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Mockumentary
A mockumentary (a portmanteau of ''mock'' and ''documentary'') is a type of film or television show depicting fictional events, but presented as a Documentary film, documentary. Mockumentaries are often used to analyze or comment on current events and issues in a satirical way by using a fictional setting, or to parody the documentary form itself. The term originated in the 1960s but was popularized in the mid-1990s when ''This Is Spinal Tap'' director Rob Reiner used it in interviews to describe that film. While mockumentaries are comedy, comedic, pseudo-documentary, pseudo-documentaries are their dramatic equivalents. However, pseudo-documentary should not be confused with docudrama, a fictional genre in which dramatic techniques are combined with documentary elements to depict real events. Nor should either of those be confused with docufiction, a genre in which documentaries are contaminated with fictional elements. Mockumentaries are often presented as historical documenta ...
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Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary film, documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in Real time (media), real time, filmed when the events take place, and in which the main character (arts), character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a num ...
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Luis Buñuel
Luis Buñuel Portolés (; 22 February 1900 – 29 July 1983) was a Spanish and Mexican filmmaker who worked in France, Mexico and Spain. He has been widely considered by many film critics, historians and directors to be one of the greatest and most influential filmmakers of all time. Luis Buñuel filmography, Buñuel's works were known for their avant-garde surrealism which were also infused with political commentary. Often associated with the surrealist movement of the 1920s, Buñuel's career spanned the 1920s through the 1970s. He collaborated with prolific surrealist painter Salvador Dali on ''Un Chien Andalou'' (1929) and ''L'Age d'Or'' (1930). Both films are considered masterpieces of surrealist cinema. From 1947 to 1960, he honed his skills as a director in Mexico, making grounded and human melodramas such as ''Gran Casino'' (1947), ''Los Olvidados'' (1950) and ''Él (film), Él'' (1953). Here is where he gained the fundamentals of storytelling. Buñuel then transitioned ...
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The War Of The Worlds (radio)
"The War of the Worlds" was a Halloween episode of the radio series ''The Mercury Theatre on the Air'' directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel ''The War of the Worlds'' (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938, over the CBS Radio Network. The episode is infamous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The first half of Welles's broadcast had a "breaking news" style of storytelling which, alongside the ''Mercury Theatre on the Air'' lack of commercial interruptions, meant that the first break in the drama came after all of the alarming "news" reports had taken place. Popular legend holds that some of the radio audience may have been listening to '' The Chase and Sanborn Hour'' with Edgar Bergen on NBC and tuned in to "The War of the Worlds" during ...
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Documentary Film
A documentary film (often described simply as a documentary) is a nonfiction Film, motion picture intended to "document reality, primarily for instruction, education or maintaining a Recorded history, historical record". The American author and Media studies, media analyst Bill Nichols (film critic), Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Research into information gathering, as a behavior, and the sharing of knowledge, as a concept, has noted how documentary movies were preceded by the notable practice of documentary photography. This has involved the use of singular Photograph, photographs to detail the complex attributes of History, historical events and continues to a certain degree to this day, with an example being the War photography, conflict-related photography achieved by popular figures such as Mathew Brady during the Am ...
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Spaghetti Tree
The spaghetti-tree hoax was a three-minute hoax report broadcast on April Fools' Day 1957 by the BBC current-affairs programme ''Panorama (British TV programme), Panorama'', purportedly showing a family in southern Switzerland harvesting spaghetti from a "spaghetti tree". At the time of the report's broadcast, spaghetti was relatively unknown in the United Kingdom, and a number of viewers contacted the BBC afterwards for advice on growing their own spaghetti trees. Decades later, CNN called this broadcast "the biggest hoax that any reputable news establishment ever pulled". Broadcast The news report was produced as an April Fools' Day joke in 1957, and presented a family in the canton of Ticino in southern Switzerland gathering a bumper spaghetti harvest after a mild winter and "virtual disappearance of the spaghetti weevil". Footage of a traditional "Harvest Festival" was aired along with a discussion of the breeding necessary to develop a strain to produce the perfect length ...
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Cinéma Vérité
Cinéma vérité (, , ) is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about '' Kino-Pravda''. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth. History Cinéma vérité can ...
