Zenfushō
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Zenfushō
is the fourth book in Japanese artist Toriyama Sekien's famous ''Gazu Hyakki Yagyō'' tetralogy. A version of the tetralogy translated and annotated in English was published in 2016. The title is a pun; "hyakki", normally written with the characters "hundred" and "''oni''", is instead written with "hundred" and "vessels". This hints that the majority of the ''yōkai'' portrayed in its pages are of the variety known as ''tsukumogami'', man-made objects taken sentient form. ''Hyakki Tsurezure Bukuro'' is preceded in the series by ''Gazu Hyakki Yagyō'', ''Konjaku Gazu Zoku Hyakki'', and ''Konjaku Hyakki Shūi''. Published in 1781, it was inspired in part by ''Tsurezuregusa'' (''Tales in Idleness''), a 14th-century essay collection by the monk Yoshida Kenkō. The book takes the form of a supernatural bestiary of yōkai. Unlike previous books in the series, the majority of ''Hyakki Tsurezure Bukuro''s yōkai appear to be of Sekien's own creation, based on turns of phrase or stories fr ...
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Tsukumogami
In Japanese folklore, ''tsukumogami'' (付喪神 or つくも神, lit. "tool ''kami''") are tools that have acquired a kami or spirit. According to an annotated version of ''The Tales of Ise'' titled ''Ise Monogatari Shō'', there is a theory originally from the ''Onmyōki'' (陰陽記) that Foxes in Japanese folklore, foxes and Japanese raccoon dog, tanuki, among other beings, that have lived for at least a hundred years and changed forms are considered ''tsukumogami''. In modern times, the term can also be written 九十九神 (literally ninety-nine ''kami''), to emphasize the agedness. According to Komatsu Kazuhiko, the idea of a ''tsukumogami'' or a ''yōkai'' of tools spread mostly in the Japanese Middle Ages and declined in more recent generations. Komatsu infers that despite the depictions in Bakumatsu period ukiyo-e art leading to a resurfacing of the idea, these were all produced in an era cut off from any actual belief in the idea of ''tsukumogami''. Because the term ...
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