Yōkai Taisō Daiichi
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Yōkai Taisō Daiichi
are a class of supernatural entities and spirits in Japanese folklore. The kanji representation of the word comprises two characters that both mean "suspicious, doubtful", and while the Japanese name is simply the Japanese transliteration or pronunciation of the Chinese term '' yāoguài'' (which designates similarly strange creatures), some Japanese commentators argue that the word ''yōkai'' has taken on many different meanings in Japanese culture, including referring to a large number of uniquely Japanese creatures. are also referred to as , or . However, most Japanese generally think of the two loose classes of spirits as highly different, although some academics and Shinto practitioners acknowledge similarities within the seeming dichotomy between the natures of them and most ''kami'', which are generally regarded as relatively beneficent in comparison, and class the two as ultimately the same type of spirits of nature or of a mythological realm. Their behavior can ...
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Folkloristics
Folklore studies (also known as folkloristics, tradition studies or folk life studies in the UK) is the academic discipline devoted to the study of folklore. This term, along with its synonyms, gained currency in the 1950s to distinguish the academic study of traditional culture from the Cultural artifact, folklore artifacts themselves. It became established as a field across both Europe and North America, coordinating with (German language, German), (Norwegian language, Norwegian), and (Swedish language, Swedish), among others. Overview A 1982 UNESCO document titled "Recommendation on the Safeguarding of Traditional Culture and Folklore" declared a global need to establish provisions protecting folklore from varying dangers identified in the document. UNESCO further published the Convention for the Safeguarding of the Intangible Cultural Heritage in 2003. The American Folklife Preservation Act (P.L. 94-201) passed in 1976 by the United States Congress in conjunction with ...
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Nekomata
''Nekomata'' (original form: , later forms: , , ) are a kind of cat ''yōkai'' described in Japanese folklore, classical kaidan, essays, etc. There are two very different types: those that live in the mountains and domestic cats that have grown old and transformed into ''yōkai''. (2000)、170–171。 ''Nekomata'' are often confused with '' bakeneko''. The Nekomata has multiple tails, while the Bakeneko has one. Additionally while the Bakeneko is often mischievous and playful, the Nekomata is considered far more malicious in its behaviour. Mountain Nekomata ''Nekomata'' appear in stories even earlier than in Japan. In the Sui dynasty, the words and described mysterious cats. In Japanese literature, the ''nekomata'' first appeared in the '' Meigetsuki'' by Fujiwara no Teika in the early Kamakura period: in the beginning of Tenpuku (1233), August 2, in Nanto (now Nara Prefecture), a nekomata () was said to have killed and eaten several people in one night. The nekomata was ...
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Utagawa Kuniyoshi
Utagawa Kuniyoshi (, ; 1 January 1798 – 14 April 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.Nussbaum, Louis Frédéric ''et al'' (2005). "Kuniyoshi" in He was a member of the Utagawa school.Nussbaum, "Utagawa-ryū" in The range of Kuniyoshi's subjects included many genres: landscapes, women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes.Lubow, Arthur "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga,"''New York Magazine.'' March 7, 2010. His artwork incorporated aspects of Western representation in landscape painting and caricature. Life Kuniyoshi was born on 1 January 1798, the son of a silk-dyer, Yanagiya Kichiyemon,Robinson (1961), p. 5 originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience influenced his rich use of color and ...
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Kidōmaru
Kidōmaru (鬼童丸, 鬼同丸) is an oni that appears in the Kamakura period collection of setsuwa, the ''Kokon Chomonjū'', among other sources. Concept As described in the ''Kokon Chomonjū'', Minamoto no Yorimitsu is known for the slaying of Shuten-dōji. When he went to the home of his brother Minamoto no Yorinobu, Kidōmaru was caught at the toilet. Yorimitsu said that Yorinobu was careless, so they should restrain the oni with chains, and stayed at Yorinobu's house for that night. Kidōmaru easily tore off those chains, and with a grudge against Yorimitsu, looked at his bed and kept watch. Yorimitsu noticed this and told a servant, "tomorrow, I will make a visit to the Kurama-dera, Kurama temple." Kidōmaru then went ahead to Kurama, killed one free-ranging cattle at the Ichihara field, hid inside its body, and waited for Yorimitsu to come. However, Yorimitsu saw through this, and Watanabe no Tsuna upon receiving command from Yorimitsu shot through the cattle with a bow an ...
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Katsushika Hokusai
, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series '' Thirty-Six Views of Mount Fuji'' includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and '' Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a ...
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Emakimono
Illustrated handscrolls, , or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-c ...
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鎮魂
''Guardian'' () is a 2018 Chinese web series starring Bai Yu and Zhu Yilong. An adaptation of the 2012 fantasy-danmei web novel of the same name by Priest, the series was released on the video platform Youku between June 13 and July 25, 2018. The series follows Zhao Yunlan (Bai) and Shen Wei (Zhu), a detective and a professor who investigate supernatural phenomena. Though the novel depicts their relationship as romantic in nature, the web series depicts the relationship as a platonic friendship with homoerotic subtext in response to Chinese laws prohibiting depictions of same-sex relationships on television. The series was widely popular on the web, and received a total of 1.8 billion views by August 2018. That same month, ''Guardian'' was pulled from Youku amid a crackdown on "harmful and vulgar" internet content, but was later re-uploaded. Synopsis ''Guardian'' is set on the Earth-like planet of Haixing, populated by a native human population and two alien races — the Y ...
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Mitama
The Japanese word refers to the spirit of a ''kami'' or the soul of a dead person. It is composed of two characters, the first of which, , is simply an honorific. The second, means "spirit". The character pair 神霊, also read ''mitama'', is used exclusively to refer to a ''kami's'' spirit. Significantly, the term is a synonym of ''shintai'', the object which in a Shinto shrine houses the enshrined ''kami''. Early Japanese definitions of the ''mitama'', developed later by many thinkers like Motoori Norinaga, maintain it consists of several "spirits", relatively independent one from the other. The most developed is the , a Shinto theory according to which the of both ''kami'' and human beings consists of one ''whole'' spirit and four ''sub'' spirits.* The four sub-spirits are the , the , the and the . According to the theory, each of the sub-spirits making up the spirit has a character and a function of its own; they all exist at the same time, complementing each other. I ...
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Animism
Animism (from meaning 'breath, spirit, life') is the belief that objects, places, and creatures all possess a distinct spiritual essence. Animism perceives all things—animals, plants, rocks, rivers, weather systems, human handiwork, and in some cases words—as being animated, having agency and free will. Animism is used in anthropology of religion as a term for the belief system of many Indigenous peoples in contrast to the relatively more recent development of organized religions. Animism is a metaphysical belief which focuses on the supernatural universe: specifically, on the concept of the immaterial soul. Although each culture has its own mythologies and rituals, animism is said to describe the most common, foundational thread of indigenous peoples' "spiritual" or "supernatural" perspectives. The animistic perspective is so widely held and inherent to most indigenous peoples that they often do not even have a word in their languages that corresponds to "animism" (o ...
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