Installation Art
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Installation Art
Installation art is an artistic genre of three-dimensional works that are often site-specific art, site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap. History Installation art can be either temporary or permanent. Installation artworks have been constructed in exhibition spaces such as museums and galleries, as well as public and private spaces. The genre incorporates a broad range of everyday and natural materials, which are often chosen for their ":wikt:evocative, evocative" qualities, as well as new media such as video, sound, performance, immersive virtual reality and the internet. Many installations are Site-Specific Art, site-specific in that they are designed to exist only in the space for which they were created, appealing to qualities evident in a Three-dimension ...
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Three-dimensional Space
In geometry, a three-dimensional space (3D space, 3-space or, rarely, tri-dimensional space) is a mathematical space in which three values ('' coordinates'') are required to determine the position of a point. Most commonly, it is the three-dimensional Euclidean space, that is, the Euclidean space of dimension three, which models physical space. More general three-dimensional spaces are called '' 3-manifolds''. The term may also refer colloquially to a subset of space, a ''three-dimensional region'' (or 3D domain), a '' solid figure''. Technically, a tuple of numbers can be understood as the Cartesian coordinates of a location in a -dimensional Euclidean space. The set of these -tuples is commonly denoted \R^n, and can be identified to the pair formed by a -dimensional Euclidean space and a Cartesian coordinate system. When , this space is called the three-dimensional Euclidean space (or simply "Euclidean space" when the context is clear). In classical physics, it serve ...
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Gutai Group
The was a Japanese avant-garde artist group founded in the Hanshin region by young artists under the leadership of the painter Jirō Yoshihara in Ashiya, Japan, in 1954. It operated until shortly after Yoshihara's death in 1972. The group, today one of the most internationally-recognized instances of 20th century Japanese art, is best known for the broad range of experimental art forms combining painting with performance, conceptual, interactive, site-specific, theatrical and installation artworks, which its members explored in unconventional venues such as public parks and on stage. The members’ engagement with the relationship between spirit, human body and material, often concretized in artistic methods that involved the artist’s body and violent gestures. Fueled by Yoshihara’s ambitions, global scope and strategic awareness, Gutai’s exhibitions and publications reached audiences around the world, realizing what Yoshihara called an “international common ground” o ...
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