Zen Nippon Kendō Renmei Iaidō
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Zen Nippon Kendō Renmei Iaidō
Zen Nippon Kendō Renmei Iaidō is the ''iaidō'' style of the All Japan Kendo Federation (AJKF, ''Zen Nippon Kendo Renmei'' or ZNKR). This style of standardised ''iaido'' is also known as ''Seitei Iaido'' (制定 居合道) or ''Zenkenren Iaido'' (全剣連 居合道).Zen Nippon Kendo Renmei Iai, English Version Manual 5th edition, published March 2014, by All Japan Kendo Federation, Tokyo, Japan. History The AJKF was founded in 1952, immediately following the restoration of Japanese independence and the subsequent lift of the ban on martial arts in Japan. To popularise ''iaido'' and to make it easier for ''kendo'' practitioners to learn ''iaido'', an expert committee was established by the AJKF to review the situation. The committee subsequently selected the basic techniques from major ''iaido'' schools to form the curriculum of ''Zen Nippon Kendo Renmei Iaido''. In 1969, the AJKF introduced its ''seitei'' curriculum of seven standardised ''iaido kata''.Zen Nippon Kendo Renmei I ...
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Iaidō
, abbreviated , is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks.Christensen, Karen and Allen Guttmann et.al (2001) ''International Encyclopedia of Women and Sports: H-R''. Macmillan Reference USA, Page 553. Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard.John Nauright, Charles Parrish, edited (2012) ''Sports Around the World: History, Culture, and Practice''. ABC-CLIO. Page 226. While beginning practitioners of iaido may start learning with a wooden sword ( bokutō 木刀) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or ''mogitō''.Armstrong, Hunter B. (1995) ''The koryu Bujutsu Experience'' in Koryu Bujutsu: Classical Warrior Traditions of ...
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All Japan Kendo Federation
The is the governing body for Kendo in Japan, overseeing its development, competitions, and regulations across the country. Founded in 1952 and officially formed on March 14, 1954, it is a member of the International Kendo Federation and plays a central role in promoting and standardizing Kendo, Jōdō, and Iaido. The AJKF is responsible for organizing national tournaments, conducting grading examinations, fostering traditional values, and overseeing the coordination of regional federations across Japan's 47 prefectures. History The AJKF was founded in the aftermath of World War II, during which kendo was banned by the Allied Occupation forces due to its association with militarism. The AJKF was officially formed on March 14, 1954. Its primary mission is to promote and standardize kendo, iaido, and jodo across Japan. In 1970, the AJKF played a central role in founding the International Kendo Federation (FIK), aiming to foster global interest and standardization in these mart ...
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Kendo
is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords ( shinai) as well as protective armor ( bōgu). It began as samurai warriors' customary swordsmanship exercises, and today, it is widely practiced within Japan and has spread to many other nations across the world. History Swordsmen in Japan established schools of ''kenjutsu'' (the ancestor of kendo). These continued for centuries and form the basis of kendo practice today.. Formal kendo exercises known as ''kata'' were developed several centuries ago as ''kenjutsu'' practice for warriors. They are still studied today, in a modified form. The introduction of bamboo practice swords and armor to sword training is attributed to during the Shotoku Era (1711–1715). Naganuma developed the use of this armor and established a training method using bamboo swords. , third son of Naganuma and the eighth headmaster of the Kashima Shinden Jik ...
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Musō Jikiden Eishin-ryū
is a Japanese sword art school and one of the most widely practiced schools of iai in the world. Often referred to simply as "Eishin-ryū," it claims an unbroken lineage dating back from the sixteenth century to the early 20th century. 17th undisputed headmaster, Oe Masaji, awarded at least 16 licenses of full transmission,#ym2004, Yamakoshi 2004 resulting in the school fracturing into multiple legitimate branches. The school takes its name from its seventh sōke, headmaster, Hasegawa Chikaranosuke Hidenobu (長谷川主税助英信), who had founded Hasegawa Eishin-ryū.#in2002, Iwata 2002: 96 ‘Musō Jikiden Eishin-ryū’ means ‘peerless, directly transmitted school of Eishin.’ ‘Eishin’ is an alternative pronunciation of ‘Hidenobu.’ History The founder of the earlier school Eishin-ryū was Hayashizaki Jinsuke Minamoto no Shigenobu (林崎甚助源の重信). Hayashizaki was born in Dewa Province, Ōshū (present-day Yamagata Prefecture).#kc2006, Kishimoto 2006 ...
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Musō Shinden-ryū
is a style of sword-drawing art (''iaido'') founded by Nakayama Hakudō (中山博道) in 1932. Nakayama Hakudō studied under Hosokawa Yoshimasa, a master of the ''Shimomura'' branch (下村派) of Hasegawa Eishin-ryū, and Morimoto Tokumi, a fellow student of Ōe Masaji of the ''Tanimura'' branch (谷村派). The name Musō Shinden-ryū most likely comes from the name given to the ''Shimomura'' branch by Hosokawa, Musō Shinden Eishin-ryū (無雙神傳英信流). Particularities The ''kata'' from Musō Shinden-ryū have a number of differences from the ''kata'' of its sister art, Musō Jikiden Eishin-ryū. Among the most visible are the manner in which the ''furikaburi'' (raising the sword overhead, sometimes called ''furikamuri'') and the ''nōtō'' (sheathing) are done. Both arts also differ from many other ''iaijutsu'' schools in that the ''kiai'' is performed silently, without ''hassei'' (shouting). Furikaburi After striking with one hand, primarily on ''nukitsuke'' (c ...
