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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time ( ) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's Roland TR-808 and Roland TR-909 are highly prized, and software emulations of such retro instruments are popular in this style. Much of the instrumentation in techno is used to emphasize the role of rhythm over other musical aspects. Vocals and melodies are uncommon. The use of sound synthesis in developing distinctive timbres tends to feature more prominently. Typical harmonic practices found in other forms of music are often ignored in favor of repetitive sequences of notes. More generally the creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Techno
Dub techno is a subgenre of electronic music that originated in the early 1990s, blending the repetitive, minimal structures of techno with the echo-laden, spacey production techniques of dub music. It is notable for its deep, atmospheric soundscapes, layers of elaborate basslines, slowly developing musical phrases featuring heavy delay and reverb effects. Vocals are either absent, or inspired by dub and ambient music. Origins and evolution Dub techno appeared as a combination of two distinct musical movements: dub music from 1960s-1970s Jamaica and techno from 1980s Detroit area of the USA. Dub music evolved from reggae, characterized by slow tempo, instrumental remixes featuring heavy reverb, delay, deep bass and a laid-back, organic feel. Techno, pioneered by Juan Atkins, Derrick May, and Kevin Saunderson in Detroit, used much faster-paced synthetic sounds and repetitive structures aimed at dance floors of nightclubs. By the early 1990s, these seemingly opposite genres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, James Pennington and Robert Hood. Artists like Terrence Parker and his lead vocalist, Nicole Gregory, set the tone for Detroit's piano techno house sound. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like Geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal Techno
Minimal techno is a subgenre of techno music. It is characterized by a stripped-down aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell (musician), Daniel Bell.Sicko, D., ''Techno Rebels: The Renegades of Electronic Funk'', Billboard Books, 1999, (pp. 199–200). By the early 2000s the term "minimal" generally described a style of techno that was popularized in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others. Origins Minimal techno first emerged in the early 1990s. The development of the style is often attributed to a so-called "second wave" of American producers associated with Detroit techno. According to Derrick May (musician), Derrick May, "while the first-wave artists were enjoying their early global success, techno also inspired many up-and-coming DJs and bedroom producers in Det ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Techno
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, The Orb, The Future Sound of London, the Black Dog, Pete Namlook and Biosphere. Characteristics and influences AllMusic states that ambient techno, building off the ambient house scene, blended the "soaring, layered, aquatic atmospheres of beatless and experimental ambient" with techno's "well-produced, thin-sounding electronics." Artists fused the "environmentalist" work of Brian Eno, Jon Hassell, and Wendy Carlos with the rhythms of urban dance styles such as techno and acid house. Ambient techno artists returned to the instruments of the Detroit techno and Chicago house scenes, including analogue synthesizers, the Roland TB-303 bass machine, and the TR-909 drum machine. Common elements included heavily reverbed string pads and subtle d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a genre of electronic dance music characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground Clubbing (subculture), club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat. House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded to New York City, then internationally to cities such as London, and ultimately became a worldwide phenomenon. House has a large influence on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic music, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the New wave music, new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore (electronic Dance Music Genre)
Hardcore (also known as hardcore techno) is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos (160 to 200 BPM or more) and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of industrial have directly influenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Techno
Industrial techno is a subgenre of techno and industrial dance music that originated in the 1990s. Characteristically, it incorporates influences from the bleak, noisy sound and aesthetics of early industrial music acts, particularly Cabaret Voltaire (band), Cabaret Voltaire and Throbbing Gristle. American industrial music label Wax Trax! Records, Wax Trax! also had a profound influence over the genre's development. History The origins of industrial techno date back to the early 1980s with the work of Japanese musician Ryuichi Sakamoto, then a member of Yellow Magic Orchestra. According to ''Fact (UK magazine), Fact'' and ''Louder Than War'', Sakamoto's solo album ''B-2 Unit'' (1980) anticipated the sounds of industrial techno. Some of the earliest musical projects in the genre include the band Final Cut (band), Final Cut, formed by Jeff Mills and Anthony Srock in Detroit during the late 1980s. Their 1989 debut industrial-techno album ''Deep into the Cut'' was described by ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bleep Techno
Bleep techno (or simply bleep) is a regional subgenre of techno which developed in the late 1980s in Northern England, particularly Yorkshire. Named after its minimalistic synthesizer sounds, bleep techno combined influences from American techno and house, with electro elements and heavy sub-bass inspired by reggae sound system culture. The style was commercially successful between 1989 and 1991, and became associated with artists on the Sheffield label Warp Records. It has been characterized as the first unique British style of electronic dance music. Style Bleep techno is a sparse, cold subgenre of techno primarily defined by minimalistic electro-style synthesizer tones (the eponymous "bleeps") and heavy sub-bass inspired by dub and reggae sound systems. The genre's short, melodic synthesizer tones have resemblance to futuristic science fiction noises or pocket calculator sounds. In addition to aspects of Detroit techno and Chicago house, the style also commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trance Music
Trance is a genre of electronic dance music that emerged from Electronic body music, EBM in Frankfurt, Germany, in the late 1980s and early 1990s, and quickly spread throughout Europe. Trance music is typically characterized by a tempo between 120 and 150 beats per minute (BPM), repeating Melodic music, melodic Phrase (music), phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, House music, house, Chill-out music, chill-out, classical music, tech house, Ambient music, ambient and film music, film scores. A trance is a state of Hypnosis, hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of modern trance music is a mid-song climax followed by a soft breakdow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid Techno
Acid techno, sometimes known generally as "acid", is a genre of techno that was derived from acid house and developed in Europe in the late 1980s to early 1990s. It saw younger artists apply the "squelching" synthesizer sound of Chicago acid house to harder-edged techno material. Acid Techno, ''Allmusic'', Macrovision Corporation, retrieved 22 November 2009 Characteristics The acid style was obtained largely through Roland instruments, most prominently the TB-303 bass synthesizer. The term ''Acid'' specifically refers to the harsh "acidic" squelching sound of the Roland 303.Nash, Rob (2009)Techno: Encyclopedia of Modern Music, ''The Sunday Times Culture's Encyclopedia of Modern Music'', 1 February 2009, retrieved 22 November 2009 The acid sound is achieved by turning up the filter resonance and turning down the cutoff frequency parameters of the synthesizer, along with programming the 303's accent, slide, and octave parameters. In addition to acid records imported from the US, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (also known as electro-funk, and sometimes referred to as electro-pop) Globaldarkness.com. Retrieved on July 18, 2011. is a genre of electronic dance music that emerged in the early 1980s. It is defined by the prominent use of the Roland TR-808 drum machine, and draws direct influence from early hip hop and funk music. Electro music is typically characterized by synthetic beats, robotic textures, and minimal or electronically processed vocals—often delivered through vocoders or talkboxes. Unlike its boogie predecessor, which emphasized vocal elements, electro focused more on rhythm and machine-generated sound. The genre arose as the popularity of disco waned in the U.S., blending funk and early hip hop elements with influences from New York's boogie scene and electronic pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
