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Foregrounding
Foregrounding is a concept in literary studies that concerns making a linguistic utterance (word, clause, phrase, phoneme, etc.) stand out from the surrounding linguistic context, from given literary traditions, or from more urban knowledge. It is "the 'throwing into relief' of the linguistic sign against the background of the norms of ordinary language." There are two main types of foregrounding: parallelism and deviation. Parallelism can be described as unexpected regularity, while deviation can be seen as unexpected irregularity. As the definition of foregrounding indicates, these are relative concepts. Something can only be unexpectedly regular or irregular within a particular context. This context can be relatively narrow, such as the immediate textual surroundings (referred to as a 'secondary norm'), or wider such as an entire genre (referred to as a 'primary norm'). Foregrounding can occur on all levels of language (phonology, graphology, morphology, lexis, syntax, semantics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Van Peer
Willie van Peer is professor emeritus in the Faculty of Languages and Literature at the Ludwig-Maximilians-University in Munich, Germany. He is a linguist, literary scholar, and one of the founders of the empirical study of literature. Van Peer has published extensively in his main areas of research: foregrounding, narratology, literary evaluation, literary theory, emotion in literature and intimate relations in literature. Van Peer was Vice President of the International Association of Empirical Aesthetics (IAEA, 1996–1998), Chair of the Poetics and Linguistics Association (PALA, 2000–2003) and President of the International Society for the Empirical Study of Literature (IGEL, 2004–2006). He was (co-)editor of the series Linguistic Approaches tLiterature(2000–2010) and founding editor of '' Scientific Study of Literature'' (2011). ''Directions in Empirical Literary Studies'' was published in his honour in 2008. Van Peer's PhD and the book ''Stylistics and Psychology. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stylistics (linguistics)
Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings. For example, the vernacular, or everyday language, may be used among casual friends, whereas more formal language, with respect to grammar, pronunciation or accent, and lexicon or choice of words, is often used in a cover letter and résumé and while speaking during a job interview. As a discipline, stylistics links literary criticism to linguistics. It does not function as an autonomous domain on its own, and it can be applied to an understanding of literature and journalism as well as linguistics. Sources of study in stylistics may range from canonical works of writing to popular texts, and from advertising copy to news, non-fiction, and popular culture, as wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallelism (grammar)
In grammar, parallelism, also known as parallel structure or parallel construction, is a balance within one or more sentences of similar phrases or clauses that have the same grammatical structure. The application of parallelism affects readability and may make texts easier to process. Parallelism may be accompanied by other figures of speech such as antithesis, anaphora, asyndeton, climax, epistrophe, and symploce."Rhetorical Figures in Sound: Parallelism" ''American Rhetoric'' from the original on 15 January 2018. Examples Compare the following examples: All of the above examples are grammatically correct, even if they ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viktor Shklovsky
Viktor Borisovich Shklovsky ( rus, Ви́ктор Бори́сович Шкло́вский, p=ˈʂklofskʲɪj; – 6 December 1984) was a Russian and Soviet literary theorist, critic, writer, and pamphleteer. He is one of the major figures associated with Russian formalism. Viktor Shklovsky's ''Theory of Prose'' was published in 1925. Shklovsky himself is still praised as "one of the most important literary and cultural theorists of the twentieth century" (Modern Language Association Prize Committee); "one of the most lively and irreverent minds of the last century" (David Bellos); "one of the most fascinating figures of Russian cultural life in the twentieth century" (Tzvetan Todorov) Life Shklovsky was born in St. Petersburg, Russia. His father was a Lithuanian Jews, Lithuanian Jewish mathematician (with ancestors from Shkloŭ, Shklov) who converted to Russian Orthodox Church, Russian Orthodoxy and his mother was of German-Russian origin. He attended St. Petersburg University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linguistics
Linguistics is the scientific study of language. The areas of linguistic analysis are syntax (rules governing the structure of sentences), semantics (meaning), Morphology (linguistics), morphology (structure of words), phonetics (speech sounds and equivalent gestures in sign languages), phonology (the abstract sound system of a particular language, and analogous systems of sign languages), and pragmatics (how the context of use contributes to meaning). Subdisciplines such as biolinguistics (the study of the biological variables and evolution of language) and psycholinguistics (the study of psychological factors in human language) bridge many of these divisions. Linguistics encompasses Outline of linguistics, many branches and subfields that span both theoretical and practical applications. Theoretical linguistics is concerned with understanding the universal grammar, universal and Philosophy of language#Nature of language, fundamental nature of language and developing a general ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetorical Device
