Waṣf
''Waṣf'' () (literally 'attribute' or 'description'; pl. ) is an ancient style of Arabic poetry, which can be characterised as descriptive verse. The concept of was also borrowed into Persian, which developed its own rich poetic tradition in this mode. Role in Arabic verse was one of four kinds of poetry in which medieval Arabic poets were expected to be competent, alongside 'the boast (), the invective (), and the elegy ()'.Cole, Peter, ed. and trans., ''The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950–1492'' (Princeton: Princeton University Press, 2007), p. 530. Probably deriving from the descriptions of the abandoned campsite and beloved in the ancient qasida's erotic prelude, and of animals and landscape in the journey section, or , it evolved into a genre of its own in Abbasid Baghdad and later in Spain. The tradition in Arabic was highly developed, with poets often devoting entire collections to elaborate treatments of single subjects, suc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Qasida
The qaṣīda (also spelled ''qaṣīdah''; plural ''qaṣā’id'') is an ancient Arabic word and form of poetry, often translated as ode. The qasida originated in pre-Islamic Arabic poetry and passed into non-Arabic cultures after the Arab Muslim expansion. The word ''qasida'' is originally an Arabic word (, plural ''qaṣā’id'', ), and is still used throughout the Arabic-speaking world; it was borrowed into some other languages such as (alongside , ''chakameh''), and . The classic form of qasida maintains both monometer, a single elaborate meter throughout the poem, and monorhyme, where every line rhymes on the same soundAkiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more than a hundred. Well-known examples of this genre include the poems of the Mu'allaqat (a collectio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Persian Language
Persian ( ), also known by its endonym and exonym, endonym Farsi (, Fārsī ), is a Western Iranian languages, Western Iranian language belonging to the Iranian languages, Iranian branch of the Indo-Iranian languages, Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutual intelligibility, mutually intelligible standard language, standard varieties, respectively Iranian Persian (officially known as ''Persian''), Dari, Dari Persian (officially known as ''Dari'' since 1964), and Tajik language, Tajiki Persian (officially known as ''Tajik'' since 1999).Siddikzoda, S. "Tajik Language: Farsi or not Farsi?" in ''Media Insight Central Asia #27'', August 2002. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate society, Persianate history in the cultural sphere o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nasīb (poetry)
''Nasīb'' () is an Arabic literary form, 'usually defined as an erotic or amatory prelude to the type of long poem called a '' qaṣīdah''.' However, although at the beginning of the form's development ''nasīb'' meant 'love-song', it came to cover much wider kinds of content: 'The ''nasīb'' usually is understood as the first part of the ''qaṣīdah'' where the poet remembers his beloved. In later ages the ''nasīb'' stood alone, and in that sense the meaning came to be understood as erotic and love poetry.' Early and prominent examples of the ''nasīb'' appear in the '' Mu'allaqāt'' of the sixth-century poets Antarah ibn Shaddad and Imru' al-Qais Imruʾ al-Qais Junduh bin Hujr al-Kindi () was a pre-Islamic Arabian poet from Najd in the late fifth and early sixth centuries, and the last King of Kinda. He is sometimes considered the father of Arabic poetry. His qaṣīda, or long poe .... To quote from Imru' al-Qais's ''Mu'allaqah'': Stay! let us weep, while memory ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Abbasid Caliphate
The Abbasid Caliphate or Abbasid Empire (; ) was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abd al-Muttalib (566–653 CE), from whom the dynasty takes its name. After overthrowing the Umayyad Caliphate in the Abbasid Revolution of 750 CE (132 AH), they ruled as caliphs based in modern-day Iraq, with Baghdad being their capital for most of their history. The Abbasid Revolution had its origins and first successes in the easterly region of Khurasan, far from the Levantine center of Umayyad influence. The Abbasid Caliphate first centered its government in Kufa, modern-day Iraq, but in 762 the caliph al-Mansur founded the city of Baghdad as the new capital. Baghdad became the center of science, culture, arts, and invention in what became known as the Golden Age of Islam. By housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Song Of Solomon
The Song of Songs (), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five ("scrolls") in the ('writings'), the last section of the Tanakh. Unlike other books in the Hebrew Bible, it is erotic poetry; lovers express passionate desire, exchange compliments, and invite one another to enjoy. The poem narrates an intense, poetic love story between a woman and her lover through a series of sensual dialogues, dreams, metaphors, and warnings to the “daughters of Jerusalem” not to awaken love before its time. Modern scholarship tends to hold that the lovers in the Song are unmarried, which accords with its ancient Near East context. The women of Jerusalem form a chorus to the lovers, functioning as an audience whose participation in the lovers' erotic encounters facilitates the participation of the reader. Most scholars view the Song of Songs as erotic poetry celebrating human love, not divine metaphor, with some seeing influences f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thousand And One Nights
