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Wainriders
The fictional races and peoples that appear in J. R. R. Tolkien's fantasy world of Middle-earth include the seven listed in Appendix F of ''The Lord of the Rings'': Elves, Men, Dwarves, Hobbits, Ents, Orcs and Trolls, as well as spirits such as the Valar and Maiar. Other beings of Middle-earth are of unclear nature such as Tom Bombadil and his wife Goldberry. Ainur The Ainur were angelic spirits created by Eru Ilúvatar at the Beginning. The Ainur who subsequently entered the physical world of Middle-earth were the Valar ("powers"), though that term came to refer primarily to the mightiest among them., " Ainulindale" Lesser spirits were called the Maiar. Most of the Valar and Maiar withdrew from Middle-earth to the Undying Lands of Valinor, though some of the Maiar assumed mortal forms to help or hinder the peoples of Middle-earth, such as the Istari (Wizards), Melian, Balrogs, and the Dark Lord Sauron., "Valaquenta", "Of the Maiar" and "Of the Enemies" Wizards ...
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Man (Middle-earth)
In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elves, Dwarves, Orcs, and other humanoid races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs. Tolkien uses the Men of Middle-earth, interacting with immortal Elves, to explore a variety of themes in ''The Lord of the Rings'', especially death and immortality. This appears throughout, but is the central theme of an appendix, " The Tale of Aragorn and Arwen". Where the Hobbits stand for simple, earthbound, comfort-loving people, Men are far more varied, from petty villains and slow-witted publicans to the gentle warrior Faramir and the genuinely heroic Aragorn; Tolkien had wanted to create a heroic romance suitable for the modern age. Scholars have identified real-world a ...
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Fictional Race
Fantasy tropes are a specific type of literary tropes (recurring themes) that occur in fantasy fiction. Worldbuilding, plot, and characterization have many common conventions, many of them having ultimately originated in myth and folklore. J. R. R. Tolkien's legendarium (and in particular, ''The Lord of the Rings'') for example, was inspired from a variety of different sources including Germanic, Finnish, Greek, Celtic and Slavic myths. Literary fantasy works operate using these tropes, while others use them in a revisionist manner, making the tropes over for various reasons such as for comic effect, and to create something fresh (a method that often generates new clichés). Good vs. evil The conflict of good against evil is a theme in the many popular forms of fantasy; normally, evil characters invade and disrupt the good characters' lands. J. R. R. Tolkien delved into the nature of good and evil in ''The Lord of the Rings'', but many of those who followed him use the ...
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Sauron
Sauron (pronounced ) is the title character and the primary antagonist, through the forging of the One Ring, of J. R. R. Tolkien's ''The Lord of the Rings'', where he rules the land of Mordor and has the ambition of ruling the whole of Middle-earth. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel ''The Hobbit''. ''The Silmarillion'' describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied. Tolkien, while denying that absolute evil could exist, stated that Sauron came as near to a wholly evil will as was possible. Commentators have compared Sauron to the title character of Bram Stoker's 1897 novel ''Dracula'', and to Balor of the Evil Eye in ...
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Lórien (Vala)
The Valar (; singular Vala) are characters in J. R. R. Tolkien's legendarium. They are "angelic powers" or "gods", #154 to Naomi Mitchison, September 1954 subordinate to the one God ( Eru Ilúvatar). The Ainulindalë describes how those of the Ainur who chose to enter the World (Arda) to complete its material development after its form was determined by the Music of the Ainur are called the Valar, or "the Powers of the World". The Valaquenta indicates that the Elves generally reserved the term "Valar" for the mightiest of these, calling the others the Maiar. The Valar are mentioned briefly in ''The Lord of the Rings'' but were developed earlier in material published posthumously in ''The Silmarillion'', ''The History of Middle-earth'', and ''Unfinished Tales''. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their role in providing what the characters on Middle-earth experience as luck or providen ...
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Varda (Middle-earth)
The Valar (; singular Vala) are characters in J. R. R. Tolkien's legendarium. They are "angelic powers" or "gods", #154 to Naomi Mitchison, September 1954 subordinate to the one God ( Eru Ilúvatar). The Ainulindalë describes how those of the Ainur who chose to enter the World (Arda) to complete its material development after its form was determined by the Music of the Ainur are called the Valar, or "the Powers of the World". The Valaquenta indicates that the Elves generally reserved the term "Valar" for the mightiest of these, calling the others the Maiar. The Valar are mentioned briefly in ''The Lord of the Rings'' but were developed earlier in material published posthumously in ''The Silmarillion'', ''The History of Middle-earth'', and ''Unfinished Tales''. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their role in providing what the characters on Middle-earth experience as luck or provi ...
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Manwë (Middle-earth)
The Valar (; singular Vala) are characters in J. R. R. Tolkien's legendarium. They are "angelic powers" or "gods", #154 to Naomi Mitchison, September 1954 subordinate to the one God ( Eru Ilúvatar). The Ainulindalë describes how those of the Ainur who chose to enter the World (Arda) to complete its material development after its form was determined by the Music of the Ainur are called the Valar, or "the Powers of the World". The Valaquenta indicates that the Elves generally reserved the term "Valar" for the mightiest of these, calling the others the Maiar. The Valar are mentioned briefly in ''The Lord of the Rings'' but were developed earlier in material published posthumously in ''The Silmarillion'', ''The History of Middle-earth'', and ''Unfinished Tales''. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their role in providing what the characters on Middle-earth experience as luck or providen ...
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Aulë
The Valar (; singular Vala) are characters in J. R. R. Tolkien's legendarium. They are "angelic powers" or "gods", #154 to Naomi Mitchison, September 1954 subordinate to the one God ( Eru Ilúvatar). The Ainulindalë describes how those of the Ainur who chose to enter the World (Arda) to complete its material development after its form was determined by the Music of the Ainur are called the Valar, or "the Powers of the World". The Valaquenta indicates that the Elves generally reserved the term "Valar" for the mightiest of these, calling the others the Maiar. The Valar are mentioned briefly in ''The Lord of the Rings'' but were developed earlier in material published posthumously in ''The Silmarillion'', ''The History of Middle-earth'', and ''Unfinished Tales''. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their role in providing what the characters on Middle-earth experience as luck or providen ...
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Eagle (Middle-earth)
In J. R. R. Tolkien's Middle-earth, the Eagles or Great Eagles, " The Council of Elrond", "Of the Ruin of Doriath" were immense birds that were sapient and could speak. The Great Eagles resembled actual eagles, but were much larger. Thorondor is said to have been the greatest of all birds, with a wingspan of ., "Of the Return of the Noldor" Elsewhere, the eagles have varied in nature and size both within Tolkien's writings and in later adaptations. Scholars have noticed that the Eagles appear as agents of ''eucatastrophe'' or ''deus ex machina'' throughout Tolkien's writings, from '' The Silmarillion'' and the accounts of Númenor to ''The Hobbit'' and '' The Lord of the Rings''. Where Elves are good, and fully sentient, and Orcs bad, Eagles and other races are in between; the Hobbit Bilbo Baggins fears he will become their supper, torn up like a rabbit, and is indeed served rabbit for supper. The scholar Marjorie Burns notes, too, that Gandalf's association with Eagles is rem ...
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Radegast (god)
Radogost is, according to medieval chroniclers, the god of the Polabian Slavs, whose temple was located in Rethra. In modern scientific literature, however, the dominant view is that ''Radogost'' is a local nickname or a local alternative name of the solar god Svarozhits, who, according to earlier sources, was the chief god of Rethra. Some researchers also believe that the name of the town, where Svarozhits was the main deity, was mistakenly taken for a theonym. A popular local legend in the Czech Republic is related to Radogost. Sources The first source mentioning this theonym is the ''Gesta Hammaburgensis ecclesiae pontificum'' by Adam of Bremen: The elderly Bishop John, captured with other Christians in the city of Mecklenburg, was kept alive to be exhibited in triumph. And consequently, lashed with whips for having confessed to Christ, he was then paraded in each of the cities of the Slavs to be mocked, as he could not be forced to renounce the name of Christ, his hands a ...
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Westron
The English philologist and author J. R. R. Tolkien created a number of constructed languages, including languages devised for fictional settings. Inventing languages, something that he called ''glossopoeia'' (paralleling his idea of ''mythopoeia'' or myth-making), was a lifelong occupation for Tolkien, starting in his teens. An early project was the reconstruction of an unrecorded early Germanic language which might have been spoken by the people of ''Beowulf'' in the Germanic Heroic Age. The most developed of his glossopoeic projects was his family of Elvish languages. He first started constructing an ''Elvin tongue'' in while he was at King Edward's School, Birmingham. He later called it Quenya (), and he continued actively developing the history and grammar of his Elvish languages until his death in 1973. In 1931, he held a lecture about his passion for constructed languages, titled ''A Secret Vice''. Here he contrasts his project of artistic languages constructed for ...
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Radagast
Radagast the Brown is a fictional character in J. R. R. Tolkien's legendarium. A wizard and associate of Gandalf, he appears briefly in ''The Hobbit'', ''The Lord of the Rings'', ''The Silmarillion'', and ''Unfinished Tales''. His role in Tolkien's writings is so slight that it has been described as a plot device, though scholars have noted his contribution to the evident paganism in Middle-earth. He played a more significant role in Peter Jackson's ''The Hobbit'' film series, where he was portrayed by Sylvester McCoy. Some aspects of his characterisation were invented for the films, but the core elements of his character - namely communing with animals, skill with herbs, and shamanistic ability to change his shape and colours - are all described in Tolkien's works. He is also a character in role-playing video games based on Tolkien's writings. Appearances ''Unfinished Tales'' explains that Radagast, like the other Wizards, came from Valinor around the year 1000 of the Th ...
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Gandalf
Gandalf is a protagonist in J. R. R. Tolkien's novels '' The Hobbit'' and ''The Lord of the Rings''. He is a wizard, one of the ''Istari'' order, and the leader of the Fellowship of the Ring. Tolkien took the name "Gandalf" from the Old Norse "Catalogue of Dwarves" (''Dvergatal'') in the ''Völuspá''. As a wizard and the bearer of one of the Three Rings, Gandalf has great power, but works mostly by encouraging and persuading. He sets out as Gandalf the Grey, possessing great knowledge and travelling continually. Gandalf is focused on the mission to counter the Dark Lord Sauron by destroying the One Ring. He is associated with fire; his ring of power is Narya, the Ring of Fire. As such, he delights in fireworks to entertain the hobbits of the Shire, while in great need he uses fire as a weapon. As one of the Maiar, he is an immortal spirit from Valinor, but his physical body can be killed. In ''The Hobbit'', Gandalf assists the 13 dwarves and the hobbit Bilbo Baggins ...
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