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Yambaó
''Yambaó'' (also known as ''Cry of the Bewitched'') is a 1957 Mexico, Mexican-Cuban drama film directed by Alfredo B. Crevenna and starring Ninón Sevilla. In other media On June 27, 2014, ''Yambaó'' was released as a Video on demand, VOD title by RiffTrax. Plot The story takes place in Cuba in 1850, in the era of the Atlantic slave trade. In a sugar cane plantation, Captain Jorge (Ramón Gay) and his wife, Beatriz (Rosa Elena Durgel) live happily and are expecting a child. Their slaves live at quiet peace with them but are not above being punished for their disobedience. One night, as the full moon appears, the sound of drums rises in the air. Yambaó (Ninón Sevilla), the granddaughter of a witch named Caridad (Fedora Capdevila) supposedly murdered 15 years ago, has reappeared. The plantation slaves are superstitious and fear her, believing she will place curses on them as her grandmother supposedly did. Yambaó's arrival coincides with a new outbreak of black vomit that had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumberas Films
The Rumberas film (in Spanish, Cine de rumberas) was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called ''Cuban rumba, rumberas'', dancers of Afro-Caribbean music, Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the Cinema of the world, international cinema. Today, thanks to their unique characteristics, they are considered cult films. The Rumberas film is one of the contributions of Mexican cinema to international cinema. The Rumberas film represented a social view of the Mexico of the 1940s and 1950s, specifically of those women considered sinners and prostitutes, who confronted the moral and social conventions of their time. The genre was a more realistic approach to the Mexican society of that time. It was melodramas about the lives of these women, who were redeemed through exotic dances. Etymology The ''rumberas'' were the dancers and actresses th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumberas Film
The Rumberas film (in Spanish, Cine de rumberas) was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called '' rumberas'', dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema. Today, thanks to their unique characteristics, they are considered cult films. The Rumberas film is one of the contributions of Mexican cinema to international cinema. The Rumberas film represented a social view of the Mexico of the 1940s and 1950s, specifically of those women considered sinners and prostitutes, who confronted the moral and social conventions of their time. The genre was a more realistic approach to the Mexican society of that time. It was melodramas about the lives of these women, who were redeemed through exotic dances. Etymology The ''rumberas'' were the dancers and actresses that swayed to Afro-Caribbean rhythms in Mexican cinema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninón Sevilla
Emelia Pérez Castellanos (10 November 19211 January 2015), known professionally as Ninón Sevilla, was a Cuban-Mexican actress and dancer. Early life Sevilla was born and raised in Centro Habana, a popular section of Havana. As a youth, she thought about becoming a missionary nun, but after she started dancing with success in nightclubs and cabarets, she opted for a career in show business. She adopted her stage name in tribute to the legendary French courtesan Ninon de l'Enclos and began to work in the chorus of the Cuban comedians Mimí Cal and Leopoldo Fernández, respectively known as "Nananina" and "Tres Patines". Career Sevilla came to Mexico as part of a show starring the Argentinean singer Libertad Lamarque. Her number in the show was so successful that she was soon booked in other spectacles in Mexico City. While performing in the Teatro Lírico, producer Pedro Arturo Calderón saw Sevilla on stage and offered her a film contract. Her debut in cinema was in 1946 i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films About Slavery
Film has been the most influential medium in the presentation of the history of slavery to the general public. The American film industry has had a complex relationship with slavery, and until recent decades often avoided the topic. Films such as ''The Birth of a Nation'' (1915) and ''Gone with the Wind'' (1939) became controversial because they gave a favorable depiction. In 1940, '' The Santa Fe Trail'' gave a strong condemnation of abolitionist John Brown's attacks on slavery. The American civil rights movement in the 1950s made defiant slaves into heroes. Most Hollywood films used American settings, although ''Spartacus'' (1960) dealt with an actual slave revolt in the Roman Empire known as the Third Servile War. It failed, and all the rebels were executed, but their spirit lived on according to the film. '' The Last Supper'' (''La última cena'' in Spanish) was a 1976 film directed by Cuban Tomás Gutiérrez Alea about the teaching of Christianity to slaves in Cuba a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Jean-Claude
Martha Jean-Claude (21 March 1919 – 14 November 2001) was a Haitian writer, civil rights activist, entertainer, and composer. She was born in Port-au-Prince, Haiti and was well known internationally during her life and could perform in many languages. Her singing career began during the late 1930's and early 1940's. She incorporated Haitian folklore and Haitian Vodou lyrics into her performances. She spoke out against Haitian authorities who were exploiting the Haitian people. She was arrested in 1952 during the administration of President Paul Eugene Magloire after publishing her play "Anriette". Officials considered it to be directed toward and against the government at that time. When she was arrested she was pregnant but was released two days before giving birth. Jean-Claude was exiled to Cuba on 20 December 1952. She was married to Victor Mirabal, a Cuban journalist. Jean-Claude was well-known to the Hispanic communities who admired her talent and activism. She was featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obdulio Morales
Obdulio Morales Ríos (April 7, 1910 – January 9, 1981) was a Cuban pianist, conductor, composer and ethnomusicologist, an important figure in the late afrocubanismo movement. He championed Afro-Cuban music traditions and sponsored artists such as Merceditas Valdés. Career Early life and career Obdulio Morales Ríos was born in Havana on April 7, 1910. He learned piano from an American teacher and furthered his studies at the conservatory. At age 12 he began to play piano at the silent cinema, and a year later he was playing in private dance parties as a reserve pianist. Around the same time, while working as an apprentice for his father, who was a tailor, he began to attend black societies such as the Club Bohemio. In 1924 he joined the first lineup of Los Hermanos Martínez orchestra. 1930s Morales worked for the radio since 1928, specializing in Afro-Cuban music. In 1938 he premiered ''Batamú'' in collaboration with musician Julio Chappottín (father of Félix Chappo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Guillot
Olga Guillot (October 9, 1923 – July 12, 2010) was a Cuban singer who was known as the "Queen of Bolero". She was a native of Santiago de Cuba. Biography Daughter of Catalan-Jewish immigrants who moved to Cuba, her father was a tailor and her mother was a seamstress. Olga Guillot was born in Santiago de Cuba, and her family moved to Havana when she was five years old. As a teenager, she and her sister, Ana Luisa, performed as the "Duo Hermanitas Guillot." It wasn't until 1945 that her talent as a bolero singer was discovered, when Facundo Rivero, an influential man in the Cuban music scene of the era, heard her sing for the first time and helped her make her professional singing debut at a famous Havana night club. Soon after, Guillot met Miguelito Valdés, who took her to New York City, where Guillot was able to record her first album with the Decca label. She gained recognition in the United States with her version in Spanish of "Stormy Weather" in 1946. Guillot traveled t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Set In The 1850s
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films About Racism
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films About Interracial Romance
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cuban Culture
Afro-Cubans () or Black Cubans are Cubans of full or partial sub-Saharan African ancestry. The term ''Afro-Cuban'' can also refer to historical or cultural elements in Cuba associated with this community, and the combining of native African and other cultural elements found in Cuban society, such as race, religion, music, language, the arts and class culture. Demographics According to the 2002 national census that surveyed 11.2 million Cubans, 1 million or 11% of Cubans identified as Afro-Cuban or Black. Some 3 million identified as "mulatto" or "mestizo", meaning of mixed race, primarily a combination of African and European. Thus more than 40% of the population on the island affirm some African ancestry. The Cuban Revolution brought to power Fidel Castro, who promised a communist society without racism. His government promised equal opportunities for education, health care and work. There has been much scholarly discussion about the demographic composition of the island ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
