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Zé Ramalho Canta Beatles
''Zé Ramalho Canta Beatles'' is the fifth tribute album by Brazilian solo artist Zé Ramalho, and the fourth consecutive one. This time, he pays a tribute to The Beatles, including six tracks from all members' solo careers. The album cover is inspired by the cover of their ''With the Beatles'' album. It is not the first time Ramalho covers The Beatles. Before releasing albums, he made shows in small parties of Paraíba (his state of origin) in which he performed Beatles songs. Later, he also released covers of "The Fool on the Hill" and "This Boy "This Boy" is a song by the English rock band the Beatles, written by John Lennon (credited to Lennon–McCartney). It was released in November 1963 as the B-side of the band's Parlophone single "I Want to Hold Your Hand". In the United States, ...". Track listing References Album at Ramalho's official website 2011 albums Zé Ramalho albums The Beatles tribute albums {{Brazil-album-stub ...
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Zé Ramalho
Zé Ramalho (born José Ramalho Neto on October 3, 1949 – Brejo do Cruz, Paraíba, Brazil) is a Brazilian composer and performer. Zé Ramalho has collaborated with various major Brazilian musicians, including Vanusa, Geraldo Azevedo and Alceu Valença. As with many musicians back in his younger days, he was first influenced by rock and roll; however, at the age of 20, his music took a more traditional Northeastern Brazilian approach. Zé Ramalho's lyrics however, are very influenced by the socio-economic difficulties faced by the average Brazilian. Zé Ramalho is the first cousin of Elba Ramalho, a Brazilian composer and performer. Biography Early life: 1949–1974 Zé Ramalho was born to Estelita Torres Ramalho, an elementary school teacher, and Antônio de Pádua Pordeus Ramalho, a Seresta performer. When he was two years old, his father drowned in a reservoir of the sertão, and he was then adopted by his grandfather. His love for his grandfather would later b ...
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Carry That Weight
"Carry That Weight" is a song by the English rock band the Beatles from their 1969 album ''Abbey Road''. Written by Paul McCartney and credited to Lennon–McCartney, it is the seventh and penultimate song in the album's climactic side-two medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. It is preceded by "Golden Slumbers" and segues into "The End". The middle bridge—featuring brass instruments, electric guitar, and vocals—reprises the beginning of " You Never Give Me Your Money", but with different lyrics. The ending also reprises the arpeggiated guitar motif from the end of that track. Interpretation Music critic Ian MacDonald interpreted the lyrics as an acknowledgement by the group that nothing they would do as individual artists would equal to what they had achieved together, and they would always carry the weight of their Beatle past. McCartney said the song was about the Beatles' business difficulties and the atmosphe ...
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Another Day (Paul McCartney Song)
"Another Day" is a song by English rock musician Paul McCartney that was released as the A-side of a non-album single in February 1971. It was his debut single as a solo artist following the Beatles break-up in 1970. McCartney credited his wife Linda as a co-writer on the song, triggering legal action from ATV on behalf of the publishing companies Northern Songs and Maclen Music. The lyrics describe the daily routine of a lonely woman, using an observational style similar to McCartney's narrative in the 1966 ballad "Eleanor Rigby". McCartney recorded "Another Day" in New York City during the sessions for his and Linda's 1971 album ''Ram''. The single was an international hit, peaking at number 2 in the United Kingdom, number 5 in the United States, and topping charts in Australia and France. The song was dismissed by many music critics, however, who found it inconsequential and reflective of McCartney having a conservative outlook. In addition to appearing on several McCartney com ...
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Jealous Guy
"Jealous Guy" is a song written and originally recorded by the English rock musician John Lennon from his second studio album '' Imagine'' (1971). Not released as a single during Lennon's lifetime, it became an international hit in a version by Roxy Music issued in early 1981; this version reached number one in the United Kingdom and Australia and was a top-10 hit in several European countries. Lennon's own version was subsequently issued as a single and charted in the United States and UK. Lennon began writing the song in 1968, when, as "Child of Nature", it was among the many songs demoed by the Beatles before they recorded their self-titled double album (also known as the "White Album"). The lyrics were originally inspired by a lecture given by Maharishi Mahesh Yogi in early 1968, when the Beatles attended his spiritual retreat in Rishikesh, India. In January 1969, The Beatles (primarily John) jammed the song during their ''Get Back'' / ''Let It Be'' recording sessions, whe ...
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God (John Lennon Song)
"God" is a song by the English musician John Lennon, from his first post-The Beatles, Beatles solo album, ''Plastic Ono Band (John Lennon album), John Lennon/Plastic Ono Band''. The album was released on 11 December 1970 in the United States and the United Kingdom. The song references the Beatles and other cultural phenomenons. Meaning There are three sections in the song. In the first section, John Lennon describes God as "a concept by which we measure our pain". In the second, Lennon chants a list of things he does not believe in, ending by stating that he just believes in himself (individuality) and his wife (Yoko Ono, Yoko). He rejects Magic (paranormal), magic, the ''I Ching'', the Bible, tarot, Adolf Hitler, Hitler, Jesus, John F. Kennedy, Kennedy, Gautama Buddha, the Buddha, mantra, the ''Bhagavad Gita, Gita'', yoga, kings, Elvis Presley, Elvis, Bob Dylan, Zimmerman (Bob Dylan), and his former band (the Beatles). The final section describes Lennon's change since the brea ...
