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Folktronica
Folktronica is a genre of indie electronic music comprising various elements of folk music and electronica, often featuring uses of acoustic instruments—especially stringed instruments—deploying hip hop, electronic or dance rhythms, and incorporating delicate, textural sound design, although it varies based on influences and choice of sounds.Smyth, David (23 April 2004). "Electrifying folk: Folktronica, new folk, fuzzy folk – call it what you will. Laptops are replacing lutes to create a whole new sound", ''Evening Standard'', p. 31. Empire, Kitty (27 April 2003). "Up front on the verge: Four Tet, aka Kieran Hebden", ''The Observer'', p. 14. ''The Ashgate Research Companion to Popular Musicology'' describes folktronica as "a catch-all ermfor all manner of artists who have combined mechanical dance beats with elements of acoustic rock or folk". The 1991 album '' Every Man and Woman is a Star'' by Ultramarine was described in a 2014 PopMatters article as a progeni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Folk Music
Contemporary folk music refers to a wide variety of genres that emerged in the mid-20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the United States and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. While the Romantic nationalism of the first folk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Tet
Kieran Miles David Hebden (born September 1977), known as Four Tet, is an English electronic musician. He came to prominence as a member of the post-rock band Fridge before establishing himself as a solo artist with charting and critically acclaimed albums such as '' Rounds'' (2003), '' Everything Ecstatic'' (2005) and '' There Is Love in You'' (2010). In addition to his twelve studio albums as Four Tet, Hebden's work includes a number of improvisational works with jazz drummer Steve Reid and collaborations with Burial and Thom Yorke. Alongside his own recordings, Hebden has produced albums by American improvisational group Sunburned Hand of the Man and Syrian dabke singer Omar Souleyman, and arranged the 2021 Madlib album '' Sound Ancestors''. He has also remixed tracks by artists including Aphex Twin, Bicep, Explosions in the Sky, Bloc Party, Super Furry Animals, Radiohead, Ellie Goulding, J Dilla, Lana Del Rey, Manic Street Preachers, Sia, Black Sabbath and Madvi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibio
Stephen James Wilkinson (born 4 December 1978), better known as Bibio, is an English musician and producer. He is known for a distinct analog lo-fi sound, and for working in a diverse range of genres, beginning in folktronica and ambient and later stretching to include instrumental hip hop, indie pop, electronica, soul, funk, and alternative R&B. He currently releases music on Warp Records, and previously released on Mush Records. Biography and career Beginnings at Mush Records (1999–2009) A resident of Wolverhampton in the West Midlands, England, Wilkinson developed a passion for experimental music during his time at Middlesex University in London from 1999 to 2003, where he studied "sonic arts". His earliest songs were mainly layered guitar compositions inspired by Steve Reich's ''Electric Counterpoint'', one of his earliest being "Cantaloup Carousel", which was originally recorded in 1999 at his university residence. His recording equipment at the time consisted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultramarine (band)
Ultramarine are an English electronic music duo, formed in 1989 by Ian Cooper and Paul Hammond. Their work blends elements of techno, house and ambient music with acoustic instrumentation, the influence of the 1970s Canterbury scene, and other eclectic sources. They are best known for their 1991 album '' Every Man and Woman Is a Star'', reissued on Rough Trade the following year. Biography Cooper and Hammond first worked together in the band, A Primary Industry, during the mid-1980s. Following the split of that band, they formed Ultramarine and released their debut album ''Folk'' in April 1990 on the Belgian label Les Disques du Crépuscule. The duo's second long player, '' Every Man and Woman Is a Star'' (initially released in 1991 by Brainiak Records and reissued as an expanded version by Rough Trade in 1992), was described by music writer Simon Reynolds in his book ''Energy Flash'' as "Perhaps the first and best stab at that seeming contradiction-in-terms, pastoral te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: Origins and UK scene The original widespread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intelligent Dance Music
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Múm
Múm (stylized in lowercase) () is an Icelandic indietronica band whose music is characterized by soft vocals, electronic glitch beats and effects, and a variety of traditional and unconventional instruments. History The band was formed in 1997 by original members Gunnar Örn Tynes and Örvar Þóreyjarson Smárason, who were joined by twin sisters Gyða and Kristín Anna Valtýsdóttir. According to Kristín, the band's name was not intended to mean anything. Gyða left the band to return to her studies after the release of '' Finally We Are No One''. In early 2006, Kristín also left the band, although it was not officially announced until 23 November of that year. With only Tynes and Smárason remaining in the group, a large group of new musicians were brought on board: guitarist/vocalist/violinist Ólöf Arnalds, trumpet/ keyboard player Eiríkur Orri Ólafsson, vocalist/ cellist Hildur Guðnadóttir, percussionist Samuli Kosminen, and multi-instrumentalist/vocalis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time ( ) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's Roland TR-808 and Roland TR-909 are highly prized, and software emulations of such retro instruments are popular in this style. Much of the instrumentation in techno is used to emphasize the role of rhythm over other musical aspects. Vocals and melodies are uncommon. The use of sound synthesis in developing distinctive timbres tends to feature more prominently. Typical harmonic practices found in other forms of music are often ignored in favor of repetitive sequences of notes. More generally the creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
