Women In The Algerian War
Women fulfilled a number of different functions during the Algerian War (1954–1962). The majority of Muslim women who became active participants did so on the side of the National Liberation Front (FLN). The French included some women, both Muslim and French, in their war effort, but they were not as fully integrated, nor were they charged with the same breadth of tasks as their Algerian sisters. The total number of women involved in the conflict, as determined by post-war veteran registration, is numbered at 11,000, but it is possible that this number was significantly higher due to underreporting.De Groot, Gerard, Peniston-Bird, Corinna. A Soldier and a Woman: Sexual integration in the Military. New York: Longman, 2000 p. 247 There exists a distinction between two different types of women who became involved: urban and rural. Urban women, who constituted about twenty percent of the overall force, had received some kind of education and usually chose to enter on the side ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Algerian Women In The Algerian War Of Independence
Algerian may refer to: * Something of, or related to Algeria * Algerian people, a person or people from Algeria, or of Algerian descent * Algerian cuisine * Algerian culture * Algerian Islamic reference * Algerian Mus'haf * Algerian (solitaire) * Algerian (typeface) See also * * Languages of Algeria * List of Algerians Notable Algerians include: Artists Actors * Hadj Abderrahmane, actor and comedian * Isabelle Adjani, French actress * Allalou, playwright, theatre director, and actor known as the father of Algerian theater * Mahieddine Bachtarzi, singer ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Footnotes
In publishing, a note is a brief text in which the author comments on the subject and themes of the book and names supporting citations. In the editorial production of books and documents, typographically, a note is usually several lines of text at the bottom of the page, at the end of a chapter, at the end of a volume, or a house-style typographic usage throughout the text. Notes are usually identified with superscript numbers or a symbol.''The Oxford Companion to the English Language'' (1992) p. 709. Footnotes are informational notes located at the foot of the thematically relevant page, whilst endnotes are informational notes published at the end of a chapter, the end of a volume, or the conclusion of a multi-volume book. Unlike footnotes, which require manipulating the page design (text-block and page layouts) to accommodate the additional text, endnotes are advantageous to editorial production because the textual inclusion does not alter the design of the publication. H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Women In The Decolonisation Of Africa
Nationalist and independence movements throughout Africa have been predominantly led by men; however, women also held important roles. Women's roles in African independence movements were diverse and varied by each country. Many women believed that their liberation was directly linked to the liberation of their countries. Women participated in various anti-colonial roles, ranging from grassroots organising to providing crucial support during the struggle for independence. Their activities included organising protests, distributing anti-colonial propaganda, and offering vital assistance such as food and medical care to injured guerrilla soldiers. Additionally, some women actively engaged in frontline combat alongside their male counterparts. Women involved in anti-colonial efforts frequently encountered violent opposition from colonial authorities, resulting in incidents of imprisonment and torture, as consequences for their participation in such endeavors. Despite the significant c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Women In Arab Societies
Women in the Arab world have played different and changing roles, depending on the time period, the regional area, their social status. Differences in history, tradition, social structure and religion in different Arab countries have also largely reflected on the role of women within them. Indeed, the preferred definition of the Arab World refers to the 22 member countries of the League of the Arab States, but this includes countries that differ in economic development, demography, political stability, history of conflict or war. Historically, women in the Arab world have played important roles in their societies, including as mothers, educators, and community leaders. The role of Islam in shaping women's role is the object of debate: while traditional discourse has seen Islamic societies as patriarchal and repressive of women, more and more literature today proposes a different perspective. Highlighting improvements in women's position in Arabic societies before and after Islam ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Women In Algeria
Throughout Algeria's history as an independent state, there has been conflict between women's rights activists and conservatives about the status of women in Algeria. The 1984 Algerian Family Code entrenched certain forms of gender inequality and discrimination against women. Some progressive reforms were implemented in 2005 and amendments were made to the laws. Background Algeria is a country in North Africa on the Mediterranean coast. After a prolonged rule by France, Algeria obtained independence from France in 1962. The Algerian Civil War (1991-2002) had a negative influence on women's wellbeing. 99% of the population is Arab-Berber, and a similar percentage is Muslim, predominantly Sunni. In Algeria, as in the rest of the MENA Region, women are traditionally regarded as the housekeeper, however women make up 65% of Algeria's university graduates and are the most educated gender. Algeria also has a strong culture of family honor, even amongst more liberal citizens. Marria ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Gillo Pontecorvo
