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Youthful Offenders Act 1854
"Youthful" is a song by New Zealand singer and television presenter Anika Moa, released as her debut single and as the lead single from her first studio album, ''Thinking Room'' (2001). Moa wrote the song before she joined Atlantic Records and recorded ''Thinking Room'', which was produced by Victor Van Vugt. Although the song was released commercially in Australia and was serviced to US radio in early 2002, it was never issued as a single in New Zealand. Despite this, it received plentiful airplay in the country, allowing it to reach number five on the RIANZ Singles Chart in October 2001. At the 2002 New Zealand Music Awards, "Youthful" won Moa the award for Best Songwriter. Background and release Anika Moa was an unsigned recording artist when American record executives became interested in "Youthful". When Moa signed with Atlantic Records, she became the first New Zealand recording artist to join an international label without first releasing an album in her home country. Alth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Anika Moa
Anika Rose Moa (born 21 May 1980) is a New Zealand recording artist and television presenter. Her debut studio album ''Thinking Room'', was released in September 2001, which reached number one on the Official New Zealand Music Chart, New Zealand Albums Chart and provided two Top 5 singles, "Youthful" (2001) and "Falling in Love Again" (2002). Moa competed at the Rockquest songwriting contest in 1998, which led to a recording contract. She is the subject of two documentaries by film-maker Justin Pemberton: ''3 Chords and the Truth: the Anika Moa Story'' (2003), detailing her signing to a record label and the release of ''Thinking Room'', and ''In Bed with Anika Moa'' (2010) on her later career. Early life Anika Moa was born in 1980 in the Auckland suburb of Papakura. She grew up in Christchurch and attended Hornby High School. Her father Tia, who died in 2007, was Māori people, Māori (Ngāpuhi, Te Aupōuri) and her mother Bernadette is of English people, English desce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Adult Album Alternative
Adult album alternative (also triple-A, AAA, or adult alternative) is a radio format. See pages 9 and 10Mills, Joshua. "A New Radio Music Format: Rock for Prosperous Adults" New York Times, Feb 28 1994, p. 2. ProQuest. Web. Accessed September 4, 2021. See also New York Times archive.Staples, Brent. "Rock-and-Roll for Grown-Ups: The Record Business Gets a Scare." New York Times, Dec 23 1996, p. 1. ProQuest. Web. Accessed September 4, 2021. See also New York Times archive. Its roots trace to both the " classic album stations of the ’70s as well as the alternative rock format that developed in the ’80s." AAA programming is carried on more than 150 broadcast outlets in the United States, with a roughly even split between commercial and public stations. Format The format covers a broader, more diverse playlist than most other formats. Musical selection tends to be on the fringe of mainstream pop and rock. It also includes many other music genres such as indie rock, Americana, po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Semiquaver
Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note ( American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Quaver
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note ( American) or a quaver (British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Notation Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. Eighth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping, hitting, or shaking the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Albanian folk music, Arabic folk music, Israeli folk music, Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Galician traditional music, Asturian traditional music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Submediant
In music, the submediant is the sixth degree () of a diatonic scale. The submediant ("lower mediant") is named thus because it is halfway between the tonic and the subdominant ("lower dominant") or because its position below the tonic is symmetrical to that of the mediant above. (See the figure in the Degree (music) article.) In the movable do solfège system, the submediant is sung as ''la'' in a major mode, ''le'' or ''lo'' in do-based minor and ''fa'' in la-based minor. It is occasionally called superdominant, as the degree above the dominant. This is its normal name (''sus-dominante'') in French. In Roman numeral analysis, the triad formed on the submediant is typically symbolized by "VI" if it is a major triad (the default in a minor mode) and by "vi" if it is a minor triad (the default in a major mode). The term ''submediant'' may also refer to a relationship of musical keys. For example, relative to the key of C major, the key of A minor is the submediant. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
C-sharp Minor
C-sharp minor is a minor scale based on C, with the pitches C, D, E, F, G, A, and B. Its key signature consists of four sharps. The C-sharp natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic minor and melodic minor scales are: Its relative major is E major. Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor.) Scale degree chords The scale degree chords of C-sharp minor are: * Tonic – C-sharp min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, jazz music, art music, and pop music. A particular key features a '' tonic (main) note'' and its corresponding '' chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest. The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major mode, minor mode, or one of several other modes. Musicians assume major when this is not specified; for example, "this piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in a single key; longer pieces in the classical repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tonality
Tonality is the arrangement of pitch (music), pitches and / or chord (music), chords of a musical work in a hierarchy of perceived ''relations'', ''stabilities'', ''attractions'', and ''directionality''. In this hierarchy, the single pitch or the root (music), root of a triad (music), triad with the greatest ''stability'' in a melody or in its harmony is called the tonic (music), ''tonic''. In this context "stability" approximately means that a pitch occurs frequently in a melody – and usually is the final note – or that the pitch often appears in the harmony, even when it is not the pitch used in the melody. The ''root'' of the tonic triad forms the name given to the key (music), key, so in the key of C major, C major the note C can be both the tonic of the scale (music), scale and the root of the tonic triad. However, the tonic can be a different Musical tone, tone in the same scale, and then the work is said to be in one of the mode (music), ''modes'' of that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Vocable
In the broadest sense of the word, a vocable (from ) is any identifiable utterance or writing, such as a word or term, that is fixed by their language and culture. The use of the term for words in the broad sense is archaic and the term is instead used for utterances which are not considered words, such as the English interjections of assent and denial, ''uh-huh'' and ''uh-uh'' , or the interjection of error, ''uh-oh'' . Such non-lexical vocables are often Non-lexical vocables in music, used in music, for example ''la la la'' or ''dum dee dum'', or in magical incantations, such as ''abra-cadabra''. Scat singing is essentially all vocables. Many Native American music, Native American songs consist entirely of vocables; this may be due to both phonetic substitution to increase the Sonorant, resonance of the song, and to the trade of songs between nations speaking different languages. Jewish Nigunim also feature wordless melodies composed entirely of vocables such as ''Yai nai nai'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Synthesisers
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Chord (music)
In Western music theory, a chord is a group of notes played together for their harmony, harmonic Consonance and dissonance, consonance or dissonance. The most basic type of chord is a Triad (music), triad, so called because it consists of three distinct notes: the Root (chord), root note along with Interval (music), intervals of a Third (chord), third and a Fifth (chord), fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz, and other genres. Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They provide the harmonic support and coloration that accompany melodies and contribute to the overall sound and mood of a musical composition. The factor (chord), factors, or component notes, of a chord are often sounded simultaneously but can instead be sounded consecutively, as in an arpeggio. A succession of chords is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
