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Kathak
''Kathak'' is one of the eight major forms of Classical Indian dance, Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as ''Kathakar'' ("storyteller"), who communicated stories from the Hindu epics through dance, songs, and music. Its name derives from the Sanskrit word ''katha'' which means "story", and ''kathakar'' which means "the one who tells a story" or "to do with stories". 'Katha kahe so kathak kahave' - Kathak is the dance of story tellers. Stories are narrated through the medium of the body, face, hands, and feet in sync with the tabla and lehra. ''Kathak'' dancers tell various stories utilizing hand movements and extensive footwork, their body movements, and flexibility, as well as their Facial expression, facial expressions. ''Kathak'' often has a strong beat and can be danced in many taals. While proto-Kathak elements can be seen long before, ''Kathak'' evolved during the Bhakti movement, particularly by inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna Legends In Kathak
Kathak is a form of Indian classical dance. The dance style in its formative phase was inseparably linked with Krishna legend. The word Kathak comes from the word ''katha'' which means "story". History Kathak has been closely associated with Krishna's legends. The earliest mention of Kathak as an art form is found in the ''Arjuna-Vanavasa'' chapter of the ''Aadi-Parva'' of Mahabharata. In its initial phase, Kathak is regarded to have been a mimetic representation of Puranic literature accompanied with dance. Kathakas were ''Granthikas'' reciting stories related to Vishnu. When Krishna was identified with Vishnu, Granthikas began narrating Krishna-based stories. During this time, a rich musical theater form had grown out of the rich Krishna theater tradition of Mathura region. It is believed that ''Katha-Vachan'', the earliest form of Kathak was exclusively based on Krishna's legend. Forms of Krishna bhakti The bhakti centering on Krishna is of two forms: * ''Kanta bhava' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucknow
Lucknow () is the List of state and union territory capitals in India, capital and the largest city of the List of state and union territory capitals in India, Indian state of Uttar Pradesh and it is the administrative headquarters of the eponymous Lucknow district, district and Lucknow division, division. Having a population of 2.8 million as per 2011 census, it is the List of cities in India by population, eleventh most populous city and List of million-plus urban agglomerations in India, the twelfth-most populous urban agglomeration of India. Lucknow has always been a Multiculturalism, multicultural city that flourished as a North Indian cultural and artistic hub, and the seat of power of Nawabs in the 18th and 19th centuries. It continues to be an important centre of governance, administration, education, commerce, aerospace, finance, pharmaceuticals, information technology, design, culture, tourism, music, and poetry. Lucknow, along with Agra and Varanasi, is in the Uttar P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaipur
Jaipur (; , ) is the List of state and union territory capitals in India, capital and the List of cities and towns in Rajasthan, largest city of the north-western States and union territories of India, Indian state of Rajasthan. , the city had a population of 3.1 million, making it the List of cities in India by population, tenth most populous city in the country. Located from the national capital New Delhi, Jaipur is also known as the ''Pink City'' due to the dominant color scheme of its buildings in the old city. Jaipur was founded in 1727 by Sawai Jai Singh, Sawai Jai Singh II, the Kachhwaha, Kachhwaha Rajput ruler of Amer, India, Amer, after whom the city is named. It is one of the earliest planned cities of modern India, designed by Vidyadhar Bhattacharya. During the British Raj, British colonial period, the city served as the capital of Jaipur State. After Independence of India, Indian independence in 1947, Jaipur became the capital of the newly formed state of Rajas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', '' Kuchipudi'', '' Odissi'', '' Kathakali'', '' Sattriya'', '' Manipuri'' and '' Mohiniyattam''. Additionally, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uttar Pradesh