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Pseudo-documentary
A pseudo-documentary or fake documentary is a film or video production that takes the form or style of a documentary film but does not portray real events. Rather, scripted and fictional elements are used to tell the story. The pseudo-documentary, unlike the related mockumentary, is not always intended as satire or humor. It may use documentary camera techniques but with fabricated sets, actors, or situations, and it may use digital effects to alter the filmed scene or even create a wholly synthetic scene. Film Orson Welles gained notoriety with his radio show and hoax '' War of the Worlds'' which fooled listeners into thinking the Earth was being invaded by Martians. Film critic Jonathan Rosenbaum says this is Welles' first pseudo-documentary. Pseudo-documentary elements were subsequently used in his feature films. For instance, Welles created a pseudo-documentary newsreel which appeared within his 1941 film ''Citizen Kane'', and he began his 1955 film, '' Mr. Arkadin'', with a ps ...
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Docudrama
Docudrama (or documentary drama) is a genre of television show, television and feature film, film, which features Drama (film and television), dramatized Historical reenactment, re-enactments of actual events. It is described as a hybrid of documentary and drama and "a fact-based representation of real event". Docudramas typically strive to adhere to known historical facts, while allowing some degree of Artistic license, dramatic license in peripheral details, such as when there are gaps in the historical record. Dialogue may, or may not, include the actual words of Reality, real-life people, as recorded in historical documents. Docudrama producers sometimes choose to film their reconstructed events in the actual locations in which the historical events occurred. A docudrama, in which historical fidelity is the keynote, is generally distinguished from a film merely "List of films based on actual events, based on true events", a term which implies a greater degree of dramatic lic ...
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Peter Watkins
Peter Watkins (born 29 October 1935) is an English filmmaker, documentarian, writer, and Film theory, film theorist. He is known as a pioneer of the docudrama and the mockumentary genres, typically with heavy political content. His films present pacifist and radical ideas in a nontraditional style. He mainly concentrates his works and ideas around the mass media and our relation/participation to a movie or television documentary. Nearly all of Watkins' films have used a combination of dramatic and documentary elements to dissect historical occurrences or possible near future events. The first of these, ''Culloden (film), Culloden'', portrayed the Jacobite uprising of 1745 in a documentary style, as if television reporters were interviewing the participants and accompanying them into battle; a similar device was used in his biographical film ''Edvard Munch (film), Edvard Munch''. ''La Commune (Paris, 1871), La Commune'' reenacts the Paris Commune days using a large cast of French ...
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The War Game
''The War Game'' is a 1966 British pseudo-documentary film that depicts a nuclear war and its aftermath. Written, directed and produced by Peter Watkins for the BBC, it caused dismay within the BBC and within government, and was withdrawn before the provisional screening date of 6 October 1965. The corporation said that "the effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting. It will, however, be shown to invited audiences..." The film premiered at the National Film Theatre in London, on 13 April 1966, where it ran until 3 May. It was then shown abroad at several film festivals, including Venice where it won the Special Prize. It won the Academy Award for Best Documentary Feature in 1967. The film was eventually televised in Great Britain on 31 July 1985, during the week before the fortieth anniversary of the Hiroshima bombing, the day before a repeat screening of '' Threads''. Synopsis The film begins by describing Britain' ...
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Portmanteau
In linguistics, a blend—also known as a blend word, lexical blend, or portmanteau—is a word formed by combining the meanings, and parts of the sounds, of two or more words together.Garner's Modern American Usage
p. 644.
English examples include '' smog'', coined by blending ''smoke'' and ''fog'', and '''', from ''motor'' ('' motorist'') and ''hotel''. A blend is similar to a
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Privilege (film)
''Privilege'' is a 1967 British musical film, musical science fiction film, science fiction comedy-drama film directed by Peter Watkins, starring English singer Paul Jones (singer), Paul Jones and model Jean Shrimpton. It tells the story of a famous popstar, Steven Shorter, who is used as a tool by the state to divert people from political activity, and keep the population in check. It was produced by John Heyman. Johnny Speight wrote the story, and Norman Bogner wrote the script. Plot The story is presented as a narrated documentary, set in a near-future 1970s England, and concerning a disillusioned pop singer, Steven Shorter, who is the most loved celebrity in the country. His stage show involves him appearing on stage in a jail cell with handcuffs, beaten by police, to the horror and sympathy of the audience. It is described that the two main parties of England have formed a coalition government and encourage the success of Shorter to placate the masses and divert them from p ...
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