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Parry (fencing)
A parry is a fencing bladework maneuver intended to deflect or block an incoming attack. Execution To execute a parry, fencers strike the opponent's foible (fencing), foible, or the area near the tip of the blade, with their forte (fencing), forte, or the part of the blade near the bell guard (or handle) of the weapon. This deflects the opponent's blade away from them, protecting them and placing them in a good position to strike back. Approximations of the precise parries are made often during bouts, but are usually accurate enough to be classed as parries. In épée, because of absence of priority rules (see right-of-way), a parry can be classed as any deflection of the blade that prevents the opponent's attack from landing. Use The primary function of a parry is to prevent an opponent's attack from landing. During a bout, parries are commenced from the "en garde" (neutral) position, when an opponent's attack is considered threatening. A parry is usually followed by a ''ripo ...
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Hilt
The hilt (rarely called a haft or shaft) is the handle of a knife, dagger, sword, or bayonet, consisting of a guard, grip, and pommel. The guard may contain a crossguard or quillons. A tassel or sword knot may be attached to the guard or pommel. Pommel The pommel ( Anglo-Norman "little apple") is an enlarged fitting at the top of the handle. They were originally developed to prevent the sword from slipping from the hand. From around the 11th century in Europe, they became heavy enough to be a counterweight to the blade. This gave the sword a point of balance not too far from the hilt, allowing a more fluid fighting style. Depending on sword design and swordsmanship style, the pommel may also be used to strike the opponent (e.g. using the Mordhau technique). Pommels have appeared in a wide variety of shapes, including oblate spheroids, crescents, disks, wheels, and animal or bird heads. They are often engraved or inlayed with various designs and occasionally gilt and moun ...
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Tsuki
derives from the verb , meaning "to thrust". The second syllable is accented, with Japanese's unvoiced vowels making it pronounced almost like " ski" (but preceded by a "t" sound). In Japanese martial arts and Okinawan martial arts, ''tsuki'' is used to refer to various thrusting techniques. Tsuki in Karate In karate and its variants, the term ''tsuki'' is used as a part of a compound word for any one of a variety of thrusting techniques (usually punches). It is never used as a stand-alone term to describe a discrete technique. For example, ''gyaku seiken chudan-tsuki'', more commonly referred to as ''chudan-tsuki'' (段突), refers to a mid-level (''chudan'') punch (''tsuki'') executed with the rear (''gyaku'') arm. Note that in a compound word, where ''tsuki'' does not come first, its pronunciation and writing changes slightly due to rendaku, and it is pronounced as "''zuki''" (and is sometimes transliterated that way). Performing a Choku-Tsuki (Straight Punch) in Karate ...
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Battōjutsu
is an old term for iaijutsu (居合術). ''Battōjutsu'' is often used interchangeably with the terms ''iaijutsu'' and ''battō'' (抜刀).Armstrong, Hunter B. (1995) "The Koryu Bujutsu Experience" in ''Koryu Bujutsu: Classical Warrior Traditions of Japan'' (ed. Diane Skoss). Koryu Books. Page 32. Generally, ''battōjutsu'' is practiced as a part of a classical '' ryū'' and is closely integrated with the tradition of ''kenjutsu''. It is practised with a live blade (''katana''), often simply as solo kata. The training is for combative effectiveness, through factors such as distancing, timing and targeting. As such, ''battōjutsu'' is not intended for sport-like kendo. List of schools Koryu school: * Shinmei Muso Ryu Battōjutsu (神明夢想流 抜刀術), founded by Hayashizaki Jinsuke (Minamoto no) Shigenobu(林崎甚助(源)重信) (c. 1542–1621) * Sekiguchi Ryu Battōjutsu (or Iai) (関口流抜刀術), founded by Sekiguchi Ujinari (関口氏業) (1636–1716) Gendai s ...
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Kenjutsu
is an umbrella term for all ('' ko-budō'') schools of Japanese swordsmanship, in particular those that predate the Meiji Restoration. Some modern styles of kendo and iaido that were established in the 20th century also included modern forms of kenjutsu in their curriculum. Kenjutsu, which originated with the samurai class of feudal Japan, means "methods, techniques, and the art of the Japanese sword". This is opposed to kendo, which means "the way of the sword" and uses a bamboo sword ( shinai) and protective armour ( bōgu). The exact activities and conventions undertaken when practicing ''kenjutsu'' vary from school to school, where the word school here refers to the practice, methods, ethics, and metaphysics of a given tradition, yet commonly include practice of battlefield techniques without an opponent and techniques whereby two practitioners perform ''kata'' (featuring full contact strikes to the body in some styles and no body contact strikes permitted in others). Co ...
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Kendō
is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords (shinai) as well as protective armor (bōgu). It began as samurai warriors' customary swordsmanship exercises, and today, it is widely practiced within Japan and has spread to many other nations across the world. History Swordsmen in Japan established schools of ''kenjutsu'' (the ancestor of kendo). These continued for centuries and form the basis of kendo practice today.. Formal kendo exercises known as ''kata'' were developed several centuries ago as ''kenjutsu'' practice for warriors. They are still studied today, in a modified form. The introduction of bamboo practice swords and armor to sword training is attributed to during the Shotoku Era (1711–1715). Naganuma developed the use of this armor and established a training method using bamboo swords. , third son of Naganuma and the eighth headmaster of the Kashima Shinden Jikishi ...
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