Uttar Pradesh ( ; UP) is a States and union territories of India, state in North India, northern India. With over 241 million inhabitants, it is the List of states and union territories of India by population, most populated state in India as well as the List of first-level administrative divisions by population, most populous country subdivision in the world – more populous than List of countries and dependencies by population, all but four other countries outside of India (China, United States, Indonesia, and Pakistan) – and accounting for 16.5 percent of the population of India or around 3 percent of the total world population. The state is bordered by Rajasthan to the west, Haryana, Himachal Pradesh and Delhi to the northwest, Uttarakhand and Nepal to the north, Bihar to the east, Madhya Pradesh, Chhattisgarh and Jharkhand to the south. It is the List of states of India by area, fourth-largest Indian state by area covering , accounting for 7.3 percent of the total ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Indian Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', ''Kuchipudi'', ''Odissi'', ''Kathakali'', ''Sattriya'', ''Manipuri dance, Manipuri'' and ''Mohiniyattam''. Addition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghungroo
A ghungroo (, ), also known as ghunghroo or ghunghru or ghungur (in Assamese and Bengali) or ghungura (in Odia) or Chilanka or Salangai or Gejje (in Malayalam, Tamil and Kannada respectively), is one of many small metallic bells strung together to form ghungroos, a musical anklet tied to the feet of classical Indian dancers. The sounds produced by ghungroos vary greatly in pitch depending on their metallic composition and size. Ghungroos serve to accentuate the rhythmic aspects of the dance and allow complex footwork to be heard by the audience. They are worn immediately above the ankle, resting on the lateral malleolus and medial malleolus. A string of ghungroos can range from 50 to greater than 200 bells knotted together. Novice children dancers may start with 50 and slowly add more as they grow older and advance in their technical ability. Ghungroos are worn in traditional performances of classical Indian dance forms such as Bharatnatyam, Kathak, Kuchipudi, Mohiniyattam, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nautch
The nautch (, meaning "dance" or "dancing" from Hindustani: "naach")Scott A. Kugle, 2016When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry p.230. was a popular court dance performed by girls (known as "nautch girls") in later Mughal and colonial India. The word "''nautch''" was a British corruption of "''Nach''", the Bengali word for dancing. In the early part of the 19th century, it was the resident Bengalis British supported and created elite with who they associated most with and they picked up their culture from them. The culture of the performing art of the nautch rose to prominence during the later period of Mughal Empire and the rule of the East India Company. Over time, the nautch travelled outside the confines of the imperial courts of the Mughals, the palaces of the nawabs and the princely states, and the higher echelons of the officials of the British Raj, to the palaces of zamindars. However under the British Raj they came to be reviled as lewd by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharmila Sharma Et Rajendra Kumar Gangani 2
Sharmila (Hindi : शर्मिला) is a Hindu/Sanskrit Indian popular feminine given name, which means "comfort", "joy" and"protection". Notable people named Sharmila * Sharmila Anandasabapathy, Sri Lankan-American physician * Sharmila Bhattacharya (born 1964), American-Nigerian doctor and NASA scientist * Sharmila Biswas (born 1962), Indian dancer and choreographer * Sharmila Chakraborty (born 1961), Indian cricketer * Sharmila Devar (born 1977), American actress * Sharmila Farooqi (born 1978), Pakistani politician * Sharmila M. Mukhopadhyay, Indian professor of material science * Sharmila Nicollet (born 1991), French-Indian golfer * Sharmila Rege (1964–2013), Indian sociologist, feminist and writer * Irom Chanu Sharmila (born 1972), Indian poet, political and civil rights activist * Sharmila Tagore (born 1944), Indian actress * Y. S. Sharmila (born 1973), Indian politician Notable people named Sarmila * Sarmila Bose (born 1959), Harvard Harvard Univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katha (storytelling Format)
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism. It often involves priest-narrators (''kathavachak'' or ''vyas'') who recite stories from Hindu religious texts, such as the Puranas, the Ramayana or Bhagavata Purana, followed by a commentary ('' Pravachan''). Kathas sometimes take place in households, involving smaller stories related to the '' Vrat'' Katha genre. The didactic Satyanarayan and Ramayana kathas instill moral values by revealing the consequences of human action (karma). History Each region of India has developed its own style and tradition of storytelling in local languages. Epics and puranas, ancient stories of wisdom told in Sanskrit, are the story material common to most regions. Performances are given in temples and at weddings and other religious (or social) functions. The single performer should be versatile in exposition and able to interestingly narrate humorous anecdotes. The storyteller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the ''raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them has their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and music. Thumari being a popular form o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
