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Cantaor
The cante flamenco (), meaning "flamenco singing", is one of the three main components of flamenco, along with ''toque'' (playing the guitar) and ''baile'' (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the ''cante'' which is the heart and soul of the genre. A ''cante'' singer is a ''cantaor'' or ''cantaora''. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the '' can ...
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Concurso De Cante Jondo
El Concurso del Cante Jondo (Contest of the Deep Song) was a fiesta of flamenco arts, music, song, and dance, held in Granada in 1922. Conceived and initiated by composer Manuel de Falla, it enjoyed early and strong support from the poet Federico García Lorca. The two-day evening event was held outdoors at the Alhambra. The show included the best of well-known flamenco artists, but the contest's prize money was reserved for amateur performers. Producing the artistic event Falla's purpose The Spanish classical composer Manuel de Falla (1876–1946) was the principal organizer of the ''Concurso''. He sought to encourage and enhance the music of ''cante jondo'' (literally "deep song", referring to a key element of flamenco, as opposed to "cante chico", the "lighter" more accessible element), which he sensed had fallen into a period of decadence. Falla simply recognized in flamenco an art form of great beauty and drive. The composer had devoted years developing his intuitive ability ...
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