Wozzeck
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Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. Composed between 1914 and 1922, it premiered in 1925. It is based on the drama '' Woyzeck'', which German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism". The plot depicts the everyday lives of soldiers and the townspeople of a rural German-spe ...
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Alban Berg
Alban Maria Johannes Berg ( ; ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas '' Wozzeck'' (1924) and ''Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ('' lieder''). He is said to have brought more "human values" to the twelve-tone system; hi ...
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Woyzeck
''Woyzeck'' () is a stage play written by Georg Büchner. Büchner wrote the play between July and October 1836, yet left it incomplete at his death in February 1837. The play first appeared in 1877 in a heavily edited version by Karl Emil Franzos, and was first performed at the Residence Theatre in Munich on 8 November 1913. Since then, ''Woyzeck'' has become one of the most influential and most often-performed German plays. Due to its unfinished nature, the play has inspired many diverging adaptations. Composition and textual history Büchner probably began writing the play between June and September 1836. It is loosely based on the true story of Johann Christian Woyzeck, a Leipzig wigmaker who later became a soldier. In 1821, Woyzeck, in a fit of jealousy, murdered Christiane Woost, a 46-year-old widow with whom he had been living; he was later publicly beheaded. Büchner's work remained in a fragmentary state at the time of his early death in 1837. The play was first ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Karl Emil Franzos
Karl Emil Franzos (25 October 184828 January 1904) was a popular Austrian novelist of the late 19th century. His works, both reportage and fiction, concentrate on the multi-ethnic corner of Galicia, Podolia and Bukovina, now largely in western Ukraine, where the Habsburg and Russian empires met. This area became so closely associated with his name that one critic called it "Franzos country". A number of his books were translated into English, and Gladstone is said to have been among his admirers. Life Karl Emil Franzos was born near the town of Czortków (Chortkiv) in the eastern, Podolian region of the Austrian Kingdom of Galicia. His family came from Sephardi Spanish Jews who fled the Inquisition to Holland and later settled in Lorraine. In the 1770s his great-grandfather established a factory for one of his sons in East Galicia, part of the Habsburg monarchy The Habsburg monarchy, also known as Habsburg Empire, or Habsburg Realm (), was the collection of empires, kingdoms ...
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Erich Kleiber
Erich Kleiber (5 August 1890 – 27 January 1956) was an Austrian, later Argentine, conductor, known for his interpretations of the classics and as an advocate of Neue Musik. Kleiber was born in Vienna, and after studying at the Prague Conservatory, he followed the traditional route for an aspiring conductor in German-speaking countries of the time, starting as a répétiteur in an opera house and moving into conducting in increasingly senior positions. After holding posts in Darmstadt (1912), Barmen-Elberfeld (1919), Düsseldorf (1921) and Mannheim (1922) he was appointed in 1923 to the important post of musical director of the Berlin State Opera. In Berlin, Kleiber's scrupulous musicianship and enterprising programming won him a high reputation, but after the Nazi Party came to power in Germany in 1933, he resigned in protest against its oppressive policies, and left the country, basing himself and his family in Buenos Aires. For the rest of his career he was a freelance, g ...
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Martin Abendroth
Martin Abendroth (4 October 1883 – 14 December 1977) was a German opera singer (bass-baritone) and voice teacher. Life and career Abendroth was trained in Berlin where he was born. In 1906 he made his debut at the Stadttheater Königsberg. Afterwards he sang at the Stadttheater of Krefeld, the Wrocław Opera, the Staatstheater Wiesbaden and from 1925 at the Staatsoper Unter den Linden in Berlin. He created the role of the Doctor in Alban Berg's ''Wozzeck'' on 14 December 1925, conducted by Erich Kleiber, with Leo Schützendorf in the title role. From 1927 to 1931 he was also a member of the Berliner Krolloper. At the opening of the house on 19 November 1927, he appeared as Rocco in Beethoven's ''Fidelio''. He took part in the first staged performance of Stravinsky's ''Oedipus Rex'', conducted by Otto Klemperer. In 1929, he appeared at the Sopot Festival at the Forest Opera as Pogner in Wagner's ''Die Meistersinger von Nürnberg''. He also appeared as a concert and lieder si ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Georg Büchner
Karl Georg Büchner (17 October 1813 – 19 February 1837) was a German dramatist and writer of poetry and prose, considered part of the Young Germany movement. He was also a revolutionary and the brother of physician and philosopher Ludwig Büchner. His literary achievements, though few in number, are generally held in great esteem in Germany and it is widely believed that, had it not been for his early death, he might have joined such central German literary figures as Johann Wolfgang von Goethe and Friedrich Schiller at the summit of their profession. Life and career Born in Riedstadt, Goddelau (now part of Riedstadt) in the Grand Duchy of Hesse as the son of a physician, Büchner attended the Darmstadt Gymnasium (school), gymnasium, a humanism, humanistic secondary school."Büchner, Georg." Garland, Henry and Mary (Eds.). ''The Oxford Companion to German Literature''. 2nd ed. Oxford: Oxford University Press, 1986. p. 121. In 1828, he became interested in politics and jo ...
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Berlin State Opera
The Staatsoper Unter den Linden ( State Opera under the Lime Trees), also known as the Berlin State Opera (), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from 1741 to 1743 according to plans by Georg Wenzeslaus von Knobelsdorff in the Palladian style. Damaged during the Allied bombing in World War II, the former Royal Prussian Opera House was rebuilt from 1951 to 1955 as part of the Forum Fridericianum square. Nicknamed ''Lindenoper'' in Berlin, it is "the world´s oldest state opera" and "the first theater anywhere to be, by itself, a prominent, freestanding monumental building in a city." History Names Originally called the ('Royal Opera'), the company was renamed the ('Prussian State Opera') in 1919. After World War II it began operating as the national opera company for Communist East Germany, taking the name ('German State Opera') in 1955. In ...
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Libretto
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. The Italian language, Italian word (, ) is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language cognates, equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained ...
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Fritz Soot
Friedrich Wilhelm Soot (20 August 1878 - 9 June 1965) was a German opera singer (tenor). Life Born in , Soot became an early member of the Badisches Staatstheater Karlsruhe ensemble. At the same time he studied singing between 1900 and 1907 and made his official debut as Tonio in 1908. In 1909 he also took part in the sensational premiere of Strauss' ''Elektra'' at the Semperoper in Dresden. After the First World War Soot was engaged at the Staatstheater Stuttgart. There he was able to make a name for himself as an interpreter of Richard Wagner. Between 1922 and 1944 Soot was regarded as the "star" of the Staatsoper Unter den Linden. At the same time he had regular appearances at the summer festival of Sopot between 1924 and 1931. In the winter of 1924/25 Soot made an extremely successful guest appearance at the Covent Garden Theatre in London. In 1935 he was brought to the State Opera in Berlin as the "director of the artistic office". In 1941 he took part in the Zarah Lean ...
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