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Partimen
The ''partimen'' (; ; also known as ''partia'' or ''joc partit'') is a cognate form of the French jeu-parti (plural ''jeux-partis''). It is a genre of Occitan lyric poetry composed between two troubadours, a subgenre of the ''tenso'' or ''cobla'' exchange in which one poet presents a dilemma A dilemma () is a problem offering two possibilities, neither of which is unambiguously acceptable or preferable. The possibilities are termed the ''horns'' of the dilemma, a clichéd usage, but distinguishing the dilemma from other kinds of p ... in the form of a question and the two debate the answer, each taking up a different side. Of the nearly 200 surviving Occitan debate songs, 120 are ''partimens'' and 75 are open ''tensos''. The ''partimen'' was especially popular in poetic contests. See also Torneyamen. References Further reading * Alfred Jeanroy, ''Les origines de la poésie lyrique en France au Moyen-Age'' (Paris, 1899, 3/1925) *Alfred Jeanroy: ''La poésie lyrique des tro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torneyamen
A ''torneyamen'' (; ; "tournament") or ''certamen'' was a lyric genre of the troubadours of the thirteenth century. Closely related to the '' tenso'', a debate between two poets, and the '' partimen'', a question posed by one poet and another's response, the ''torneyamen'' took place between several poets, originally usually three. The first three-way ''tenso'' was initiated by Raimbaut de Vaqueiras with Ademar de Peiteus and Perdigon. These wider ''tensos'' only became known as ''torneyamens'' later.Chambers, Frank M. (1985), ''An Introduction to Old Provençal Versification'' (Diane Publishing, ), p. 151–152. A ''tenso'' or ''partimen'' that was submitted to another troubadour for adjudication may have a poetic ''jutjamen'' (judgement) attached to it and so may be considered as a ''torneyamen'' between three. The ''torneyamen'', like the related debate forms, was probably especially common at contests, such as floral games and '' puys''. Many such ''tensos'' and ''part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeu-parti
The ''jeu-parti'' (plural ''jeux-partis'', also known as ''parture'') is a genre of France, French lyric poetry composed between two ''trouvères''. It is a cognate of the Occitan language, Occitan partimen (also known as ''partia'' or ''joc partit''). In the classic type, one poet poses a dilemma question in the opening stanza, his or her partner picks a side (the 'part') in the second stanza, which replicates the versification of the first and is sung to the same melody. Typically, the jeu-parti has six stanzas, with the two interlocutors alternating stanza by stanza. Many jeux-partis also have final partial stanzas in which one or both of the interlocutors appoint judges and call for judgement. The outcome, however, is virtually never given within the jeu-parti itself and would have been the subject of audience discussion after the jeu-parti's performance. The form was particularly associated with the Puy d'Arras. Over 200 examples survive, of which around 180 are in the classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, '' trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his '' De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) and since died out. The texts of troubado ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenso
A ''tenso'' (; ) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God ( Peire de Vic), the poet's horse ( Bertran Carbonel) or his cloak ( Gui de Cavalhon). Closely related, and sometimes overlapping, genres include: * the '' partimen'', in which more than two voices discuss a subject * the '' cobla esparsa'' or '' cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples * Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. * Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. * Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cobla Exchange
A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) authors like Bertran Carbonel and Guillem de l'Olivier.Simon Gaunt and Sarah Kay, edd. (1999), ''The Troubadours: An Introduction'' (Cambridge: Cambridge University Press, ). The term ''cobla triada'' is used by modern scholars to indicate a ''cobla'' taken from a longer poem and let stand on its own, but its original medieval meaning was a ''cobla esparsa'' taken from a larger collection of such poems, since ''coblas esparsas'' were usually presented in large groupings. Sometimes, two authors would write a cobla esparsa each, in a ''cobla'' exchange; this corresponds, in a shorter form, to the earlier ''tenso'' or ''partimen''.Martín de Riquer (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Ariel), 509ff. Whether such exch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria, as in literary genres, film genres, music genres, comics genres, etc. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. The proper use of a specific genre is important for a successful transfer of information ( media-adequacy). Critical discussion of genre perhaps began with a classification system for ancient Greek literature, as set out in Aristotle' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Occitan Language
