Édouard Nanny
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Édouard Nanny (March 24, 1872 in
Saint-Germain-en-Laye Saint-Germain-en-Laye () is a Communes of France, commune in the Yvelines Departments of France, department in the ÃŽle-de-France in north-central France. It is located in the western suburbs of Paris, from the Kilometre Zero, centre of Paris. ...
– October 12, 1942 in Paris) was an important French
double bass The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions ...
player, teacher, and composer. He was a longtime professor of double bass at the
Paris Conservatory The Conservatoire de Paris (), or the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (; CNSMDP), it is situated in the avenue Jean Ja ...
.


Career

Nanny was part of ''la Société de concerts des Instruments anciens''. He gained some international exposure as a composer during his lifetime, although he never enjoyed the respect he received in France worldwide. Among his most famous works are his Concerto in E minor and his ''Enseignement Complet'' (a collection of pedagogical works including the 2-part ''Méthode complète pour la contrebasse à quatre et cinq cordes'', the ''Vingt études de virtuosité'' (Paris, 1920), and his ''Dix étude-caprices''). Although his two concertos (his own and the musical hoax under Dragonetti's name) are important repertory items, Nanny's most lasting contribution was in the field of pedagogy (instructional method). Edouard Nanny taught at the Paris Conservatory until 1940. In his principle work, ''Enseignement Complet'' considered his most lasting accomplishment, Nanny passed to others the method he used to become a virtuoso during his lifetime. This is his from-basic-to-virtuoso, ‘A-to-Z’ repertoire of studies for the double bassist, originally for bowing but also for pizzicato (plucked). Quite naturally it can be applied to the bass guitar and cello - same clef and similar range as the double bass. For the cello, although the notes are read identically they will however, sound an octave higher. This does not detract from this method advancing the artistry of cellists as well as bassists. The initial exercises are simple, using scale phrases introduced slowly in simple keys: C Maj., G Maj., then D Maj. and so on. The studies progress to simple jumps together with partial scale phrases then to complex jumps and intricate rhythms in progressively more difficult keys and at faster tempos. From the easy beginning to the difficult finale of this book; a beginner or intermediate bassist can finish in two to five years of study. A more advanced player - one to two or perhaps three years to complete. The scope of this method is vast, graduated, intricate and all-encompassing. Once finished, this book alone can bring a student to an expertise, a mastery of any of the stringed basses; elementary to virtuosity in fifty-two pages perhaps in as little as three to five years. Nanny's Concerto in A major that was attributed to classical Italian
virtuoso A virtuoso (from Italian ''virtuoso'', or ; Late Latin ''virtuosus''; Latin ''virtus''; 'virtue', 'excellence' or 'skill') is an individual who possesses outstanding talent and technical ability in a particular art or field such as fine arts, ...
Domenico Dragonetti Domenico Carlo Maria Dragonetti (7 April 1763 – 16 April 1846) was an Italian double bass virtuoso and composer with a 3 string double bass. He stayed for thirty years in his hometown of Venice, Italy and worked at the opera buffa, Opera Buffa, ...
was, in fact, penned by Nanny. Nanny's study method, "Enseignement Complet'' his
étude An étude (; ) or study is an instrumental musical composition, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popu ...
s and caprices have been studied and played for close to a century by double bassists, performers, teachers and students alike.


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French classical double-bassists French male double-bassists 1872 births 1942 deaths People from Saint-Germain-en-Laye {{double-bassist-stub