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Gutai Group
The was a Japanese avant-garde artist group founded in the Hanshin region by young artists under the leadership of the painter Jirō Yoshihara in Ashiya, Japan, in 1954. It operated until shortly after Yoshihara's death in 1972. The group, today one of the most internationally-recognized instances of 20th century Japanese art, is best known for the broad range of experimental art forms combining painting with performance, conceptual, interactive, site-specific, theatrical and installation artworks, which its members explored in unconventional venues such as public parks and on stage. The members’ engagement with the relationship between spirit, human body and material, often concretized in artistic methods that involved the artist’s body and violent gestures. Fueled by Yoshihara’s ambitions, global scope and strategic awareness, Gutai’s exhibitions and publications reached audiences around the world, realizing what Yoshihara called an “international common ground” o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Jiro Yoshihara
was a Japanese painter, art educator, curator, and businessman. Mainly known for his gestural abstract impasto paintings from the 1950s and Zen-painting inspired hard-edge ''Circles'' beginning in the 1960s, Yoshihara's oeuvre also encompasses drawings, murals, sculptures, calligraphy, ink wash paintings, ceramics, watercolors, and stage design. Yoshihara was a key figure of postwar Japanese art and culture through his work as painter, art educator, promoter of the arts, and networker between the arts, commerce, and industry in the Kansai region and beyond, and, especially, as the leader of the postwar avant-garde art collective Gutai Art Association, which he co-founded in 1954. Under Yoshihara's guidance, Gutai explored radically experimental approaches, including outdoor exhibitions, performances, onstage presentations, and interactive works. Fueled by Yoshihara's global ambitions, Gutai developed artistic strategies to communicate internationally and insert themselves into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tsuruko Yamazaki
was a Japanese artist, known for her bold artistic experiments with abstract visual styles and non-traditional materials. She was a co-founder and the longest-standing female member of the Gutai Art Association, an avant-garde artists' collective established by Jirō Yoshihara. Biography Yamazaki was born in 1925 in Ashiya, Hyōgo, Japan. In 1947, she attended a three-day summer art workshop directed by Yoshihara.Tiampo, Ming. "The Contents of 'Emptiness', Tsuruko Yamazaki's Gutai Years." In ''Tsuruko Yamazaki. Beyond Gutai: 1957-2009''. Paris: Almine Rech Gallery, 2010. Impressed by Yoshihara's radically novel approach to art, Yamazaki began studying with him and eventually became a member of Gutai upon its establishment under his leadership. Yamazaki had been an active member of the Gutai group since its founding in 1954. She regularly participated in Gutai's Outdoor Exhibitions, performance events, and Gutai Art Exhibitions. As Gutai gradually garnered interest in the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Jean Fautrier
Jean Fautrier (; May 16, 1898 – July 21, 1964) was a French painter, illustrator, printmaker, and sculptor. He was one of the most important practitioners of Tachisme. Early life Jean Fautrier was born in Paris in 1898. He was given his unwed mother's surname, and raised by his grandmother until she and his father both died in 1908. He then moved to London to be with his mother.Grove Art Online. There, in 1912, he began to study at the Royal Academy of Arts. Unsatisfied by instruction he thought too rigid, he left to study briefly at the Slade School, which was reputed to be more avant-garde. He was disappointed again and decided to teach himself, devoting himself to painting. The works he saw in the Tate Gallery made a far greater impression on him; he especially admired the paintings of J. M. W. Turner. He was called up for the French Army in 1917, but was discharged in 1921 due to his poor health. He first exhibited his paintings at the Salon d'Automne in 1922 and at the Fab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Abstract Expressionism
Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralism, Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates. Key figures in the New York School (art), New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis (artist), Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos, and Lee Krasner among others. The movement was not limited to painting but included influential collagists and sculptors, such as David Smith (sculptor), David Smith, Louise Nevelson, and others. Abstract expressionism was notably influenced by the spontaneous and subconscious creation met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Informalism
Informalism or Art Informel () is a pictorial movement from the 1943–1950s, that includes all the abstract and gestural tendencies that developed in France and the rest of Europe during the World War II, similar to American abstract expressionism started 1946. Several distinguishing trends are identified within the movement such as lyrical abstraction, matter painting, New Paris School, tachisme and art brut. The French art critic Michel Tapié coined the term "art autre" (other art) in the homonymous In linguistics, homonyms are words which are either; ''homographs''—words that mean different things, but have the same spelling (regardless of pronunciation), or ''homophones''—words that mean different things, but have the same pronunciatio ... book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the early 1950s. Its use in the expression of political ideologies in South Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
