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Setsuwa
''Setsuwa'' () is a Japanese literary genre. It consists of myths, legends, folktales, and anecdotes. Among the , those that are full-length are generally referred to as . In Japan, the term is also applied to similar works around the world. ''Setsuwa'' means "spoken story". As one of the vaguest forms of literature, ''setsuwa'' is believed to have been passed down or presented in the form of narrations. ''Setsuwa'' are based foremost on oral tradition and existed primarily as folktales or in other non-written forms before being recorded and committed to text. However, some writers question whether all ''setsuwa'' tales were originally oral tradition, or only mostly so. Although there are no formal rules regarding what constitutes ''setsuwa'' as a genre, stories in the ''setsuwa'' style "have in common brevity; an uncomplicated plot unfolded in plain, direct language; character delineation through dialogue and action rather than through description and psychological analysis; and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konjaku Monogatarishū
, also known as the , is a Japanese collection of over one thousand tales written during the late Heian period (794–1185). The entire collection was originally contained in 31 volumes, of which 28 remain today. The volumes cover various tales from India, China and Japan. Detailed evidence of lost ''monogatari'' exist in the form of literary critique, which can be studied to reconstruct the objects of their critique to some extent. Title Each tale in the ''Konjaku Monogatarishū'' starts with the phrase (lit. now long ago), which in its Japanese reading is pronounced ''ima wa mukashi''. The Sino-Japanese reading of this phrase is ''konjaku'', and it is from the Chinese-style reading that the collection is named. The ''Konjaku Monogatarishū'' is commonly known by the shorter name "''Konjaku Monogatari''". Since it is an anthology rather than a single tale, however, the longer title is more accurate. Structure The ''Konjaku Monogatarishū'' is divided according to the region of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihon Ryōiki
The is an early Heian period setsuwa collection. Written by Kyōkai between 787 and 824, it is Japan's oldest collection of Buddhist setsuwa. It is three volumes in length. Title Commonly abbreviated as ''Nihon Ryōiki'', which means "Record of Miraculous Events in Japan," the full title is . It may also be read as ''Nihon Reiiki''. The book has been translated into English under the title ''Miraculous Stories from the Japanese Buddhist Tradition'', but this does not represent a literal translation of the Japanese title. Contents The work is composed of three parts contained within three volumes. Each volume begins with a preface, and the final volume contains an epilogue. There are a total of 116 tales all dealing with Buddhist elements. There are also a total of nine poems. Manuscripts There are five existing manuscripts, two of which are designated National Treasures: * Kōfuku-ji, 904 ( National Treasure) * Maeda estate, 1236 * Raigō-in, late Heian period ( Nationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Folktales
Japanese folktales are an important cultural aspect of Japan. In commonplace usage, they signify a certain set of well-known classic tales, with a vague distinction of whether they fit the rigorous definition of " folktale" or not among various types of folklore. The admixed impostors are literate written pieces, dating back to the Muromachi period (14th–16th centuries) or even earlier times in the Middle Ages. These would not normally qualify for the English description "folktales" (i.e., pieces collected from oral tradition among the populace). In a more stringent sense, "Japanese folktales" refers to orally transmitted folk narrative. Systematic collection of specimens was pioneered by the folklorist Kunio Yanagita. Yanagita disliked the word , a coined term directly translated from "folktale" (Yanagita stated that the term was not familiar to actual old folk he collected folktales from, and was not willing to "go along" with the conventions of other countries). He therefor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myth
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's Norm (social), customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between Myth and ritual, recital of myths and the enactment of rituals. Etymology The w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legend
A legend is a genre of folklore that consists of a narrative featuring human actions, believed or perceived to have taken place in human history. Narratives in this genre may demonstrate human values, and possess certain qualities that give the tale verisimilitude (literature), verisimilitude. Legend, for its active and passive participants, may include miracles. Legends may be transformed over time to keep them fresh and vital. Many legends operate within the realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted. Legends are sometimes distinguished from myths in that they concern human beings as the main characters and do not necessarily have supernatural origins, and sometimes in that they have some sort of historical basis whereas myths generally do not. The Brothers Grimm defined ''legend'' as "Folklore, folktale historically grounded". A by-product of the "concern with human beings" is the long list of legendary crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folklore
Folklore is the body of expressive culture shared by a particular group of people, culture or subculture. This includes oral traditions such as Narrative, tales, myths, legends, proverbs, Poetry, poems, jokes, and other oral traditions. This also includes material culture, such as traditional building styles common to the group. Folklore also encompasses customary lore, taking actions for folk beliefs, including folk religion, and the forms and rituals of celebrations such as Christmas, weddings, folk dances, and Rite of passage, initiation rites. Each one of these, either singly or in combination, is considered a Cultural artifact, folklore artifact or Cultural expressions, traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain from a formal school curriculum or study in the fine arts. Instead, thes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anecdote
An anecdote is "a story with a point", such as to communicate an abstract idea about a person, place, or thing through the concrete details of a short narrative or to characterize by delineating a specific quirk or trait. Anecdotes may be real or fictional; the anecdotal digression is a common feature of literary works and even oral anecdotes typically involve subtle exaggeration and dramatic shape designed to entertain the listener. An anecdote is always presented as the recounting of a real incident involving actual people and usually in an identifiable place. In the words of Jürgen Hein, they exhibit "a special realism" and "a claimed historical dimension". Etymology and usage The word ''anecdote'' (in Greek: ἀνέκδοτον "unpublished", literally "not given out") comes from Procopius of Caesarea, the biographer of Emperor Justinian I (). Procopius produced a work entitled (''Anekdota'', variously translated as ''Unpublished Memoirs'' or as ''Secret History'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.Jan Vansina, Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Pre-history", 1990, ''UNESCO International Scientific Committee for the Drafting of a G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kojiki
The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the as well as the are part of the inspiration behind many practices and unified "Shinto orthodoxy". Later, they were incorporated into Shinto practices such as the purification ritual. Composition It is believed that the compilation of various genealogical and anecdotal histories of the imperial (Yamato) court and prominent clans began during the reigns of Emperors Keitai and Kinmei in the 6th century, with the first concerted effort at historical compilation of which we have record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tendai
, also known as the Tendai Dharma Flower School (天台法華宗, ''Tendai hokke shū,'' sometimes just ''Hokkeshū''), is a Mahāyāna Buddhist tradition with significant esoteric elements that was officially established in Japan in 806 by the Japanese monk Saichō. The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794–1185). It gradually eclipsed the powerful Hossō school and competed with the rival Shingon school to become the most influential sect at the Imperial court. By the Kamakura period (1185–1333), Tendai had become one of the dominant forms of Japanese Buddhism, with numerous temples and vast landholdings. During the Kamakura period, various monks left Tendai to found new Buddhist schools such as Jōdo-shū, Jōdo Shinshū, Nichiren-shū and Sōtō Zen. The destruction of the head temple of Enryaku-ji by Oda Nobunaga in 1571, as well as the geographic shift of the capital away from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
