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Yūrei-zu
''Yūrei-zu'' (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of ''fūzokuga'', "pictures of manners and customs."Schaap 1998, 17 These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century.Addis 1985, 178 ''Yūrei'' Literally translatable as ‘faint (''yū'' - 幽) spirit (''rei'' - 霊),’ ''yūrei'' is just one of several Japanese words used to refer to spirit beings. Other terms include: ''obake'' (お化け), ''yōkai'' (妖怪), ''bōrei'' (亡霊), and ''shiryō'' (死霊). There is a long tradition of belief in the supernatural in Japan stemming from a variety of influences. Imported sources include Buddhism, Taoism and Chinese folklore. The most notable influence, however, is Shintō, a native Japanese animistic religion which presupposes that our physical world is inhabited by eight million omnipresen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maruyama Ōkyo
, born Maruyama Masataka, was a Japanese artist active in the late 18th century. He moved to Kyoto, during which he studied artworks from Chinese, Japanese and Western sources. A personal style of Western naturalism mixed with Eastern decorative design emerged, and Ōkyo founded the Maruyama school of painting. Although many of his fellow artists criticized his work as too slavishly devoted to natural representation, it proved a success with laypeople. Early career Ōkyo was born into a farming family in Ano-o, in present-day Kameoka, Kyoto. As a teenager, he moved to Kyoto and joined the townspeople (''chōnin'') class. He apprenticed for a toy shop, where he painted the faces onto dolls. The shop began selling European stereoscopes, novelties that when looked into presented the illusion of a three-dimensional image. It was Ōkyo's first look at Western-style perspective,Sullivan 16. and in 1767 he tried his hand at one of the images. He created ''Harbour View'', a sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century puppeteer from Awaji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geisha
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha{{efn, {{IPAc-en, lang, ˈ, ɡ, eɪ, ., ʃ, ə, {{IPA, ja, ɡei.ɕa, ɡeː-, lang{{cite book, script-title=ja:NHK日本語発音アクセント新辞典, publisher=NHK Publishing, editor=NHK Broadcasting Culture Research Institute, date=24 May 2016, lang=ja, 芸者, also known as {{nihongo, , 芸子, geiko{{efn, {{IPA, ja, ɡei.ko, ɡeː-, lang, {{citation needed span, in Kyoto and Kanazawa, date=May 2025 or {{nihongo, , 芸妓, geigi{{efn, {{IPA, ja, ɡeꜜi.ɡi, ɡeꜜː-, -ŋi, lang , are female Japanese people, Japanese performing arts, performing artists and entertainers trained in performing arts#Japan, traditional Japanese performing arts styles, such as Japanese traditional dance, dance, Music of Japan, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, nihongami#geisha, traditional hairstyles and {{transliteration, ja, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukioka Yoshitoshi
Tsukioka Yoshitoshi (; also named Taiso Yoshitoshi ; 30 April 1839 – 9 June 1892) was a Japanese printmaker.Louis-Frédéric, Nussbaum, Louis Frédéric. (2005)"Tsukoka Kōgyō"in ''Japan Encyclopedia,'' p. 1000. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of Woodblock printing in Japan, woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ghost Of Oyuki
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oyuki
The ''Urusei Yatsura'' manga series features a large ensemble cast of characters created by Rumiko Takahashi. It tells the story of Japanese teenager Ataru Moroboshi, and the alien Lum, who believes she is Ataru's wife after he accidentally proposes to her. The series contains many other characters, whose unusual characteristics and eccentric personalities drive most of the stories. In addition to extraterrestrials, it includes many appearances from figures in Japanese mythology and history. Main characters Ataru Moroboshi is the main protagonist of the series. A 17-year-old lazy student at Tomobiki High School, Class 2–4, Ataru suffers from an incredible amount of bad luck, having been born on Friday the 13th, during a major earthquake, and '' Butsumetsu'', the unluckiest day of the Buddhist calendar. Thanks to this lack of good fortune, his triumph in the game of tag that saves Earth from an Oni invasion turns into a defeat for him. His victory statement, intended to co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hitodama
In Japanese folklore, hitodama ( Japanese ; meaning "human soul") are balls of fire that mainly float in the middle of the night.広辞苑 第五版 p.2255 「人魂」 They are said to be "souls of the dead that have separated from their bodies", which is where their name comes from. Summary Hitodama are mentioned in literature from ancient times. In the Man'yōshū, there is the following poem: They are frequently confused with onibi and kitsunebi, but since hitodama are considered to be the "appearance of souls that have left the body and fly through the air," they are strictly speaking a different general idea. Concerning their shape and nature, there are common features throughout Japan, but some differences could also be seen depending on the area. They fly crawling along at an elevation that is not very high. They have a color that is blue, orange, or red, and also have a tail, but it can either be short or long. There are also a few that have been seen during dayti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Funeral
The majority of funerals (, ''sōgi'' or , ''sōshiki'') in Japan include a Wake (ceremony), wake, the cremation of the deceased, a burial in a family Grave (burial), grave, and a periodic memorial service. According to 2007 statistics, Cremation in Japan, 99.81% of deceased Japanese are cremated. Other practices in Japan include Shinto funerals and the Ryukyuan people’s indigenous Ryukyuan religion#At the tomb, sepultural culture. Modern funerals After death Although Japan has become a more secular society (see Religion in Japan), , 90% of funerals are conducted as Buddhist ceremonies. Immediately after a death (or, in earlier days, just before the expected death), relatives moisten the dying or deceased person's lips with water, a practice known as . Most Japanese homes maintain Buddhist altars, or , for use in Buddhist ceremonies; and many also have Shinto shrines, or . When a death occurs, the shrine is closed and covered with white paper to keep out the impure spirits o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Richie
Donald Richie (April 17, 1924 – February 19, 2013) was an American-born author who wrote about the Japanese people, the culture of Japan, and especially Japanese cinema. Although he considered himself primarily a film historian, Richie also directed a number of experimental films, the first when he was seventeen. Biography Richie was born in Lima, Ohio. During World War II, he joined the United States Merchant Marine and served aboard Liberty ships as a purser and medical officer. By then he had already published his first work, "Tumblebugs" (1942), a short story.''Introduction'' by Leza Lowitz, in ''Botandoro'' by Donald Richie In 1947, Richie first visited Japan with the American occupation force, a job he saw as an opportunity to escape from Lima, Ohio. He first worked as a typist, and then as a civilian staff writer for the '' Pacific Stars and Stripes''. While in Tokyo, he became fascinated with Japanese culture. He was struck by the relative acceptance of gay men an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokusai Kohada Koheiji
, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'' includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oiran
is a collective term for the highest-ranking courtesans in Japanese history, who were considered to be above common prostitutes (known as ) for their more refined entertainment skills and training in the traditional arts. Divided into a number of ranks within this category, the highest rank of were the , who were considered to be set apart from other due to their intensive training in the traditional arts and the fact that they lived and worked in Kyoto, the political capital of Japan, which remained the cultural heart of the country when the seat of political power moved to Tokyo. Though by definition also engaged in prostitution, higher-ranking had a degree of choice in which customers they took. The term originated in Yoshiwara, the red light district of Edo in the 1750s, and is applied to all ranks of high level courtesans in historical Japan. The services of were well known for being exclusive and expensive, with typically only entertaining the upper classes o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
