) * Max Schneider (1940–1952) * Alfred Dürr and Werner Neumann (1953–1974) * Hans-Joachim Schulze and Christoph Wolff Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1938.jpg "Click for more on -> People From Königstein, Saxony")
