|
Matrix (printing)
In the manufacture of metal type used in letterpress printing, a matrix (from the Latin meaning ''womb'' or ''a female breeding animal'') is the mould used to cast a letter, known as a sort. Matrices for printing types were made of copper. However, in printmaking the matrix is whatever is used, with ink, to hold the image that makes up the print, whether a plate in etching and engraving or a woodblock in woodcut. Description In letterpress or "cold metal" typesetting, used from the beginning of printing to the late nineteenth century, the matrix of one letter is inserted into the bottom of an adjustable-width hand mould, the mould is locked and molten type metal is poured into a straight-sided vertical cavity above the matrix. When the metal has cooled and solidified the mould is unlocked and the newly cast metal sort is removed. The matrix can then be reused to produce more copies of the sort.Meggs, Philip B. ''A History of Graphic Design.'' John Wiley & Sons, Inc. 1998. (pp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Type
In letterpress printing, wood type is movable type made out of wood. First used in China for printing body text, wood type became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes of metal type. Wood has been used since the earliest days of European printing for woodcut decorations and emblems, but it was not generally used for making typefaces due to the difficulty of reproducing the same shape many times for printing. In the 1820s, Darius Wells introduced mechanised wood type production using the powered router, and William Leavenworth in 1834 added a second major innovation of using a pantograph to cut a letter's shape from a pattern. This made it possible to mass-produce the same design in wood repeatedly. In the twentieth century lithography, phototypesetting and digital typesetting replaced it as a mass-market technology. It continues to be used by hobbyists and artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Print Matrix
A digital print matrix is the digital state from which a print art object can be instanced with original intent. The traditional term '' print matrix'' is the physical surface from which an image is printed, woodblock, plate, stone or screen. Although these may in themselves be produced digitally they comprise a traditional (physical) matrix. A digital matrix however is a repository of material which, stored digitally, is combined by the artist's hand and instanced with original intent; Philip George's “fluid diary” providing an early example.{{cite journal , author-last=George , author-first=Philip , date=April 2002 , title=Mnemonic Notations: A Decade of Art Practice within a Digital Environment. , journal=Leonardo , volume=35 , number=2 , pages=121–127 Technically the digital matrix comprises stable digital storage mechanisms (which retain the data when switched off) rather than volatile random access memory. Conceptually as there is no need for this storage to be in the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Western Typography
Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times. The basic elements of typography are at least as old as civilization and the earliest writing systems—a series of key developments that were eventually drawn together into one systematic craft. While woodblock printing and movable type had precedents in East Asia, typography in the Western world developed after the invention of the printing press by Johannes Gutenberg in the mid-15th century. The initial spread of printing throughout Germany and Italy led to the enduring legacy and continued use of blackletter, roman, and italic types. Medieval design roots Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. Handwritten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a " sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface " Bauer Bodoni" (sample shown here) includes fonts "Roman" (or "Regular"), " Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metro (typeface)
Metro is a sans-serif typeface family created by William Addison Dwiggins and released by the American Mergenthaler Linotype Company from 1929 onwards. Metro was Dwiggins's first typeface, which he created at the age of 49 after establishing himself as one of the pre-eminent lettering artists and book designers of the early 20th century. In 1928, Dwiggins wrote ''Layout in Advertising'', in which he criticized the lack of "good" sans-serif types available. Harry L. Gage, assistant director of typography at Linotype, reviewed the book, and in 1929 he offered to hire Dwiggins to design the "good" sans-serif he felt was lacking. Dwiggins was brought in as a consultant and quickly established a rapport with Chauncey H. Griffith, the company's head of type design, who would manage the production of all his typefaces for the rest of his career. Metro was inspired by a wave of new "geometric" sans-serif designs such as Futura, which had attracted attention for their basis on simple geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Body Text
__NOTOC__ The body text or body copy is the text forming the main content of a book, magazine, web page, or any other printed or digital work. This is as a contrast to both additional components such as headings, images, charts, footnotes etc. on each page, and also the pages of front matter that form the introduction to a book. Body text has two slightly different meanings, depending on context. A book designer, concerned with the overall sequence of a book, regards it as those pages that form the majority of a book, containing the ''body of text'' or '' body matter''. A typesetter concerned instead with the layout of text on a page sees 'body text' as being those sections of the main text that are flowed into columns or justified as paragraphs, as distinct from the headings and any pictures that are floated out of the main body. Book design The 'body matter' is the group of pages that contain the body of the text of the book. The front matter comes before it, containing title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantograph
A pantograph (, from their original use for copying writing) is a mechanical linkage connected in a manner based on parallelograms so that the movement of one pen, in tracing an image, produces identical movements in a second pen. If a line drawing is traced by the first point, an identical, enlarged, or miniaturized copy will be drawn by a pen fixed to the other. Using the same principle, different kinds of pantographs are used for other forms of duplication in areas such as sculpting, minting, engraving, and milling. Because of the shape of the original device, a pantograph also refers to a kind of structure that can compress or extend like an accordion, forming a characteristic rhomboidal pattern. This can be found in extension arms for wall-mounted mirrors, temporary fences, pantographic knives, scissor lifts, and other scissor mechanisms such as the pantograph used on electric locomotives and trams. History The ancient Greek engineer Hero of Alexandria described ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Display Typeface
A display typeface is a typeface that is intended for use at large sizes for headings, rather than for extended passages of body text. Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text. They may take inspiration from other genres of lettering, such as handpainted signs, calligraphy or an aesthetic appropriate to their use, perhaps ornamented, exotic, abstracted or drawn in the style of a different writing system. Several genres of font are particularly associated with display setting, such as slab serif, script font, reverse-contrast and to a lesser extent sans serif. Walter Tracy defines display typefaces in the metal type sense as "sizes of type over 14 point" and in design that "text types when enlarged can be used for headings, display types, if reduced, cannot be used for text setting." Titling fonts are a subset of display typefaces which are typically used for headline ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrix (journal)
Whittington Court is an Elizabethan manor house, five miles east of Cheltenham in Gloucestershire, England. Adjacent to the house is the Whittington parish church which dates from the 12th century and now dedicated to St Bartholomew. The origins of the site are unclear, but probably date back to Anglo-Saxon times; however, in 1948 the remains of a Roman villa were found in an adjacent field. The current building was probably begun by Richard Cotton's son John Cotton in 1556 on an earlier moated site. It was completed in anticipation of Queen Elizabeth I's visit to the house in 1592 en route to Sudeley Castle. Subsequently, passed to Sir John Denham, who married Anne Cotton and died 1669, and was Surveyor General to Charles II. It then passed through the female line to the Earls of Derby and by the mid-late 18th century belonged to Thomas Tracey the Member of Parliament for Gloucester, who died in 1770. Misses Timbrell and Mrs. Rebecca Lighbourne inherited the property ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justin Howes
Justin Howes (1963–2005) was a British historian of printing and lettering. Howes was a curator of the Type Museum of London and wrote on the work of Edward Johnston and William Caslon; his book ''Johnston's Underground Type'' on the Johnston lettering commissioned and used by London Underground and its predecessors remains the standard work on the topic. He also worked as a book and font designer and was working on a PhD at the time of his death. The St Bride Foundation holds the annual Justin Howes Memorial Lecture Justin may refer to: People * Justin (name), including a list of persons with the given name Justin * Justin (historian), a Latin historian who lived under the Roman Empire * Justin I (c. 450–527), or ''Flavius Iustinius Augustus'', Eastern R ... at which scholars and practitioners of typography are invited to present a talk. References External links Tyndale Society obituaryMicrosoft Typography linkson Howes' work English historians English art hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Wood Type")
