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Night Shift
A night shift is either a group of workers night working, or the period in which they work. Night Shift, Nightshift, or The Night Shift may also refer to: Film, TV, and video games Film * ''Night Shift'' (1944 film), a French-Italian film directed by Jean Faurez * ''Night Shift'' (1982 film), an American film, one of Ron Howard's earliest directorial efforts * ''The Night Shift'' (film), a 2011 American zombie comedy film * ''Night Shift'' (2018 film), a Russian comedy film * ''Night Shift'' (2020 film), a 2020 Franco-Belgian film * ''Night Shift'' (2023 film), 2023 American horror film * Nightshift (film), a 2020 Philippine horror film Television * ''Night Shift'' (Hong Kong TV series), a Hong Kong crime thriller * ''Night Shift'' (Irish TV programme), a 2006–2008 Irish musical TV programme broadcast on Channel 6 * ''Night Shift'' (British TV series), a British TV series shown late at night on ITV in 1992–1994 and again in 1998 * ''The Night Shift'' (TV series), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night Shift (video Game)
''Night Shift'' is a video game developed by Attention to Detail and published in 1990 by Lucasfilm Games. It is an action game where the hero is a worker in a factory owned by Industrial Might and Logic (a parody of Industrial Light & Magic). The player's character ensures that the factory is working properly as it cranks out ''Star Wars'' action figures, including those of stormtroopers and Darth Vader. The object of the game is to always ensure the factory is working properly, and to move into increasingly better homes. Development Developed by Jon Dean, Chris Gibbs, Fred Gill, John Steele, Jim Torjussen, and Martin Green, the game was first conceived as ''Fixit'', revolving around a factory worker trying to keep a machine nicknamed "Beast" from breaking down, while simultaneously needing to charge it with a bicycle-based generator every few minutes. Inspired by Gibbs' childhood love of engineering, who built upon the idea and suggested that they have the player run through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night Shift
The shift plan, rota or roster (esp. British) is the central component of a schedule (workplace), shift schedule in shift work. The schedule includes considerations of shift overlap, shift change times and alignment with the clock, vacation, training, shift differentials, holidays, etc. The shift plan determines the sequence of work (W) and free (F) days within a shift system. Notation A notation used often identifies day (D), swing (S) and night (N) shifts for the W days and O (off) for rest days. ; W: work days :; D: day shift, 1st shift, early shift :: This shift often occurs from either 06:00 or 07:00 to either 14:00 or 15:00 for eight-hour shifts, and from 06:00 to 18:00 for twelve-hour shifts. :; S: swing shift, 2nd shift, late shift, back shift, afternoon shift :: This shift often occurs from either 14:00 or 15:00 to either 22:00 or 23:00 for eight-hour shifts, and is not used with twelve-hour shifts. :; N: night shift, 3rd shift, graveyard shift :: This shift often occu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Dinnerladies Episodes
'' dinnerladies'' is a British sitcom that was created and written by Victoria Wood. It was broadcast on BBC One in the United Kingdom, and ran for two series from 1998 to 2000, totalling sixteen episodes. The programme depicts the day-to-day lives of staff in the canteen of a factory in Manchester, and the developing relationship between Brenda Furlong (Wood) and canteen manager Tony Martin ( Andrew Dunn), as well as their colleagues: prudish Dolly Bellfield ( Thelma Barlow) and her friend Jean ( Anne Reid), snarky Twinkle (Maxine Peake), ditzy Anita ( Shobna Gulati) and maintenance man Stan Meadowcroft ( Duncan Preston). Celia Imrie and Julie Walters also appear as HR manager Philippa and Bren's mother respectively. Although the show features many other secondary characters, scenes never take place outside the canteen set, with other situations either being described by characters or (in the penultimate and final episodes) watched by the characters on a television. The fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juju (Siouxsie And The Banshees Album)
''Juju'' is the fourth studio album by British rock band Siouxsie and the Banshees. It was recorded at Surrey Sound studio with Nigel Gray as co-producer, and was released on 19 June 1981 by Polydor Records. Two singles were released from ''Juju'': " Spellbound" and " Arabian Knights". The album was commercially successful in the UK. It was acclaimed by critics upon its release, with praise given particularly to John McGeoch's unconventional guitar playing and Siouxsie's vocal performances. It remains a critical favourite and is seen as a landmark album of post-punk. Background After the slightly electronic bent of their previous album, 1980's ''Kaleidoscope'', Siouxsie and the Banshees returned to a guitar-based sound for ''Juju'', due to the presence of now-official guitarist McGeoch. The album also prominently featured the intricate percussion work of band member Budgie. According to Steven Severin: "''Juju'' was the first time we'd made a "concept" album that drew on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rastaman Vibration
''Rastaman Vibration'' is the eighth studio album by Jamaican reggae band Bob Marley and the Wailers, released in April 1976. Critical reception Reviewing for ''Rolling Stone'' in 1976, Robert Palmer said that on the album Marley consummately performs "a dual role as spokesman for the Third World's disadvantaged and avatar of a highly commercial brand of popular music". While lacking the forceful, intricate quality of the Wailers' past line-up, "the sensitive, careful listener will learn from ''Rastaman Vibration'' something of the pain, rage and determination of Shantytown, Jamaica, and perhaps something of the community's political and cultural fragmentation as well", Palmer concluded. '' Village Voice'' critic Robert Christgau said if the record's first side "makes it seem that reggae has turned into the rasta word for boogie—even to a Trenchtown tragedy recited with all the toughness of an imprecation against litter—the unimpassioned sweetness of most of side two sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turboweekend
Turboweekend is a Danish synthesizer rock band, formed in 2006 by the three childhood friends Martin Øhlers Petersen, Silas Bjerregaard and Morten Køie. Anders Stig Møller joined the live shows in 2009, and was made official member in 2011 during the recordings of their latest studio album Fault Lines. Early achievements and ''Night Shift'' (2006–2008) Morten, Martin and Silas formed their first band in 8th grade and in the following years played together in several different constellations before forming Turboweekend in late 2005. "Into You" the band's first radio hit, was recorded in early 2006, and Turboweekend played their debut concert in April that year. During 2006 the band became increasingly popular at the Copenhagen hipster parties, and was eventually booked for Roskilde Festival 2007. The debut album ''Night Shift'' was released on 1 October 2007 on Copenhagen Records. In 2008 the band played at Danish radio award show "P3 Guld" and was nominated as ''Newcomer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Night Shift (concert)
The Night Shift is the name given to a series of concerts run by the Orchestra of the Age of Enlightenment. As a Resident Orchestra at the Southbank Centre, the first Night Shift took place on 22 May 2006 at the Queen Elizabeth Hall. Since then there have been fifteen further concerts at venues including the Queen Elizabeth Hall, Royal Festival Hall, The Roundhouse and the Corn Exchange, Brighton Dome. The Night Shift aims to "present classical music in a new way to attract an audience that rarely or never attends classical music". It is characterised by its lack of formalities traditionally associated with classical music and key features include the following: * Pre and post concert entertainment such as DJs, Folk music, Folk and Jazz groups, VJ (video performance artist), VJs and dance * Drinks promotions and drinks allowed in the concert hall, * A relaxed atmosphere in the concert hall; the audience is encouraged to move, talk and clap as they wish. * The concert is presen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |