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Rasa (aesthetics)
In Indian aesthetics, a rasa () literally means "juice, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an indescribable feeling in the reader or audience.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer or a performer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by one's bhava (one's state of mind). The ''rasa'' theory has a dedicated section (Chapter 6) in the Sanskrit text ''Natya Shastra'', an ancient te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Aesthetics
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasa (aesthetics), rasas still forms the aesthetics, aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri dance, Manipuri, Kudiyattam, Kathakali and others. Expressing ''rasa'' in classical Indian dance form is referred to as ''rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the ''Bhāva (Hinduism), bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak
''Kathak'' is one of the eight major forms of Classical Indian dance, Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as ''Kathakar'' ("storyteller"), who communicated stories from the Hindu epics through dance, songs, and music. Its name derives from the Sanskrit word ''katha'' which means "story", and ''kathakar'' which means "the one who tells a story" or "to do with stories". 'Katha kahe so kathak kahave' - Kathak is the dance of story tellers. Stories are narrated through the medium of the body, face, hands, and feet in sync with the tabla and lehra. ''Kathak'' dancers tell various stories utilizing hand movements and extensive footwork, their body movements, and flexibility, as well as their Facial expression, facial expressions. ''Kathak'' often has a strong beat and can be danced in many taals. While proto-Kathak elements can be seen long before, ''Kathak'' evolved during the Bhakti movement, particularly by inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agastya
Agastya was a revered Indian sage of Hinduism. In the Indian tradition, he is a noted recluse and an influential scholar in diverse languages of the Indian subcontinent. He is regarded in some traditions to be a Chiranjivi. He and his wife Lopamudra are the celebrated authors of hymns 1.165 to 1.191 in the Sanskrit text ''Rigveda'' and other Vedic literature. Agastya is considered to be the father of Siddha medicine. Agastya appears in numerous itihasas and Puranas including the major ''Ramayana'' and ''Mahabharata''. He is one of the seven most revered rishis (the Saptarishi) in the Vedic texts, and is revered as one of the Tamil Siddhar in the Shaivism tradition, who invented an early grammar of the Old Tamil language, Agattiyam, playing a pioneering role in the development of Tampraparniyan medicine and spirituality at Saiva centres in proto-era Sri Lanka and South India. He is also revered in the Puranic literature of Shaktism and Vaishnavism. He is one of the Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigveda
The ''Rigveda'' or ''Rig Veda'' (, , from wikt:ऋच्, ऋच्, "praise" and wikt:वेद, वेद, "knowledge") is an ancient Indian Miscellany, collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Shakala Shakha, Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. Most scholars believe that the sounds and texts of the ''Rigveda'' have been orally transmitted with precision since the 2nd millennium BCE, through Indian mathematics#Styles of memorisation, methods of memorisation of exceptional complexity, rigour and fidelity, though the dates are not confirmed and remain contentious till concrete evidence surfaces. Philolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedas
FIle:Atharva-Veda samhita page 471 illustration.png, upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the ''Atharvaveda''. The Vedas ( or ; ), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest Hindu texts, scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shilpa Shastras
''Shilpa Shastras'' ( ') literally means the Science of Shilpa (arts and crafts).Stella Kramrisch (1958)Traditions of the Indian Craftsman The Journal of American Folklore, Vol. 71, No. 281, Traditional India: Structure and Change (Jul. - Sep., 1958), pp. 224-230 It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards. In the context of Hindu temple architecture and sculpture, Shilpa Shastras were manuals for sculpture and Hindu iconography, prescribing among other things, the proportions of a sculptured figure, composition, principles, meaning, as well as rules of architecture. Sixty-four techniques for such arts or crafts, sometimes called ' "external or practical arts", are traditionally enumerated, including carpentry, architecture, jewellery, farriery, acting, dancing, music, medicine, poetry etc., besides sixty-four ' or "secret arts", which include mostly "erotic arts" such as kissing, embracing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; Sanskrit language, Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God (Hinduism), Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar calendar, lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Līlā''. He is a central figure in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophy, Hindu philosophical, Hindu theology, theological, and Hindu mythology, mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhakti
''Bhakti'' (; Pali: ''bhatti'') is a term common in Indian religions which means attachment, fondness for, devotion to, trust, homage, worship, piety, faith, or love.See Monier-Williams, ''Sanskrit Dictionary'', 1899. In Indian religions, it may refer to loving devotion for a personal God (like Krishna or Devi), a formless ultimate reality (like Nirguna Brahman or the Sikh God) or an enlightened being (like a Buddha, a bodhisattva, or a guru).Bhakti ''Encyclopædia Britannica'' (2009)Karen Pechelis (2011), "Bhakti Traditions", in ''The Continuum Companion to Hindu Studies'' (Editors: Jessica Frazier, Gavin Flood), Bloomsbury, , pp. 107–121 Bhakti is often a deeply emotional devotion based on a relationship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavata Purana
The ''Bhagavata Purana'' (; ), also known as the ''Srimad Bhagavatam (Śrīmad Bhāgavatam)'', ''Srimad Bhagavata Mahapurana'' () or simply ''Bhagavata (Bhāgavata)'', is one of Hinduism's eighteen major Puranas (''Mahapuranas'') and one of the most popular in Vaishnavism. Composed in Sanskrit and traditionally attributed to Veda Vyasa, it promotes '' bhakti'' (devotion) towards Krishna, an avatar of Vishnu, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages. The ''Bhagavata Purana'', like other puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent '' devas'' (deities) and evil '' asuras'' (demons) and now rule the universe. Truth re-emerges as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhartṛhari
Bhartṛhari (Devanagari: ; Bhartrihari; fl. c. 5th century CE), was an Indian-Hindu linguistic philosopher and poet, known for his contributions to the fields of linguistics, grammar, and philosophy. He is believed to have been born in the 5th century in Ujjain, Malwa, India. He decided to live a monastic life and find a higher meaning but was unable to detach from worldly life. He lived as a yogi in Ujjain until his death. He is best known for his works, the '' Vākyapadīya'' (a treatise on sentences and words), ''Mahābhāṣyatikā'' (a commentary on Patanjali's ''Mahabhashya''), ''Vākyapadīyavṛtti'' (a commentary on ''Vākyapadīya kāṇḍas'' 1 and 2), ''Śabdadhātusamīkṣā'', and the 300-verse collection ''Śatakatraya''. Bhartrhari's philosophy is marked by the concept of "Shabda-Brahman", that the ultimate reality is expressed through words. He posited that language and cognition are linked and that by understanding grammar one can attain spiritual liberati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kudiyattam
Koodiyattam (; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mentioned several times in Sangam literature, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
