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étude
An étude (; ) or study is an instrumental musical composition, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Piano Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope from his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études (Chopin)
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number. History Composition Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; among the most popular are Op. 10, No. 3, sometimes identified by the names ''Tristesse'' ("Sadness") or "Farewell" (''L'Adieu''), as well as the "Revolutionary Étude" ( Op. 10, No. 12), “Black Keys” ( Op. 10, No. 5), and "Winter Wind" ( Op. 25, No. 11). No nicknames are of Chopin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transcendental Études
The ''Transcendental Études'' (), S.139, is a set of twelve compositions for piano by Franz Liszt. They were published in 1852 as a revision of an 1837 set (which had not borne the title "d'exécution transcendante"), which in turn were – for the most part – an elaboration of a set of studies written in 1826. History The genesis of the ''Transcendental Études'' goes back to 1825, when 14-year-old Liszt wrote a set of youthful exercises called the ''Étude en douze exercices'' (Study in twelve exercises), S.136. These pieces were not particularly technically demanding. Liszt then returned to these pieces for thematic ideas, elaborating on them considerably, in the composition of the ''Douze Grandes Études'' (Twelve Grand Studies), S.137, which were published in 1837. The ''Transcendental Études'', S.139, are revisions of the ''Douze Grandes Études''. The fourth was altered and published alone as ''Mazeppa'' in late 1846, and the collection as a whole was published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for Piano solo, solo piano. He has maintained worldwide renown as a leading composer of his era whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his early works in Warsaw before leaving Poland at age 20, less than a month before the outbreak of the November Uprising, November 1830 Uprising; at 21, he settled in Paris. Thereafter he gave only 30 public performances, preferring the more intimate atmosphere of the Salon (gathering), salon. He supported himself, selling his compositions and giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz Liszt, body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde music, avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hochschule für Musik und Theater Hamburg, where he worked until retiring in 1989. His students included Hans Abrahamsen, Unsuk Chin and Michael Daugherty. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Scriabin
Alexander Nikolayevich Scriabin, scientific transliteration: ''Aleksandr Nikolaevič Skrjabin''; also transliterated variously as Skriabin, Skryabin, and (in French) Scriabine. The composer himselused the French spelling "Scriabine" which was also the most popular spelling used in English-language publications during his lifetime. First editions of his works used the RomanizationsScriabine,Scriàbine, andSkrjábin"., group=n () was a Russian composer and pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late- Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. Scriabin found significant appeal in the concept of Gesamtkunstwerk as well as synesthesia, and associated colours with the various harmonic t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Czerny
Carl Czerny (; ; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils and would later on be one of the main teachers of Franz Liszt. Early life Infancy Carl Czerny was born in Vienna (Leopoldstadt) and was baptized in St. Leopold parish. His father was of Czech origin; his mother was Moravian. Czerny came from a musical family: his grandfather was a violinist at Nimburg, near Prague, and his father, Wenzel, was an oboist, organist and pianist. When Czerny was six months old, his father took a job as a piano teacher at a Polish manor and the family moved to Poland, where they lived until the third partition of Poland prompted the family to return to Vienna in 1795. As a child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Louis Duport
Jean-Louis Duport (4 October 17497 September 1819), sometimes known as Duport the Younger to distinguish him from his older brother (and teacher) Jean-Pierre Duport, Jean-Pierre (1741-1818), was a cello, cellist, pedagogue, and composer. He is perhaps best known today for his 21 études for solo cello that constitute the final part of the "Essai sur le doigté du violoncelle et sur la conduite de l'archet" ("Essay on the fingering of the violoncello and on the conduct of the bow") (1806), a seminal work of cello technique. He also wrote six cello concertos and his ''Studies for Cello (J.L. Duport), Études pour violoncello''. Duport and Jean-Pierre refined their technique in France under the tutelage of Martin Berteau.Mary Cyr and Valerie Walden. "Duport." In Grove Music Online. Oxford Music Online. (Oxford University Press, 2007-2012). Accessed October 14th, 2012. His virtuosic ability allowed him to hold many notable positions while living in France, although he was forced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano in the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Dotzauer
Justus Johann Friedrich Dotzauer (20 January 1783 – 6 March 1860) was a German cellist and composer. Life Early life and career Dotzauer was born in 1783 in , near Hildburghausen. His father, a pastor, encouraged his interest in music. In early years he played piano, violin and cello, also horn and clarinet, and studied theory and composition with the organist , a pupil of Johann Christian Kittel. In Meiningen he studied the cello with , Konzertmeister of the Meiningen Court Orchestra; from 1801 Dotzauer was a member of the orchestra."The Dresden School" (from ''History of the Violoncello'' by Lev Ginsburg (Paginiana Publications, 1983)) www.celloheaven.com. Retrieved 22 April 2021. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