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. They seek to make a position or argument more compelling than it would otherwise be. Sonic devices Sonic devices depend on sound. Sonic rhetoric is used as a clearer or swifter way of communicating content in an understandable way. Sonic rhetoric delivers messages to the reader or listener by prompting a certain reaction through auditory perception. Alliteration Alliteration is the repetition of the sound of an initial consonant or consonant cluster in subsequent syllables. Assonance Assonance is the repetition of similar vowel sounds across neighbouring words. Consonance Consonance is the repetition of consonant sounds acro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Rhetorical Terms
Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms. A *'' Accumulatio'' – the emphasis or summary of previously made points or inferences by excessive praise or accusation. *'' Actio'' – canon #5 in Cicero's list of rhetorical canons; traditionally linked to oral rhetoric, referring to how a speech is given (including tone of voice and nonverbal gestures, among others). *'' Ad hominem'' – rebutting an argument by attacking the character, motive, or other attribute of the person making it rather than the substance of the argument itself. *'' Adianoeta'' – a phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one (more commonly known as double e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slogan
A slogan is a memorable motto or phrase used in a clan or a political, commercial, religious, or other context as a repetitive expression of an idea or purpose, with the goal of persuading members of the public or a more defined target group. The '' Oxford Dictionary of English'' defines a slogan as "a short and striking or memorable phrase used in advertising". A slogan usually has the attributes of being memorable, very concise and appealing to the audience. Etymology The word ''slogan'' is derived from ''slogorn'', which was an Anglicisation of the Scottish Gaelic and Irish ( 'army', 'host' and 'cry').Merriam-Webster (2003), p. 1174. Irish George E. Shankel's (1941, as cited in Denton 1980) research states that "English-speaking people began using the term by 1704". The term at that time meant "the distinctive note, phrase or cry of any person or body of persons". Slogans were common throughout the European continent during the Middle Ages; they were used primarily as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nursery Rhyme
A nursery rhyme is a traditional poem or song for children in Britain and other European countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes. From the mid-16th century nursery rhymes began to be recorded in English plays, and most popular rhymes date from the 17th and 18th centuries. The first English collections, '' Tommy Thumb's Song Book'' and a sequel, '' Tommy Thumb's Pretty Song Book'', were published by Mary Cooper in 1744. Publisher John Newbery's stepson, Thomas Carnan, was the first to use the term Mother Goose for nursery rhymes when he published a compilation of English rhymes, ''Mother Goose's Melody, or Sonnets for the Cradle'' (London, 1780). History Lullabies The oldest children's songs for which records exist are lullabies, intended to help a child fall asleep. Lullabies can be found in every human culture. The English term lullaby is thought to come from "lu, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Luis Borges
Jorge Francisco Isidoro Luis Borges Acevedo ( ; ; 24 August 1899 – 14 June 1986) was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish literature, Spanish-language and international literature. His best-known works, () and (), published in the 1940s, are collections of short stories exploring motifs such as dreams, labyrinths, Indeterminism, chance, infinity, archives, mirrors, fictional writers and mythology. Borges's works have contributed to philosophical literature and the fantasy genre, and have had a major influence on the magical realism, magical realist movement in 20th century Latin American literature.Theo L. D'Haen (1995) "Magical Realism and Postmodernism: Decentering Privileged Centers", in: Louis P. Zamora and Wendy B. Faris, ''Magical Realism: Theory, History and Community''. Duhan and London, Duke University Press, pp. 191–208. Born in Buenos Aires, Borges later moved with his family to Switzerland in 1914, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defamiliarization
Defamiliarization or ''ostranenie'' ( rus, остранение, p=ɐstrɐˈnʲenʲɪjə) is the artistic technique of presenting to audiences common things in an unfamiliar or strange way so they could gain new perspectives and see the world differently. According to the Russian formalists who coined the term, it is the central concept of art and poetry. The concept has influenced 20th-century art and theory, ranging over movements including Dada, postmodernism, epic theatre, science fiction, and philosophy; additionally, it is used as a tactic by recent movements such as culture jamming. Coinage The term "defamiliarization" was first coined in 1917 by Russian formalist Viktor Shklovsky in his essay "Art as Device" (alternate translation: "Art as Technique"). Shklovsky invented the term as a means to "distinguish poetic from practical language on the basis of the former's perceptibility." Essentially, he is stating that poetic language is fundamentally different than the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
