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Washington Concert Opera
Washington Concert Opera is a professional opera company located in Washington, D.C. in the United States which presents operas in a Concert version, concert format with full orchestra and chorus. WCO's distinctive repertoire consists of operas which either have not been presented recently in the Washington area, or are infrequently performed anywhere, or which represent opportunities to showcase artists. Typically, WCO presents two operas each season, one each in the autumn and spring, in Lisner Auditorium located on the campus of the George Washington University. During the early 2000s, the company presented operas in the Kennedy Center's Concert Hall, but with rather disastrous economic consequences: :We came perilously close to losing the Washington Concert Opera two summers ago. The troupe, which has presented concert performances of rare and unusual operas here since 1986, had made an ambitious but prohibitively expensive move to the Kennedy Center Concert Hall and suddenly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Fabiano
Michael Fabiano (born 8 May 1984) is an American operatic tenor. Born in Montclair, New Jersey, he has performed in leading opera houses throughout the world, including the San Francisco Opera, Metropolitan Opera, Paris Opera, Sydney Opera, Teatro alla Scala, Canadian Opera Company, The Royal Opera, and Teatro Real de Madrid among many others. Fabiano is the 2014 Richard Tucker Award winner and the 2014 Beverly Sills Artist Award winner, making him the first singer to win both awards in the same year. Early years Fabiano was a champion high school debater for Benilde-St. Margaret's high school in St. Louis Park, Minnesota. Fabiano was also a baseball umpire from the ages of 14 to 24. After briefly considering a career in business, Fabiano decided to study vocal performance at The University of Michigan. He graduated in just three years from the University of Michigan School of Music, Theatre & Dance in 2005 with a bachelor's degree in Vocal Performance. During his time there, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deborah Voigt
Deborah Voigt (born August 4, 1960) is an American dramatic soprano who has sung roles in operas by Wagner and Richard Strauss. Biography and career Early life and education Debbie Joy Voigt was born into a religious Southern Baptist family in 1960 and raised in Wheeling, Illinois, just outside Chicago. At age five, she joined the choir at a Baptist church and began learning the piano. Her mother sang and played piano at church while her two younger brothers sang in rock music bands. Those early experiences in church inspired her interest in music. When she was 14, her family moved to Placentia in Orange County, California. It was traumatic for Voigt, then in her teens, to adjust to Southern California, "land of endless sunshine and impossibly perfect bodies." She attended El Dorado High School, where she was a member of El Dorado's Vocal Music and Theater programs, starring in musicals including ''Fiddler on the Roof'', ''The Music Man'' and ''Mame''. At that time, Voigt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Bolena
''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII. It is one of four operas by Donizetti dealing with the Tudor period in History of England, English history—in composition order, ''Il castello di Kenilworth'' (1829), ''Anna Bolena'' (1830), ''Maria Stuarda'' (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and ''Roberto Devereux'' (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens." ''Anna Bolena'' premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denyce Graves
Denyce Graves (born March 7, 1964) is an American mezzo-soprano opera singer. Early life Graves was born on March 7, 1964, in Washington, D.C., to Charles Graves and Dorothy (Middleton) Graves-Kenner. She is the middle of three children and was raised by her mother on Galveston Street, S.W., in the Bellevue section of Washington. She graduated from the Duke Ellington School of the Arts in 1981. Graves studied voice at the Oberlin Conservatory of Music and the New England Conservatory with Helen Hodam. She worked at the Wolf Trap Opera Company, which provides further training and experience for young singers who are between their academic training and full-time professional careers. Soon after, she was invited by David Gockley to participate in the Houston Opera Studio, from 1988 to 1990, where she studied with Elena Nikolaidi. Career She made her debut at the Metropolitan Opera in 1995 and has appeared at many opera houses. Though her repertoire is extensive, her signature p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thaïs (opera)
''Thaïs'' () is an opera, a ''comédie lyrique'' in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel ''Thaïs'' by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson, for whom Massenet had written the title role. The original production was directed by Alexandre Lapissida, with costumes designed by Charles Bianchini and sets by Marcel Jambon (act 1, scene 1; act 3) and Eugène Carpezat (act 1, scene 2; act 2). The opera was later revised by the composer and was premiered at the same opera house on 13 April 1898. The work was first performed in Italy at the Teatro Lirico Internazionale in Milan on 17 October 1903 with Lina Cavalieri in the title role and Francesco Maria Bonini as Athanaël. In 1907, the role served as Mary Garden's American debut in New York in the U.S. premiere performance. ''Thaïs'' takes place in Egypt under the rule of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renée Fleming
Renée Lynn Fleming (born February 14, 1959) is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nominated for 18 Grammy Awards and has won four times. Other notable awards have included the Chevalier de la Légion d'Honneur from the French government, Germany's Cross of the Order of Merit, Sweden's Polar Music Prize and honorary membership in England's Royal Academy of Music. Unusual among artists whose careers began in opera, Fleming has achieved name recognition beyond the classical music world. Fleming has a full lyric soprano voice.Tommasini, Anthony"For a Wary Soprano, Slow and Steady Wins the Race" ''The New York Times'', September 14, 1997 She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. A significant portion of her career has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandra Marc
Alessandra Marc, born Judith Borden (born July 29, 1957) is an American dramatic soprano who has appeared at many of the world's opera houses and orchestras. Marc is particularly known for her interpretations of the works of Richard Strauss, Richard Wagner, Giuseppe Verdi, music of the Second Viennese School, and the title role in Puccini's ''Turandot''. Early life and education Alessandra Marc was born Judith Borden in Berlin, Germany to a German mother and an American father who worked for the United States Army. Marc spent much of her childhood traveling around the world as an "army brat". Her parents ultimately divorced, and she spent her high school years in the Baltimore area. Marc first became interested in becoming an opera singer while attending Glen Burnie High School, where she began taking voice lessons. Marc studied at the University of Maryland and privately with soprano Marilyn Cotlow, who originated the role of Lucy in Menotti's ''The Telephone''. Under Cotl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel ''Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Capuleti E I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''Tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called '' Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera '' Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of June 1829 with no contract for another opera in sight. Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