Occitan (; ), also known by its native speakers as (; ), sometimes also referred to as Provençal, is a Romance language spoken in Southern France, Monaco, Italy's Occitan Valleys, as well as Spain's Val d'Aran in Catalonia; collectively, these regions are sometimes referred to as Occitania. It is also spoken in Calabria ( Southern Italy) in a linguistic enclave of Cosenza area (mostly Guardia Piemontese) named Gardiol, which is also considered a separate Occitanic language. Some include Catalan as a dialect of Occitan, as the linguistic distance between this language and some Occitan dialects (such as the Gascon language) is similar to the distance between different Occitan dialects. Catalan was considered a dialect of Occitan until the end of the 19th century and still today remains its closest relative. Occitan is an official language of Catalonia, Spain, where a subdialect of Gascon known as Aranese is spoken (in the Val d'Aran). Since September 2010, the Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on an instrument known as a kithara, a seven-stringed lyre (hence "lyric"). These three are not equivalent, though song lyrics ''are'' often in the lyric mode and Ancient Greek lyric poetry ''was'' principally chanted verse. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on syllable or on stress – two short syllables or one long syllable typically counting as equivalent – which is required for song lyrics in order to match lyrics wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subgenre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria, as in literary genres, film genres, music genres, comics genres, etc. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. The proper use of a specific genre is important for a successful transfer of information ( media-adequacy). Critical discussion of genre perhaps began with a classification system for ancient Greek literature, as set out in Aristotle's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dilemma
A dilemma () is a problem offering two possibilities, neither of which is unambiguously acceptable or preferable. The possibilities are termed the ''horns'' of the dilemma, a clichéd usage, but distinguishing the dilemma from other kinds of predicament as a matter of usage. Terminology The term ''dilemma'' is attributed by Gabriel Nuchelmans to Lorenzo Valla in the 15th century, in later versions of his logic text traditionally called ''Dialectica''. Valla claimed that it was the appropriate Latin equivalent of the Greek ''dilemmaton''. Nuchelmans argued that his probable source was a logic text of of George of Trebizond. He also concluded that Valla had reintroduced to the Latin West a type of argument that had fallen into disuse. Valla's neologism did not immediately take hold, preference being given to the established Latin term ''complexio'', used by Cicero, with ''conversio'' applied to the upsetting of dilemmatic reasoning. With the support of Juan Luis Vives, how ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Jeanroy
Alfred Jeanroy (5 July 1859 – 13 March 1953) was a French linguist. Jeanroy was a leading scholar studying troubadour poetry, publishing over 600 works. He established an influential view of the second generation of troubadours divided into two camps: “idealists” (e.g. Jaufre Rudel Jaufre Rudel (Jaufré in modern Occitan) was the prince of Blaye (''Princes de Blaia'') and a troubadour of the early- to mid-12th century, who probably died during the Second Crusade, in or after 1147. He is noted for developing the theme of ..., Ebles de Ventadorn) and “realists” (e.g. Marcabru).Amelia E. Van Vleck, ''The Lyric Texts'', p. 28, in ''A Handbook of the Troubadours'' (1995), F. R. P. Akehurst and Judith M. Davis editors. Selected works * 1893: ''Mystères provençaux du quinzième siècle'', publié avec une introduction et un glossaire par A. Jeanroy et H. Teulié, Toulouse, Privat. * 1913: ''Les chansons de Guillaume IX, duc d’Aquitaine: (1071–1127)'', Paris, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Medieval Lyric Forms
Western may refer to: Places *Western, Nebraska, a village in the US * Western, New York, a town in the US * Western Creek, Tasmania, a locality in Australia * Western Junction, Tasmania, a locality in Australia *Western world, countries that identify with shared "Western" culture *Western United States, a region of the United States Arts and entertainment Films * ''Western'' (1997 film), a French road movie directed by Manuel Poirier * ''Western'' (2017 film), a German-Austrian film Genres *Western (genre), a category of fiction and visual art centered on the American Old West ** Western fiction, the Western genre as featured in literature **Western film, the western genre in film **Western music (North America), a type of American folk music Music * ''Westerns'' (EP), an EP by Pete Yorn * WSTRN, a British hip hop group from west London *"Western" a song by Black Midi from '' Schlagenheim'' Business * The Western, a closed hotel/casino in Las Vegas, United States * Wester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
