Women In Classical Music
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Women In Classical Music
Women are active in all aspects of classical music, such as instrumental performance, vocal performance, orchestral conducting, choral conducting, scholarly research, and contemporary composition. However, proportionately to men, their representation and recognition -especially at higher levels- falls a long way below their numbers. Although women have not had roles in symphony orchestras until recently, it has been much more common for women to study musical instruments. In the 1800s, upper-class women often were expected to learn an instrument, often the harp, piano, guitar, or violin, or to learn to sing. It is only in recent years that women have performed in the soloist setting more frequently. Pianist (and composer) Clara Schumann and vocalist Jenny Lind were two rarer examples prominent in the nineteenth-century. History One of the first historically recorded women in medieval music was Hildegard of Bingen, who wrote religious pieces in the 12th century. Women have al ...
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Martha Argerich Concierto
Martha (Hebrew language, Hebrew: מָרְתָא‎) is a Bible, biblical figure described in the Gospels of Gospel of Luke, Luke and Gospel of John, John. Together with her siblings Lazarus of Bethany, Lazarus and Mary of Bethany, she is described as living in the village of Bethany near Jerusalem. She was witness to Jesus resurrecting her brother, Lazarus of Bethany, Lazarus. Etymology of the name The name ''Martha'' is a Latin transliteration of the Koine Greek Μάρθα, itself a translation of the Aramaic מָרְתָא‎ ''Mârtâ,'' "the mistress" or "the lady", from מרה "mistress," feminine of מר "master." The Aramaic form occurs in a Nabatean inscription found at Puteoli, and now in the Naples Museum; it is dated AD 5 (Corpus Inscr. Semit., 158); also in a Tadmor, Syria, Palmyrene inscription, where the Greek translation has the form ''Marthein.'' Pope, Hugh"St. Martha" The Catholic Encyclopedia. Vol. 9. New York: Robert Appleton Company, 1919. Biblical reference ...
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