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Isn't It A Pity
"Isn't It a Pity" is a song by English rock musician George Harrison from his 1970 solo album ''All Things Must Pass''. It appears in two variations there: one the well-known, seven-minute version; the other a reprise, titled "Isn't It a Pity (Version Two)". Harrison wrote the song in 1966, but it was rejected for inclusion on releases by the Beatles. In many countries around the world, the song was also issued on a double A-side single with " My Sweet Lord". In America, ''Billboard'' magazine listed it with "My Sweet Lord" when the single topped the Hot 100 chart, while in Canada, "Isn't It a Pity" reached number 1 as the preferred side. An anthemic ballad and one of Harrison's most celebrated compositions, "Isn't It a Pity" has been described as the emotional and musical centrepiece of ''All Things Must Pass'' and "a poignant reflection on The Beatles' coarse ending". Co-produced by Phil Spector, the recording employs multiple keyboard players, rhythm guitarists and percussi ...
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Beware Of Darkness (song)
"Beware of Darkness" is a song by English rock musician George Harrison from his 1970 triple album ''All Things Must Pass''. It is the opening track on the second disc of the album. The lyrics warn against allowing illusion to get in the way of one's true purpose in life, an admonition that, like the content of "My Sweet Lord", reflects the influence of Harrison's association with the Radha Krishna Temple. Several critics recognise the song as one of the best tracks on ''All Things Must Pass''. Harrison performed "Beware of Darkness" with Leon Russell at the Concert for Bangladesh in 1971. Eric Clapton performed it in tribute to Harrison at the Concert for George in 2002. The song has also been recorded by Leon Russell, Marianne Faithfull, Spock's Beard, Concrete Blonde, Matthew Sweet and Susanna Hoffs, and Sheryl Crow. Background and inspiration "Beware of Darkness" was one of the more recent songs included on ''All Things Must Pass'', George Harrison's first post-Beatles sol ...
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While My Guitar Gently Weeps
"While My Guitar Gently Weeps" is a song by the English rock band the Beatles from their 1968 double album ''The Beatles (album), The Beatles'' (also known as the "White Album"). It was written by George Harrison, the band's lead guitarist, as an exercise in randomness inspired by the Chinese ''I Ching''. The song conveys his dismay at the world's unrealised potential for universal love, which he refers to as "the love there that's sleeping". The song also serves as a comment on the disharmony within the Beatles after their return from The Beatles in India, studying Transcendental Meditation in India in early 1968. This lack of camaraderie was reflected in the band's initial apathy towards the composition, which Harrison countered by inviting his friend and occasional collaborator, Eric Clapton, to contribute to the recording. Clapton Overdubbing, overdubbed a lead guitar part, although he was not formally credited for his contribution. Harrison first recorded it with a sparse b ...
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Dear Prudence
"Dear Prudence" is a song by the English rock band the Beatles from their 1968 double album ''The Beatles'' (also known as "the White Album"). The song was written by John Lennon and credited to the Lennon–McCartney partnership. Written in Rishikesh during the group's trip to India in early 1968, it was inspired by actress Mia Farrow's sister, Prudence Farrow, who became obsessive about meditating while practising with Maharishi Mahesh Yogi. Her designated partners on the meditation course, Lennon and George Harrison, attempted to coax Farrow out of her seclusion, which led to Lennon writing the song. Lennon wrote "Dear Prudence" using a finger-picking guitar technique that he learned from singer-songwriter Donovan. Its lyrics are simple and innocent and celebrate the beauty of nature. The Beatles recorded the song at Trident Studios in late August 1968 as a three-piece after Ringo Starr temporarily left the group out of protest at McCartney's criticism of his drumming on " B ...
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Your Mother Should Know
"Your Mother Should Know" is a song by the English rock band The Beatles, from their 1967 EP and LP, ''Magical Mystery Tour''. It was written by Paul McCartney and credited to Lennon–McCartney. Titled after a line in the 1961 film ''A Taste of Honey'', its lyrical premise centres on the history of hit songs across generations. McCartney said he wrote it as a plea for generational understanding and respect for a mother's life experience. In the ''Magical Mystery Tour'' television film, the song serves as a big production number in the style of a 1930s Hollywood musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails. "Your Mother Should Know" is written in the music hall style, as was McCartney's earlier composition, "When I'm Sixty-Four". The initial sessions for "Your Mother Should Know" took place at Chappell Recording Studios in London, towards the end of August. The group were visited there by th ...
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A Day In The Life
"A Day in the Life" is a song by the English rock band the Beatles that was released as the final track of their 1967 album '' Sgt. Pepper's Lonely Hearts Club Band''. Credited to Lennon–McCartney, the opening and closing sections of the song were mainly written by John Lennon, with Paul McCartney primarily contributing the song's middle section. All four Beatles shaped the final arrangement of the song. Lennon's lyrics were mainly inspired by contemporary newspaper articles, including a report on the death of Guinness heir Tara Browne. The recording includes two passages of orchestral glissandos that were partly improvised in the avant-garde style. In the song's middle segment, McCartney recalls his younger years, which included riding the bus, smoking, and going to class. Following the second crescendo, the song ends with one of the most famous chords in popular music history, played on several keyboards, that sustains for over forty seconds. A reputed drug reference i ...
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In My Life
"In My Life" is a song by the English Rock music, rock band the Beatles, released on their 1965 studio album, ''Rubber Soul''. Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which there is dispute over the primary author; John Lennon wrote the lyrics, but he and Paul McCartney later disagreed over who wrote the melody. George Martin contributed the piano solo bridge. According to Lennon, "In My Life" was his "first real major piece of work" because it was the first time he wrote about his own life. In 2000, ''Mojo magazine, Mojo'' named "In My Life" the best song of all time. ''Rolling Stone'' ranked it number 23 on its 2004 list of "Rolling Stone's 500 Greatest Songs of All Time, The 500 Greatest Songs of All Time", and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' "100 Greatest Songs". Lyrics In a 1980 interview, Lennon referred to this song as his "first real major piece of work" because it ...
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