''One Thousand and One Nights'' (, ), is a collection of History of the Middle East, Middle Eastern List of fairy tales, folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as ''The Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainments''. The work was collected over many centuries by various authors, translators, and scholars across West Asia, Central Asia, South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic literature, Arabic, Persian literature, Persian, and Mesopotamian myths, Mesopotamian literature. Most tales, however, were originally folk stories from the Abbasid and Mamluk Sultanate, Mamluk eras, while others, especially the frame story, are probably drawn from the Middle Persian literature#"Pahlavi" literature, Pahlavi Persian work (, ), which in turn may be translations of Indian literature, older Indian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Riddles (Arabic)
Riddles are historically a significant genre of Arabic literature. The Qur’an does not contain riddles as such, though it does contain conundra. But riddles are attested in early Arabic literary culture, 'scattered in old stories attributed to the pre-Islamic bedouins, in the ''ḥadīth'' and elsewhere; and collected in chapters'. Since the nineteenth century, extensive scholarly collections have also been made of riddles in oral circulation. Although in 1996 the Syrian proverbs scholar Khayr al-Dīn Shamsī Bāshā published a survey of Arabic riddling, analysis of this literary form has been neglected by modern scholars, including its emergence in Arabic writing; there is also a lack of editions of important collections. A major study of grammatical and semantic riddles was, however, published in 2012, and since 2017 both legal riddlesElias G. Saba, ''Harmonizing Similarities: A History of Distinctions Literature in Islamic Law'', Islam – Thought, Culture, and Society, 1 (B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blazon
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct an accurate image. The verb ''to blazon'' means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon (though in modern usage flags are often additionally and more precisely defined using geometrical specifications). ''Blazon'' is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. ''Blazonry'' is the art, craft or practice of creating a blazon. The language employed in ''blazonry'' has its own vocabulary and syntax, which becomes essential for comprehension when blazoning a complex coat of arms. Other armorial ob ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Francesco Petrarch
Francis Petrarch (; 20 July 1304 – 19 July 1374; ; modern ), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the . Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sonnet CXXX
Sonnet 130 is a sonnet by William Shakespeare, published in 1609 as one of his 154 sonnets. It mocks the conventions of the showy and flowery courtly sonnets in its realistic portrayal of his mistress. Synopsis Sonnet 130 satirizes the concept of ideal beauty that was a convention of literature and art in general during the Elizabethan era. Influences originating with the poetry of ancient Greece and Rome had established a tradition of this, which continued in Europe's customs of courtly love and in courtly poetry, and the work of poets such as Petrarch. It was customary to praise the beauty of the object of one's affections with comparisons to beautiful things found in nature and heaven, such as stars in the night sky, the golden light of the rising sun, or red roses. The images conjured by Shakespeare were common ones that would have been well-recognized by a reader or listener of this sonnet. Shakespeare satirizes the hyperbole of the allusions used by conventional poets, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arabic Literature
Arabic literature ( / ALA-LC: ''al-Adab al-‘Arabī'') is the writing, both as prose and poetry, produced by writers in the Arabic language. The Arabic word used for literature is ''Adab (Islam), Adab'', which comes from a meaning of etiquette, and which implies politeness, culture and enrichment. Arabic literature, primarily transmitted orally, began to be documented in written form in the 7th century, with only fragments of written Arabic appearing before then. The Qur'an would have the greatest lasting effect on Arab culture and its literature. Arabic literature flourished during the Islamic Golden Age, but has remained vibrant to the present day, with poets and prose-writers across the Arab world, as well as in the Arab diaspora, achieving increasing success. History Pre-Islamic poetry Pre-Islamic Arabic poetry is referred to in traditional Arabic literature as ''al-shiʿr al-Jāhilī'', "poetry from the Jahiliyyah". In pre-Islamic Arabia, markets such as Souk Okaz ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arabic And Central Asian Poetics
Arabic (, , or , ) is a Central Semitic language of the Afroasiatic language family spoken primarily in the Arab world. The International Organization for Standardization (ISO) assigns language codes to 32 varieties of Arabic, including its standard form of Literary Arabic, known as Modern Standard Arabic, which is derived from Classical Arabic. This distinction exists primarily among Western linguists; Arabic speakers themselves generally do not distinguish between Modern Standard Arabic and Classical Arabic, but rather refer to both as ( "the eloquent Arabic") or simply ' (). Arabic is the third most widespread official language after English and French, one of six official languages of the United Nations, and the liturgical language of Islam. Arabic is widely taught in schools and universities around the world and is used to varying degrees in workplaces, governments and the media. During the Middle Ages, Arabic was a major vehicle of culture and learning, especially ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |