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Wiligelmo
Wiligelmo (also known as Wiligelmus, Gulielmo da Modena, Cousin of Elmo or Guglielmo da Modena) was an Italian sculptor active between c. 1099 and 1120. He was the first sculptor in Italy to produce large-format sculptures and sign his work. Wiligelmo was the carver of the reliefs known as ''Creation'' and ''Temptation of Adam and Eve'' found on the west facade frieze of Modena Cathedral Modena Cathedral ( it, Cattedrale Metropolitana di Santa Maria Assunta e San Geminiano but colloquially known as simply ''Duomo di Modena'') is a Roman Catholic cathedral in Modena, Italy, dedicated to the Assumption of the Virgin Mary and Saint G ... (ca. 1110). The relief is marble and about one meter tall. His name is known from an epigraph carved as a postscript to the Latin inscription over the foundation date on that facade: ''Among sculptors, your work shines forth, Wiligelmo''. References * 12th-century Italian sculptors Italian male sculptors {{Italy-sculptor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modena Cathedral
Modena Cathedral ( it, Cattedrale Metropolitana di Santa Maria Assunta e San Geminiano but colloquially known as simply ''Duomo di Modena'') is a Roman Catholic cathedral in Modena, Italy, dedicated to the Assumption of the Virgin Mary and Saint Geminianus. Formerly the seat of the Diocese, later Archdiocese, of Modena, it has been since 1986 the archiepiscopal seat of the Archdiocese of Modena-Nonantola. Consecrated in 1184, it is an important Romanesque architecture, Romanesque building in Europe, and along with its bell tower, the Torre della Ghirlandina, is designated as a World Heritage Site. History Since the 5th century, two churches had existed on the site of the present cathedral: the discovery of the burial site of Saint Geminianus, Modena's patron saint, led to the destruction of those churches and building of this cathedral by 1099. The initial design and direction was provided by an architect known as Lanfranco, little else is known about this architect. The Saint's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptor
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigraphy
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literature, literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Italian Sculptors
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