Gilberto Pontecorvo (; 19 November 1919 – 12 October 2006) was an Italian filmmaker associated with the political cinema movement of the 1960s and 1970s. He is best known for directing the landmark war docudrama '' The Battle of Algiers'' (1966). It won the Golden Lion at the 27th Venice Film Festival, and earned him Oscar nominations for Best Director and Best Original Screenplay. His other films include '' Kapò'' (1960), a Holocaust drama; ''Burn!'' (1969), a period film about a fictional slave revolt in the Lesser Antilles; and '' Ogro'' (1979), a dramatization of the assassination of Spanish Prime Minister Luis Carrero Blanco by Basque separatists. He also directed several documentaries and short films. In 2000, he received the Pietro Bianchi Award at the Venice Film Festival. The same year, he was ascended as a Knight's Grand Cross of the Order of Merit of the Italian Republic. Early life Pontecorvo, born in Pisa, was the son of a wealthy secular Italian Jewis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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The Battle Of Algiers (film)
''The Battle of Algiers'' (; ) is a 1966 Italian-Algerian war film co-written and directed by Gillo Pontecorvo. It is based on action undertaken by rebels during the Algerian War (1954–1962) against the French government in North Africa, the most prominent being the eponymous Battle of Algiers, the capital of Algeria. It was shot on location in a Roberto Rossellini-inspired newsreel style: in black and white with documentary-type editing to add to its sense of historical authenticity, with mostly non-professional actors who had lived through the real battle. The film's score was composed by Pontecorvo and Ennio Morricone. It is often associated with Italian neorealist cinema. The film concentrates mainly on revolutionary fighter Ali La Pointe during the years between 1954 and 1957, when guerrilla fighters of the FLN went into Algiers. Their actions were met by French paratroopers attempting to regain territory. The highly dramatic film is about the organization of a guerri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Youssef Chahine
Youssef Chahine ( ; 25 January 1926 – 27 July 2008) was an Egyptian film director. He was active in the Egyptian film industry from 1950 until his death. He directed twelve films included in a list of Top 100 Egyptian films published by the Cairo International Film Festival. A winner of the Cannes 50th Anniversary Award (for lifetime achievement), Chahine was credited with launching the career of actor Omar Sharif. A well-regarded director with critics, he was often present at film festivals during the earlier decades of his work. Chahine gained his largest international audience as one of the co-directors of '' 11'9"01 September 11'' (2002). Childhood and early life Chahine (Fr. pronounced Shaaheen) was born in Alexandria, Egypt to a Melkite Greek Catholic family. His father was an attorney originally from Zahle, Lebanon and was a supporter of the Egyptian nationalist Wafd Party. His mother, Claire Bastorous was of Greek descent. She worked as a tailor. Although C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Jamila, The Algerian
''Jamila, the Algerian'' () is a 1958 Egyptian historical film about one of the most important figures in the history of Algeria, Djamila Bouhired. The film was directed and produced by Youssef Chahine and written by Abd al-Rahman Sharqawi, Ali al-Zarqani, and Naguib Mahfouz. It is regarded as not only highlighting the story of an important female revolutionary, but also showing the struggle of the Algerian people against the French occupation. The film stars Magda, Salah Zulfikar and Ahmed Mazhar in the leading roles. ''Jamila, the Algerian'' is the first and only multimedia narrative to focus solely on the role of Algerian women in the 1954 revolution. The film was released only a year after the torture and arrest of Djamila Bouhired, and it was banned by the Algerian government for decades. Despite this, Chahine's first explicitly political film managed to galvanize wide solidarity with the Algerian resistance from across the Arab World, starting in Egypt. ''Jamila, the Algeri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Frantz Fanon
Frantz Omar Fanon (, ; ; 20 July 1925 – 6 December 1961) was a French West Indian psychiatrist, political philosopher, and Marxist from the French colony of Martinique (today a French department). His works have become influential in the fields of post-colonial studies, critical theory, and Marxism. As well as being an intellectual, Fanon was a political radical, Pan-Africanist, and Marxist humanist concerned with the psychopathology of colonization and the human, social, and cultural consequences of decolonization. In the course of his work as a physician and psychiatrist, Fanon supported the Algerian War of independence from France and was a member of the Algerian National Liberation Front. Fanon has been described as "the most influential anticolonial thinker of his time". For more than five decades, the life and works of Fanon have inspired national liberation movements and other freedom and political movements in Palestine, Sri Lanka, South Africa, and the Unite ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |